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the archive
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NAK BENEFIZ AUKTION 2021 – WOCHE 3
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Am Montag begann die dritte und zugleich letzte Auktionswoche der Digitalen Benefiz Auktion 2021 des NAK Neuer Aachener Kunstverein. Die Versteigerungen der dritten Woche enden am kommenden Sonntag, den 26. Dezember 2021. Hier ein Überblick: Auktion Block 1: 06. Dezember bis 12. Dezember 2021 In drei wöchentlichen Blöcken stellen wir die zu versteigernden Werke online, jeweils von Montag bis Sonntag. Am Sonntagabend laufen die angebotenen Arbeiten zeitversetzt ab, das höchste Gebot erhält dann den Zuschlag. Um an der Auktion teilzunehmen und Gebote abzugeben, registrieren Sie sich bitte vorab auf der Auktionswebseite neueraachenerkunstverein.auction. Bei Problemen bei der Registrierung melden Sie sich gerne pe Email beim NAK. Alle wichtigen Information zum Prozedere der Auktion finden Sie ebenfalls ausführlich auf der Webseite des NAK. Teilnehmende Künstler_innen – Block 3 Boris Becker / Tim Berresheim / Thomas Dozol / Arnaud Eubelen / Carsten Fock / FORT / Sabrina Fritsch / Albrecht Fuchs / Jakob Gilg / Andreas Greiner / Marcel Hiller / Jan Hoeft / Andy Kassier / Tina Kohlmann / Hanna Körner / Hans Werner Krämer / Tom Król / Michael Kunze / Wolfgang Kupczyk / Alwin Lay / Melissa E. Logan / Stefan Marx / Mike Meiré / Jonathan Monk / Anna Nero / Nick Oberthaler / Murat Önen / Monty Richthofen / Oskar Schmidt / Ulrike Schulze / Michael Stipe / Studio for Propositional Cinema / Tilo&Toni / Mateusz von Motz / Thomas Wachholz / Johannes Tassilo Walter / Nicholas Warburg / Johannes Wohnseifer Season’s Greetings Der NAK Neuer Aachener Kunstverein begibt sich nach der Auktion in eine kurze Winterpause. Wir wünschen allen Mitgliedern, Künstler_innen, Besucher_innen und Freunden des Kunstvereins schöne Feiertage und einen guten Rutsch ins neue Jahr. Wir hoffen Sie auch 2022 bald wieder hier im NAK begrüßen zu dürfen. Ausblick
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OVERTOON NEWSLETTER DECEMBER 2021 | ||
FOCUS RESIDENCY At Overtoon, we'll be waving goodbye to yet another virus-ridden year in the presence of artist in residence Stijn Wybouw. Stijn Wybouw's work often starts from very rudimentary sounds/instruments, such as home-made shakers, rattles, bells on chicken legs. These instruments serve as an important source of inspiration. Over the course of summer, Stijn put together rattling machines from handmade shakers and found objects. This installation was combined with works from other artists into the total installation / group exhibition High-Voltage. His research at Overtoon continues on this premise as he's looking into ways to refine sonic aspects. An additional source of inspiration are field recordings of fiercely rustling cricket fields that he made a few years ago while travelling through Spain. An artificial machine-like drone sound in combination with the sound of the rattles could be a good complement to a translation of the ferocious cricket fields. EVENTS What is sound? What is this phenomenon we canât usually see or touch, and how can we get closer to it? As part of her ongoing research and now soon to be exhibited at Lydgalleriet, Norway, sound artist Els Viaeneâs research investigates sound at its source; the moment it is shaped. In Ways of seeing sound, she approaches sound as a physical phenomenon and its various visual manifestations, so that it brings her to other worlds and times. This exhibition for Lydgalleriet is a performance and installation where science, sound and sculpture meet, blurring the notions of seeing and hearing, the perception of what we see and hear and how one interferes with the other. Els Viaene’s presence at Lydgalleriet is part of Oscillations: Exercises in resilience, an international exchange program exploring the tension between acoustic and visual art forms from a makers perspective. The program aims to facilitate the circulation of artists working with sound across national and disciplinary boundaries as well as to foster knowledge exchange between artist-run spaces. Ways of seeing sound With the group show The sea in sound and image, Concertgebouw Brugge illustrates its ambition to further develop their position as a beacon for sound art. Combining three renowned sound artists, the institution presents three installations that - each in their way - reflect on the sea and its poetry. Erik Nerinckx captures the immense, turbulent natural force of the sea in an all-encompassing recording made at the coast. Sixteen speakers replay its murmur, rustle and roar as a massive wall of sound. Sound artist Stijn Demeulenaere goes out to sea and brings us a poetic exploration that voices the unseen, polluted and disrupted (sound) landscape beneath the waves. Artist duo VOID visualise the sounds of the sea. With SARA â inspired by a 19th century technique that recorded sound as visual squiggles â they make its water visible. The sea in sound and image ONGOING EVENTS Fonotopias, Ex Teresa in Mexico City, Mexico Le Voile Du Palais, Le Bon Accueil, Rennes, France Trains and Tracks – Europalia, Royal Museum Of Fine Art, Brussels, Belgium |
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NAK BENEFIZ AUKTION 2021 – WOCHE 2
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Am Montag begann bereits die zweite Auktionswoche der Digitalen Benefiz Auktion 2021 des NAK Neuer Aachener Kunstverein. Die Versteigerungen der zweiten Woche enden am kommenden Sonntag, den 19. Dezember 2021. Hier ein Überblick: Auktion Block 1: 06. Dezember bis 12. Dezember 2021 In drei wöchentlichen Blöcken stellen wir die zu versteigernden Werke online, jeweils von Montag bis Sonntag. Am Sonntagabend laufen die angebotenen Arbeiten zeitversetzt ab, das höchste Gebot erhält dann den Zuschlag. Um an der Auktion teilzunehmen und Gebote abzugeben, registrieren Sie sich bitte vorab auf der Auktionswebseite neueraachenerkunstverein.auction. Bei Problemen bei der Registrierung melden Sie sich gerne im NAK. Alle wichtigen Information zum Prozedere der Auktion finden Sie ebenfalls ausführlich auf der Webseite des NAK. Ausstellung Alle zu versteigernden Arbeiten werden in einer Ausstellung vor Ort im Kunstverein präsentiert, welche bis zum 19. Dezember täglich von 14 bis 20 Uhr geöffnet ist. Teilnehmende Künstler_innen – Block 2 Soufiane Ababri / Albrecht/Wilke / Boban Andjelkovic / Florian Auer / Eugenie Bongs-Beer / Sebastian Burger / Andreas Diefenbach / Matthias Dornfeld / Joëlle Dubois / Philip Emde / Sabrina Fritsch / Albrecht Fuchs / Jakob Gilg / Semla Gültoprak / Constantin Hartenstein / Jan Hoeft / Anna Hofmann / Jonas Höschl / Paul Hutchinson / Tina Kohlmann / Jody Korbach / Wolfgang Kupczyk / Lukas Luzius Leichtle / Christine Liebich / Timur Lukas / Martin Maeller / Xavier Mary / Frank Moll / Jonathan Monk / Conrad Müller / Bea Otto / Nicolas Pelzer / Tim Plamper / Andreas Plum / Sabrina Podemski / David Schiesser / Götz Schramm / Oliver Sieber / Thomas Virnich / Mateusz von Motz / Marcel Walldorf / Thomas Weidenhaupt / Theresa Weber / Achim Franz Willems / Eric Winkler / David Benedikt Wirth Für den Besuch der Ausstellung gilt die 2G-Regel, d.h. Besucher_innen müssen geimpft oder genesen sein. Ein Nachweis ist vor Ort zu erbringen. Über eventuelle Änderungen der derzeit gültigen Regelungen informieren wir zeitnah auf der NAK Homepage und den sozialen Medien. Falls Sie den Newsletter nicht mehr erhalten möchten, senden Sie uns bitte eine E-Mail mit dem Betreff UNSUBSCRIBE. NAK Neuer Aachener Kunstverein |
Cyrielle Gulacsy, Fondation CAB, Saint-Paul-de-Vence, 2021 Fondation CAB is pleased to introduce Cyrielle Gulacsy (b. 1994, Paris, France) as our 1st artist-in-residence in Saint-Paul-de-Vence. Self-taught artist, Cyrielle has been drawing and painting since the end of her studies in 2016. Initially driven by a quest for realism, her work evolves under the influence of modern physics, towards the representation of an imperceptible reality, of the order of abstraction, concealing the invisible laws of nature. Space-time, electromagnetism, or the diffraction of light are all fields of research and experimentation that allow the artist to explore new representations of reality. In her work the artist explores our perception of light through space and time and reveals to us the matter that composes it. Her “atomistic” approach to pointillism is the result of a desire to get closer to the quintessence of things and to give an account of infinite quantities difficult to conceive. Each point, whether it is the measure of a particle or a celestial object, gives substance to an inaccessible reality and offers an intimate and dizzying view of the world around us. Space becomes almost tangible, and the invisible, by taking shape, brings us closer to the essence of nature. CURRENT EXHIBITION IN SAINT-PAUL-DE-VENCE LIGHTNESS OF BEING Perspective on the Collection Open by appointment till end of February Lightness of Being, Perspective on the collection, Fondation CAB Saint-Paul-de-Vence, 2021, Photography Antoine Lippens In Saint-Paul-de-Vence, some twenty artworks from the collection Fondation CAB will be presented, with a display co-curated by Hubert Bonnet and Joost Declercq. For this first interpretation of the collection, a conscious choice was made to select artworks that open up a reflection on the positioning of the artist. The artist as a person, the artist in his relationship to time and space, as well as his position within the prevailing economic, social and cultural context. It is the attitude and thought of the artist that are put for-ward. The artist unveils his vulnerability through his reflections on the very meaning of art. The exhibited artworks only acquire meaning when placed in relation with the architecture, the space and the viewer. The materiality briefly disappears and the artist’s engagement is translated by phil-osophical formulations about the very essence of things. ![]()
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