Je bent nu afgemeld

Posted on 1 September 20211 September 2021

We hebben je e-mailadres uit onze lijst gehaald.

We vinden het jammer dat je je afmeldt.

Was dit een fout? Heb je één van onze e-mails doorgestuurd naar een vriend en hebben ze op de uitschrijflink geklikt terwijl ze niet in de gaten hadden dat ze jou hiermee uitschreven? Als dit een vergissing was, kun je je opnieuw aanmelden via:
Aanmelden

Neem voor vragen of opmerkingen contact met ons op via:

JEUNE CREATION NEWSLETTER SEPTEMBRE 2021

Posted on 31 August 202131 August 2021

View this email in your browser

NOUS SOMMES HEUREUX DE VOUS INVITER À NOS ÉVÉNEMENTS
DE LA RENTRÉE 2021 !

– CABANE GEORGINA
ÉVÉNEMENT NOMADE 71e FESTIVAL DE JEUNE CRÉATION –

Dans le cadre du 71e festival de Jeune Création l’exposition ABRAKADABRA comme des castors (9ème chapitre de la Saga de la Cabane Georgina) est visible jusqu’au 19 septembre 2021 à la Cabane Georgina à Marseille. L’exposition regroupe plus de 70 artistes de toutes générations et pratiques.

La Cabane est ouverte tous les jours entre 11h et 19h, de préférence informez de votre visite par message privé instagram, mail ou sms.
Plus d’informations ici

– ESPACE NIEMEYER
ÉVÉNEMENT NOMADE 71e FESTIVAL DE JEUNE CRÉATION –

Nous investissons pour la troisième année consécutive l’Espace Niemeyer avec l’exposition collective I SCREAM Ice CREAM pensée par Noam Alon et Nadiejda Hachami (du 2 au 24 septembre 2021).

Le vernissage aura lieu le jeudi 2 septembre de 18h à 21h
(pass sanitaire obligatoire et réservation ici).

L’exposition présente les œuvres des artistes Méryll Ampe, Flora Bouteille, Elsa Brès, Tommaso Buldini, Tanguy Clerc, Marion Flament, Max Fouchy, Thomas Garnier, Pia Hinz, Judith Neunhâeuserer, Cassandre Langlois et Morgane Porcheron.

« I SCREAM Ice CREAM prend racine dans l’un des symboles les plus évidents et alarmants du réchauffement climatique – la fonte des glaces. Plusieurs courants de pensées, comme la collapsologie, utilisent cet évènement pour annoncer un avenir catastrophique. Cette image provoque un effet d’impuissance qui démobilise toute action politique, comme si nous vivions toutes et tous sur une « planète maudite ». Face à cela, nous essayons de nous rappeler que la glace qui revient à l’état liquide et fait remonter le niveau de l’océan est un phénomène faisant partie, au départ, d’un cycle organique essentiel. C’est son accélération impactée par l’humain qui est inquiétante. Pourtant, ici et avec les artistes, nous décidons de déplacer notre regard pessimiste pour appréhender l’environnement en pleine mutation artificielle comme le nouvel état naturel. Nous observons les transformations écologiques, non seulement comme des dégâts, mais comme des phénomènes riches et complexes, dans lesquels réside une certaine subtilité magnétique à explorer.»

Plus d’informations sur l’exposition ici

Espace Niemeyer
2 place du Colonel Fabien
75019 Paris

Visuel: Judith Neunhausererer

– GALERIE JEUNE CRÉATION –

L’exposition collective Glad to Take Height and See the Slow Motion World, à la galerie Jeune Création est ouvrira le dimanche 12 septembre de 14h à 19h !

« Glad to take height and see the slow motion world ». Ces paroles que j’emprunte, à deux mots près, au poète et musicien Gil Scott-Heron, je les détourne à mon usage pour qu’elles portent dans leur intensité poétique, tout le double sens qu’induit l’expression « prendre de la hauteur ». Au littéral, monter quelques marches et pouvoir apprécier par en haut le monde qui nous entoure ; au figuré, la formule s’emploie lorsque le besoin de prendre du recul sur une situation afin d’en saisir toute la mesure s’en fait sentir. Faire une pause donc, et changer de perspective, passer de l’horizontal au vertical, pour mieux constater ce qu’il se passe.

Mathilda Portoghese, commissaire de l’exposition

Une exposition de Mathilda Portoghese avec les artistes : Nadjib Ben Ali, Aïda Bruyère, Jérémie Danon, Rayane Mcirdi et Chalisée Naamani

Galerie Jeune Création
43 rue de la Commune de Paris
93230 Romainville

Visuel: Nadjib Ben Ali, HC300MSKN004, feutres sur papier, 2021

– PRIX INDÉPENDANT / PARTENAIRE –

Atelier Martel rouvre ses portes pour le finissage de l’exposition « Réunion de particules en corps solides », d’Hugo Deverchère, ce vendredi 3 septembre à partir de 18h.

L’installation, après trois mois d’existence, présente de nouveaux paysages surprenants, aboutissement des phénomènes de cristallisation, de sédimentation, et d’évaporation à l’œuvre.

À la recherche d’un archipel fantôme apparu sur des cartes marines européennes du XVe siècle, l’artiste a exploré pendant plusieurs mois différents milieux naturels évocateurs d’un ailleurs fantasmé. Des abords d’un fleuve étudié par les exobiologistes pour comprendre les possibles mécanismes d’apparition de la vie sur d’autres planètes jusqu’à un lac salé peuplé par une bactérie préhistorique qui sécrète un pigment rose. Cette exploration lui a permis de rassembler la matière visuelle et première de son travail : composés chimiques, organiques et minéraux du paysage.

Hugo Deverchère est le premier lauréat du prix Atelier Martel lors du festival annuel Jeune Création. Celui-ci comprend une exposition dans leur locaux ainsi que l’association du lauréat à l’équipe de maîtrise d’œuvre dans le cadre de la construction d’un bâtiment.

Atelier Martel
8bis rue d’Annam, Paris 20ème
Code 2679, à droite dans le hall, premier étage.

Pour tout renseignement merci de contacter
Adèle Roudot Colonna à cette adresse : ou à défaut la messagerie 06 59 41 86 39 / 09 63 20 87 57

– PRIX INDÉPENDANT / PARTENAIRE –

Le salon MAD ouvre ses portes pour sa 6e édition les 10, 11 et 12 septembre 2021 dans l’espace de La Chaufferie à la fondation Fiminco à Romainville. Dans le cadre du prix MAD remis lors du festival Jeune Création, Julia Gault présentera des multiples et sa nouvelle édition « Si l’on abat si l’on bâtit », qui retrace l’exposition en duo pensée avec Raphaël Maman « L’énigme est de ne pas savoir si l’on abat si l’on bâtit » qui s’est tenue en octobre et novembre 2019 à l’espace Le Mur, à Moret-sur-Loing.

Si vous souhaitez soutenir le projet et précommander votre exemplaire, c’est ici.

Une discussion avec les artistes, suivie d’une signature, aura lieu dimanche 12 septembre après-midi. Vous pourrez y récupérer votre exemplaire.

À propos de l’exposition et de l’édition :

Dans cet ancien magasin de BTP, en plein coeur de la forêt de Fontainebleau, les deux artistes ont choisi de proposer un travail autour de la notion de chantier, lieu où les formes sont façonnées, où l’on construit les fondations avant l’ouvrage achevé. Le projet questionne la temporalité du chantier ainsi que l’état éphémère de la matière et mouvant des espaces. Les pièces présentées pendant les deux mois d’exposition avaient vocation à être modifiées, rejouées et mises en tension avec l’espace, articulée autour de trois actes quasi théâtraux.

Conçue par le graphiste et artiste Paul Dagorne, cette édition devient à son tour le théâtre où se déroulent les différents actes, où la temporalité, inhérente à leur projet, devient le fil conducteur, et où le lecteur peut, à son tour, déambuler entre les scènes.

Cet ouvrage, signé et numéroté, sera tiré à 100 exemplaires. Il sera composé de 96 pages imprimées en noir et blanc et en quadrichromie, au format 21 x 29,7 cm, et d’une couverture embossée aléatoirement. Ainsi chaque exemplaire sera unique.

Fondation Fiminco
43, rue de la commune de Paris
93230 Romainville

REMOVED mcnFollowBlock

REMOVED mcnFollowContentItemContainer

Nous contacter :
Vous voulez modifier votre inscription à notre newsletter ?
Vous pouvez mettre à jour vos préférences ou vous désinscrire de cette liste.

Opening of New Exhibitions and Presentations | 11 September 2021, 14:00-18:00

Posted on 30 August 202130 August 2021

View this email in your browser

MAIN SPACE

June Crespo
Am I an Object, part III

Opening: 11 September, 14:00-18:00
12 September – 24 October 2021
Thu-Sun, 14-18 hrs

June Crespo is conducting research with a particular focus on the relationship between the body and its representation. (…) The starting point is a shape that can be traced back to the body, but the investigation leads in different directions, constructing forms that allude to other things as well (…) a sensual analysis of contemporary models of representation, commenting on the actual and symbolical dynamics enveloping the body. Crespo’s interest in the concrete and corporeal conditions of the object/body, as well as in the immaterial contexts where it circulates and shifts—as seen in her recurring interest in figures such as conductors and vessels—questioning contemporary life’s composite configuration made out of material and discursive dynamics. In a moment in which visual culture is dominated by stylized and hyper-perfect portraits, the work challenges homogenous approaches to the corporeal, proposing dissident images that liberate our gaze and our bodies themselves.*

As Crespo likes to work quite intuitively her approach for the project at P/////AKT has been decidedly open – just two molds and a mental baggage of older unexecuted ideas to experiment with. And as other materials (large blocks of Styrofoam, textiles, resin, flowers) have started to arrive at the space since her own arrival early August, things are still very much in progress. Or rather, in a process that is based on, and executed as, an investigation towards a state of transformation or in-betweenness.

A space and an artist working inside it, molding and casting, fluids solidifying into objects with an outside and an inside, things that are hard and things that are stretchy, the body and the object, the subject and the object, the chicken and the egg. The answer to the question of what is leading can, for the time being, only be answered by trying to find the right tension and watching things transform into a state of ambiguity.

*João Laia (curator), John Colpans + June Crespo, P420, Bologna, 2018.

P/////AKTPOOL

Benjamin Francis & Tessa Langeveld
P/////AKTPOOL part 3/3 & part 1/3

Opening: 11 September, 14:00-18:00
12 September – 24 October 2021
Thu-Sun, 14-18 hrs

Benjamin Francis, part 3/3

Benjamin Francis’s research focuses on non-harmonic chords and errors shifted to related themes such as discipline, power relations, hierarchy, religion and cleansing. Through a juxtaposition of several disciplines and hierarchical systems, he tries to force systemic errors that lay bare the foundations of power and vulnerability involved in human growth. Francis graduated from ArtEZ BEAR (Arnhem) in 2020.

Tessa Langeveld – The Endless Echo of a Closing Door

Staring at a blank sheet of paper is the hard part;
In search for lost drawings that had nourished her
It’s something we talked about
Something that is neither interior nor exterior, neither public nor private
(It took me a while to understand that everything is real
It took me a while to understand that everything is to be made)

Intrigued by the time-based element of video, Tessa Langeveld creates moments that slowly unfold as a fragmentary narrative – the act of making is not in the choice of the subject, but in the choice of the meaningful moment. Langeveld graduated from AKI (Enschede) in 2020.

P/////AKTSALON

Ricardo van Eyk
Overture

Opening: 11 September, 14:00-18:00
12 September – 24 October 2021
Thu-Sun, 14-18 hrs

Two repaired; sanded; chalked perspex panels are reused from their original act as windows in a large greenhouse-like installation shown in Delft, referred to by the artist as Opera. Opera, in Italian means work, as a result of an activity by a farmer for example; counterintuitive to what we may think of when seeing/hearing the word. The “overture” of an opera is its opening gesture, seducing the audience to enter the work.

Overture is an installation by Ricardo van Eyk specifically conceived for the space of our P/////AKTSALON. The work is on view in conjunction with the artist’s solo exhibition at 427 Gallery in Riga (more information below).

The P/////AKTSALON is a club/reading room dedicated to publications, artist books, editions and small works by P/////AKT alumni artists (and beyond). These materials give form to P/////AKT library and collection. The room is also a space that hosts small book presentations in conjunctions with openings and events at P/////AKT.

OFFSITE

Ricardo van Eyk
El Camino 427

15 September – 16 October 2021
Thu-Sat, 16:00-19:00
427 Gallery – Riga

Following the successful collaboration with 427 Gallery for the exhibition Artist Crisis Center II: Tact Gear by Ieva Kraule-Kūna & Elīna Vītola at P/////AKT in 2020, we are now proud to present a new solo exhibition by Ricardo van Eyk at 427 Gallery in Riga.

Often large in scale, many of Ricardo van Eyk’s works resemble, at first glance, neglected or else partially restored surfaces familiar from the built environment: temporary panels put up around construction sites that have attracted crude graffiti, say, or else cracked walls that are halfway through the process of being re-plastered. Perhaps his practice is, at base, a meditation on time. Not only because his paintings hum with an awareness of the history of his medium, but because of their playful way with the language of entropy and repair. Patching something up – whether it’s a wall, or an entire cultural edifice – is not a done-in-one job, but an ongoing process. As van Eyk is aware, palimpsests are where we are fated to make our homes.

During a two-week working period at 427 in Riga, observations during walks in the Baltic city will inform a site-specific process in the exhibition space. As a guest to the city, Van Eyk’s fascinations for the public domain and its traces of the old and new as expressed in architecture, infrastructure and other visual identities will surely be met, resulting in a temporary interpretation.

Join our Facebook event here.
——-
P/////AKT works in accordance with the guidelines of the RIVM.
Please read our covid-19 protocol here.

P/////AKT would like to thank:

Mondriaan Fund, Amsterdam Fund for the Arts and Ammodo

P/////AKT
Zeeburgerpad 53
1019 AB Amsterdam

REMOVED mcnFollowBlock

REMOVED mcnFollowContentItemContainer

Forward this email to a friend
unsubscribe from this list | update subscription preferences

The Reopening of Museum Dhondt-Dhaenens!

Posted on 30 August 202130 August 2021

View this email in your browser

Brussels Gallery Weekend is happy to invite you to
Sunday | 5 September 2021 | 14:00 – 18:00

The Reopening of Museum Dhondt-Dhaenens!

Join us for the festive re-opening of Museum Dhondt-Dhaenens following the first phase renovation, with a brand new floor and a new roof. Free, no reservation required

Six permanent works of art | 5 September – 10 October 2021 | Thur – Sun, 10 – 18.00

To mark the reopening, MDD presents a display of six permanent interventions created in response to MDD’s architecture.

Zes permanente kunstwerken spans the museum’s history from David Tremlett’s fully uncovered 1990 wall drawing and Niele Toroni’s paintings above MDD’s doors from 2000, to Kelly Schacht’s re-interpretation of her 2008 installation in the museum’s lobby and three new site-specific projects by Lieve D’hondt, Lili Dujourie, and Bjarne Melgaard. D’hondt’s The Floor is Yours is a large-scale collective artwork made possible thanks to hundreds of MDD supporters.

Zes permanente kunstwerken further includes works by the artists that resonate with their permanent installations. Free, no reservation required

Sculpture garden
Thur – Sun, 10 – 18.00

MDD’s sculpture garden offers highlights of the museum’s rich history – and future – with works by Paul Van Gysegem (1964), Bernd Lohaus (1991), Karel De Meester (1992), Isa Genzken (1998), Gary Hume (2020) and Rirkrit Tiravanija (2018/2021). Free, no reservation required.

Tiravanija’s participatory Untitled 2018 (the infinite dimensions of smallness) includes an active tea house where visitors can enjoy a free tea-tasting experience – reservations to open in August 2021.

More information on the website : www.museumdd.be

REMOVED mcnFollowBlock

REMOVED mcnFollowContentItemContainer

Want to change how you receive these emails?
You can update your preferences or unsubscribe from this list.

Maya Watanabe / No Name and Liminal

Posted on 28 August 202128 August 2021

Liminal, 2019 (installation view)
De Pont Museum, Tilburg

Maya Watanabe

In addition to the invite for the exhibition No Name in the gallery that we sent to you yesterday, we would like to inform you that you can still visit the impressive video-installation Liminal by Maya Watanabe at Museum De Pont in Tilburg (until September 5).

Bullet, 2021 (video still)
single channel video installation
10′

Maya Watanabe
No Name
September 3 – October 9, 2021

We open the new gallery season with a solo presentation by Maya Watanabe. You are cordially invited to visit this exhibition during the opening weekend.

Friday September 3 from 5-9 pm

Saturday September 4 from 1-6 pm

Sunday September 5 from 1-5 pm

We are looking forward to welcome you in the gallery.

tegenboschvanvreden

contact
bloemgracht 57
1016 ke amsterdam
the netherlands

+31 [0]20 320 67 68
www.tegenboschvanvreden.com

opening hours
wednesday – saturday, 1 pm – 6 pm

social media
facebook
instagram

Visit our homepage | Unsubscribe

Save the dates: HISK alumni exhibition ‘Differences’ & HISK Open Studios 2021

Posted on 28 August 202128 August 2021

SAVE THE DATES: HISK exhibition ‘Differences’ & Open Studios 2021

Differences: HISK Alumni Exhibition
September 9 > October 3, 2021

Differences opens on Thursday September 9, 18:00 > 23:00 on the occasion of Brussels Gallery Weekend and will remain open that weekend Friday September 10 till Sunday September 12, 11:00 > 19:00.

Afterwards, the exhibition will be open from September 16 till October 3, from Thursday till Sunday, 11:00 > 18:00.

Gosset Site, Building A (first floor)
Rue Gabrielle Petitstraat 4-6, 1080 Brussels

The first edition in the series of HISK alumni exhibitions is entitled ‘Differences’. It stands, simply put, for a particular aspect of the mission of the HISK: to provide young visual artists with a context in which they can further develop their individuality, in confrontation with a variety of experts from the art world. The HISK offers advanced higher education, but it is not a school in the scholastic sense, nor is it prescriptive or bent on rules. On the contrary, de-regulation seems to be its educational principle of choice. Nor is the HISK a school in the sense that it stands for a set of characteristics shared by a group of artists and used as a denominator under which they present themselves. To be a HISK alumnus implies that one has been admitted by an expert jury of international standing and has completed a two-year process. It does not refer to any type of art, to one particular understanding of what art should be, but to a variety of concepts of what might be called quality.

HISK Chairman Willem Elias is acting as curator for Differences. He chose one artist per graduation year, twenty-four in total. Not the best in the class. After all, the HISK is a quality label. However, in each case, an artist for whom being different in his relationship with others seemed relevant. In this sense, not an exhibition centred on a conciliatory unifying theme or formal quality. But rather one that places the emphasis on what constitutes the difference.

Participating artists: Beatrijs Lauwaert (HISK laureate 1997), Stéphanie Leblon (HISK laureate 1998), Tina Gillen (HISK laureate 1999), Wim Catrysse (HISK laureate 2000), Caroline Coolen (HISK laureate 2001), Fanny Zaman (HISK laureate 2002), Bart Stolle (HISK laureate 2003), Stephan Balleux (HISK laureate 2004), Stefaan Dheedene (HISK laureate 2005), Ruben Bellinkx (HISK laureate 2006), Leon Vranken (HISK laureate 2007), Michiel Alberts (HISK laureate 2008), Ermias Kifleyesus (HISK laureate 2009), Rinus Vandevelde (HISK laureate 2010), Karl Philips (HISK laureate 2011), Odilon Pain (HISK laureate 2012), Ben Van den Berghe (HISK laureate 2013) & Alexey Shlyk, Birde Vanheerswynghels (HISK laureate 2014), Emmanuel Van der Auwera (HISK laureate 2015), Lydia Hannah Debeer (HISK laureate 2016), Pepa Ivanova (HISK laureate 2017), Mostafa Saifi Rahmouni (HISK laureate 2018), Lisette de Greeuw (HISK laureate 2019), Štefan Papčo (HISK laureate 2020)

HISK Open Studios 2021
September 17 > September 20, 2021

Friday September 17, 14:00 > 20:00
Saturday September 18, 14:00 > 20:00
Sunday September 19, 14:00 > 20:00
Monday September 20, 14:00 > 20:00

HISK, Leopoldskazerne, Eekhout 5, 9000 Gent, Belgium

HISK invites the public to join its annual Open Studios during which 24 artists will open their studio to the public and reveal what they have been working on during their residency period.

The Open Studios offer the public access to the personal studios of the HISK residents and provide a special and interesting insight into the specific tangible and mental space in which art is created and the artistic development process of a young generation of artists who will help to determine the future of the arts landscape.

Participating artists: Dries Boutsen (BE), Nelleke Cloosterman (BE), Wim De Pauw (BE), Ian De Weerdt (BE), Manu Engelen (BE), Dani Ghercă (RO), Antoine Goossens (BE), Olivia Hernaïz (BE), Karel Koplimets (EE), Nokukhanya Langa (US/ZA), Gaëlle Leenhardt (FR), Zhixin Liao (CN), Linda Jasmin Mayer (IT), Sandrine Morgante (BE/IT), Felipe Muhr (CL), Hadassa Ngamba (CD), Noemi Osselaer (BE), Edouard Pagant (FR), Elisa Pinto (MX), Juan Pablo Plazas (CO), Stephanie Rizaj (AT/XK), Paulius Šliaupa (LT), Pei-Hsuan Wang (TW)

Want to change how you receive these emails?
You can update your preferences or unsubscribe from this list.

Installation views I Vanessa Disler I Big Naturals I on view until 28. August

Posted on 27 August 202127 August 2021

Damien & The Love Guru

Installation views of ‘Big Naturals’
A solo exhibition by Vanessa Disler on view until 28. August 2021

Installation view

BIG NATURALS is the banner for a loose group of paintings formatted to suggest doorways or coffins in today’s crypt, the mall. The paintings circle the space at Damien & The Love Guru in Brussels to form a cadence, acting as a Book of the Living, a wink to the Egyptian Book of the Dead, comprised of collectively written funerary texts and spells that would be placed in the coffin of the deceased to assist them into the afterlife. In this hypothetical Book of the Living, Vanessa Disler considers contemporary rites, such as botox or fillers using hyaluronic acid, as a kind of embalming for the living. Fragmented shapes conjure body parts, the messy feminine, and nature.

Read full exhibition text ‘Thirst Trap’ by Tiziana La Melia + documentation of ‘Big Naturals’ here

Margarita Maximova and Damien & The Love Guru invite you to a small pickle degustation Saturday 28. August from 6-8pm + marking the last day of Vanessa Disler’s solo exhibition ‘Big Naturals’

“My grandfather received a piece of land from the weapon factory he worked in. Everyone who received a minimum of six aches was obliged to work the soil. By the time I was five years old, I could understand how the cultivation worked. There were cherry trees and apple trees but also potatoes and lots of peonies. Berry bushes, gooseberries and many other shrubs.The plant that was loved the most was the pickle plant. There were lots of books on how to grow pickle plants, specifically on how to grow them in the area of Mid-Russia. My grandfather grew all sorts of pickles: big ones, small ones, bent ones, straight ones, smooth ones and even pickles with humps. Different tastes were noted. Sometimes they were bitter or neutral, sometimes they were watery or sweet and sometimes they were bittersweet.
When I was a little girl, I didn’t understand how these books about pickles were allowed to stand next to the books of Fenimore Cooper. Or Thomas Mayne-Reid, Mark Twain, Roger Martin Du Gard or Emile Zola. In the springtime, the windowsills were filled with milk packages that had been cut in half, housing the growing pickles. Salted pickles were kept in glass jars throughout the winters. Our flat was so crammed with them, they even stood underneath our beds. If the jars were not sterilised properly, the glass would explode. In the summer mornings, I would find my grandfather standing in his shorts, watering the pickle plants with a hose. This image of my grandfather always remained with me. It was very important for the third leaf of the pickle plant to sprout; it was a sign that the plant was healthy. When I started to grow them too, I told my niece in Moscow. She solemnly asked if the third leaves had began to show. It was so special and I wondered, if she also had a grandfather like mine.”

⏤ excerpt of Margarita Maximova’s upcoming publication ‘YOU HAVE WITHIN YOU SOMETHING STRONGER AND MORE NUMINOUS’
⏚
Launching end of October at Saint-Martin Bookshop, Brussels
More info soon !

⌭⌭⌭

CURRENT EXHIBITIONS

Vanessa Disler
Big Naturals
29. May – 28. August 2021
Damien & The Love Guru
Brussels

Anne Fellner
Kunststipendien der Stadt Zürich 2021
group exhibition
17. July – 5. September 2021
Helmhaus Museum
Zürich

Stay With Me
Otto Wyler, Lotti Fellner, Tom Fellner
21. August – 24. October 2021
Kunsthaus Zofingen

Jannis Marwitz
Sweet Lies
group exhibition
19. June – 12. September 2021
Ludwig Forum
Aachen

Christiane Blattmann
The Constant Glitch
group exhibition
acquisitions for Museum M and Cera Collection of emerging artists residing in Belgium
2. April – 5. September 2021
Museum M
Leuven

Margarita Maximova
Navigating Aquagrande, A Digital Community Memory
virtual group exhibition
22. May 2021 – 21. April 2022
Venice

UPCOMING EXHIBITIONS

Damien & The Love Guru hosted at Loggia
Matchmaker
group exhibition
Opening 9. – 12. September
Various Others
11. September – 22. October 2021
Munich

Christiane Blattmann & Jannis Marwitz
Diananess
duo exhibition
28. August – 12. September 2021
Le Berceau
Marseille

Christiane Blattmann
The Fountain Show II
group exhibition
28. August – 2. October 2021
Sundy
London

Anne Fellner
Laube zur schiefen Lage
group exhibition
28. August – 4. September 2021
Cabaret Voltaire Re-visits Münsterhof
Zürich

Liste Basel – Showtime Online
Preview
15. – 17. September 2021
Public
18. – 30. September 2021

Julian Irlinger & Asha Sheshadri
Blood: A Proposal For A Film
4. – 19. September 2021
Sangt Hipolyt
Berlin

Emanuele Marcuccio
SEP 2021
Opening 9. – 12. September
Brussels Gallery Weekend
9. September – 29. October 2021
Damien & The Love Guru
Brussels

Margarita Maximova & SKY H1
AV Show / concert
23. September 2021
Botanique
Brussels

Sharon Van Overmeiren
The Great Invocation
group exhibition
3. September – 7. November 2021
De Garage
Rotterdam

Slow Reading Club
Rosa Rosa Rosae
group exhibition
9. September – 23. October 2021
Maison Pelgrims
Brussels

Jasmin Werner
Senorita Latifa Sharifah
11. September – 16. October 2021
Galerie Guido W. Baudach
Berlin

PUBLICATION LAUNCH

Having a party (hope you will be there)
Isabella Costabile
Deborah Joyce Holman
Mickael Marman
Shaun Motsi
Jim C. Nedd
Lee Scratch Perry
Josiane M.H. Pozi

graphic design by Mirco Joao-Pedro
published by Damien & The Love Guru

18. September 2021
location tba soon
Milano

REMOVED mcnFollowBlock

For more information please contact:

Priya Shetty +32 477 58 79 73

Rue de Tamines 19
1060 Brussels

Wednesday – Saturday
12 – 6 pm
and by appointment

Want to change how you receive these emails?
You can update your preferences or unsubscribe from this list

Bonnefanten: reguliere openingstijden, Festival Cultura Nova, nu te zien, laatste kans, Museum Shop

Posted on 27 August 202127 August 2021

Nieuws van het Bonnefanten, augustus 2021

Bekijk deze email in uw browser

Beeld: Kim Zwarts

Museum vanaf
1 september regulier geopend

Tot en met dinsdag 31 augustus is het museum nog geopend (ook maandag 30 augustus!) van 10:00 – 17:00 uur. Vanaf woensdag 1 september is Bonnefanten geopend op dinsdag tot en met zondag, van 11:00 – 17:00 uur. Een gematigd coronaprotocol geldt nog steeds, bekijk onze website voor meer informatie.

Reserveer ticket(s)

Nieuw:
Bonnefanten pop-up museum
X
Cultura Nova

27.08 — 05.09.2021

Zaaloverzicht Kahlil Joseph, BLKNWS, 2018-2019,
Bonnefanten, Maastricht 2020

Voor het eerst staat het Bonnefanten met een pop-up museum op Festival Cultura Nova in Heerlen. In een speciaal tentoonstellingspaviljoen is de indrukwekkende video-installatie BLKNWS van de Los Angeles-kunstenaar en filmmaker Kahlil Joseph te zien.

BLKNWS (black news) is een installatie waarmee Joseph zich kritisch verhoudt tot de eenzijdigheid van het aanbod van de mainstream nieuwszenders. Op twee naast elkaar geplaatste schermen gemonteerd op een fotobehang toont BLKNWS vrijwel alleen actuele en historische beelden over de zwarte cultuur, waaronder (social) mediafragmenten, muziekvideo’s, archiefmateriaal, nieuw geschoten beelden en nieuwsberichten die de kunstenaar zelf produceert en real-time vanuit Los Angeles doorstuurt. Zo onderzoekt Joseph de manier waarop zwarte levens worden waargenomen en gerepresenteerd in media en kunst. Het werk toont een ontroerende, grappige en ambitieuze visie op hoe media eruit zouden zien wanneer ze niet zo wit en bevooroordeeld zou zijn, maar creatiever en vooral representatiever.

BLKNWS is een ‘nieuwsuitzending’ waarin de grenzen tussen kunst, journalistiek, ondernemerschap en culturele kritiek vervagen; een flitsende en kritische analyse van de wijze waarop raciale kwesties en storytelling botsen met informatiesystemen.

Meer informatie

Laatste maand te zien:
Berlinde De Bruyckere:
Engelenkeel

TE ZIEN T/M 03.10.2021

Zaaloverzicht Berlinde De Bruyckere: Engelenkeel. Bonnefanten, Maastricht 2021.
Foto: Mirjam Devriendt

Berlinde De Bruyckere toont in het Bonnefanten haar meest recente werk. De Bruyckere staat al jaren aan de internationale top van de hedendaagse kunst.

Lees terug:

De griezelige schoonheid van De Bruyckeres beelden ontroert ***** – Thomas van Huut, NRC
De sculpturen vol dood en erotiek van Berlinde De Bruyckere grijpen je bij de keel – Sarah van Binsbergen, de Volkskrant

Nieuwe locatie:
Bonnefanten Kunstuitleen Venlo

10.09.2021

Op vrijdag 10 september aanstaande opent de Bonnefanten Kunstuitleen dependance Venlo haar deuren op de nieuwe locatie in het Museum van Bommel van Dam. Dit monumentale pand heeft de afgelopen twee jaar een grootschalige renovatie ondergaan, naar een ontwerp van architectenbureau BiermanHenket.

Je bent vanaf 10 september van harte welkom in de Bonnefanten Kunstuitleen Venlo tijdens onze verruimde openingstijden:

Vrijdag – 12:00 tot 16:00 uur
Zaterdag – 12:00 tot 16:00 uur
Zondag – 11:00 tot 15:00 uur

Bekijk alle werken

Laatste kans:
The Studio #4: Floor Martens

TE ZIEN T/M 05.09.2021

Beeld: Floor Martens, uit de fotoserie Lijftaal, 2021

Voor The Studio #4 verdiepte Floor Martens zich de afgelopen maanden op de Jan Van Eyck Academie Maastricht in fotografische processen en technieken. Het jonge Maastrichtse talent is gefascineerd door het lichaam en stelt thema’s als kracht en liefde, verlies en verdriet aan de orde. Martens is de tweede ontvanger van het Limburg Beeldende Kunst Stipendium (LBK).

Nu te zien:
Margaret Kilgallen:
that’s where the beauty is.

TE ZIEN T/M 07.11.2021

Beeld: Margaret Kilgallen, Untitled, ca. 1999.
Courtesy the Estate of Margaret Kilgallen en Ratio 3, San Francisco

De verbluffende visuele schoonheid en complexiteit van de Amerikaanse Margaret Kilgallen in that’s where the beauty is..

Lees & luister terug:

Vrouwen die zwemmen, surfen, banjo spelen – Joke de Wolf, De Groene Amsterdammer
De schoonheid van Margaret Kilgallen – Jeroen Laureyns, KLARA

Voor de hele familie:
HUID

TE ZIEN T/M 23.01.2021

HUID is de eerste educatieve tentoonstelling in het Bonnefanten en een ware kunstbeleving speciaal voor kinderen van 4 tot 12 jaar. HUID nodigt de (jonge) bezoeker uit tot onderzoeken, ervaren en filosoferen.

Zilver met Schwung

ALTIJD TE ZIEN

De nieuwe permanente presentatie van Maastrichts vakmanschap; het schitterende Zilver met Schwung.

Nu verkrijgbaar:
Margaret Kilgallen:
that’s where the beauty is.

Speciaal voor de tentoonstelling Margaret Kilgallen: that’s where the beauty is. is onlangs een herdruk van de gelijknamige publicatie verschenen. De publicatie is uitgegeven door Aspen Art Press met een nieuwe gele omslag, inclusief fotosticker van Ed Templeton. De oplage is gelimiteerd tot 1000 stuks en verkrijgbaar in onze Museum Shop.

Publicatie Margaret Kilgallen: that’s where the beauty is. – €34,95.

Bijna uitverkocht:
gesigneerde print en boek
Engelenkeel

Naar aanleiding van de tentoonstelling Berlinde De Bruyckere: Engelenkeel is het rijk geïllustreerde kunstenaarsboek “Engelenkeel” verschenen. Voor deze publicatie ging De Bruyckere een artistieke samenwerking aan met auteur Erwin Mortier, die haar werkproces voedde met korte verhalen geïnspireerd door de sculpturen in wording en de gedeelde inspiratiebronnen. Stijn Huijts, directeur van Bonnefanten en curator van de tentoonstelling, situeert de nieuwe sculpturen binnen het bestaande oeuvre en werpt een verhelderende blik op de complexe gelaagdheid ervan.

Limited edition case: gesigneerde print en boek
In een gelimiteerde oplage van 100 is een gesigneerde print van De Bruyckere in combinatie met het boek Engelenkeel te koop. De afmetingen van de print zijn 42h x 30b cm. Het boek Engelenkeel is gesigneerd door Berlinde De Bruyckere, Stijn Huijts en Erwin Mortier. Deze gelimiteerde versie komt in een exclusieve case. Er zijn nog maar enkele exemplaren van deze bijzondere case verkrijgbaar in onze Museumshop. Dus grijp je kans!

Limited edition case: gesigneerde print en boek – €350.

Museumcafé Ipanema

Tot en met dinsdag 31 augustus is het Ipanema nog geopend (ook maandag 30 augustus!) van 09:30 – 17:30 uur.
Vanaf woensdag 1 september is het museumcafé geopend op dinsdag tot en met zondag, van 10:30 – 17:30 uur.

www.bonnefanten.nl
+31 (0)43 3290190 (Di – Vrij)
Avenue Céramique 250, 6221 KX, Maastricht
Postbus 1735, 6201 BS, Maastricht

REMOVED mcnFollowBlock

REMOVED mcnFollowContentItemContainer

Copyright © 2021 Bonnefanten, All rights reserved.
U heeft te kennen gegeven door het Bonnefanten per mail op de hoogte te willen worden gehouden.

Our mailing address is:

Bonnefanten

Avenue Céramique 250

Maastricht, 6221 KX

Netherlands

Add us to your address book

Want to change how you receive these emails?
You can update your preferences or unsubscribe from this list.

Maya Watanabe / No Name

Posted on 27 August 202127 August 2021

Bullet, 2021 (videiostill)
single channel video installation
10′

Maya Watanabe
No Name
3 september – 9 oktober, 2021

Wij beginnen het nieuwe galerieseizoen met een solo-presentatie van Maya Watanabe. U bent van harte uitgenodigd om de tentoonstelling te komen bekijken tijdens het openingsweekend.

vrijdag 3 september van 17-21 uur
zaterdag 4 september van 13-18 uur
zondag 5 september van 13-17 uur

We kijken ernaar uit u in de galerie te ontvangen.

In de video-film Bullet (2021) van de Peruaanse kunstenaar Maya Watanabe (Lima, 1983) kom je via de camera terecht in een ruimte die doet denken aan een donkere grot. Je blik wordt meegenomen in een traag aftasten van die ruimte, en zoekend naar aanwijzingen die antwoord kunnen geven op de vraag waar je je bevindt, blijft je aandacht dralen bij het vaag oplichten van de draden van een spinnenweb of de contouren van een doorgang. Een onbekend landschap trekt aan het oog voorbij.

Het werk van Watanabe speelt zich af tegen de achtergrond van het nationale trauma van een gewelddadige periode in Peru die duurde van 1980 – 2000, en waarvan de effecten nog dagelijks voelbaar zijn. In de strijd tussen met name de maoïstische rebellen-groep Sendero Luminoso (Lichtend Pad) en het leger, werd de burgerbevolking door beide partijen geterroriseerd. Bijna 70.000 mensen werden vermoord, en de meesten verdwenen in de anonimiteit van massagraven.

In haar werk poogt Maya Watanabe licht te laten schijnen op de krachten die het leven van mensen kunnen binnendringen, natuurlijke of maatschappelijke krachten die de waarneming, de fantasie en het geheugen te boven gaan. Ze doet dat in video-installaties met een uitgesproken immersieve kwaliteit. Haar meest recente werk Bullet vormt een aanklacht tegen willekeurige executies en het politieke en justitiële vacuüm waarin misdaden onbestraft blijven door een gebrek aan transparantie. De meeste moorden die door militairen werden uitgevoerd met vuurwapens. Lichamen werden verborgen of verdwenen om identificatie te voorkomen. Sinds die tijd zijn er veel menselijke resten gevonden, maar deze kunnen niet worden geïdentificeerd en hebben daardoor de code ‘NN’ gekregen, wat ‘No Name’ (geen naam) betekent. Voor dit project werkte Watanabe samen met het Peruaanse Forensisch Team. Ze ‘documenteert’ de binnenkant van een schedel van een niet-geïdentificeerd lichaam dat gedood werd door een kogel uit een vuurwapen.

Door de monumentale afmeting van de projectie van Bullet word je fysiek ondergedompeld in het beeld. Het geo-politieke en documentaire karakter van haar onderwerp krijgt een tegenhanger in poëtische beelden die de beschouwer in staat stellen het werk van ‘binnenuit’ te ervaren. Het formaat en de balans tussen de verhullende en onthullende esthetiek van de beelden nodigen uit tot reflectie. Een onderwerp waarin het anonieme slachtoffer centraal staat vraagt om een heldere ethische positie van de maker. Voor Watanabe is het grote formaat symbolisch voor de monumentaliteit van het onderwerp, en het erkennen van wat nog altijd ontkend wordt, namelijk de noodzaak om slachtoffers een identiteit te geven.

Maatschappelijke ontwikkelingen hebben het begrip identiteit – en de individuele zowel als de collectieve invulling ervan – vol in de schijnwerpers gezet. In onze door technologie beheerste wereld hebben we geen namen nodig om onze identiteit vast te stellen. Codes volstaan. Die kille, functionele benadering van identiteit blijkt echter nooit voldoende. Eigennamen spelen een belangrijke rol in de communicatie tussen mensen. Ze geven uitdrukking aan de individualiteit van hetgeen of degene die de naam draagt. Ze geven identiteit. Hoe belangrijk dat is wordt in de tentoonstelling No Name op indringende wijze duidelijk.

De productie van Bullet werd mede mogelijk gemaakt dankzij support van het Mondriaan Fonds, de BBVA Foundation – Bilbao Fine Arts Museum MULTIVERSO Grant en MOT, Museum of Contemporary Art Tokyo.

tegenboschvanvreden

contact
bloemgracht 57
1016 ke amsterdam
the netherlands

+31 [0]20 320 67 68
www.tegenboschvanvreden.com

opening hours
wednesday – saturday, 1 pm – 6 pm

social media
facebook
instagram

Visit our homepage | Unsubscribe

OVERTOON INVITATION – TRACKS AUDIOWALKS

Posted on 26 August 202126 August 2021


		View this email in your browser

	OVERTOON INVITATION – TRACKS AUDIOWALKS

On Saturday 28 and Sunday 29 August, various guided audiowalks will take place in Brussels. Jubilee, Beursschouwburg, BNA-BBOT, Overtoon, Q-O2, and Soundtrackcity are happy to invite you to these sample walks, a foretaste of the smartphone app TRACKS. This app for audiowalks is now in testing phase and will be presented to the public soon.

Audiowalks are GPS-triggered walks thoughtfully combined with the sensory attention of listening. They offer stories, music, sound experiments, and all kinds of sensory information you might otherwise miss. Sight, scent, and feeling are present, but sounds take the lead. This modulates one's usual sense of body and consciousness, promoting a new understanding of the environment. With every step, hear the artist play with sound, experiment with composition, and lead you to new perceptions. Think of a film, where sound and image are strongly linked and controlled by the artist. In audiowalks, the 'point of view' becomes the 'point of hearing'.

Overtoon showcases the audiowalk Un champ au milieu by Yannick Guédon.

Yannick Guédon – Un champ au milieu

Tracks public audiowalks Brussels
28/08/2021 – 29/08/2021
Various locations
Guided audiowalks in Brussels by Lukas Anthierens, Justin Bennett, Jonathan Frigeri & Eric Desjeux, Yannick Guédon, Confluences (Giulia Vismara & Franziska Windisch)

Different points of departure – see programme here.

Please bring your own smartphone. It's advised to first install the app 'Echoes interactive sound walks', with which the audiowalks will be taking place for this first public moment of Tracks. In order to save bandwidth, you can already download the audiowalks you participate in while on a wifi network.

Unsubscribe from this list

FINISSAGE: Thomas Dozol – Ghost Light

Posted on 26 August 202126 August 2021

THOMAS DOZOL – GHOST LIGHT

FINISSAGE

Der NAK Neuer Aachener Kunstverein lädt am Samstag, den 04. September von 12 bis 24 Uhr zur Finissage der Ausstellung Ghost Light des Künstlers Thomas Dozol ein.

Die titelgebende Installation wird an diesem Tag für 12 Stunden geöffnet sein. Des Weiteren gibt es um 17 Uhr einen Artist Talk zwischen Thomas Dozol und Maurice Funken, dem Direktor des NAK. Der Künstler wird am kompletten Samstag vor Ort sein; der Eintritt ist an diesem Tag frei.

Die Ausstellung Ghost Light kann noch bis zum 05. September 2021 besucht werden und wird durch das Bureau des arts plastique, die Kunststiftung NRW und die Stiftung der Sparda-Bank West gefördert.

Für Besucher_innen der Veranstaltung gilt die 3G-Regel, d.h. nur getestete, geimpfte oder genesene Besucher_innen dürfen die Räumlichkeiten betreten. Über eventuelle Änderungen der derzeit gültigen Regelungen informieren wir zeitnah auf der NAK Homepage und den sozialen Medien.

Falls Sie den Newsletter nicht mehr erhalten möchten, senden Sie uns bitte eine E-Mail mit dem Betreff UNSUBSCRIBE.
_ _

NAK Neuer Aachener Kunstverein
Passstraße 29
52070 Aachen
0049 (0)241503255
www.neueraachenerkunstverein.de

JAHRESGABE – Maximilian Rödel

Posted on 26 August 202126 August 2021

MAXIMILIAN RÖDEL

NEUE JAHRESGABE

Der NAK Neuer Aachener Kunstverein freut sich anlässlich der Ausstellung Celestial Artefacts, welche im Juni endete, die neue Jahresgabe des Künstlers Maximilian Rödel präsentieren zu dürfen.

Die Edition Prehistoric Sunset aus dem Jahr 2021 ist signiert und nummeriert und in einer Auflage von 50 + 7 AP auf handgeschöpftem Büttenpapier der Papiermühle Zerkall mit Wasserzeichen und Büttenrand beim NAK erhältlich.

Weitere Informationen zur Edition finden Sie unter: http://www.neueraachenerkunstverein.de/content/2021/jahresgaben/maximilian-rdel/ Bestellungen richten Sie bitte an

Für den Besuch der aktuellen NAK Ausstellung Thomas Dozol – Ghost Light ist kein negatives Corona-Testergebnis nötig und es muss kein Termin vereinbart werden. Über eventuelle Änderungen der derzeit gültigen Regelungen informieren wir zeitnah auf der NAK Homepage und den sozialen Medien.

Falls Sie den Newsletter nicht mehr erhalten möchten, senden Sie uns bitte eine E-Mail mit dem Betreff UNSUBSCRIBE.
_ _

NAK Neuer Aachener Kunstverein
Passstraße 29
52070 Aachen
0049 (0)241503255
www.neueraachenerkunstverein.de

Opening • Marcel Broodthaers & R. H. Quaytman • Thursday 09-09

Posted on 26 August 202126 August 2021

EN FR NL

Marcel Broodthaers, Modèle : la pipe, 1968-69 © Succession Marcel Broodthaers – Sabam 2021 | R. H. Quaytman, Modern Subjects (A Scene in Hell II), Chapter Zero, 2021. Courtesy of the artist and Gladstone Gallery

Discover at WIELS the plastic plaques by Marcel Broodthaers, an exciting body of lesser-known work exploring the effects of mass media on language and visual communication. Presented in parallel is the solo exhibition by R. H. Quaytman, introducing a new chapter that takes the work of Belgian painter Antoine Wiertz as its starting point.

Book your free ticket for the opening on Thursday 9 September between 17:00 and 22:00. Or reserve a ticket to visit as of Friday 10 September.

RSVP FOR THE OPENING ON 09-09

PLAN YOUR EXHIBITION VISIT AFTER THE OPENING

EXPO

MARCEL BROODTHAERS –
INDUSTRIAL POEMS, OPEN LETTERS

In an unprecedented exhibition, WIELS presents more than 100 vacuum-formed plastic plaques by Marcel Broodthaers, revealing the artist’s take on seriality and rarity.

10-09-2021___________09-01-2022
OPENING: 09-09, 17:00-22:00

A catalogue raisonné listing all the plaques, variations or prototypes is edited by Charlotte Friling, including texts by Maria Gilissen Broodthaers, Manuel Borja-Villel and Dirk Snauwaert. Reserve your copy here.

In close collaboration with Maria Gilissen Broodthaers
& in collaboration with Marie-Puck Broodthaers and the Succession Marcel Broodthaers
With the support of: Uhoda, J.P. Morgan Private Bank, Eeckman Art & Insurance and Visit Brussels

Above: Marcel Broodthaers with the plaque Modèle : La Pipe, 1969, Rue de la pépinière, Brussels © Maria Gilissen – Sabam 2021. Left and right: Marcel Broodthaers, Rue René Magritte Straat, 1968 and L’Alphabet, 1969 © Succession Marcel Broodthaers – Sabam 2021

R. H. QUAYTMAN –
MODERN SUBJECTS,
CHAPTER ZERO

As part of her research into the artistic history of Brussels, artist R. H. Quaytman came across the painter Antoine Wiertz and his personal museum, which is now nestled in the heart of the European Quarter. Now all but forgotten, Wiertz’s work and exuberant museum-sanctuary provide a starting point for Quaytman’s investigation into the possibilities of painting in the context of the photographic image.

With the support of: Gladstone Gallery

10-09-2021___________09-01-2022
OPENING 09-09-2021, 17:00-22:00

CALL FOR ARTISTS IN RESIDENCE 2022

In the framework of the partnership with Africalia, the current call for applications for a residency in 2022 is now open to artists from the following African countries: South Africa, Burkina Faso, Burundi, Democratic Republic of the Congo, Kenya, Rwanda, Uganda, Zimbabwe.

LAST CHANCE | Deadline: 01-09-2021

MORE INFO

In preparation for the new exhibitions, WIELS, the bookshop and café Kamilou remain closed until 09-09-2021.

REMOVED mcnFollowBlock

REMOVED mcnFollowContentItemContainer

Copyright © 2021 WIELS, All rights reserved.
You are receiving this email becaus you opted in at our website www.wiels.org.

Our mailing address is:

WIELS

Avenue Van Volxemlaan 354

Brussels 1190

Belgium

Add us to your address book

Want to change how you receive these emails?
You can update your preferences or unsubscribe from this list.

View this email in your browser

opening soon: NIGHT SHIFT (and last week of open call ‘Where are we now?’

Posted on 26 August 202126 August 2021

GREYLIGHT
PROJECTS

platform for arts & culture

exhibition: NIGHT SHIFT

During theatre festival Cultura Nova, fourteen empty storefronts in the centre of Heerlen will be the setting for Night Shift, a project by artist collective Ratsmodee.

Night Shift is a project with a day-and-night rhythm, creating different perspectives on the works: The use of light and darkness is a connecting factor between the fourteen presentations.

Night Shift is on the cutting edge of theatre and visual art. Every location is different; sometimes there are remains of an interior, sometimes of a discontinued renovation and sometimes it is a bare white space. All these factors influence the work that is created and the experience of it.

Theatre does not show real facts but fictional ones. The aim of such a (re-)construction is, often, to show different shades of reality. In a similar and poetic way Ratsmodee works, Night Shift can be read as a counterpart of the everyday reality in the city centre of Heerlen.

For further background information on the works, you can listen to an audio tour via Greylight Project´s RADIO LIMA.

Participating artists: Rune Peitersen & Mikica Andrejic, Peter Bouwmans, Wouter Huis, Gerard Koek, Gert-Jan Prins, Iris Bouwmeester & Dyane Donk, Josephine Kaepellin, Griet Menschaert, Laurent Malherbe, Sabine de Graaf, Karin Arink & Renée Kool, Priscila Fernandes and the Tekenkingz

curated by: collectief Ratsmodee, Laurent Malherbe
date: 27.08.2021 – 05.09.2021
opening: Friday 27.08.2021 , 17:00-24:00
opening hours: Mon, Tue, Wed, Thu, Fri, Sat, Sun , 12:00-24:00

more information: https://greylightprojects.org/nightshift/

Arthur Cordier – ARTIST IN RESIDENCE – Where are we now?

image: Arthur Cordier, Enseigne Liquide, Goudron lumineux. Exhibition view, FRICHE. Brussels, 2016.⁣

IKOB and Greylight Projects are pleased to announce artist Arthur Cordier as the winner of our open call for the Very Contemporary residency and artist project. Arthur was chosen by a jury consisting of VC members Maurice Funken (NAK Neuer Aachener Kunstverein) Brenda Guesnet (IKOB – Museum für Zeitgenössische Kunst), Wouter Huis (Greylight Projects) and Alicja Melzacka (CIAP Kunstverein).⁣⁣

⁣⁣

Arthur’s practice tackles the aesthetics of bureaucracy, entrepreneurship, and efficiency through relational, situational and context-specific works. They often self-reflect upon artistic practice and the entangled economies of art in a production-driven society. ⁣⁣

⁣⁣

In addition to his practice he co-initiates the studio & project space The Balcony (NL), and contributes as guest curator to Art au Centre Liège (BE).⁣⁣

⁣⁣

We are looking forward to welcoming Arthur to the region and seeing his project develop in the coming months. Watch this space for further updates on his work!⁣⁣

⁣

Hier is niks moois te zien – #mappingheerlen

‘Hier is niks moois te zien’ is een project in van Biën Kamphuis en Rutger de Vos, beide student 2ejaar van de kunstacademie in Maastricht. Biën en Rutger realiseerden dit project tijdens een workshop bij Greylight Projects in juni 2021.

“Het creëren van een eigen platform, de legitimiteit van zelfgeplaatste markeringen in de openbare ruimte aankaarten en het voortzetten van surrealistische tradities. Het werk oogt kritisch, maar wij willen juist het rauwe behouden en de schoonheid hiervan onderstrepen.”

Je kan de locaties vinden op de website van #mappingheerlen

Hinter der Baustelle – #mappingheerlen

Tussen 10 augustus en 17 oktober zal er een open onderzoek plaatsvinden naar de bouwplaats en transitie van het Schinkelkwadrant-Zuid in Heerlen. Dit project zal actief de discussie aansporen over de veranderingen die hier plaatsvinden, via taal en beeld.

Hinter der Baustelle probeert de bouwplaats als een utopische stad te beschouwen. Het is een plek waar nog niks af is, en daarom alles nog mogelijk. Het ontbreken van vastigheid maakt dat we constant aandachtig moeten blijven kijken en geeft tegelijkertijd alle ruimte voor fantasie en discussie. Een onderzoek naar de mogelijkheden in deze utopische stad moet daarom minstens net zo open en fantasierijk zijn en zal een gesprek aansporen over de huidige staat van Heerlen.

Voor meer informatie kun je kijken op #mappingheerlen.

Greylight Projects is supported by the Mondriaan Fonds for the general program
for the years 2021 & 2022 with a grant ‘Podium Start’.

Greylight Projects is supported by the gemeente Heerlen for selected parts of the program.

Greylight Projects is collaboration at the platform #TOKTOK,
the platform for cultural initatives in Heerlen

Greylight Projects is a member of the network Very Contemporary,
the network of contemporary art venues in the Meuse-Rhine Euregion

Greylight Projects
www.greylightprojects.org

To unsubscribe click here, to edit your subscription click here.

—

Alles zien, alles voelen, sjamanen in de stad

Posted on 25 August 202125 August 2021

View this email in your browser

Het beste van Mister Motley in je postvak

(advertentie)

Alles zien, alles voelen – sjamanen in de stad

Grayson Perry

De alledaagse handeling van het bedenken wat je aandoet en het aankleden zelf werd door kunstenaar Ad de Jong eens omschreven als ‘de performance van het dagelijks leven’. Wie je bent, draag je uit. Wat je draagt, wil iets zeggen. Beeldend kunstenaars vinden inspiratie in die dagelijks terugkerende handelingen, de particuliere keuzemomenten en de persoonlijke betekenis die kleeft aan kledingstukken en textiel. Hun werk is een beweging naar het publiek toe.
Hanne Hagenaars en Merel Bem schrijven voor Mister Motley tweemaandelijks over de relatie tussen kunst en kleding.
In het tweede artikel uit deze reeks schrijft Hanne Hagenaars over hoe sjamanisme in de stad er uit zou kunnen zien en de transformerende rol van kleding in dit proces.

Auteur: Hanne Hagenaars

lees hier het artikel

Afstuderen tijdens de lockdown- een zee van nieuwe stemmen IV

Taedong Lee – Pink sky

Gerda van de Glind belicht voor Mister Motley kunstenaars die wereldwijd afstuderen tijdens de lockdown. In dit derde artikel spreekt ze onder andere de Zuid-Koreaanse Teadong Lee.

Taedong Lee maakt schilderijen van landschappen waarin hij fysieke locaties en emotionele ervaringen met elkaar verweeft. Zijn inspiratie haalt hij uit de oosterse schilderkunst, waarin de persoonlijke blik op het landschap wordt vervlochten met spirituele rust en introspectie van de schilder.

Auteur: Gerda van de Glind

lees hier het artikel

Do not Disturb (or please do)

Persis Bekkering schreef een essay over het vervagen van grenzen tussen de binnen- en buitenwereld (tussen het private en het publieke) voor de lichting van 2021. Als het gehele dagelijkse leven zich afspeelt binnen vier muren, waar is dan de ander, waar is dan het andere?

Auteur: Persis Bekkering

lees hier het artikel

Copyright © 2021 Stichting Mister motley, All rights reserved.
U ontvangt deze e-mail omdat u zich geregistreerd heeft en/of omdat u geabonneerd bent op onze nieuwsbrief. Wilt u deze nieuwsbrief niet meer ontvangen, dan kunt u zich hier uitschrijven

Our mailing address is:
Stichting Mister motley
Wg-Plein, Helmersbuurt, Amsterdam, Nederland
Amsterdam, NH 1054
Netherlands

Q-O2 News :: September 2021

Posted on 25 August 202125 August 2021

workspace for experimental music and sound art

in situ performances
27 August 18h
Saab Sculptures/Paesaggimaginati – Amber Meulenijzer
Amber Meulenijzer will show her mobile and site-specific sound installation Saab Sculptures in three different places in public space in and around Brussels. Third and last stop will be at Parking Panorama / Van Helmontstraat 15, 1000 Brussel
[more info]

audio walks
28+29 August
Lukas Anthierens, Justin Bennett, Jonathan Frigeri & Eric Desjeux, Yannick Guédon, Confluences (Franziska Windisch & Giulia Vismara)
On Saturday 28 and Sunday 29 August, various guided audiowalks will take place in Brussels. Jubilee, Beursschouwburg, BNA-BBOT, Overtoon, Q-O2, and Soundtrackcity are happy to invite you to these sample walks, a foretaste of Tracks, a new smartphone app for audiowalks which is now in testing phase and will presented to the public soon.
Different points of departure – see programme [here]
[more info]

concert
2 September 20h
Angélica Castello + Lukas De Clerck
Two solo sets in the framework of La Semaine du Son.
[more info]
[reservation]

workshop
5 September 11h-18h
Free Improvisation with Angélica Castello
Workshop free improvisation, creative reflecting and sound making.
Creating new soundscapes produced by objects, machines or musical instruments. No prior knowledge in music is needed.
[more info]

concerts
4 + 11 September
Het Blokfluitasiel – Lukas De Clerck, Angélica Castello, Katelijne Lanneau, Matthias Verniers & students
Public performances:
4/9 16h Friedenskirche Eupen,
11/9 14h Sint-Agatha kerk, Kerkstraat, 1082 Sint-Agatha-Berchem.
÷ Het Blokfluitasiel is a collaboration between instrument builder Lukas De Clerck, composer Angélica Castello, and music teachers Katelijne Lanneau and Matthias Verniers with their pupils from Music Academies Jette/Brussels (recorder class) and St.Vith (organ class). The project builds on Lukas De Clerck’s instrument “AirBag/14Holes”.
This project is a cooperation with Meakusma.
[more info]

workshop
2 October 14h-18h
Free Improv Lab with Farida Amadou
Playing what you feel in the moment, feeling the energy of other players and of the space and always being aware of what is happening around and inside your own personal circle.  Choose to be silent, choose to challenge others, challenge yourself.  Free Improv Lab is a series of guided collective free improvisations, exploring the vocabularies that each performer brings with them. 
[more info]

calls
Various open calls for CTM festival 2022
Our partner CTM in Berlin has various calls on offer: CTM 2022 – Contact, CTM Radio Lab, Kontinuum, Research Networking Day Call for Papers. You can find out more about all of the them here: CTM festival calls

release
c a r e – Selu Herraiz
Selu Herraiz’ piece, which he developed in residency at Q-O2, is released now on Morada Sónica.
Watch the video

Oscillation ::: Tuned Circuits – releases
In case you have missed parts of the festival Oscillation ::: Tuned Circuits last April/May, here is your second chance:

4 split-albums, with a selection of pieces recorded at the festival, are now available as digital releases on Bandcamp:
Oscillation ::: Tuned Circuits 1 > Jonáš Gruska / Farida Amadou
Oscillation ::: Tuned Circuits 2 > Billy Roisz / Jeroen Uyttendaele
Oscillation ::: Tuned Circuits 3 > Stellan Veloce / Yannick Guédon with Rebecca Lane & Catherine Lamb
Oscillation ::: Tuned Circuits 4 > Catherine Lamb with Bryan Eubanks & Rebecca Lane / Lukas De Clerck

Furthermore, most of the talks and some radio works created for the festival, are available now on our Podcast Channel:
You can listen to Lendl Barcelos, Jonas Gruska, Edyta Jarzab, Goodiepal, Anna Steiden, Pierre Deruisseau, Sarah van Lamsweerde & Esther Mugambi & Raoul Carrer.

still available
podcasts, books, cassette releases, videos.

REMOVED mcnFollowBlock

REMOVED mcnFollowContentItemContainer

Francis Feidler: ELASTIKOMMUNIKATION 1964 – 2021 ????

Posted on 25 August 202125 August 2021

View this email in your browser

FR / EN / NL

In Kürze

04.09.–28.11.2021
Francis Feidler
ELASTIKOMMUNIKATION 1964 – 2021

Francis Feidler, Apokalypse 2 (Verdrängen), 2020, Öl auf Leinen. Foto: Thomas Brenner

Die erste Retrospektive des Künstlers und IKOB-Gründers Francis Feidler. Der belgische Künstler wird mit seinem vielfältigen Oeuvre die gesamte Fläche des Museums bespielen und sein Lebenswerk vorstellen, das nicht nur aus Malerei, Zeichnungen, Bildhauerei, und Installationen besteht, sondern auch aus der Gründung des IKOB im Jahr 1993, und der nachfolgenden Direktion des Museums bis 2012. Francis Feidler versteht es, Menschen für die Kunst zusammen zu bringen und zu begeistern – nun zum ersten Mal in dieser Größenordnung als Künstler.

Der von Feidler erfundene Begriff der Elastikommunikation zieht sich als roter Faden durch seine Praxis: „[Mein Ziel] ist die Entstehung von Situationen, wo die Kommunikation zwischen Kunstwerk und Betrachter Elastizität erlangt, nicht in festgefahrene Bahnen verläuft, sondern alle Freiräume nutzt“, schreibt er im Jahr 1988. Die Ausstellung im IKOB führt retrospektivisch als auch thematisch durch sein Leben: von ersten Streifzügen durch die Malerei über gesellschaftskritische Installationen, spätere Projekte wie die Spiralen und ortsspezifische Arbeiten, bis zur Gründung des IKOB und neueren Werken. Das Wechselspiel zwischen Kunst und Charakter, Rebellion und Institution durchzieht den Geist dieser Rückschau.

Anwesenheiten des Künstlers:
• 4. und 5. September, 13-18 Uhr
• 2. und 3. Oktober, 13-18 Uhr
• 6. und 7. November, 13-18 Uhr

Öffentliche Führungen mit Kuratorin Brenda Guesnet:
• 15. September, 18 Uhr
• 13. Oktober, 18 Uhr
• 10. November, 18 Uhr
• 28. November, 15 Uhr

Mehr lesen: ikob.be/ausstellungen/francis-feidler

Künstleredition von Alexandra Tretter

Alexandra Tretter, Die Module spielen verrückt, 2021. Vinyl record, 12“/180g/white. Signed and numbered on verso. Unique edition of 10.

In Zusammenarbeit mit der Galerie 14a, Hamburg zur Unterstützung des ÖSHZ Eupen.

Alexandra Tretters Ausstellung „Die Module spielen verrückt“ (13.06.-15.08.2021 im IKOB) wurde von einer von der Künstlerin aufgenommenen Vinyl-Schallplatte begleitet. Die vier Tracks auf der Platte verstehen sich als Partitur für die Malereien in der Ausstellung, wie auch als Ausdehnung des Malerischen in den flüchtigen Bereich des Klangs.

Aus der limitierten Auflage von 200 LPs hat die Künstlerin eine exklusive Edition von 10 individuell gestalteten Exemplaren ausgekoppelt. Die um das Cover geschlagenen Schutzhüllen hat sie dafür mit Stickern aus ihrer Kindheit und Jugend bzw. dem aktuellen Internet so beklebt, dass das Motiv der den Bildern der Ausstellung zugrundeliegenden Zeichnung in freien Assoziationen erweitert wird.

Die Hälfte des Erlöses des Verkaufs geht an das ÖSHZ Eupen, um den Betroffenen der schweren Überflutungen im Juli zu helfen.

Weitere Informationen gibt es hier.

IKOB x Greylight Projects: Artist in residence 2021

Arthur Cordier, Enseigne Liquide, Goudron lumineux. Exhibition view, FRICHE. Brussels, 2016.⁣

Arthur Cordier ist der Gewinner unserer Ausschreibung für die Very Contemporary Residency 2021, eine Kooperation zwischen IKOB und Greylight Projects, Heerlen (NL). Der Künstler wurde von einer Jury bestehend aus Maurice Funken (Neuer Aachener Kunstverein), Brenda Guesnet (IKOB), Wouter Huis (Greylight Projects) und Alicja Melzacka (CIAP Kunstverein) ausgewählt.

Arthurs Praxis befasst sich mit der Ästhetik von Bürokratie, Unternehmen und Effizienz durch relationale, situative und kontextspezifische Arbeiten. Sie reflektieren oft über künstlerische Praxis an sich und die verwickelten Ökonomien der Kunst in einer produktionsgetriebenen Gesellschaft. Neben seiner Arbeit als Künstler ist er Mitinitiator des Projektraums The Balcony, Den Haag (NL) und trägt als Gastkurator zu Art au Centre Liège (BE) bei.

Wir freuen uns darauf, Arthur in der Euregio Maas-Rhein willkommen zu heißen und zu sehen, wie sich sein Projekt in den kommenden Monaten entwickelt.

Weitere Infos findet Ihr auch auf unseren weiteren digitalen Kanälen.

REMOVED mcnFollowBlock

REMOVED mcnFollowContentItemContainer

Rotenberg 12b
4700 Eupen
Belgien / Belgique / Belgium

Öffnungszeiten / Horaires d’ouverture / Opening hours
Di. – So. / Mar. – Dim. / Tue. – Sun.
13.00 – 18.00

Führungen auf Anfrage / Visites guidées sur demande / Guided tours on demand: Pressedossiers auf Anfrage / Dossiers de presse sur demande / Press Files on demand: Presse-Login

Art does not need a common language, it is international by itself.
www.verycontemporary.org
The Network of 11 art institutions of the Meuse-Rhine Euregion. Supported by Euregio Maas-Rhein

Mit der Unterstützung von / Avec le soutien de / With the support of

Partner / Partenaires / Partners

Copyright © 2021 IKOB – Museum für Zeitgenössische Kunst, All rights reserved.
Sie haben diese E-Mail erhalten, weil Sie sich für den IKOB-Newsletter angemeldet haben. / Vous avez reçu cet email parce que vous vous êtes inscrit à la newsletter de l’IKOB. / You have received this email because you registered to the IKOB newsletter.

Our mailing address is:

IKOB – Museum für Zeitgenössische Kunst

Rotenberg 12b

Eupen 4700

Belgium

Add us to your address book

Want to change how you receive these emails?
You can update your preferences or unsubscribe from this list

Save the date: Michel Claura and Elize Mazadiego in conversation at WIELS, Brussels 10/9, 6.30 pm

Posted on 25 August 202125 August 2021

View this email in your browser

Please note

10/09, 6.30 pm
Michel Claura and Elize Mazadiego
When Art Was in Question
Conversation
at
WIELS
Avenue Van Volxemlaan 354, 1190 Brussels
(Free reservation is available via the website of WIELS)

Exhibition extended:

05/06 – 24/07 + 01/09 – 12/09
Ian Wilson, David Lamelas
Traces of Speech and Time in Michel Claura’s Miscellanies

Brussels Gallery Weekend:
09/09, 11 am – 9 pm
10/09 – 12/09, 11 am – 7 pm

To comply with the regulations we ask you to wear a face mask and keep a distance of min. 1,5 m during your visit.

Jan Mot
Petit Sablon / Kleine Zavel 10
1000 Brussels, Belgium
+32 2 514 10 10
www.janmot.com
Wednesday till Friday 2 – 6.30 pm
Saturday 12 – 6 pm
and by appointment

You are receiving this letter because you have either signed up for it via our website or have emailed us directly.

Update your preferences or unsubscribe from this list.

Uitnodiging: Survival in the afterlife – Lydia Ourahmane

Posted on 25 August 202125 August 2021

U bent van harte uitgenodigd voor:

Geprinte foto’s uit het House of Hope archief van Lydia Ourahmane

Survival in the afterlife

Lydia Ourahmane

Opening met de kunstenaar en vrienden

21 september 2021 om 19.00

Met trots presenteert de Appel de eerste solotentoonstelling van Lydia Ourahmane (1992, Algerije) in Nederland. Ourahmane gebruikt de gelegenheid van de Consortium Commissions* om een archief samen te stellen bestaande uit fotografisch materiaal, bewegend beeld en orale documentatie – allemaal gemaakt tijdens de opbouw van een actieve spirituele beweging en gemeenschap, opgericht door haar familie gedurende de burgeroorlog in Algerije (1991 – 2002). Hoe kan dit archief een casestudy worden voor het onderzoeken van de veranderende omstandigheden van geloof op het snijpunt van politiek, geografie en religie?

Tentoonstelling
22 september – 23 november 2021

Openingstijden
Woensdag t/m zondag 16.00 – 21.00

*een project geïnitieerd door Mophradat. De tentoonstelling in de Appel wordt gepresenteerd in samenwerking met Portikus, Frankfurt. Met dank aan de Ateliers voor ondersteuning in natura.

de Appel
Schipluidenlaan 12
1062 HE Amsterdam

+31 (0)206255651
www.deappel.nl

STEUN de Appel

Facebook Instagram Twitter

Change personal data or unsubscribe

De Appel wordt structureel ondersteund door
Mga
Essentiële steun aan het Curatorial Programme wordt verleend door Stichting Hartwig

De Appel ondersteunt de kunstsector via De Zaak Nu en MOKER

This week’s openings in Brussels

Posted on 25 August 202125 August 2021

This week’s openings in Brussels ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌

This week’s openings in Brussels

Is this email not displaying correctly?
View it in your browser.

Opening this week
Wednesday 25 Aug → Tuesday 31 Aug

Saturday 28/08 — 18:00

Moonens Foundation
Nicolas Riquette – 'Incipit'

Opening next week
Wednesday 01 Sep → Tuesday 07 Sep

Wednesday 01/09 — 18:00

CENTRALE for contemporary art
Vernissage Demain est un autre jour + showcase Roza

Wednesday 01/09 — 18:00

CENTRALE for contemporary art
Semaine du son @ CENTRALE

Thursday 02/09 — 17:00

Eté 78
Yoann Van Parys – 'Le marchand de glaces'

Friday 03/09 — 18:00

Cultuurcentrum Strombeek
An Roovers – 'Tranquility in time'

Friday 03/09 — 18:00

Cultuurcentrum Strombeek
Nel Maertens – 'A Green Charade'

Friday 03/09 — 18:00

Cultuurcentrum Strombeek
Obi Okigbo – 'Planting new Mbari’s'

Saturday 04/09 — 12:00

Sorry We're Closed
Roger Herman

Saturday 04/09 — 18:00

Dauwens & Beernaert Gallery
Johes de Eyck me fecit

Sunday 05/09 — 14:00

Société
Claire Andrzejczak – 'insideout'

Sunday 05/09 — 14:00

Rossicontemporary
Thomas Mazzarella

Sunday 05/09 — 14:00

Hopstreet Windows
Fabrice Souvereyns & Johan De Wilde

Sunday 05/09 — 14:00

Hopstreet Gallery
Thorsten Brinkmann – 'Flying Shells'

Tuesday 07/09 —

Fondation CAB
Fred Sandback

Tuesday 07/09 — 17:00

Charles Riva Collection
Frank Stella – Josh Sperling

[nadine] August – September 2021

Posted on 24 August 202124 August 2021

REMOVED FOOTER

[dinA] Reading the City by oracle
26/08/2021 – 18:00-21:00 – dinA

[EN] oracle launches the vinyl edition of Reading the City with a listening session at dinA. Sound artist Laszlo Umbreit has taken vocal recordings from this project and created a vinyl to accompany the science fiction writing of Mira Sanders.

[NL] oracle lanceert de vinyl editie van Reading the City met een luistersessie in dinA. Geluidskunstenaar Laszlo Umbreit gebruikte opnames van de vocale interventies van dit project voor de creatie van een vinyl die het science fictie verhaal van Mira Sanders begeleidt.

dinA, Nieuwbrug 3 Rue du Pont Neuf, 1000 Brussels
more info : nadine.be
supported by Vlaamse Gemeenschap culturele activiteitenpremie
extra info: on Saturday 4 September 2021 oracle is invited by Rasa Alksnyte to perform at Kunst & Zwalm 2021 (organised by BOEM vzw & croxhapox), more info: kunst-en-zwalm.be
image by oracle

[RusClub #48] Brother 2 by Aleksey Balabanov
06/09/2021 – 19:30-22:30 – dinA

[NL] RusClub is een platform voor Russische cinema. Alexandra Dementieva gidst het publiek doorheen de geschiedenis van de Russische cinema aan de hand van geselecteerde films.

[EN] RusClub is a platform for Russian cinema. Alexandra Dementieva selects Russian movies and guides you through the history of Russian cinema.

dinA, Nieuwbrug 3 Rue du Pont Neuf, 1000 Brussels
more info : nadine.be

[n0dine] le Sang Q&A by Julia Droga & Various Artists
06-28/09 2021 – n0dine

[EN] Q & A is a series of collaborations initiated by Various Artists with fellow artists active in different fields of the art world. This fourth Q & A le Sang highlights a longterm collaboration with Julia Droga.
le Sang is the first exhibition of their series Jusqu’à Ce Que la Mort Nous Sépare, a project that exposes the present on a social, political and economic level and investigates how poetry and collaboration in a biotope of arts can make a difference.

[NL] Q & A is een reeks van samenwerkingen die Various Artists initieert met collega-kunstenaars actief in andere domeinen in de kunstwereld. Deze vierde Q & A belicht een langlopende samenwerking met Julia Droga.
le Sang is de eerste tentoonstelling van de vierdelige reeks Jusqu’à Ce Que la Mort Nous Sépare, een project dat het heden blootlegt op sociaal, politiek en economisch vlak en onderzoekt hoe poëzie en samenwerking in een biotoop van kunsten een verschil kunnen maken.

n0dine, Rue de Lakensestraat 105, 1000 Brussels
opening Thursday 06/09/2021, 11:00-21:00
open during Brussels Gallery Weekend 06/09 – 09/09 2021, 11:00- 19:00
open 10-28/09 2021 by appointment ()
more info : nadine.be
image by Sophie Mutterer

[dinAvitrine] Michel by Various Artists
20/08 – 20/09 2021 – dinA

[EN] dinA vitrine presents Michel by Various Artists, a tribute to Michel Yang who passed away last year. The video will play for one month in the vitrine.

[NL] dinA vitrine presenteert Michel van Various Artists, een ode aan Michel Yang die vorig jaar overleed. De video zal een maand lang in de vitrine te zien zijn.

dinA, Nieuwbrug 3 Rue du Pont Neuf, 1000 Brussels
more info : nadine.be
image by Various Artists

nadine is supported by:
Vlaamse Gemeenschap
Vlaamse Gemeenschapscommissie van het Brussels Hoofdstedelijk Gewest
Mobiel Brussel van het Brussels Hoofdstedelijk Gewest

Contact:
dinA / Nieuwbrug 3 Rue du Pont Neuf / Brussel 1000 Bruxelles

INVITATION PERSONNELLE VERNISSAGE « JE VOULAIS M’EN ALLER MAIS JE N’AI PAS BOUGÉ » MARC-ANTOINE SERRA

Posted on 24 August 202124 August 2021

SDS#30
« JE VOULAIS M’EN ALLER MAIS JE N’AI PAS BOUGÉ »
MARC-ANTOINE SERRA

Wouter,
C’est la rentrée, SALON DU SALON, Marseille, appartement avenue du Prado. Les personnages s’activent dans différentes pièces : dormir, se laver, manger, lire. Marc-Antoine Serra les a photographiés in situ et les photographies ont été exposées à la fois dans les pièces et dans les chapitres du livre. Le dernier chapitre contient un texte de Jean-Jacques Viton qui se trouve à la campagne ; le titre de l’exposition et du livre reprend celui d’un de ses livres publié aux éditions P.O.L.

Au plaisir de vous recevoir au SALON DU SALON, 21 avenue du Prado à Marseille, pour le vernissage de l’exposition « JE VOULAIS M’EN ALLER MAIS JE N’AI PAS BOUGÉ » et le lancement du livre éponyme dimanche 29 août 2021 à midi, ou toute autre date à votre convenance dès le 25 août.
Bien amicalement.

P. Munda

EXPOSITION

« JE VOULAIS M’EN ALLER MAIS JE N’AI PAS BOUGÉ »
MARC-ANTOINE SERRA

PHOTOGRAPHIES DE MARC-ANTOINE SERRA
COMMISSARIAT D’EXPOSITION PAR P. MUNDA

DU 25 AOÛT AU 25 OCTOBRE 2021
VISITES PUBLIQUES DU JEUDI AU SAMEDI DE 16 À 19 H ET SUR RDV

OUVERTURE SAMEDI 28 AOÛT DE 19H À 23H59
DANS LE CADRE DE “GALERIE NIGHT” P-A-C

VERNISSAGE DIMANCHE 29 AOÛT 12H À 18H
EN PRÉSENCE DE L’ARTISTE MARC-ANTOINE SERRA, DU COMMISSAIRE PHILIPPE MUNDA
PERFORMANCE AVEC LES MODÈLES :
MOUSSA BEN, RODRIGUE BOTOURATSI, ABDEL-SAMAD GUEZOULI ET THOMAS MIQUEL

SAMEDI 25 SEPTEMBRE 2021 À 20H : ‘PROPAGER LE POÈME’
LE CIPM CENTRE INTERNATIONAL DE POÉSIE AU SALON DU SALON
LECTURE D’UN TEXTE DE JEAN-JACQUES VITON PAR ÉRIC HOUSER

SALON DU SALON 21 AVENUE DU PRADO 13006 MARSEILLE FRANCE
INFO PRESE : +33(0)6 50 00 34 51

LIVRE

MARC-ANTOINE SERRA
« JE VOULAIS M’EN ALLER MAIS JE N’AI PAS BOUGÉ »*

LIVRE D’ARTISTE AUX ÉDITIONS SALON DU SALON
210 X 148MM – 64 PAGES

PHOTOGRAPHIES MARC-ANTOINE SERRA
D.A. MARC-ANTOINE SERRA ET P. MUNDA
TEXTES JEAN-JACQUES VITON / LILIANE GIRAUDON
PREMIÈRE ÉDITION – PUBLIÉ PAR SALON DU SALON

DÉPÔT LÉGAL : AOÛT 2021 – ISBN 978-2-9552776-4-5
LIVRE PRÉCÉDENT L’EXPOSITION AU SALON DU SALON
À MARSEILLE DU 25 AOÛT AU 25 OCTOBRE 2021

REMERCIEMENTS : LILIANE GIRAUDON, MIKOLAJ SOKOLOWSKI
MOUSSA BEN, RODRIGUE BOTOURATSI, ABDEL-SAMAD GUEZOULI, THOMAS MIQUEL

* TITRE ÉPONYME D’UN LIVRE DU POÈTE JEAN-JACQUES VITON PUBLIÉ AUX ÉDITIONS P.O.L

REMOVED mcnFollowBlock

REMOVED mcnFollowContentItemContainer

Copyright © 2021 SALON DU SALON, All rights reserved.
Cet email vous est envoyé parce que vous en avez fait la demande. Si toutefois vous ne désirez plus recevoir nos informations, merci de nous en informer:

Our mailing address is:

SALON DU SALON

21 avenue du Prado

Marseille 13006

France

Add us to your address book

Want to change how you receive these emails?
You can update your preferences or unsubscribe from this list.

Book Launch! Camille Kaiser Wed. Aug. 25, 5pm-8pm!

Posted on 23 August 202123 August 2021

ABA

AIR Berlin Alexanderplatz
Book launch!

photo: Camille Kaiser 2021

Today I Left home and

Wednesday, 25. Aug 2021, 5-8 pm

at Hansaviertel in Berlin Tiergarten click here for exact location access via U9 Hansaplatz or S-Bahn Bellevue

Today I left home and by Camille Kaiser is a compilation of short episodes written from the perspective of a first-person narrator describing little incidents happening to her after leaving the secure space of her urban home. It is a reflection on spaces and situations in which the position of the narrator is always the point of reference, paradigmatic for the reader. Published in July 2021, the book has been initiated during a residency at Air Berlin Alexanderplatz in 2019-2020.

Camille Kaiser (*1992) is based in Geneva and Zurich. Her artistic practice
comprises image as well as text exploring everyday life situations.

Writing: Camille Kaiser
Editing and proofreading: Madeleine Dymond
Design: Aurelia Amrou

with the support of La République et canton de Genève
and the Erna und Curt Burgauer Stiftung

DIE MONROES
www.monroe-books.de

.

——————————————————————————

Current:
Feel free to join our ongoing online events here:
Sounds of Braking Windows
a podcast on voice as an artistic means, with With Wendelien van Oldenborgh, Nickel van Duijvenboden, Magali Dougoud, Julia Herfurth, Beatrijs Dikker

FUNKENZUFLAMMEN: With an exhibition at Haus der Statistik on Berlin Alexanderplatz around ABAs archival material, a publication and 10 years of research based artistic practice in and around Berlin.

ABAs AIR SALON
with Andrés Villa Torres, Rhona Mühlebach & Alexei Kuzmich

ABA at VORSPIEL
ABAs participation in this years edition of VORSPIEL of Transmediale and CTM festival. .

Currently at Residency Air Berlin Alexanderplatz :
Vanessà Heer (CH) 1st of March 2021 – 31st of August 2021
CMMC / June – September 2021
Valentina Kiselyova( BLR) and Anna Chistoserdova (BLR) from “Ў” Gallery, Minsk, Belarus, July – September 2021

ABA (Air Berlin Alexanderplatz) e.V. / Schöneberger Str. 13 / DE-10963 Berlin / www.airberlinalexanderplatz.de

Valentina Kiselyova & Anna Chistoserdova (BY)

Residency: July 2021 – October 2021

http://en.ygallery.by

Valentina Kiseleva and Anna Chistoserdova worked in Minsk, Belarus.

Founders of Podzemka Gallery from 2004 to 2009. Director and curator of Ў Gallery of Contemporary Art from 2009 to 2020

www.facebook.com/groups/ygallery/?ref=bookmarks

Supported by German Marshall Fund of the United States

Vanessà Heer (CH/IT)

Residency: March 2021 – August 2021

Blog by Vanessa Heer

https://www.vanessaheer.com

Vanessà Heer b. 1989, St.Gallen
lives and works in Zurich. She is an interdisciplinary artist working with sound based practices and shared listening. In different contexts, collaborations and spaces she explores the political and ethical possibilities of conscious listening and how it can be used as a feminist, decolonial and sustainable tool. In both her performative and her installative works, she constantly oriented towards questions of commonality, collaboration, the dissolving authorship, and the challenges of self-precarization.

Supported by Prohelvetia

CMMC

(Myrthe van der Mark / Céline Mathieu)

Residency: June 2021 – September 2021

CMMC performs self-invented cognitive constructions, always with a latent sense of humour. Their intensity is translated in very long performances (up to twelve hours), that have evolved over the seven years of their existence from working on quickly alternating emotions, text recitation and lengthly synchronized movements, to more stylized conceptual responses to the invitations they receive. The pieces often bring about an almost trance-like state in the performers.

CMMC performed in galleries and at art fairs internationally in Hamburg (P/ART), Manchester (Manchester Contemporary, Performance Program), Rotterdam (Wo Meine Sonne Scheint) and in Antwerp (M HKA, Trampoline gallery), Leuven (Museum M, Ithaka), Ghent (Kunstencentrum Vooruit, KIOSK), and Brussels (Poppositions). CMMC joins ABA’s residency program from June – September 2021

Supported by Flanders State of the Art (BE)

Image source:

Found image from fruugo.com

#77 Salon hosted by Rhona Mühlebach

past

Excitement is not part of my feeling repertoire

Feb27, 2021
The Salon took place via a Telegram-Chat-Group

“You will go for a walk in a forest or park nearby starting at 3 p.m. You’ll need to take your phone and headphones with you on your walk. Via the Telegram-Chat-Group you will receive different audio pieces for about one hour. We invite you to listen to them wherever you are outside in a park or in the woods.

(more.)

Image: Rhona Mühlebach, 2020

#76 Salon hosted by Magali Dougoud

past

The Womxn Waves I-II-III

Oct 8, 2020
Schwedenstraße 16, 13357 Berlin, Germany

All the womxn’s bodies that crossed the rivers and canals of the city of Berlin are connected with each other. They were killed there, died, or only passed through these liquid spaces and together they grew into an original memory that connects distant pasts and potential futures. In this new narration a population has emerged from this violence and loss: the Womxn Waves.

(more…)

Image: Magali Dougoud: Still from the video work: The Womxn Waves I, 2020

#75 Salon
hosted by Joris Perdieus

past

Sep 19, 2020, 17:00
Schwedenstraße 16, 13357 Berlin, Germany

Immersive Installation.
Room A: The Healing Room

You are invited into a dark room. You enter it by yourself. Inside you are immersed in a healing sound. You are immersed in a healing wind. You are there for a while. To discover the rocks.

The installation is A result of the research Joris conducted on nonvisual atmospheric and scenographic actors in his artpractice

(more…)

Image: Room B, during the Salon, 2020, Berlin

REMOVED FOOTER

Valentina Desideri & Denise Ferreira da Silva: Sensing Salon

Posted on 21 August 202121 August 2021

Valentina Desideri &
Denise Ferreira Da Silva,
Sensing Salon.

August 24th, 6 p.m.
August 25th, 11 a.m.

Auditorium Centro Botín. Muelle de Albareda, Paseo de Pereda, s / n. 39004, Santander.

Tickets at: centrobotin.org

On 24th and 25th of August fluent is pleased to present Sensing Salon, a gathering conceived by Valentina Desideri & Denise Ferreira Da Silva and curated with Andrea Rodrigo at Centro Botín.

Sensing Salon is a studio practice that facilitates collaborative studying and experimenting with different practices and tools (such as tarot, reiki, astrology, Political and Fake Therapy, etc.)

Inspired by the poet Joan Retallack’s great line: ”poetics can take you only so far without an h”, Sensing Salon invokes multiple poetic and ethical techniques that assemble and form a composition to rehearse ways of sensing and making sense. Through this, it fosters a form of sociality that attends to our deeply implicated existence.

The multiple assemblages through cards, stars, bodies, gestures, silences, sounds, and words produce an image of a question posed during the two-day study session, where participants are invited to share their practices, strategies, exercises and intuitions that will expand from and within the studio practice.

By means of a reading that decomposes and refigures a situation we will create together a study space that enables thinking about political and social issues in a way that also takes into account emotional, physical, sensual and intellectual aspects. In this, the four elements –air, fire, water, and earth– and the idea of correspondence give shape and constitute the lexicon and grammar at the core of these practices. This iteration of the Sensing Salon unfolds in the deep materiality of the architectures in which it occurs, embracing Centro Botín’s metal structure, its connection to water and the heat of this cold summer.

Through this it aims at exploring the spaces of multiplicity and resonance that open up when correspondence replaces linearity as the basis for thinking and existing.

Denise Ferreira da Silva is a philosopher, writer, and filmmaker, her academic and artistic works address the ethico-political challenges of the global present. She is the author of Toward a Global Idea of Race (2007), A Divida Impagavel (2019), Unpayable Debt (2021) and co-editor (with Paula Chakravartty) of Race, Empire, and the Crisis of the Subprime (2013) Her artistic work includes the films Serpent Rain (2016) and 4Waters-Deep Implicancy (2018), in collaboration with Arjuna Neuman.

Valentina Desideri explores art making as a form of study and study as a form of making art. She trained in contemporary dance at the Laban Centre in London (2003–2006), later did her MA in Fine Arts at the Sandberg Institute in Amsterdam (2011–13) and is currently a PhD candidate at the Social Justice Institute at the University of British Columbia, Vancouver. She does Fake Therapy and Political Therapy, and is one of the co-organizers of Performing Arts Forum in France, she speculates in writing with Stefano Harney, she engages in Poethical Readings and gathers Sensing Salons with Denise Ferreira da Silva, she is part of the Oficina de Imaginação Política, she reads and writes.

Andrea Rodrigo is a researcher and curator in the field of dance and contemporary choreography that thinks about means of creating complicit experiences and producing knowledge and sensibilities. She is involved in contexts such as the Performing Arts Forum, St. Erme, France and Bulegoa z/b, Bilbao, where she worked as a coordinator from 2017-2018. She recently curated the programs What I am already intuiting in CA2M, Madrid, and Amarre in Conde Duque.

fluent
c/ Luis Hoyos Sainz, 2 (interior).
39001, Santander. SP
fluentfluent.org

Q-O2 News :: change location and beginning hour Sunday 22/8

Posted on 20 August 202120 August 2021

workspace for experimental music and sound art

in situ performances
15 – 27 August
Saab Sculptures/Paesaggimaginati – Amber Meulenijzer
Amber Meulenijzer will show her mobile and site-specific sound installation Saab Sculptures in three different places in public space in and around Brussels. Here she can be found:
Last minute change of location and beginning hour for the performance on Sunday 22/8:
20h > Anderlecht Abattoires, Ropsy Chaudronstraat 24, 1070 Brussel
27/8: 18h > Parking Panorama / Van Helmontstraat 15, 1000 Brussel
[more info]

concert
2 September 20h
Angélica Castello + Lukas De Clerck
Two solo sets in the framework of La Semaine du Son.
[more info]

workshop
5 September 11h-18h
Free Improvisation with Angélica Castello
Workshop free improvisation, creative reflecting and sound making.
Creating new soundscapes produced by objects, machines or musical instruments.
The participants need no prior knowledge in music, more important is the curiosity on sound organization.
[more info]

concerts
4 + 11 September
Het Blokfluitasiel – Lukas De Clerck, Angélica Castello, Katelijne Lanneau, Matthias Verniers & students
Public performances:
4/9 16h Friedenskirche Eupen,
11/9 15h Sint-Agatha kerk, Kerkstraat, 1082 Sint-Agatha-Berchem.
Het Blokfluitasiel is a collaboration between instrument builder Lukas De Clerck, composer Angélica Castello, and music teachers Katelijne Lanneau and Matthias Verniers with their pupils from Music Academies Jette/Brussels (recorder class) and St.Vith (organ class). The project builds on Lukas De Clerck’s instrument “AirBag/14Holes”.
This project is a cooperation with Meakusma.
[more info]

Oscillation ::: Tuned Circuits – releases
In case you have missed parts of the festival Oscillation ::: Tuned Circuits last April/May, here is your second chance:

still available
podcasts, books, cassette releases, videos.

REMOVED mcnFollowBlock

REMOVED mcnFollowContentItemContainer

We hebben je e-mailadres uit onze lijst gehaald.

Museum vanaf 1 september regulier geopend

Nieuw: Bonnefanten pop-up museum X Cultura Nova

Laatste maand te zien: Berlinde De Bruyckere: Engelenkeel

Nieuwe locatie: Bonnefanten Kunstuitleen Venlo

Laatste kans: The Studio #4: Floor Martens

Nu te zien: Margaret Kilgallen: that’s where the beauty is.

Voor de hele familie: HUID

Zilver met Schwung

Nu verkrijgbaar: Margaret Kilgallen: that’s where the beauty is.

Bijna uitverkocht: gesigneerde print en boek Engelenkeel

Museumcafé Ipanema

EXPO

RESIDENCES

MORE

GREYLIGHT PROJECTS

exhibition: NIGHT SHIFT

Arthur Cordier – ARTIST IN RESIDENCE – Where are we now?

Hier is niks moois te zien – #mappingheerlen

Hinter der Baustelle – #mappingheerlen

Alles zien, alles voelen – sjamanen in de stad

Afstuderen tijdens de lockdown- een zee van nieuwe stemmen IV

Auteur: Gerda van de Glind

Do not Disturb (or please do)

In Kürze

04.09.–28.11.2021 Francis Feidler ELASTIKOMMUNIKATION 1964 – 2021

Francis Feidler, Apokalypse 2 (Verdrängen), 2020, Öl auf Leinen. Foto: Thomas Brenner

Künstleredition von Alexandra Tretter

Alexandra Tretter, Die Module spielen verrückt, 2021. Vinyl record, 12“/180g/white. Signed and numbered on verso. Unique edition of 10.

IKOB x Greylight Projects: Artist in residence 2021

Arthur Cordier, Enseigne Liquide, Goudron lumineux. Exhibition view, FRICHE. Brussels, 2016.⁣

Opening this week Wednesday 25 Aug → Tuesday 31 Aug

Opening next week Wednesday 01 Sep → Tuesday 07 Sep

ABA

AIR Berlin Alexanderplatz Book launch!

Today I Left home and

Wednesday, 25. Aug 2021, 5-8 pm

.

ABA (Air Berlin Alexanderplatz) e.V. / Schöneberger Str. 13 / DE-10963 Berlin / www.airberlinalexanderplatz.de

Valentina Kiselyova & Anna Chistoserdova (BY)

Valentina Kiseleva and Anna Chistoserdova worked in Minsk, Belarus.

Founders of Podzemka Gallery from 2004 to 2009. Director and curator of Ў Gallery of Contemporary Art from 2009 to 2020

Supported by German Marshall Fund of the United States

Vanessà Heer (CH/IT)

Supported by Prohelvetia

photo credit: © Philip Frowein

CMMC

Supported by Flanders State of the Art (BE)

#77 Salon hosted by Rhona Mühlebach

past

Excitement is not part of my feeling repertoire

Feb27, 2021 The Salon took place via a Telegram-Chat-Group

#76 Salon hosted by Magali Dougoud

past

The Womxn Waves I-II-III

Oct 8, 2020 Schwedenstraße 16, 13357 Berlin, Germany

#75 Salon hosted by Joris Perdieus

Sep 19, 2020, 17:00 Schwedenstraße 16, 13357 Berlin, Germany

Valentina Desideri & Denise Ferreira Da Silva, Sensing Salon.

August 24th, 6 p.m. August 25th, 11 a.m. Auditorium Centro Botín. Muelle de Albareda, Paseo de Pereda, s / n. 39004, Santander. Tickets at: centrobotin.org

Museum vanaf
1 september regulier geopend

Nieuw:
Bonnefanten pop-up museum
X
Cultura Nova

Laatste maand te zien:
Berlinde De Bruyckere:
Engelenkeel

Nieuwe locatie:
Bonnefanten Kunstuitleen Venlo

Laatste kans:
The Studio #4: Floor Martens

Nu te zien:
Margaret Kilgallen:
that’s where the beauty is.

Voor de hele familie:
HUID

Nu verkrijgbaar:
Margaret Kilgallen:
that’s where the beauty is.

Bijna uitverkocht:
gesigneerde print en boek
Engelenkeel

GREYLIGHT
PROJECTS

04.09.–28.11.2021
Francis Feidler
ELASTIKOMMUNIKATION 1964 – 2021

Opening this week
Wednesday 25 Aug → Tuesday 31 Aug

Opening next week
Wednesday 01 Sep → Tuesday 07 Sep

AIR Berlin Alexanderplatz
Book launch!

Feb27, 2021
The Salon took place via a Telegram-Chat-Group

Oct 8, 2020
Schwedenstraße 16, 13357 Berlin, Germany

#75 Salon
hosted by Joris Perdieus

Sep 19, 2020, 17:00
Schwedenstraße 16, 13357 Berlin, Germany

Valentina Desideri &
Denise Ferreira Da Silva,
Sensing Salon.

August 24th, 6 p.m.
August 25th, 11 a.m.

Auditorium Centro Botín. Muelle de Albareda, Paseo de Pereda, s / n. 39004, Santander.

Tickets at: centrobotin.org