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Erratum – This week’s openings in Brussels
Newsletter May 2025
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[NGHE NEWSLETTER] Médiathèque lunaire _ samedi 3 mai ° Release party VIN DE SPRITE + VÂCarm + CRAC BOURDON
CRAC BOURDON
SURPRISE Sortie de résidence à Nghe
VÂC ARMs
“Le premier mouvement de Parole (Vac en sanskrit) avait été de laisser l'humanité plongée dans le silence. L’espèce humaine était originairement vouée à attendre le verbe. (…) Le premier mouvement de la déesse Parole avait été de s'unir à la danse-musique de la Forêt tant la Grande Vache Parole aimait jouer entre les arbres et errer dans l'infinie beauté, hauteur, grandeur, verdeur, luxuriance, des branches qui ne cessent de se hausser vers le ciel”. (Pascal Quignard- L'Origine de la Danse).
« (…) », « Hummm », « Ouh la la » citations et certitudes.
Avec ce qui se dit et ce qui se disait, entre les à propos de ce qu'on a entendu, de voitures, d’aveux ou de bouffe. De l'archive à la voix qui dit, puisque parler parle ou ne parle pas pour en dire autant, que parler arrête et pose des contours à la pensée sensible, que parler répète une mélodie connue, que parler redit et décrit et s’adresse pour dessiner une place et faire exister tout, que parler abrite et que parler est beau.
Je – parle
Je – joue
« (…) », « Hummm », « Ouh la la » citations et certitudes.
Avec ce qui se dit et ce qui se disait, entre les à propos de ce qu'on a entendu, de voitures, d’aveux ou de bouffe. De l'archive à la voix qui dit, puisque parler parle ou ne parle pas pour en dire autant, que parler arrête et pose des contours à la pensée sensible, que parler répète une mélodie connue, que parler redit et décrit et s’adresse pour dessiner une place et faire exister tout, que parler abrite et que parler est beau.
Je – parle
Je – joue
VIN DE SPRITE
Vin de Sprite est tout droit sorti d’un atelier musique initié en 2021 par le chanteur Antoine Loyer au sein du Créahmbxl, espace de création pour personnes porteuses d’un handicap mental. Au départ groupe à géométrie variable, il compte une dizaine de musiciens avec lesquels sont échafaudées une cinquantaine de chansons. Deux ans plus tard sort « Vin de Charleroi / MIMA » . Après le départ d’Antoine du Créahm, le groupe devient autonome et se recentre rapidement autour de la personnalité charismatique du chanteur et claviériste Donatien Toma Ndani Djemelas. Celui-ci est autant à l’aise dans le spoken word déclamé sans filtre que dans les improvisations spatiales réalisées sur orgue électrique et autres synthétiseurs.
Vin de Sprite fêtera la sortie de la K7 “Igo des Vosges” et de “L'orgre de la Stagelle” (numérique), deux albums « sauvages » dont l'un a été conçu dans les Vosges et baigne dans les cornemuses et les vielles à roue trado-bruitistes (K7 dupliquée à la NGHE, bien entendu !).
Donatien Toma Ndani Djemelas – claviers, chant, Antoine Loyer – guitare, chant, Alice Georges Perez – chant
Vin de Sprite délivre des chansons faussement minimalistes, à mi-chemin entre Moondog et Wild Man Fischer… (Sonic Protest)
Nouveauté
Disponible dans la distro
Le fond de la terre est rouge
STOP EXTRACTION AU CONGO
Né d'une volonté de concrétiser les liens entre les horreurs du Congo et l'économie capitaliste globale, “Le fond de la terre est rouge” nous plonge dans la sanglante machine à extraire qui produit guerres, exploitation et destructions. Plus qu'un texte de contre-information, ce fanzine se veut être un appel à la solidarité et à la lutte aux côtés des exploité·e·s au Congo et ailleurs. Car le malheur du Congo nous concerne directement. Dénoncer et transformer la réalité congolaise, c'est bousculer la réalité mondiale présente !
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🥇 Herzlichen Glückwunsch an die Gewinnerinnen des IKOB – Feministischen Kunstpreises 2025! 🥈🥉
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This week’s openings in Brussels
[nadine] May 2025
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Stem Z33 naar de finale
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Oscillation ::: The Weather Bulletin ep. 2
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En mai à l’Institut : visite guidée, colloque & conférence
¤ ¤ ¤ A masteress of the guembri, the typical three-string bass lute,
à ZonneKlopper 23 avenue de la verrerie – 1190 forest Trams 82, 97 et bus 50, arrêt Max Waller Attention ! travaux chaussée de Neerstalle : les lignes directes sont interrompues au niveau de la commune de forest (bus de remplacement T82, 50, 52 jusqu’à l’arrêt Max Waller) Zonneklopper est un lieu auto-géré qui accueille des publics divers, aucune discrimination ni oppression d’aucune sorte ne sera tolérée. Echoic Choir, Stine Janvin & Ula Sickle, 2021, May 3 & 4: Ula Sickle, For one weekend only, on May 3 & 4, Polish Canadian artist Ula Sickle takes over NW with a live exhibition merging choreography, performance, and visual arts. Sickle has developed an internationally recognized practice that explores movement as both a cultural archive and a political act. Her work, presented at major institutions and festivals, interrogates how bodies encode, resist, and transmit ideology. Viewmaster, Heike Langsdorf, Ula Sickle, Info-Angel: Viewmaster (2007) On the occasion of A Choreographic Exhibition, Info~Angel, an ongoing series of archival presentations, revisits Viewmaster, a collaboration between choreographers Ula Sickle, Heike Langsdorf, and architect Laurent Liefooghe, presented in Netwerk in 2007. Created specifically for the space now occupied by NW’s cinema, Viewmaster explored pre-cinema technology through the use of the 19th-century optical illusion known as the 'Pepper’s Ghost' effect. This Info~Angel explores the intersections of performance, film, and scenography in Viewmaster, which continue to shape Sickle’s practice. It also highlights NW’s early engagement with film and performance, a focus that remains central to its programming today. Holding Present, Ula Sickle & ICTUS, 2023, Bozar (Brussels), (c) Marin Driguez Practical information The different works in the exhibition will run continuously and simultaneously on Saturday 3 and Sunday 4 May, from 13:00 to 18:00. © 2025 Netwerk Aalst. All rights reserved. NW, Open House for Contemporary Art and Film Update your preferences or unsubscribe from this list.
Opening tonight from 6pm to 9pm at Reset Atelier 5 place Sainte Gudule, Brussels We would like to invite you to the opening of ‘Somehow We Manage’, the inaugural group exhibition of our artists collective WillieWillieStudio at Reset Atelier. The exhibition is part of the Off-programme of Art Brussels. Within the walls of the Marquis building, which also houses the Brussels Stock Exchange, we attempt to redefine the boundaries between dominant market systems and the life of an artist. What potential lies in the cracks of the office building? Somehow We Manage showcases the work of fifteen artists: Aline Bouvy, Alizée Loubet, Audrey Jonchères, Boris Bermond, Deborah Bowmann, Guillaume Jannes, Hugo Janin, Leo Luccioni, Marlies De Clerck, Paola Siri Renard, Romain Zacchi, Victor Delestre, Walter Wathieu, Willie Morlon and Yemo Park. We would love to have you at the vernissage on the 23rd of April from 18:00 – 22:00. If you are not able to join us during the opening, the exhibition runs until the 4th of may and will be open everyday from 13:00 – 18:00. (During Art Brussels 24th-27th of April: 11:00 – 18:00) Address: Place Sainte-Gudule 5, 1000, Brussels Hope to see you there. Many kisses, Williewilliestudio Copyright (C) 2025 Deborah Bowmann. Tous droits réservés. Notre adresse postale est la suivante : Vous souhaitez modifier les paramètres pour ce type d’e-mails ?
Performance by Joana Preiss, Wednesday April 23, between 7 & 8pm Joana Preiss is an artist, stage and screen actress, performer, and filmmaker. She began her acting career in theater with Pascal Rambert and in film with Olivier Assayas and Christophe Honoré. She has also collaborated with contemporary Artists such as Nan Goldin and Ugo Rondinone. She directed Siberie, her first feature film, followed by Silent Asylum and Lands Close to Paterson. An artist and musician, she regularly creates unique and organic sung performances focusing on improvisation and using her Voice as an instrument, a Capella, in interaction with Artworks & Poetry. She is currently developing the performance adaptation of her poetic Opera Terrestre X Tra, as well as her creation La Traducción, and the post-production of her feature film Sangre. Images: Jean-François Octave “A Love Supreme” 2025 / John Coltrane praying for nuclear bomb victims at Peace Memorial Park, Nagasaki, Japan. July 14,1966.
SAINT-PAUL DE VENCE PARTENAIRES PARTICULAIRES André-Pierre Arnal, Vincent Bouliès, Ernest Breleur, Pierre Buraglio, Louis Cane, Open from Monday to Sunday from 10 to 6 pm Fondation CAB Saint-Paul de Vence is honored to host an exhibition devoted to historical artists of the Supports/Surfaces movement and other artists of the contemporary scene. From painting to moving images, sculpture and design, Foundation CAB brings together so many practices that manipulate the primary imaginations of precarious materials, from imprints to decomposed compositions, operations, moving and luminous abstractions, assemblages and recycling, etc. In this way, the stakes / the game lie in overcoming the blinkers, postures and boundaries that play on System D, the particle of matter. With the kind collaboration of CEYSSON & BENETIERE FESTIVAL DE MUSIQUE VALENTIN TOURNET & DJEDJOTRONIC Friday, July 25, 2025 at 9 pm The Festival de Saint-Paul de Vence is investing Fondation CAB for the first time for a unique dialogue between classical music, electronic music, and contemporary art. This unique encounter between the viola da gamba and electronic machines projects us into temporalities and aesthetics that seemed to be at odds with each other. Yet, this sonic exploration results in a common, highly modern voice that addresses the themes of encounters with otherness, technological transformations, and our relationship to change. 8 pm: Doors open and exhibition tour 20h: Ouverture des portes et visite de l’exposition
Aesculus, 2025, Manheim, Bennewinkelstraße, 30.1.2025, 9.30 Uhr/ am, Foto/ photo: Silke Schatz. Please scroll down for English Version Anlässlich der letzten Tage der Ausstellung Terrestrische Perspektiven, die nur noch bis zum 27. April 2025 im Ludwig Forum Aachen zu sehen ist, freuen wir uns, dass Künstlerin Silke Schatz am Samstag, 26. April 2025 noch einmal zu einem Rundgang durch die Gemeinde Manheim einlädt. Diese gilt als der letzte Ort, der nach den Plänen der Landesregierung und des Energiekonzerns RWE für den Braunkohletagebau weichen soll. Alle Informationen zum Ablauf und Treffpunkt finden Sie unterhalb. Ihr Samstag, 26. April 2025, 14 Uhr Seit dem letzten Spaziergang am 22. September 2024 hat sich viel verändert, der Energiekonzern hat bereits etwa die Hälfte des Ortes eingewallt und den Zugang zu den Flächen dahinter stark eingeschränkt, auch wurden Anfang Januar nach einem Urteil des OVG Münster das Manheimer Wäldchen, genannt Sündenwäldchen, zu großen Teilen gerodet. Ein kleiner Teil steht noch, dank der Menschen, die die Bäume schützen, jedoch ist dieser nun geschwächte Waldfleck dem Wind und den nahenden Kohlebaggern ausgesetzt. Der Rundgang führt durch den noch von drei Parteien bewohnten Ortsteil, vorbei an Ruderalvegetation und verwilderter Kulturpflanzung. Ein Besuch an der Mahnwache Lützerath, die sich in der ehemaligen Streuobstwiese an der Esperantostraße befindet und die Zerstörung Manheims und des Restwaldes mahnt, ist Teil des Spaziergangs. Im Anschluss gibt es Kaffee und Kuchen zu dem auch die letzten Bewohnenden Manheims eingeladen sind. Führungen im Ludwig Forum Aachen: Donnerstag, 24. April 2025, 18 Uhr Lufonauten English Version On the occasion of the last days of the exhibition Terrestrial Perspectives (on view through April 27, 2025), we are delighted that artist Silke Schatz is offering another tour through the municipality of Manheim on Saturday, April 26, 2025. Manheim is considered to be the last village according to the plans of the NRW state government and the energy company RWE that is to be demolished for the mining of brown coal. For information on registration and participation in the event, please see below. We are looking forward to seeing you! Yours Saturday, April 26, 2025, 2pm A lot has changed since the last walk on September 22, 2024. The energy company has already fenced in about half of the site and severely restricted access to the areas behind it. At the beginning of January, following a ruling by the Münster Higher Administrative Court, large parts of the Manheimer Wäldchen, known as “Sündenwäldchen”, were cleared. A small part is still standing, thanks to the people who protect the trees, but this weakened patch of forest is now exposed to the wind and the approaching coal excavators. Thursday, April 24, 2025, 6pm Sunday, April 27, 2025, 3pm The guided tours are being held in German. Impressum Ludwig Forum für Internationale Kunst
Dear specimen under the shifting skies, Our in-house Oscillation ::: The Weather gazette press is rolling once more; the annual bulletin series officially exists again as you’re reading this sentence. Because in less than 2 weeks, our aural banquet is opened, musing the weather as phenomenon, as metaphor, and as concept, linked to field recording. Tickets are still available for each day, as are festival passes; some workshops are already sold out. As in past years, we are once again touring venues the festival has never visited: BIS, Le Brass, Atelier 210, La C*******, Jean-Felix Hap Park, Marais Wiels, and an outing to the Smoorbeekvallei. For those who haven’t already: time to dive into our program and find out what this year’s artists are up to ::: Concert program: 1/05, Le Brass: Silvia Tarozzi & Deborah Walker, Marta Zapparoli, Jana Winderen, Jonathan Frigeri, Gabi Schaffner & Ernst Markus Stein 2/05, BIS: Áine O’Dwyer, Vanessa Rossetto, Pat Thomas 3/05, Jean-Felix Hap Park: Justin Bennett, Rory Salter, Gabi Schaffner & Ernst Markus Stein 4/05, La C*******: Lieven Martens & Simon Van Honacker, Tzu Ni, Ute Wassermann, Andreas Trobollowitsch & Elvin Brandhi, d’incise 2/05, BIS: discourse program 14:30 David Toop: Haunted Weather Workshops 28-30/04 Continuous radio program The full schedule of our radio program will be announced in the coming days. From the eye of the storm, The Oscillation Weather Station |
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A LOVE SUPREME
Easter treats
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Join Us for Humming the Ubique!
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Art Brussels | 24 – 27 April, 2025
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A LOVE SUPREME, opening Wednesday April 23 with performance by Joana Preiss
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Fondation CAB Brussels I SUPER CONCEPTUAL POP I Art Brussels I Artist-in-residence
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BRUSSELS SUPER CONCEPTUAL POP Pierre Bismuth, Stefan Brüggemann, Delphine Coindet, Martin Creed, François Curlet, Camila Oliveira Fairclough, Cristina Garrido, Bertrand Lavier, Leo Luccioni, Open from Wednesday to Saturday from 12 to 6 pm
 The Super Conceptual Pop exhibition takes as its starting point one of Brüggemann’s eponymous Show titles to champion a new, twisted chapter in the relationship between conceptual and pop aesthetics in contemporary creation. Through the works exhibited this twist offers a fresh approach to conceptual art, that simultaneously celebrates a form of nihilism, reminiscent of Dada, and exhibits itself in the realm of amusement and merchandise. A joyful conceptualism! ARTIST-IN-RESIDENCE ADRIEN DEGIOANNI From 1st April to 31st May 2025  Fondation CAB Brussels is delighted to present its 35th artist in residence, Adrien Degioanni (1991, Toulouse, France). Adrien Degioanni develops a practice in which, among other plastic explorations, sound becomes both material and questioning. Through a transversal approach, he explores the expanded forms and definitions of silence, questioning our perception of a world saturated with constant flows—flows increasing in number and speed, becoming a suffocating noise. ART BRUSSELS 24 – 27 April 2025 OFF PROGRAMME We are part of the OFF program of Art Brussels Open Wednesday to Saturday from 12 to 6 pm  
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Visit us at Art Brussels 2025: 24-27 April
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