NOVEMBER at Fondation CAB Brussels I Open Studio – Workshop kids

NOVEMBER at Fondation CAB Brussels I Open Studio – Workshop kids ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌

Save The Date: Koen van den Broek and Peter Joseph

We are pleased to invite you to the opening of Koen van den Broek and Peter Joseph's exhibitions. 

Vernissage on Thursday, November 21
6 ⏤ 8pm

Koen van den Broek

Ribbons

November 21, 2024
⏤ February 15, 2025

Koen van den Broek, Color Curtain, 2023, traffic paint and tar on canvas

Galerie Greta Meert proudly presents Ribbons, a striking new exhibition by Belgian artist Koen van den Broek, marking a bold transformation in his artistic journey. Known for his unique interplay of abstraction and realism in urban landscapes, van den Broek redefines his practice by merging the canvas and the road. Employing materials used in road marking, he crafts works that challenge the boundaries between representation and autonomy, flatness and depth. Discover this pivotal evolution in contemporary painting, where the canvas becomes a road and art takes a fresh, tactile direction.

Peter Joseph

Border Paintings

November 21, 2024
⏤ February 15, 2024

Peter Joseph, Light Green with Dark Violet (June, 1990), acrylic on cotton duck

In the serene world of Peter Joseph’s minimalist masterpieces, color, light, and balance converge. Known for his signature “painting-within-a-painting” compositions, Joseph uses glowing, earthy tones to create meditative spaces that invite introspection. His works, blending the precision of minimalism with the softness of natural light, transform the canvas into portals of quiet contemplation; subdued elegance meets a lyrical, ethereal depth.

Tomorrow finissage Céline Vahsen, Lola Daels & Anna van der Ploeg

 
 
Matter of Fact

Finissage November 21, 1-6 PM
 
 
 

Céline Vahsen, Lola Daels, Anna van der Ploeg

___________________________________________________________________________
 
 
Céline Vahsen (°1987, Malmédy) lives and works in Brussels. She studied visual arts in Brussels, Lucerne, and Hamburg, and completed her Master in the textile department of ENSAV La Cambre in Brussels in 2013. She has been artist-in-residence at WIELS Contemporary Art Centre, iMAL – Art Center for Digital Cultures & Technology, the Boghossian Foundation, ZSenne ArtLab, Fondation CAB in Brussels, and at the Frans Masereel Centrum in Kasterlee, Belgium. In 2019, she participated in the Académie des Savoir-Faire at the Fondation d’entreprise Hermès in Paris, France. Her work has been shown internationally at venues such as the 21st Century Museum of Contemporary Art in Kanazawa, Japan, E.A. Shared Space in Tbilisi, Georgia, Marres House for Contemporary Culture in Maastricht, The Netherlands, New York Textile Month in the United States and nationally at IKOB Museum of Contemporary Art in Eupen, Le Delta in Namur, and in Brussels, Pilar, Ccinq, among others.
She makes self-created canvas with hand-woven and naturally colored threads, based on several traditions in geographically dispersed regions. Her compositions and use of color create an instant visual feeling, with intriguing details and multidimensionality.
  
Lola Daels (°1990, Jette) lives and works in Brussels. She gained her master’s degree in visual arts from the Luca School of Arts, Brussels, in 2014. Her work has previously been shown in group exhibitions at Bozar (BE), Extracity Kunsthal (BE), Art Sonje Center Seoul (KR) and Kunsthal Aarhus (DK), amongst others.  Daels is currently in residency at the Academia Belgica in Rome (IT) and completed residencies at M Museum (BE), EKWC (NL), Kooshk Residency (IR), AAIR Antwerpen (BE), Cité Internationale des Arts (FR), and Fondation CAB (BE), among various others.
She mainly creates sculptures and site-specific installations in which she questions ecological issues and the notion of ‘authenticity’. Her research currently focuses on oldfashioned imitation techniques, which she reinvents and tries to make sustainable.
 
Anna van der Ploeg (°1992, Cape Town) lives and works in Brussels. She studied visual arts at the Michaelis School of Fine Arts, University of Cape Town, and completed her master’s degree at KASK in 2022, where she was awarded the Leu de Legaat Award for Fine Arts.
She has been artist in residence at M Leuven (BE), SAFFCA, La Cambre (BE), Reservoir Projects (ZA), MI_Lab (JP), Vice-Versa (IN), David Krut Projects (ZA) and Atelier le Grand Village (FR). She has held solo exhibitions in Cape Town, Johannesburg, New York, Brussels and Melbourne, and participated in numerous group shows internationally.
She works primarily with the media of painting, sculpture and printmaking. In this exhibition, she shows her typical wood carvings in plywood, referring to human interactions, inscription and how they relate to prescribed roles, scripts and dialogues.
 
Each of these three Brussels-based artists’ work possesses a tension between the material, durable object and the intangible. Objects anchor human
existence but remain entagled in broader, more ephemeral processes. In this show, the physical is a door, but ideas walk you through it. Tactile, technical, precise – this is the threshold.

___________________________________________________________________________

 
         

Ch. de Charleroi, 54 1060 Brussels – www.whitehousegallery.be

This week’s openings in Brussels

This week’s openings in Brussels

Opening this week
Wednesday 20 Nov → Tuesday 26 Nov

Fri 22.11 — 18:00

Fri 22.11 — 18:00



Opening next week
Wednesday 27 Nov → Tuesday 03 Dec

Public Program Winter 2024

‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ 

Online versie

 
 Stedelijk Klein Miriam Cahn zaaloverzicht nieuwsbrief  Museum SMA header goed
 
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Upcoming: Stéphanie Baechler & Joke Hansen

 
 
Vernissage Saturday November 30, 4-7 PM
 

 

Stéphanie Baechler

Zeros + Ones

 
November 30 – January 16
 
December 21, 4 PM: Book presentation & reading Forget me not  Stéphanie Baechler and Rudy Guedj 

 

Joke Hansen

WIDE SHOTS

 
November 30 – January 16

_____________________________________________________________________________
 
Stéphanie Baechler (°1983, Meyriez, CH) lives and works in Amsterdam and Bern, in Switzerland. She has exhibited at MAHF, Fribourg, Chamber Gallery New York, Kunsthalle Fri Art Fribourg, Kunsthaus Centre d’art Pasquart Biel, Sankt Gallen in Switzerland, Arti et Amicitiae in Amsterdam and Mode Museum Antwerpen, among others. Her works are in public and private collections such as HEAD Geneva, Museum für Gestaltung Zürich and MAHF Fribourg.
This is the first exhibition of her work in the gallery in Brussels. Baechler is interested in the interplay between craft and technology; the complex and often ambiguous relationship between handmade and machine-made results. Textile and clay are the main materials she uses in her sculptures and installations. Her work is characterised by a sensitive, intuitive and process-oriented approach to materials. During the past summer months, she showed an impressive installation at the Tröckneturm (drying tower) in Sankt Gallen, Switzerland. She also created a book – historically documented – for this event, together with publisher Rudy Guedj of Building Fictions. The works in this exhibition are inspired by and build on this installation.
 
Joke Hansen (b 1979, Bilzen, BE) lives in Bilzen and works in Hasselt. Her work has been exhibited at Kunsthalle Recklinghausen in Germany, Z33 in Hasselt and SMAK in Ghent, among others.
This is the first show of her work in the gallery in Brussels. Hansen plays with strange shapes and cut-outs in her wooden panels and ‘shaped canvases’. Sometimes she also paints these shapes on a photograph of a landscape. They imply an extra dimension, a portal to another world or the next level. Each new work clashes with a delicate balance between resolving unpleasant compositional tensions and finding just enough interesting friction. She herself often describes the dancing holes, tubes and tunnels in her works as escape routes. For a year now, she has also been making sculptures that hang on the wall. The elements spaced out in her larger works are assembled and balled into sculptural volumes, which play equally with layers and perspective; less from an essential reduction and more from a mass; not in paint, but in a third dimension. Neither finding nor stacking these elements is done strategically. Everything is intuitive and spontaneous.

_____________________________________________________________________________
         

Ch. de Charleroi, 54 1060 Brussels – www.whitehousegallery.be

Montez Press November News

Montez Press News
November 2024

→ Free tickets to Prepositions launch on 12/07/24
→ Interjection-010-11
→ Meet Nina Kuttler
→ MPR November Schedule

Prepositions by Timmy Simonds & Aaron Lehman: Book Launch

Montez Press is pleased to invite you to the launch of Prepositions, an artist book by Timmy Simonds and Aaron Lehman, on Saturday 7th December from 6:30pm at The Performing Garage, NYC. The night will feature readings from artists and writers Timmy Simonds, Aaron Lehman, Ona Lindquist, Bethany Ides, Thom Donovan, Malcolm Peacock, and Assembly, and will also be broadcast live on MPR.

Prepositions enacts a distinction between what language says and what it does. A catalogue of exercises, interviews, essays and creative explorations, this workbook-compendium invites the reader to investigate how we practise empathy, understanding, and contact, by learning and teaching all at once. Building on the archive of Montez Press Radio show Tongue and Cheek, and featuring work from Assembly, CAConrad, Thom Donovan, Joseph Grigely, Bethany Ides, Thomas Laprade, Shaun Leonardo, Ona Lindquist, Ben Morgan-Cleveland, and Malcolm Peacock, Prepositions asks us what active and embodied participation really means, not just in teaching, but across a whole life.

→ Preorder your copy here
→ Book your free tickets to the launch on Saturday December 7th 
→ Listen to Timmy & Aaron on The Brooklyn Rail’s NSE Podcast on Thursday November 14th, 1pm EST

November Interjection: THIS MANIFESTO IS A PROJECTION  – Yi Wei

Yi Wei is a writer unconditionally supportive of Palestinian resistance and liberation. Her work has been awarded or placed for the Frontier OPEN, the Lois Morrell Poetry Prize, the Adrienne Rich Award for Poetry, the Sappho Prize for Women Poets, Best of the Net, the Lorraine Williams Poetry Prize, and the Writer in the Public Schools fellowship at NYU. She is currently editing at Asian American Writers’ Workshop.

→ Read Yi’s writing here

Meet Nina Kuttler, Pfeil Magazine’s Guest Editor 

As we finalise the next issue of Pfeil with a surprise cover, we’d like to introduce the guest editor for the 18th edition, Nina Kuttler. 

Nina Kuttler is a visual artist, reader, writer, co-curator of the Upstream concert series in Hamburg and part of the words & music duo CILIA. Her video works, radio plays and texts deal with the history of science, surface tension, cleaning rags, fossils, horoscopes, celestial bodies, labour, pilots, astronomers, flying objects, fictions, speculations and their connections. In a multi-media approach her work probes cultural and scientific (hi)stories, asking who gets to cultivate, tell and be part of them and for whom they are told.

See more of Nina’s work here

Wednesday 20th November at 11am with Charlotte Krafft, Frieder Haller, Mark von Schlegell, Texte zum Nachdenken, Pleasure Systems’ Christmas Spectacular, Michelle Lhooq, Bryony Dawson, Mathilde Heuliez, Jonathan Lubasch, George Macbeth, Giulia Ottavia Frattini, Kristina Stallvik, Extra Extra, and Judith Vrancken, followed at 7pm by “Super Saiyan Feminism,” a lecture by Maya Ben David. This lecture is in collaboration with Random Man Editions and concludes our year-long residency at Canal Projects, “A Word Misheard is a Thing Remade.”

Thursday 21st November at 6:30pm, live from CUNY Grad Centre with World Poetry Books featuring translators Madhu Kaza, Hamid Roslan, and Elisa Taber. 

Saturday 23rd November at 9pm CST live from Mexico City’s LUZY with Standard Operating Procedure, Sonya & Figura.03, Attention Whores, DJ Dulces Sueños, and Méjico. 

Listen at radio.montezpress.com
→ Keep an eye on this month’s schedule
→ Sign up as a Supporter and unlock the archive
→ Donate

With love,
MPR & Montez Press

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OV Project hosting Milla Tombroff – Jewelry Launch, opening November 22

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OV Project hosting Milla Tombroff
e1f6bcc8-8c86-4ba4-b0ad-306f7706d233.jpg Jewelry Launch, opening November 22

Milla_Tombroff_Jewelry

photo ©️ Adele Boterf

OV Project is pleased to host Milla Tombroff for the launch of her first jewelry collection.

Opening on Friday November 22 from 6 to 9 pm.
Saturday November 23 from 11am to 6pm.
Sunday November 24 from 11 to 6 pm.

For more info email  ***

UPCOMING

OV39: “Genesis”
Group show with Constantin Brancusi, Stief Desmet, Anneke Eussen, Takahashi Kaishu, Goro Kakei, Richard Nonas, Virginia Overton, Gerrit Rietveld, Teresa Solar, Ken Domon, Franz West, Jirō Yonezawa and more…
Opening on Saturday December 7 from 2 to 6pm – until February 8

 

OV Project:
Rue Van Eyck, 57
B- 1050 Brussels
@:
OV contemporary – office:
Rue Jean-Baptise Colyns, 72
B -1050 Brussels

Opening hours :
Thu. to Sat. from 2 — 6 pm
or by appointment

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Correcte datum wintertuin workshop

Correcte datum wintertuin workshop

Naar aanleiding van een fout in de november nieuwsbrief hebben we de vraag gekregen of de wintertuin workshop van Hans Engelbrecht plaats zal vinden op maandag 25 november, of op dinsdag 26 november. Onze excuses voor deze onduidelijkheid! 

De workshop vindt daadwerkelijk plaats op maandag 25 november. Hij wordt twee keer gegeven: van 11-13u en van 14-17u. We verwelkomen je graag! 

Info en tickets

Meer Marres zien? Check voor alle komende tentoonstellingen en events de site, of volg Marres op Instagram voor updates, voorproefjes en behind-the-scenes!

Marres, Huis voor Hedendaagse Cultuur
Capucijnenstraat 98
6211 RT  Maastricht
043 327 02 07
www.marres.org | 

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Nieuwsbrief: Alle najaarsactiviteiten bij Marres!

Veel nieuws op de agenda!

In verband met de opbouw van de nieuwe tentoonstelling Vultures & Fireflies is Marres dit najaar gesloten voor een spontaan bezoek. Desalniettemin staan er veel leuke activiteiten op de planning waarvoor we je graag verwelkomen, dus zetten we ze hieronder gemakkelijk op een rijtje. Tot snel!

FASHIONCLASH Festival in Marres
15-17 november, 12-5u

Ook dit jaar is Marres één van de deelnemende locaties tijdens het internationale en interdisciplinaire FASHIONCLASH! Het festival staat in het teken van het ontdekken, stimuleren en mede vormgeven van de huidige ontwikkelingen in de mode en toont ditmaal het werk van o.a. Jose Marie Sta. Iglesialaila claessen en UNCOMMON RAGE.

Het volledige programma en tickets vind je hier

Wintertuin workshop 
De Ommuurde Tuin (NL)
Dinsdag 25 November, 11-13u of 14-17u

In de stadstuin van Marres vindt momenteel de overgang plaats van herfst naar winter. Meestal zien we dat als een proces van afsterven: bladeren verkleuren en vallen, planten verdorren, vogels trekken weg, en andere dieren beginnen aan hun winterslaap. Maar er gebeurt veel meer. Ter gelegenheid van de 25e verjaardag van Marres organiseren we elke 25e van de maand een event. Op 25 november is dit de workshop De Ommuurde Tuin. Hier zal hovenier Hans Engelbrecht je wijzen op de processen die zich tijdens de seizoensovergang voordoen en vertelt hij over de unieke planten en dieren in de tuin, en op de historische muren. We nodigen je uit om warme kleren aan te trekken, met ons te komen genieten van de frisse buitenlucht en gezellig na te praten met een warme chocomel! 

Info en tickets

Training the Senses workshop
Alter Ego: De zintuigen van je andere zelf trainen (EN)
Vrijdag 29 november, 18-20u

Beeld: © Rob van Hoorn

Een alter ego is een andere versie van jou—iemand die je soms wilt zijn. Deze versie van jou kan er anders uitzien, praten en zich anders gedragen, maar jij bent het nog steeds! Marres verwelkomt vier performancekunstenaars die samen met jou het alter ego op verschillende manieren verkennen. Aan de hand van verschillende oefeningen laten ze je in een veilige en gastvrije ruimte ontdekken hoe een alter ego je dingen beter kan laten begrijpen. Je hebt hier geen eerdere ervaring met kunst voor nodig en iedereen is welkom!  

Dit evenement maakt deel uit van onze workshop reeks Training the Senses waarin Marres een nieuw vocabulaire voor de zintuigen ontwikkelt. Daarover lees je hier meer.

Info en tickets

*Tickets voor de bovengenoemde workshops bedragen €5. 

Alejandro Galván – Vultures & Fireflies
Artist talk (ES/EN)
Vrijdag 13 december, 19-20:30u

Foto: © Neeltje de Vries, courtesy of No Man’s Art Gallery

Eind november start Alejandro Galván in Marres met het schilderen van een kroniek van Mexico vanuit het perspectief van de arbeiderswijk Neza in de staat Mexico. Het werk, getiteld Vultures & Fireflies, zal het hele huis vullen en ziet zijn feestelijke opening op 15 maart 2025. In de maanden ervoor zijn er een reeks sneak previews en evenementen rondom het werk.

Als primeur geven we je op vrijdag 13 december de bijzondere gelegenheid om de kunstenaar te ontmoeten en kennis te nemen van zijn artistieke proces. Op deze avond is Alejandro zelf aan het woord en is er de mogelijkheid om hem persoonlijk vragen te stellen over zijn werk in Marres. Dit is tevens hét moment om de opbouw van de tentoonstelling vanaf het begin mee te maken, om vervolgens op een van de latere sneak previews de voortgang te komen bekijken. Dit kan elke zaterdag, beginnend op 1 februari

RSVP hier voor de artist talk en houd voor het volledige programma rondom Vultures & Fireflies graag onze website en socials in de gaten! De artist talk is geheel gratis bij de wonen, maar aanmelding via een RSVP waarderen we zeer.
 

Meer Marres zien? Check voor alle komende tentoonstellingen en events de site, of volg Marres op Instagram voor updates, voorproefjes en behind-the-scenes!

Marres, Huis voor Hedendaagse Cultuur
Capucijnenstraat 98
6211 RT  Maastricht
043 327 02 07
www.marres.org | 

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Newsletter November / December 2024

 
 
 
 
 
Current exhibition
 
 
 
 
 
Céline Vahsen, Lola Daels, Anna van der Ploeg

Matter of Fact

Whitehouse Gallery Brussels
 
October 19 – November 21
 
Finissage Thu November 21, 1-6 PM
 

 

___________________________________________________________

Upcoming art fair
 
 
 
 
 
Clara Brörmann, Isabel Fredeus

Art Antwerp

Jan van Rijswijcklaan 191, Antwerp
 
December 12 – 15
 
 
 

___________________________________________________________

Artist news
 
 
 
 
 
 
Marie Zolamian

Full House Collection
 
Presentation of the collection before renovation of the museum

Mu.zee, Ostend (BE) 
 
June 1, 2024 – January 5, 2025
 
 
 
 
 
 
 
Stéphanie Baechler

Heimspiel
 
Group show: Der Stoff, aus dem die Gegenwart besteht
 
Werk2 Arbon, Webstrasse 2, Arbon (CH)
 
December 12 – February 2, 2025
 
Opening December 15, 2-4 PM
 

 
 
 
 
Stéphanie Baechler

Cantonale Berne Jura
 
Group show at Kunstmuseum Thun
December 12 – March 16, 2025
Opening Thu December 19, 6.30 PM
 
Group show at Musée jurassien des Arts
December 15 – February 2, 2025
Opening Sat December 14, 5 PM

 

 
 
 
 
Warre Mulder

Art Pops
 
Group exhibition

Belfius Art Gallery, Rogierplaats 11, Brussel 
 
October 19 – June 21, 2025
 
Open Saturdays, registration required
 
 
 
 
 
Hilde Overbergh
 
PUSSSHHH
 
Solo exhibition
 
Stuk Vitrine (BE), Stuk Leuven (BE)  

November 13 – February 16, 2025
 
Opening November 13, 7 PM

 
 
 
Hilde Overbergh
 
De laatste doet het licht uit
 
Group exhibition
 
Meubart, Commissaris Neyskenslaan 7, Diest (BE)  

September 18 – November 30

 
 
 
 
Warre Mulder

Hybriden

Group exhibition
 
CC De Warande, Turnhout (BE)
 
June 9 – November 19
 
 
 
 

 
 
 
 
Caroline Le Méhauté

Les Murmures du Temps

Parcour artistique et culturel
 
Le pays de l’Arbresle, west of Lyon (FR)
 
July 6 – December 31
 

 
 
 
Hilde Overbergh
 
DOKA
 
Group exhibition, curated by Geert Goiris
 
Museum M, Leuven (BE)  

December, 15, 2023 – January 5, 2025

___________________________________________________________
          

Ch. de Charleroi, 54 1060 Brussels – www.whitehousegallery.be

FINISSAGE: MARION BARUCH – WIDERSTANDSGEIST

MARION BARUCH – WIDERSTANDSGEIST

 

 

 

 

 

 

 

 

 

 

 

 

FINISSAGE: 23. November 2024, 16 Uhr

Der NAK Neuer Aachener Kunstverein freut sich mit Widerstandsgeist eine der ersten institutionellen Einzelausstellungen der Künstlerin Marion Baruch im Rheinland zu präsentieren und lädt am Samstag, den 23. November ab 16 Uhr zur abschließenden Finissage in Kooperation mit dem Netzwerk And She Was Like: Bäm! ein.

Im Rahmen der Finissage besteht einmalig für Aachen die Möglichkeit den Dokumentarfilm Marion Baruch e la casa nella collina (22 min, OmU) zu sehen. In diesem Film stellt die Künstlerin sich selbst in Frage und erforscht ihr eigenes Gedächtnis in einem Interview, das wichtige Momente in ihrem Leben und ihrer Karriere nachzeichnet. Außerdem gibt es ein Gespräch zwischen der NAK Vorstandsvorsitzenden Ilka Helmig und Direktor Maurice Funken über Baruch und ihr Werk sowie Kurzführungen durch die Ausstellung.

Widerstandsgeist versammelt eine Vielzahl herausragender skulpturaler Arbeiten aus dem
Œuvre der Künstlerin, die ausschließlich in der letzten Dekade entstanden sind. Diese Schaffensperiode geht einher mit körperlichen Einschränkungen und dem zunehmenden Verlust der Sehfähigkeit der Künstlerin, so dass sie 2012 eine Reihe von Arbeiten beginnt, welche Textilabfälle aus der italienischen Prêt-à-porter-Industrie als Material verwenden. Baruch deutet die von der Modewelt als unbrauchbar zur Seite gelegten Stoffe in einem formalistischen Sinn um, einer eigenen intuitiv-künstlerischen Logik und Praxis folgenden, gibt ihnen somit eine zweite Bestimmung.

Marion Baruch (*1929 Timişoara, Rumänien) begann 1949 ihr Studium an der Akademie der Bildenden Künste in Bukarest. Bereits ein Jahr später erhielt sie die Gelegenheit an der Bezalel Akademie für Kunst und Design in Jerusalem zu studieren; 1954 setze sie ihr akademische Ausbildung an der Accademia di Belle Arti in Rom fort. Zudem wandelte sich Baruchs künstlerische Praxis, sie arbeitet fortan zumeist in der Gattung Skulptur, wenngleich ihr gesamtes Werk über die Jahrzehnte hinweg stets unerwartete Wendungen nahm, multidisziplinär orientiert und interessiert agierte.

Im Jahr 2022 widmete die Galerie der Hochschule für Grafik und Buchkunst Leipzig Baruch erstmals eine umfassende Einzelausstellung im deutschsprachigen Raum, zuvor gab es bereits Präsentationen der Künstlerin im Ausland, etwa dem MAMCO Genf sowie dem Kunstmuseum Luzern im Jahr 2020. Marion Baruchs Werk erfährt so in den letzten Jahren eine erneute, willkommene Würdigung. Baruch lebt und arbeitet in Gallarate, Italien.


Mit freundlicher Unterstützung durch:  


Falls Sie den Newsletter nicht mehr erhalten möchten, senden Sie uns bitte eine E-Mail mit dem Betreff UNSUBSCRIBE.
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NAK Neuer Aachener Kunstverein
Passstraße 29
52070 Aachen
0049 (0)241503255
www.neueraachenerkunstverein.de
www.instagram.com/neuer.aachener.kunstverein

 

 

 

Newsletter Ludwig Forum Aachen

Ludwig Forum

Ausgabe 13.11.2024

 

Artikelbild

Credits: Ayo Akingbade, 2023, Foto/ photo: Josiah Moktar / Apparatus 22, Kunsthal Gent, Courtesy the artists. 

Please scroll down for English Version

Atelierbesuch mit den diesjährigen „Borderland Residencies“-Stipendiat*innen Ayo Akingbade und Apparatus 22

Wir freuen uns, Sie am Dienstag, den 19. November 2024 um 18 Uhr zu einem Atelierbesuch mit den aktuellen „Borderland Residencies“-Stipendiat*innen Ayo Akingbade und dem Kollektiv Apparatus 22 einzuladen, die sich während ihres dreimonatigen Aufenthalts in Aachen mit ihren aktuellen Recherchen auseinandersetzen und dabei den spezifischen Kontext der Stadt, der umliegenden Region sowie des Museums erforschen. Während Akingbade sich für ein neues Drehbuch mit der Geschichte der Aachener Thermalquellen und der Wasserökologie befasst, setzt das Apparatus 22 Kollektiv seine Recherchen für das Langezeitprojekt Positive Tension (in the air) fort, das darauf abzielt, kritische Gespräche und ungewöhnliche Denkanstöße, Tagträume und Veränderungsprozesse zu und über Kunstinstitutionen zu eröffnen. Beim Atelierbesuch werden die Stipendiat*innen ihre fortlaufenden Forschungsprojekte vorstellen.

Darüber hinaus möchten wir Sie auf zwei weitere Veranstaltungen mit Ayo Akingbade im Rahmen der „Borderland Residencies“ hinweisen: Am Donnerstag, den 21. November 2024 wird die Künstlerin ab 19 Uhr ihre zwei Filme, Dear Babylon (2019) und The Fist (2022), im Kunstverein für die Rheinlande und Westfalen in Düsseldorf vorstellen. Im Anschluss an das Screening wird es die Möglichkeit geben, Fragen zu stellen. Zum Ende ihres dreimonatigen Aufenthalts in Aachen wird 
Ayo Akingbade dann am Donnerstag, den 12. Dezember 2024 um 19 Uhr mit einem Künstlerinnen-Vortrag ihre Arbeiten im Rahmen des Stipendiums abschließend vorstellen.

Wir freuen uns auf Ihr Kommen!

Ihr 
Ludwig Forum Aachen

Dienstag, 19. November 2024, 18 Uhr
Atelierbesuch mit den diesjährigen „Borderland Residencies“-Stipendiat*innen Ayo Akingbade und Apparatus 22

In Englisch
Ort: Ludwig Forum, 1. Stock

Ayo Akingbade arbeitet vor allem mit Film und Installation, um Themen wie Macht, Urbanismus und Haltung zu behandeln. Ihre Arbeiten dokumentieren häufig Erfahrungen mit dem raschen sozialen Wandel ihrer Geburtsstadt London und bewegen sich zwischen experimentellen Filmessays, Dokumentarfilmen und traditionelleren Erzählungen, die auf dem Einsatz von radikalem Geschichtenerzählen begründet sind. Akingbade interessiert sich besonders für die Dissonanzen, die zwischen Selbstdarstellung und Selbstinszenierung entstehen, die sie zuletzt in Selbstporträts und Druckgrafiken erforscht hat. Ihre Arbeiten wurden kürzlich im Barbican Centre, London und beim Internationalen Filmfestival in Rotterdam gezeigt. Ihre erste große institutionelle Einzelausstellung, Show Me The World Mister, wurde im November 2022 in der Chisenhale Gallery in London eröffnet und wird auch noch in diesem Jahr in unterschiedlichen Stationen zu sehen sein, wie u.a. bei Spike Island, Bristol und bei Whitworth, University of Manchester.

Apparatus 22 ist ein Kollektiv von Tagträumer*innen, Weltbürger*innen, Forscher*innen, poetischen Aktivist*innen und (gescheiterten) Zukunftsforscher*innen, das im Januar 2011 von den aktuellen Mitgliedern Erika Olea, Maria Farcas, Dragos Olea zusammen mit Ioana Nemeș (1979 – 2011) in Bukarest, Rumänien, gegründet wurde. Seit Anfang 2015 arbeiten sie zwischen Bukarest, Brüssel und dem utopischen SUPRAINFINIT-Universum. In ihren sehr unterschiedlichen Arbeiten – Installationen, Performances, textbasierte Formen – vermischt sich Realität mit Fiktion und Erzählung und verschmilzt mit einem kritischen Ansatz, der Fachkenntnisse und Erfahrungen aus Design, Soziologie, Literatur und Wirtschaft einbezieht. Ihre Arbeiten wurde in zahlreichen Ausstellungen präsentiert, u.a. auf der Biennale di Venezia 2013 (IT), Kunsthalle Wien (AT), Museion, Bozen (IT), TRIUMF AMIRIA. Museum of Queer Culture (RO), CIVA, Brüssel (BE), MUMOK, Wien (AT), Ujazdowski Castle – CCA, Warschau (PL), Autostrada Bienniale Prizren (XK), TIME MACHINE BIENNIAL OF CONTEMPORARY ART, D-0 ARK UNDERGROUND, Konji (BIH), sowie kürzlich im SMAK Gent (BE), in der Bundeskunsthalle, Bonn (DE), Museum für zeitgenössische Kunst (MNAC), Bukarest (RO), Museum für zeitgenössische Kunst Roskilde (DK), West, Den Hague (NL) und in der Kunsthal Gent (BE).

Seit September 2024 sind Ayo Akingbade und Apparatus 22 Stipendiat*innen des Ludwig Forum Aachen im Rahmen des grenzüberschreitenden Netzwerkprogramms der „Borderland Residencies“. „Borderland Residencies“ ist ein Projekt des Kulturraum Niederrhein e.V., koordiniert in Zusammenarbeit mit Odapark, dem Zentrum für zeitgenössische Kunst, dem Kulturbüro der Region Aachen Zweckverband und in Zusammenarbeit mit den beteiligten Residenzen.

Weitere Veranstaltungen im Ludwig Forum Aachen:

Donnerstag, 21. November 2024, 18 Uhr
Über die Architektur und Geschichte des Ludwig Forum und dessen Sammlungen
Führung mit Mailin Haberland (Dokumentation und Inventarisierung)

Montag, 25. November 2024, 19.30 Uhr
Montagabendgespräch mit Timothy Ingold (Anthropologe, Aberdeen)
In Kooperation mit der RWTH Aachen

Studio visit with this year’s ‘Borderland Residencies’ fellows Ayo Akingbade and Apparatus 22

We cordially invite you to join us for a studio visit on Tuesday, November 19, 2024 at 6pm with the current ‘Borderland Residencies’ fellows Ayo Akingbade and the Apparatus 22 collective, who are exploring the specific context of the city, the surrounding region and the museum during their three-month residency in Aachen. While Akingbade is studying the history of Aachen’s thermal springs and water ecology for a new script, Apparatus 22 will continue their research for the long-term project Positive Tension (in the air), which aims to open up critical conversations and unusual thought-provoking, daydreaming and change processes on and about art institutions.

We are also looking forward to two further events with Ayo Akingbade accompanying the ‘Borderland Residencies’ program: On Thursday, November 21, 2024, 7pm, the artist will present her two films, Dear Babylon (2019) and The Fist (2022), at Kunstverein für die Rheinlande und Westfalen in Düsseldorf. The screening will be followed by a Q&A. At the end of her three-month stay in Aachen, Ayo Akingbade will present her work with a final artist talk on Thursday, December 12, 2024 at 7pm.

We are looking forward to seeing you at the Ludwig Forum!

Yours
Ludwig Forum Aachen

Tuesday, November 19, 2024, 7pm
Studio visit with this year’s ‘Borderland Residencies’ fellows Ayo Akingbade and Apparatus 22
In English
Venue: Ludwig Forum Aachen (1st floor)

Ayo Akingbade works predominantly with film and installation to address themes of power, urbanism, and stance. Her work has often documented experiences of rapid social change in London, where she was born and raised. Moving between experimental film essays, documentaries, and more traditional narrative, she grounds her practice in a commitment to radical storytelling. Akingbade is particularly interested in looking at the dissonances that emerge between self-presentation and self-fashioning and recently has explored this in self-portraiture and printmaking. Her work has recently been shown at Barbican Centre, London and International Film Festival Rotterdam. Her first major institutional solo exhibition, Show Me The World Mister, opened at Chisenhale Gallery, London in November 2022 and is touring until 2024, venues include Spike Island, Bristol and the Whitworth, University of Manchester.

Apparatus 22 is a collective of daydreamers, citizens of many realms, researchers, poetic activists and (failed) futurologists founded in January 2011 by current members Erika Olea, Maria Farcas, Dragos Olea together with Ioana Nemeș (1979 – 2011) in Bucharest, Romania. Since early 2015 they have been working between Bucharest, Brussels and SUPRAINFINIT utopian universe. In their very diverse works – installations, performances, text based-shapes –, reality is mixed with fiction and storytelling and merge with a critical approach drawing knowledge and experiences from design, sociology, literature and economics. Their work has been exhibited at La Biennale di Venezia 2013 (IT), Kunsthalle Wien (AT), Museion, Bolzano (IT), TRIUMF AMIRIA. Museum of Queer Culture (RO), CIVA, Brussels (BE), MUMOK, Vienna (AT), Ujazdowski Castle – CCA, Warsaw (PL), Autostrada Bienniale Prizren (XK), TIME MACHINE BIENNIAL OF CONTEMPORARY ART, D-0 ARK UNDERGROUND, Konji (BIH), and recently in SMAK Gent (BE), Bundeskunsthalle, Bonn (DE), Contemporary Art Museum (MNAC), Bucharest (RO), Contemporary Art Museum Roskilde (DK), West, Den Hague (NL), and Kunsthal Gent (BE) among others.

Since September 2024, Ayo Akingbade and Apparatus 22 have been fellows at Ludwig Forum Aachen as part of the cross-border network program ‘Borderland Residencies’. ‘Borderland Residencies’ is a project of Kulturraum Niederrhein e.V., coordinated in cooperation with Odapark, center for contemporary art, Kulturbüro der Region Aachen Zweckverband and in collaboration with the participating residencies. Supported by funds from the RKP – Regional Culture Program NRW.

Further events at Ludwig Forum Aachen:

Thursday, November 21, 2024, 7pm
On Ludwig Forum’s architecture and history and its collections
Guided tour with Mailin Haberland (documentation and inventory)
In German

Monday, November 25, 2024, 7.30pm
‘Monday Evening Talk’ with Timothy Ingold (Anthropologist, Aberdeen)
In cooperation with RWTH Aachen
In English

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Impressum

Ludwig Forum für Internationale Kunst
Jülicher Straße 97–109
52070 Aachen
Di bis So 10–17 Uhr, Do 10–20 Uhr
Tel. +49 (0) 241 1807 104/ Fax +49 (0) 241 1807 101
E-Mail: Redaktion:
Ludwig Forum Aachen
www.ludwigforum.de

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Ein Museum der Stadt Aachen

ABA November Newsletter

ABA

Air Berlin Alexanderplatz

 

Upcoming

 

Feedback Session

Eloise Sweetman

ABA Office | 15 November, 17:00

Felix Gonzalez-Torres, Untitled, 1991. Print on paper, endless copies. Edition of 1, 1. AP. Private collection, courtesy of Andrea Rosen Gallery. Photo credit: Alexander Wolf, courtesy of Shimmer, Rotterdam.

 

Current ABA resident Eloise Sweetman will be hosting a feedback session this Friday, all welcome to join!

15 November at 17:00

ABA Office, Friedrichstraße 23a
Berlin, 10969

The feedback session will be 1 hour long with 20 minutes of presentation and the rest of conversation and feedback.

The session will be held in English. Soup is included!

Of the session Eloise writes:
I am researching the exhibition space as an ephemeral one, as a site that slowly builds and dissipates over time. The research is inspired by Dr. Camilla Murgia, who in her book “Ephemeral Spectacles, Exhibition Spaces and Museums 1750‒1918”, writes: “Particular attention is paid here to the versatile and changing character of ephemerality, both with regard to time and spatiality: indeed, these displays constantly adjusted according to the political, cultural, and social environment that they were confronted with.” Building upon this definition of ephemerality, my research explores how and when artworks change form to adjust to the conditions housing them and how they change the structure of the exhibition itself. This can be found in the work of Charlotte Posenenske’s DW series, where her sculptures “merge” into the exhibition architecture, as well as the shifting ground of Felix Gonzalez-Torres’s candy works and stack works, which are taken and distributed into the world by the audience. What do these strategies of ephemerality and dispersal mean for the exhibition as a site as it begins to leave the traditional place of display? In the feedback session, I would like to share writing and questions I have around these ideas, and to receive thoughts, insights, queries, comments, and the like.

 

AIR SALON

hosted by Eloise Sweetman 

88.4 Mhz Berlin, 19 November, 16:00

Still from Jailbreak by Damon Zucconi.

 

ABA Air Salon with Eloise Sweetman, featuring audio from artist Damon Zucconi’s work Jailbreak accompanied by Eloise’s text Not Knowing. Intimacy. A Door A Jar.

In addition to the Air Salon, the video work from Jailbreak will be on display from 15:00 19 November to 15:00 20 November at Haus der Statistik.

Throughout the radio show, you’ll hear the audio from Zucconi’s video piece Jailbreak, a shifting, shivering portrayal of a chandelier. Its lights flicker—on, off, then on again—capturing a sense of instability and incompleteness. This piece isn’t fully present on the screen; it exists both here and somewhere else. Overlaying the video are voices reading fragments of a text—unseen figures reaching out to someone distant and unreachable. Much like this broadcast, both the video and text enter the world with no fixed destination. They embody hope, intimacy, and a longing to pass through thresholds—to communicate, however uncertainly, across space.

 

Tune in to Colaboradio via Freies Radio Berlin/Brandenburg 88,4 MHz in Berlin 90,7 MHz in Potsdam or listen online here.

 

 

Currently

PUBLIC PROGRAM

Ruins of Belarus
Uladzimir Hramovich

uqbar | 9–28 November

The exhibition Ruins of Belarus opened last week in uqbar. The exhibition will be on view until 28 November, 12:00–18:00 and we invite you take part in the exhibition public program over the course of this time. 
 

PUBLIC PROGRAM

14 November, 17:00
Exhibition Tour in Belarusian w
ith Uladzimir Hramovich & Lesia Pcholka / VEHA archive

 

24 November, 14:00–18:00
Workshop by Daria Sazanovich

The Soft Wisdom of our grannies: crocheting as a stress release practice. Sign up here for the workshop.

28 November, 17:00
Exhibition tour in German with Uladzimir Hramovich & Katharina von Hagenow

In his artistic work, Uladzimir Hramovich focuses on political movements and architecture in relation to their inherent history. His work is based on documentary material and complemented by subjective narratives. Forced into exile, the Berlin-based artist is now cut off from the sources in Belarus. For the VEHA archive, Hramovich bought photographs on eBay of Belarusian monuments and their deterioration during the German occupation. In the exhibition Ruins of Belarus, he combines these images with other objects and attributes of power claimed by the current regime in Belarus. By manipulating them, Hramovich creates a critical reinterpretation and offers an alternative perspective to the hegemonic, centralized historiography

After the exhibition, the images will be integrated into the collection of the independent VEHA archive. In the face of the horrific destruction in the neighbouring country, VEHA focuses on the destroyed architecture, villages and cities in Belarus that have fallen victim to war, modernisation, repression and the contempt of the current regime.

Curator: Kathrina von Hagenow 

Based on the VEHA archive.
 

To find out more about the project and visit our website.

 

 

Recently

BOOKSTOP

Sense of Safety
KO-Markt at HdS | 9 November

Capture from the livestream at Bookstop

 

On 9 November, during KO-Markt at Haus der Statistik, ABA Bookstop hosted a livestream of the Sense of Safety exhibtion currently shown in the YermilovCentre, Kharkiv, Ukraine.

Sense of Safety: Raising funds for the creation of barrier-free infrastructure in the Yermilov Centre, Kharkiv, Ukraine
Make Your Donation here. 

antiwarcoalition.art

About the exhibition at the YermilovCentre:

Within the framework of the international art project Sense of Safety at the urgent request of our partner – CCA YermilovCentre, we: antiwarcoalition.art & Ambasada Kultury announce the fundraising for the creation of barrier-free space for YermilovCentre – the purchase of two universal stair elevators on a caterpillar, the construction of ramps, vertical elevators, the re-equipment of restrooms.
The sum of 15000 EUR

“Since its opening, back in 2012, the team of the YermilovCentre has understood the need for barrier-free art space.

CCA YermilovCentre belongs to the structure of the Kharkiv National University named after V. N. Karazin, and higher educational institutions are, for the most part, not new buildings. The situation with barrier-free accessibility of Ukrainian and, in particular, Kharkiv educational institutions was difficult even before the full-scale war. However, now the reality is that there will be more people with disabilities or certain injuries resulting from fighting, shelling, etc. Barrier-free is our new societal norm and part of public policy, and we are committed to ensuring that all our visitors feel comfortable and convenient, without barriers.

It is important that with the start of the full-scale invasion, the YermilovCentre is not only a center for contemporary art and a venue for cultural events, but also a shelter. That’s why it’s so important for us to make the Centre an accessible space in every sense.”

Natalia Ivanova, Director of YermilovCentre, Kharkiv, Ukraine

Currently in Residence

Onur H. Karaoğlu

Onur H. Karaoğlu produces works in performance, video and theatre. Since 2010, his original and adapted writing and directing pieces have been commissioned and presented by festivals and institutions such as Wiener Festwochen, Dancing On The Edge, Media Art Xplarotion and Volksbühne. His performance and video works were showcased at Bahar (Sharjah Biennial 2017), SPOT, Operation Room and Protocinema. He is one of the founding members of Studio 4 Istanbul, producing theatre, film works and performance space KÖŞE in Yeldeğirmeni, which later became an international performance festival. Between 2014 and 2019, he was the director of Orhan Pamuk’s Museum of Innocence in Istanbul. Karaoğlu teaches classes on performance at Boğaziçi and Koç University. He holds a BA in Sociology from Boğaziçi University and an MFA in Theater Directing from Columbia University in The City Of New York.

 

Residency period: Oct – Nov 2024
Supported by STRÜKTÜR e.V.

 

Lysann König
 

Lysann König (*1986 Zwickau) lives and works in Basel as an artist, musician and curator. She is part of the KASKO-Team since 2021, a project space for contemporary art, performance and mediation in Basel, and co-founder of ∑ SUMME, a networking platform and biennale event for artist-run-spaces and projectspaces in Basel. Since her bachelor‘s degree in 2012 at the Institut Kunst in Basel, she has been part of various collectives, including Dr. Kuckucks Labrador and who writes his_tory?

Her main media are video and performance. König‘s work is based on post-capitalist critique and the search for new ways of artistic and social collaboration. Her works are mostly created through teamwork with people from different disciplines. The idea of remix culture is deeply rooted in her practice. The roles that König takes on in her works are as changeable as the media she uses – be it video, performance, installation or music.

 

Residency period: Sep 2024–Feb 2025
Supported by Pro Helvetia.

 

Eloise Sweetman
 

Eloise is Rotterdam-based curator originally from Western Australia. Her curatorial practice is guided by a philosophy of “lingering”—a deliberate, slow engagement with art that unfolds over time and space. This method is influenced by philosopher Byung-Chul Han’s concept of “de-distancing,” which refers to the process of getting closer to one’s surroundings and creating a sense of intimacy. In her exhibitions, Eloise seeks to create space for artists and audiences alike to engage deeply with the works on display, allowing meaning to remain open and fluid.

 

Sweetman’s curatorial projects have included collaborations with internationally renowned artists such as Apichatpong Weerasethakul, Etel Adnan, Felix Gonzalez-Torres, and many others. In 2021, she co-edited Curatorial Feelings with Jo-ey Tang, a collection of texts on curating and collaboration. She is also the co-founder and co-director of Shimmer, a curatorial studio in Rotterdam that operates with a “studio-like mentality,” emphasizing participation and experimentation in contemporary art. In addition to her independent projects, Eloise teaches and lectures at institutions such as the Gerrit Rietveld Academie, Van Eyck Academie, and University of Amsterdam. Her podcast, I Hope This Message Finds You Well, co-hosted with Kris Dittel, offers candid discussions on curating, featuring insights from colleagues across the world

 

Residency period: Sep–Dec 2024
Supported by Mondriaan Funds.

 

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This week’s openings in Brussels

This week’s openings in Brussels

Opening this week
Tuesday 12 Nov → Monday 18 Nov

Sat 16.11 — 17:00



Opening next week
Tuesday 19 Nov → Monday 25 Nov

Fri 22.11 — 18:00

Fri 22.11 — 18:00

NOVEMBER at Fondation CAB Brussels I Conference – Open Studio – Workshop

NOVEMBER at Fondation CAB Brussels I Conference – Open Studio – Workshop ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌

Last 2 weeks Céline Vahsen, Lola Daels & Anna van der Ploeg

 
 
Matter of Fact

October 19 – November 21
Thu-Fri-Sat 1-6 PM
 
 

Céline Vahsen, Lola Daels, Anna van der Ploeg

___________________________________________________________________________
 
 
Céline Vahsen (°1987, Malmédy) lives and works in Brussels. She studied visual arts in Brussels, Lucerne, and Hamburg, and completed her Master in the textile department of ENSAV La Cambre in Brussels in 2013. She has been artist-in-residence at WIELS Contemporary Art Centre, iMAL – Art Center for Digital Cultures & Technology, the Boghossian Foundation, ZSenne ArtLab, Fondation CAB in Brussels, and at the Frans Masereel Centrum in Kasterlee, Belgium. In 2019, she participated in the Académie des Savoir-Faire at the Fondation d’entreprise Hermès in Paris, France. Her work has been shown internationally at venues such as the 21st Century Museum of Contemporary Art in Kanazawa, Japan, E.A. Shared Space in Tbilisi, Georgia, Marres House for Contemporary Culture in Maastricht, The Netherlands, New York Textile Month in the United States and nationally at IKOB Museum of Contemporary Art in Eupen, Le Delta in Namur, and in Brussels, Pilar, Ccinq, among others.
She makes self-created canvas with hand-woven and naturally colored threads, based on several traditions in geographically dispersed regions. Her compositions and use of color create an instant visual feeling, with intriguing details and multidimensionality.
  
Lola Daels (°1990, Jette) lives and works in Brussels. She gained her master’s degree in visual arts from the Luca School of Arts, Brussels, in 2014. Her work has previously been shown in group exhibitions at Bozar (BE), Extracity Kunsthal (BE), Art Sonje Center Seoul (KR) and Kunsthal Aarhus (DK), amongst others.  Daels is currently in residency at the Academia Belgica in Rome (IT) and completed residencies at M Museum (BE), EKWC (NL), Kooshk Residency (IR), AAIR Antwerpen (BE), Cité Internationale des Arts (FR), and Fondation CAB (BE), among various others.
She mainly creates sculptures and site-specific installations in which she questions ecological issues and the notion of ‘authenticity’. Her research currently focuses on oldfashioned imitation techniques, which she reinvents and tries to make sustainable.
 
Anna van der Ploeg (°1992, Cape Town) lives and works in Brussels. She studied visual arts at the Michaelis School of Fine Arts, University of Cape Town, and completed her master’s degree at KASK in 2022, where she was awarded the Leu de Legaat Award for Fine Arts.
She has been artist in residence at M Leuven (BE), SAFFCA, La Cambre (BE), Reservoir Projects (ZA), MI_Lab (JP), Vice-Versa (IN), David Krut Projects (ZA) and Atelier le Grand Village (FR). She has held solo exhibitions in Cape Town, Johannesburg, New York, Brussels and Melbourne, and participated in numerous group shows internationally.
She works primarily with the media of painting, sculpture and printmaking. In this exhibition, she shows her typical wood carvings in plywood, referring to human interactions, inscription and how they relate to prescribed roles, scripts and dialogues.
 
Each of these three Brussels-based artists’ work possesses a tension between the material, durable object and the intangible. Objects anchor human
existence but remain entagled in broader, more ephemeral processes. In this show, the physical is a door, but ideas walk you through it. Tactile, technical, precise – this is the threshold.

___________________________________________________________________________

 
         

Ch. de Charleroi, 54 1060 Brussels – www.whitehousegallery.be

[NGHE NEWSLETTER] Médiathèque jamais seule / Jeudi 14 nov. Expo FASSIPHONE / Samedi 16 nov. ouverture régulière + projection Mietshaüser Syndikat


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JEUDI 14 NOV. 
18h à 21h à l'espace Magh 
rue du Poinçon 17
DJ Afrah + Kamélia Yusra
concert Cheb Amir
sortie de la compile ' Mon coeur chante rue du Brabant', une collab' l'Oreille Percée et Nghe
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SAMEDI 16 NOV.
14h ouverture régulière 
18h projection du documentaire sur le Mietshaüser Syndikat
présentation de Récréons-nous
20h discussion + repas prix libre
Le Mietshaüser syndikat c’est quoi ?
C’est une  organisation allemande qui propose une alternative de propriété immobilière collective et solidaire, 
visant à protéger les logements contre la spéculation et les hausses de loyers. 
Elle favorise la création de communautés où les habitants peuvent vivre de manière coopérative et autogérée.
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photomott.jpg
aucune forme de discrimination n'est tolérée à Nghe
nous voulons prendre soin du quartier autant que de vous

NGHE – Médiathèque bricolée
rue des mariniers, 6
1080 Molenbeek St Jean

Finissage & Edition presentation JFO_MMCO at OV Project – Thursday November 14

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JFO*_MMCO
e1f6bcc8-8c86-4ba4-b0ad-306f7706d233.jpg Finissage & Edition presentation at OV Project

*JFO: Jean-François Octave

We are pleased to invite you to the finissage of “L'exposition qui n'a jamais eu lieu (suite): JFO_MMCO” on Thursday November 14 from 6 to 8pm along with the presentation of the boxset edition.

Limited edition in a cardboard box including digital prints + A2 poster (200 euros)
+ 5 copies including an original drawing by Jean-François Octave.

Layout, texts and images Jean-François Octave © SABAM & MMCO.

***
UPCOMING

OV Project hosting Milla Tombroff
Opening November 22 – until November 24

OV39: “Genesis”
Group show with Constantin Brancusi, Stief Desmet, Anneke Eussen, Takahashi Kaishu, Goro Kakei, Richard Nonas, Virginia Overton, Gerrit Rietveld, Teresa Solar, Ken Tomoi, Franz West, Jirō Yonezawa and more…
Opening on Saturday December 7 from 2 to 6pm – until February 8

 

OV Project:
Rue Van Eyck, 57
B- 1050 Brussels
@:
OV contemporary – office:
Rue Jean-Baptise Colyns, 72
B -1050 Brussels

Opening hours :
Thu. to Sat. from 2 — 6 pm
or by appointment

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November at Saint-Martin Bookshop

Saint-Martin Bookshop
invites you 

Thursday November 7
From 6 to 8pm

Saint Martin Bookshop invites you to the presentation of “PLANTS”, a book that marks the first collaboration between visual artist Ralph Schuster and author Julia Jost

Perri MacKenzie will read excerpts from the book before the conversation around the publication moderated by art historian Piero Bisello.
 

Thursday November 14
From 11am to 10pm

EVELYN VANOVERBEKE
Boekensteun (bookstand/bookend)

Edition Launch & Installation
Part of the MAD Parcours, Brussels

On the occasion of Saint-Martin Bookshop 4 years anniversary we have invited Evelyne Vanoverbeke, designer. 

She has developed Boekensteun (a bookstand or bookend, we are not sure yet..) for our bookshop, which will be launched on November 14th during the MAD Parcours. 

Evelyn will also be presenting an installation in our 2nd floor space visible till end of the year.

 

Save the date
We will welcome MER. Books from December 6th to 14th.

Some great books to collect

Pistoletto - Ileana Sonnabend 1964
Pistoletto – Ileana Sonnabend 1964
View

Piero Manzoni - Germano Celant - Preare Editore 1975
Piero Manzoni – Germano Celant – Preare Editore 1975
View

Germano Celant - Book as artwork 1960/1972 - Nigel Greenwood 1972
Germano Celant – Book as artwork 1960/1972 – Nigel Greenwood 1972
View

Moyra Davey - Speaker Receiver - Sternberg Press 2010
Moyra Davey – Speaker Receiver – Sternberg Press 2010
View

Adam McEwen - I am curious yellow - Nicole Klagsbrun Gallery 2010
Adam McEwen – I am curious yellow – Nicole Klagsbrun Gallery 2010
View

Dirk Braeckman - Roma Publications 2011
Dirk Braeckman – Roma Publications 2011
View

Antonio Dias - Beatrix Wilhelm 1983
Antonio Dias – Beatrix Wilhelm 1983
View

Don’t miss these great ones

Bruno Munari - Il venditore di animali - Emme Edizioni 1979
Bruno Munari – Il venditore di animali – Emme Edizioni 1979
€165.00
View

Bruno Munari - L'uomo del camion - Emme Edizioni 1979
Bruno Munari – L’uomo del camion – Emme Edizioni 1979
€165.00
View

Bruno Munari - Nella notte Buia - Muggiani Editore - 4th edition
Bruno Munari – Nella notte Buia – Muggiani Editore – 4th edition
View

Bruno Munari - xerografia - Rank Xerok 1970 (mint)
Bruno Munari – xerografia – Rank Xerok 1970 (mint)
View

Bruno Munari - Calendario Boffi	1971
Bruno Munari – Calendario Boffi 1971
View

Ralph Schuster - Plants - Grass publishers 2023
Ralph Schuster – Plants – Grass publishers 2023
€18.00
View

Bénédicte Blondeau - Ondes - XYZ Books 2024
Bénédicte Blondeau – Ondes – XYZ Books 2024
€36.00
View

Louis Jacob - Bliss Dancers: Line dance in Western Europe rural areas - Self-published 2024
Louis Jacob – Bliss Dancers: Line dance in Western Europe rural areas – Self-published 2024
€25.00
View

Ernest Thiesmeier - Basic - (Y) Publishing 2024
Ernest Thiesmeier – Basic – (Y) Publishing 2024
€30.00
View

Our website is open 24/7. Our book collection is updated daily and everything is available online. We ship worldwide.

Follow us on Instagram, we post daily our last books, some cool images from our bookshop and stories from our  visitors.


Rue de flandre 114 Vlaamsesteenweg
1000 Brussels, Belgium

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[NGHE NEWSLETTER] Médiathèque sphaiNGHE- 9 novembre 2024 – Ouverture 14:00 / Concert 20:30 Noël Rasendrason + Exaheva

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CONCERTS 20:30
5 e c cool
NOËL RASENDRASON
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communication avec tous les plans grâce à deux marteaux et une Exocithare
EXAHEVA
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énergie de vie hyper vibrante pleine d'espoir avec une voix et des machines
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aucune forme de discrimination n'est tolérée à Nghe
nous voulons prendre soin du quartier autant que de vous
nouveautés 
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NGHE – Médiathèque bricolée
rue des mariniers, 6
1080 Molenbeek St Jean

Brussels Art Film Festival, dernières semaines de l’expo 𝘚𝑖𝘭𝑒𝘯𝑐𝘪𝑜, cycles de cours & conférence

Cliquez ici pour voir ce mail dans votre navigateur

Novembre 2024   
 

Le Brussels Art Film Festival à l’Institut

Comme chaque année en novembre, le Brussels Art Film Festival rassemble cinéphiles et amateur·ices d’art dans les salles obscures. BOZAR, CINEMATEK, l’ISELP et PALACE présentent une sélection des documentaires les plus intéressants de ces derniers mois sur la pratique artistique au sens large. 

Nous avons le plaisir d’accueillir quatre séances de projection : 

Alors on chante 
16.11 14:00 → 15:30
4 courts-métrages dédiés aux poèmes et aux chansons
Réservez par ici 
Radical Women
16.11 16:30 → 18:30
Documentaire autour du travail de 11 artistes latino-américaines
Réservez par ici
Jan Hoet : Thank God for the Gift 
17.11 14:00 → 15:20
Documentaire autour du curateur anversois Jan Hoet
Réservez par ici 
All and Nothing
17.11 16:00 → 17:35
Une plongée dans la vie de l’artiste chinois Li Yuan-Chia
Réservez par ici 
Tout le programme du BAFF 2024 →

Hors Réserve : Sans titre par Walter Swennen  Conférence par Delphine Florence

27.11 18:30 → 20:00

Lors de cette nouvelle édition de “Hors Réserve”, l’historienne de l’art et conférencière Delphine Florence présente et commente l’oeuvre Sans Titre de Walter Swennen, peintre belge incontournable de la scène contemporaine né en 1946. Pour l’occasion, le tableau fera la navette depuis le Musée d’Ixelles.

Infos et inscriptions →

Cycle de cours:
Art et tatouage par Alix Nyssen

5.11 – 12.11 – 19.11
18:30 → 20:00

Historienne de l’art et doctorante, Alix Nyssen propose un cycle de cours sur son sujet de thèse, le tatouage ; son histoire, les différentes façons dont les artistes s’en sont emparé·es, et sa reconnaissance en tant que pratique artistique.

En savoir plus →

Cycle de cours: 
L’art de tourner le dos par Rosanna Gangemi

19.11 – 26.11 – 03.12 – 10.12
14:00→16:00

Rosanna Gangemi, philosophe et critique d’art, aborde les nombreuses occurrences des figures de dos dans l’art plastique occidental, le cinéma, la mode, le théâtre ou encore l’art vidéo.

En savoir plus →

Dernières semaines de l’expo Silencio

L’exposition d’Olivia Hernaïz, Silencio, est accessible du mardi au samedi entre 11h et 18h jusqu’au 30 novembre ! Le dernier jour d’ouverture de l’expositon, rejoignez-nous à 15h pour une visite guidée par l’artiste, le curateur Laurent Courtens et Ilse Roosens, curatrice au Mu.ZEE d’Ostende puis à 16h pour la lecture de Los Niños de la Guerra. Toutes les infos par ici ! 

Et ce jeudi 7 novembre, Luisa et Cuco Pérez, enfants et petits-enfants d’exilés, proposent “Allez, Allez !“, un concert inspiré par les récits et les chants collectés auprès de survivants des camps de réfugié·es espagnol·es et par les airs de l’époque (tangos, habaneras, cuplés). 

Tout savoir sur l’exposition →

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ISELP, 31 boulevard de Waterloo, 1000 Bruxelles
+32 (0)2 504 80 70 | 

Avec le soutien de la Fédération Wallonie-Bruxelles, de la Commission communautaire française et de la Région de Bruxelles-Capitale. 

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This week’s openings in Brussels

This week’s openings in Brussels

Opening this week
Tuesday 05 Nov → Monday 11 Nov



Opening next week
Tuesday 12 Nov → Monday 18 Nov

Sat 16.11 — 17:00

Performance: George Frederick Takis The W(hole) Story

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FR / EN / NL

Freitag 08.11.2024, 19 Uhr
Performance: THE W(HOLE) STORY
George Frederick Takis

Georges Frederick Takis, stage of imagination, 2023.

Performance am 08. November um 19.00
Im IKOB, der Eintritt ist frei

The W(hole) Story (zu deutsch: Die ganze Geschichte) ist eine Erzählung über zwei Extreme, über Abwesenheit und Fülle, sie ist sowohl die volle Wahrheit als auch eine leere Geste. In einer ausgedehnten improvisierten Performance von „Gap Art“, die auf Englisch gesprochen und in Gesang und Tanz verkörpert wird, sucht George Frederick Takis nach einem Erzählstrang inmitten des Aufeinandertreffens von Gegensätzen, dem Mischmasch von Bedeutungen, der aus der ruhigen, konstanten Präsenz der Leere entsteht.
 
Takis Performance steht in direktem Bezug zu der Ausstellung „Into the Void“, die der in Berlin lebende Künstler, sowohl thematisiert, überschreitet, ergänzt und unterwandert.

Weitere Infos hier.

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Rotenberg 12b
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Öffnungszeiten / Horaires d’ouverture / Opening hours 
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Art does not need a common language, it is international by itself.
www.verycontemporary.org
The Network of 11 art institutions of the Meuse-Rhine Euregion. Supported by Euregio Maas-Rhein

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NOVEMBER at Fondation CAB Brussels I Conference – Open Studio – Workshop

NOVEMBER at Fondation CAB Brussels I Conference – Open Studio – Workshop ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌