Open call Limburg Biënnale #2 nu geopend! 📣

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Open call Limburg Biënnale nu geopend!

Vanaf vandaag 2 maart staat op de website van Marres een inschrijfformulier open waarmee je jouw kunstwerk(en) kunt indienen voor de Limburg Biennale #2. Dit mag elk type kunstwerk zijn: schilderij, video, sculptuur, audio, performance en meer. De deadline voor aanmelding is vrijdag 18 maart 23.59 uur. Na de sluiting van de open call, beoordeelt een jury van 12 professionele kunstenaars de inzendingen anoniem. Half april maakt Marres de geselecteerde makers bekend via de website. 

Ga naar het aanmeldformulier

Over de Limburg Biënnale #2

Deze zomer organiseert Marres de tweede editie van de Limburg Biënnale: een groepstentoonstelling die alle soorten kunstenaars, professionals, amateurs en hobbyisten bij elkaar brengt in een feestelijke viering van de kunsten. Marres volgt hierbij de traditie van de jaarlijkse Summer Exhibition van de Royal Academy in Londen. Via een open call kunnen kunstenaars in Limburg en omgeving tussen 2 en 18 maart maximaal drie kunstwerken indienen.

Lees meer over de tentoonstelling

Jury

Het jury- en curatorenteam bestaat uit Kymani Ceder, Paul Drissen, Afra Eisma, Gijs Frieling, Norbert Grunschel, Susanne Khalil Yusef, Femmy Otten, Derk Thijs, Roy Villevoye & Fransje Killaars, Niña Wijers en Mickey Yang.

Lees meer

Vragen?

Heb je vragen over de achtergrond van de Limburg Biënnale, het indienen of verkopen van je werk of de beoordeling door de jury? Op onze website hebben we de meest gestelde vragen beantwoord. Bekijk ze hier:

Lees FAQ

Marres, Huis voor Hedendaagse Cultuur
Capucijnenstraat 98
6211 RT, Maastricht
043 – 43 327 02 07
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Marres ontvangt structurele steun van het ministerie van Onderwijs, Cultuur en Wetenschap, de Provincie Limburg en de Gemeente Maastricht.

Copyright © 2022 Marres, Alle rechten voorbehouden

ON KAWARA in Brussels – 12 MAR 2022

presents

ON KAWARA
Opening on Saturday 12 March, 6pm
12 March  > 1 April 2022

I READ – I GOT UP – I WENT – I MET – One Million Years

Exhibition dedicated to On Kawara, with the artist’s major works produced and published by mfc-michèle didier.

During the exhibition, different sessions of One Million Years reading will take place. 

Readings sessions:
Sat 12/03 7pm – Wed 16/03 5pm – Sat 19/03 11am – Wed 23/03 5pm – Sat 26/03 11am – Wed 30/03  7pm – Fri 01/04 7pm

If you wish to participate, please contact us ASAP.

 

EXCEPTIONAL POSTER

ON KAWARA IN BRUSSELS
(available on March 12th)

In partnership with the One Million Years Foundation
All proceeds from the sale will be donated to a charity that supports children education.

and also

YUKI OKUMURA – THE MAN WHO 2019
Screening of Yuki Okumura’s film, The Man Who 2019, HD video, 116min 15sec.
Contains memories, or description of memories, of «him», narrated by nine individuals. Will be shown with other elements by the artist as an «exhibition within the exhibition». 

Special thanks to the One Million Years Foundation, and Michèle Didier.


Saint-Martin Bookshop
Rue de flandre 114, 1000 Brussels, Belgium

+32 487 13 65 72

Tuesday – Saturday, 11am – 7pm & On appointment

Website  –  Facebook  –  Instagram


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◼ Marseille : 𝑻𝒆𝒏𝒆𝒃𝒓𝒊𝒔 𝑳𝒖𝒎𝒆𝒏𝒔 Thomas Laigle – Arnaud Guy ◼ Athènes : αέρας-𝒂𝒊𝒓𝒆𝒔 Loreto Martinez Troncoso

Logo Salon du Salon

MARS // MARCH 2022 – DEUX VILLES, DEUX PROJETS // TWO CITIES, TWO PROJECTS

21 PRADO #03 – SOIRÉE LE 4 MARS 2022 À 19H

TENEBRIS LUMENS

Une soirée programme proposée par Arnaud Guy.

Ouverture des portes 19h / Lancement du programme 19h30

Espace-lumière-son, lyrisme électrique, chorégraphie vibratoire.

Télécharger le programme

21 PRADO – MANIFESTATION ? CARTE BLANCHE ? PICNIC ? STUDIO VISIT ? DUEL ? VIDÉO ? PROJECTION ? DÉTOURNEMENT ? CONCEPT STORE ? SQUAT ? POETRY CLUB ? 21 PRADO – UN LIEU, UN RENDEZ-VOUS, RÉCURRENT, SANS DATE FIXE.

SALON DU SALON, 21 AVENUE DU PRADO, 13006 MARSEILLE, FRANCE

Ici soutenez l’association

© Pascal Laigle Thomas Laigle, Performance «m-0-m»

Thomas Laigle, m-0-m, performance – Photo © Pascal Laigle

AIRES - LORETO MARTINEZ TRONCOSO // STOA 42

Loreto Martinez Troncoso, Sin palabras, por ahora, 2013

αέρας-aires – LORETO MARTINEZ TRONCOSO

Exhibition from March 1st to 20th 2022

STOA 42, PANEPISTIMIOU 42, ATHENS, GREECE

Public visits on Fridays & Saturdays in the presence of the artist and the curator.

  • March 04 & 05 from 2 pm to 8 pm

  • March 11 & 12 from 2 pm to 8 pm

  • March 18 from 2 pm to 8 pm

  • March 19 from 2 pm to 10 pm

Performance by Loreto Martinez Troncoso on Saturday March 19 at 7pm

And if we started with the void?
And if we started by clearing the air?
What if we started by listening to the void?

For Loreto Martínez Troncoso, each intervention, each context, is a trigger for writing, whether it takes the form of a public “spoken words” or writing with spaces (exhibition or other). This writing is a listening to the space, its walls, its doors, its windows, its hollows, its circulations and other possibilities, its fullness, its emptiness… A listening which, on different occasions, is done upstream, a writing upstream.

For αέρας-aires at STOA 42, Athens 2022, it is the time of the exhibition that becomes this time of listening and writing, of and with the empty space. During the whole period the empty (space) writes, composes, decomposes, transforms, colours, smells, exhibits, extinguishes, hides, agitates, falls asleep … Architecture becomes a physical and emotional sensory mental space.

αέρας-aires, Loreto Martinez Troncoso is a proposal from SALON DU SALON to STOA 42 curated by Philippe Munda, supported by the French Institute and the City of Marseille as part of an exchange between twin cities.

Download press kit

STOA 42, 42 Πανεπιστημίου, 106 79 Αθήνα, Ελληνικη Δημοκρατια

STOA 42

Stoa 42 is a nonprofit organization. An experimental cultural space with the aim to support emergent artists. At the edge between private and public space, Stoa 42 invites each time one artist to show one work. A mini solo show which is open and accessible to everyone who passes by.

STOA 42, PANEPISTIMIOU 42, ATHENS, GREECE

www.stoa42.com

SALON DU SALON

Salon du Salon is a non-profit association whose role is to produce, disseminate and support artistic and curatorial projects in the field of contemporary art, both within its gallery in Marseille and outside the walls. Salon du Salon is a member of P-A-C (Provence Art Contemporain), a network of galleries and contemporary art venues.

SALON DU SALON, 21 AVENUE DU PRADO, 13006 MARSEILLE, FRANCE

www.salondusalon.com

SALON DU SALON, 21 avenue du Prado, 13006 Marseille

Cas-co NEWS: Off the, Grid, UFO, masterclass

 Foto: Michiel De Cleene

03-05.03

 

OFF THE, GRID

LORE STESSEL, SOPHIE BELLOT, LAURIE DALL’AVA

De tentoonstelling van Lore Stessel, Sophie Bellot en Laurie Dall’Ava wordt verlengd!

De drie kunstenaars van CHANTS / CHAMPS DE GUÉRISON gebrui­ken foto­gra­fie als hun pri­mai­re medi­um, maar brei­den hun onder­zoek ook uit naar andere disciplines. De wer­ken lei­den de bezoe­ker langs ruim­tes van trans­for­ma­tie en gene­zing. 

OPEN
03.03-05.03
13u-18u

MEER INFO

12.03

OFF THE, GRID

MY GOALS ARE BIGGER THAN YOURS

De vijf kunstenaars van My Goals Are Bigger Than Yours zullen zaterdag 12 maart gebruiken als een startmoment van hun residentie- en presentatieproject. De insteek is ethisch, maatschappelijk, maar ook gewoon menselijk: ‘Hoe kan een creatieve werker overleven in een wereld van excessieve competitie en onderbetaalde arbeid? Hoe staat neoliberale arbeidsethiek in relatie tot de figuur van de kunstenaar? En hoe reageren zij op deze uitdagingen?’

Op 26 maart, 9 april, 23 april en 14 mei stellen de verschillende kunstenaars de resultaten hun onderzoek voor.

VERNISSAGE
12.03.22
15u-18u

Davide Ghelli Santuliana, Valentino Russo, Cathleen Owens, Carmen Dusmet Carrasco & Arthur Cordier

MEER INFO

19.03

UFO PUBLIC PROGRAMME

FOR (AND BY) ARTISTS

Dit Public Programme is het publie­ke deel van het UFO Visitors Programme. Het pro­gram­ma biedt een open dis­cus­sie­plat­form voor kun­ste­naars en kun­ste­naars­ge­rich­te orga­ni­sa­ties. Na een ple­nai­re ses­sie gaan we in klei­ne­re groe­pen aan de slag om vraag­stuk­ken rond onder­steu­ning, ont­wik­ke­ling en inter­na­ti­o­na­li­se­ring voor (en door) kun­ste­naars aan de orde te stellen.

Het Public Programme is gratis, maar inschrijven is verplicht.

19.03.22
14u-17u

Meyboom
Boulevard Pachecolaan 34-2

MEER INFO

22.03

MASTERCLASS

ROBBERT&FRANK FRANK&ROBBERT

Kunstenaarsduo Robbert&Frank Frank&Robbert ontwierp DIYShrines; een flat-pack ver­sie van een klein hei­lig­dom, waarmee je zelf met hedendaagse rituelen aan de slag kan gaan. Dit vormt het vertrekpunt van de workshop die zij in maakleerplek zullen geven aan kun­ste­naars met een prak­tijk in beel­den­de kunst, per­for­man­ce, en installatiekunst.

De workshop is gratis, maar inschrijven is verplicht.

22.03.22
14u-17u

maakleerplek
Stapelhuisstraat 13-15
3000 Leuven

i.s.m. STUK

MEER INFO

RESIDENTIES
Off the, Grid: My Goals Are Bigger Than Yours
maakleerplek: Legrand Jäger, DependantMaria Lucia Cruz Correia
N+1: Lisa Ijeoma
M-residentie: Tom Hallet
30CC-residentie: Been

INTERVIEWS
Andrei Haesen
Jan Van Eijgen
 

Cas-co

Ateliers en residentie- plekken voor
kunstenaars

Vaartstraat 94
3000 Leuven

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Actualités de l’art contemporain | Mars 2022

                                                                                                                                     MARS 2022

 

• ANNONCES
• ANNUAIRE
• FILIÈRE ARTS VISUELS HDF
• INFOS / RESSOURCE COVID-19
• LOIS / ÉTUDES / RAPPORTS

REVUE FACETTES N°7
QUELLE LIBERTÉ POUR L’ARTISTE ?

Découvrez le septième numéro de la revue FACETTES !
Disponible depuis chez vous en version numérique, ce numéro aborde la question des libertés pour les artistes.

Si vous souhaitez la recevoir directement chez vous, nous vous invitons à écrire à  (10€ de frais de dossier et de port sont à prévoir). 

Bonne découverte et bonne lecture ! 

PUBLICATION
WATCH THIS SPACE 11

 

Cette année, une nouveauté s’est ajoutée au programme !
Toujours soucieux de la professionnalisation des artistes et conscient des nombreuses problématiques existantes au sein du secteur culturel, le réseau 50° nord avec le soutien financier de ses partenaires, a permis d’offrir aux artistes (re)présenté·e·s un texte critique, signé par un auteur ou une autrice reconnu·e. Réalisée en collaboration avec l’Association internationale des critiques d’art, A.I.C.A. France et A.I.C.A. Belgique, une édition numérique axée sur les artistes sélectionné·e·s a ainsi vu le jour pour cette onzième biennale Watch This Space.

Envisagée comme une occasion supplémentaire de valoriser le parcours et la démarche d’artistes émergent·e·s, cette édition met en avant le travail personnel qui s’est développé spécifiquement lors de ce programme. Elle souligne également la qualité et la pérennité des activités organisées par le réseau 50° nord depuis plus de 20 ans.

Accéder à la publication

Actualités de l’art contemporain en Eurorégion Nord

Notre agenda de l’art contemporain est toujours disponible en libre consultation sur notre site, afin que vous puissiez découvrir tous les évènements organisés par nos adhérents en Hauts-de-France et en Wallonie-Bruxelles.

Nous vous donnons également rendez-vous sur nos réseaux sociaux Facebook et Instagram, où nous vous tiendrons informé·e·s des dernières actualités !


Moon Jiyoung, Flying Spore#19

Continuez de découvrir notre sélection 

de contenus culturels proposés par nos adhérents !


Nicolas Deshayes, Thames Water, 2016 © Photo : Robert Glowacki.
Collection Frac Grand Large — Hauts-de-France

        


Réseau transfrontalier d’art contemporain

9 RUE DU CIRQUE – B.P. 10103
F-59001 LILLE CEDEX

www.50degresnord.net
+33 (0)6 07 31 14 51

Graphisme 50° nord : Yann Linsart – The Viewer Studio

50° nord est membre du CIPAC et du collectif HF Hauts-de-France.

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LILLE CEDEX 59001

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Bestaat er een noodrem voor grensoverschrijdend gedrag?

Manon de Boer and Latifa Laâbissi at CINEMATEK, Brussels – 01/03

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Please note

Manon de Boer & Latifa Laâbissi, Ghost Party (2), 2022, HD video, color, 4:3, French spoken (English st), BE/FR, 2022, 58’ (film still)

01/03, 7pm and 9pm – CINEMATEK, Brussels
Manon de Boer & Latifa Laâbissi – Ghost Party (2)

Reservation of seat via CINEMATEK’s website
Language: French, English

In Ghost Party (2) (2022, 58′), Manon de Boer and Laâbissi create little fictions with vases, stones and other materials, while giving voice to texts of ‘ghosts’ from their shared genealogies, like Marguerite Duras, Serge Daney, Casey and Eduardo Viveiros de Castro. In this polyphony of voices and accents their beings blend with others, subtly questioning the politics of language and identity. The film is produced by Auguste Orts & Figure Project and supported by Flanders Audiovisual Fund, Vlaamse Gemeenschap, WIELS, FRACBretagne, Museum Dhondt-Dhaenens, kunstencentrum BUDA, Kunstmuseum St.Gallen, Jan Mot, On & For Production and Distribution, Friends of Auguste Orts Fund, KASK & Conservatorium.

At 9pm there will also be the premiere of Persona (2022, 31′), a film based on Écran Somnambule, a performance by Latifa Laâbissi (2012) in turn based on the film “Mary Wigman tanzt” (1930), an excerpt of “La Danse de la sorcière” (1926). This second screening will furthermore include two films by Chantal Akerman Portrait d’une paresseuse (1986, 8’) and J’ai faim, j’ai froid (1984, 13’).

More details here.

Jan Mot
Petit Sablon / Kleine Zavel 10
1000 Brussels, Belgium
+32 2 514 10 10

www.janmot.com
Wednesday till Friday 2 – 6.30 pm
Saturday 12 – 6 pm
and by appointment

Webshop: www.by-association.online 

You are receiving this letter because you have either signed up for it via our website or have emailed us directly.

Update your preferences or unsubscribe from this list.

 

Elke Andreas Boon〡Daems Van Remoortere〡Kristof Van Heeschvelde〡Bilal Bahir

Logo

The Game (2019) is a work by Elke Andreas Boon, who is currently in residency at La Cité in Paris. Elke Andreas Boon holds an Open Studio on March 9th to which you are cordially invited. Contact us for more details.

Daems Van Remoortere

upcoming exhibition:

  • 27.02.2022 > 18.03.2022

Hantrax Dolls – Casstl, Antwerp (Belgium), Monday > Friday from 2pm – 6pm

Hantrax Dolls, a group exhibition curated by Hantrax with Daems Van Remoortere, Guillaume Bijl, Carla Arocha, Mekhitar Garabedian, Dennis Tyfus, Luc Tuymans, Kati Heck, Vedran Kopeljar, et al.

opening night 27.02.2022, from 2pm > 10pm

Daems Van Remoortere, Meetingpoint Palace (2021)

Kristof Van Heeschvelde

upcoming exhibitions

  • 03.03.2022 > 31.04.2022

Geweld & Mededogen – Sint-Maartenskerk, Kortrijk (Belgium), open daily

A group exhibition curated by Klaus Verscheure with Kristof Van Heeschvelde, Bilal Bahir, Sofie Muller, Kendell Geers, Danielle van Zadelhoff, Kristof Hoornaert, Klaus Verschuere.

  • 19.03.2022 > 30.04.2022

Ruby & Friends, Ruby Gallery, Brussels (Belgium)

A group exhibition with Kristof Van Heeschvelde, Ilke Cop, Heidi Ukkonen, Ralf Kokke, Geert Koekkoeckx et al.

current exhibitions

  • 28 January – 26 February 2022 (LAST DAY!)

Touch-line(s) #3 – Eva Steynen.Deviations, Antwerp (Belgium)

A group exhibition with works from Christine Clinckx, Fred Michiels, Golnesa Rezanezhad, Johannes Ulrich Kubiak, Robert Soroko, Kristof Van Heeschvelde, Christian Van Haesendonck, Jan Verbruggen.

  • 19 February – 06 March 2022

There’s a Calm – CAS, Ostend (Belgium)

A group exhibition with works from Kristof Van Heeschvelde, Kathleen Vinck, Christophe Denys, Marc Galle.

Bilal Bahir

upcoming exhibition

  • 03.03.2022 > 31.04.2022

Geweld & Mededogen – Sint-Maartenskerk, Kortrijk (Belgium), open daily

A group exhibition curated by Klaus Verscheure with Kristof Van Heeschvelde, Bilal Bahir, Sofie Muller, Kendell Geers, Danielle van Zadelhoff, Kristof Hoornaert, Klaus Verschuere.

Bilal Bahir, Mise en Abyme (2021)

Berserk Art Agency on Artsy

Make sure to follow us and don’t miss new available works and online exhibitions.

Contact Berserk Art Agency

Curiosity is our nature. Want to share something with us or do you have a question? Do not hesitate to mail us.

Ce week-end : de la recherche sonore à la recherche de trésors

Voir cet e-mail dans votre navigateur

ce week-end au Casino 

Samedi 26.02.2022, 19 h 00

EcoSons Étude IV. 

ACISS & hidden fluctuations among leaves

une performance sonore de Dankwart dans le cadre de l’exposition collective Woven in Vegetal Fabric: On Plant Becomings

LIEU : Casino Display, 1, rue de la Loge, L-1945 Luxembourg

EcoSons Étude IV. est une enquête artistico-écologique sur les ambiances d’habitat et les dynamiques spectro-temporelles dans les paysages naturels. Cette pièce est basée sur divers enregistrements de paysages sonores naturels en Europe centrale et sur la sonification de leurs indices acoustiques. Reconnaître les sons de la nature sauvage, ses fluctuations et ses nuances subtiles, et comprendre les fragments d’extinction dans notre monde bruyant. La tranquillité et l’écoute profonde sont une nécessité pour l’héritage de notre fragile environnement sonore naturel.
www.dankwart.bandcamp.com

Entrée gratuite. CovidCheck 3G

L’exposition Woven in Vegetal Fabric: On Plant Becomings est à voir au Casino Display jusqu’à dimanche 27.02.2022, 13 h 00 – 19 h 00

Dimanche 27.02.2022, 10 h 00 – 11 h 00
Vann Goes 
« chasse aux trésors » dans les rues de Luxembourg-Ville

dans le cadre de l’exposition Paintings for Sculptors de Brent Birnbaum à la Galerie PJ, Metz

avec la participation des étudiant·e·s de l’Université de Lorraine – département d’arts plastiques 

Tout débute il y a quelques années, lorsque l’artiste américain Brent Birnbaum (son installation Ride (W/) The Wind fut présentée dans
l’« Aquarium » du Casino Luxembourg en 2013) commence à voler/collectionner les clés de vestiaires des musées qu’il visite, dont celle du Casino Luxembourg. Afin de restituer symboliquement ce qu’il a dérobé, Birnbaum a pensé une performance sous forme de chasse aux trésors. Ses sculptures « Vann Goes », petits totems réalisés avec l’aide des étudiant·e·s de l’Université de Lorraine, ont été cachées dans les villes de Metz et de Luxembourg. Au public de partir à leur recherche, dans l’espoir de s’approprier une œuvre originale de l’artiste.

La chasse aux trésors aura donc lieu ce dimanche, dans la matinée, à proximité du Casino. La sculpture en question porte le message suivant :

« Vous venez de trouver une sculpture ‘Vann Goes’ de l’artiste américain Brent Birnbaum. Elle est à vous! »

Rendez-vous ensuite au Casino Luxembourg pour récupérer votre certificat d’authenticité.

Bonne chance!

En collaboration avec la Galerie PJ

Le Casino Luxembourg
est soutenu financièrement par 

Casino Luxembourg – Forum d’art contemporain
41, rue Notre-Dame, L-2240 Luxembourg
T 352 22 50 45
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2022 Casino Luxembourg – All rights reserved

[NGHE NEWSLETTER] médiathèque glissante

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JEUDI 24 FÉVRIER _ rradio Nghe _ dès 18H
rradio tigrre d'eau, flaque, lune et attrraction terrestrre

madonnadellapozzanghera.jpg

+
SAMEDI 26 FÉVRIER
L'ouverture régulière à partir de 14h avec
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N O U V E A U T É S
harrymerry.jpg
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*
et pour les dernières nouvelles des moineaux,
des spécialistes sont passés. La colonie n'est pas menacée.
On va raccrocher la renouée auberti à la façade
et la laisser reprendre petit à petit. Les moineaux continuent
de faire leurs nids dans les cavités des murs et dans la corniche.
Ils sont inépuisables mais survivent malgré tout en ville,
car les végétaux sont remplacés par du béton.
merci au soutien de Groupe Moineaux

leauseforme.jpg
à samedi —
— bisous

NGHE – Médiathèque bricolée

rue des mariniers, 6
1080 Molenbeek St Jean

Tonight: Into the deep of AI with Thibaud Latour (Esch2022)

Voir cet e-mail dans votre navigateur

AM I AI? Into the deep of AI 

Tonight, 24.02.2022, 19:00

Singularity42!
When artificial becomes our new nature

A conference with Dr. Thibaud Latour (Luxembourg Institute of Science and Technologies – LIST, AI&Art Pavilion, Esch2022)

Followed by a panel discussion with Lynn Klemmer, Mnemozine; Robert Frankle, participating artist in the AI&Art Pavilion project in the context of Esch2022; Max Gindt, Digital Luxembourg

Presentation by Michel Delage, journalist at radio 100,7

In English

The conference will take place at Casino Luxembourg
Limited seats. Registration required:

CovidCheck 3G 
(please note that Casino does not provide self tests, only certified tests will be accepted)

Livestream on the Casino website:
https://www.casino-luxembourg.lu/fr/Agenda/Singularity42-When-Artificial-becomes-our-new-nature

Thibaud Latour is Head of Outreach and EU Affairs at the Luxembourg Institute of Science and Technologies (LIST). He holds a PhD in Theoretical Computer Chemical-Physics and explored various aspects of computer representation, exploitation and communication of knowledge between humans and machines during his research career at LIST, while pursuing independently parallel artistic activities in theatre, music, and more recently digital art. He is part of the “AI&Art Pavilion” project of the University of Luxembourg co-funded by the Esch2022 European Culture Capital. 

Singularity is the tipping point where relationships between variables cease to be deterministic, unleashing an infinite number of possible unpredictable futures with no return or escape path. Our entire individual and collective lives are full of singularities of all kinds. Some of them we are confronted with directly; others we come across consciously or unconsciously, actively or passively. 

AI with its embodiment in artificial life potentially leads to singularities. What are the consequences? Can it be and will it be?  Will artificial be our new nature? How are the stakes in art? 

The process being nondeterministic, no clear answer can be given. However, a number of informed questions will help us give beginnings of an answer.  

KAY Restaurant will be open for drinks or dinner. Booking: (+352) 621 35 50 16 or online.

Next: 

Thursday 31.03.2022, 19:00
Un-man-ing the Machine (and the Human)
On AI and Its Effect on Classical Modern Forms 

with Tobias Rees, founder and CEO of Transformations of the Human; Reid Hoffman Professor of Humanities at Parsons/The New School and a CIFAR Fellow

Followed by a discussion with French artists Fabien Giraud and Raphaël Siboni in the context of their exhibition The Everted Capital (Katabasis) at Casino Luxembourg (02.04 – 04.09.2022)

With the support of SCRIPT. In collaboration with Mnemozine. Media partner: Radio 100,7

Le Casino Luxembourg
est soutenu financièrement par 

Casino Luxembourg – Forum d’art contemporain
41, rue Notre-Dame, L-2240 Luxembourg
T 352 22 50 45
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2022 Casino Luxembourg – All rights reserved

Save the Date Anne Neukamp and Jean-Luc Moulène

 
We are pleased to invite you to the opening of Anne Neukamp's and Jean-Luc Moulène's solo exhibitions. 
Vernissage on Thursday 24th, February
6pm – 8pm

Jean-Luc Moulène

Anne Neukamp
Pile ou Face

February 24, 
⏤ May 1, 2022

Jean-Luc Moulène, Maison Os, Le Buisson, 2022, model, wood, epoxy resin, black Bic ink 
(25 x 29 x 18 cm)

Anne Neukamp, Pile #4, 2021, oil, tempera, acrylic on linen (250 x 180 cm)

To download both press releases, click here

This week’s openings in Brussels

This week’s openings in Brussels ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌
This week’s openings in Brussels

Opening this week
Wednesday 23 Feb → Tuesday 01 Mar



Opening next week
Wednesday 02 Mar → Tuesday 08 Mar

Sat 05.03 — 14:00

Sat 05.03 — 14:00

Sat 05.03 — 18:00

Last chance: CMMC | Sammlung Ostbelgiens | Direktorenführung

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FR / EN / NL
 

Letzte Gelegenheit: Ausstellungen bis 27.02.2022

CMMC
Sun Tan

WAS UNS ANGEHT
Neuankäufe der Sammlung Ostbelgiens

Direktorenführung am Sonntag, 27.02.2022

Entdecken Sie am letzten Tag der Ausstellungen die Neuankäufe der Sammlung Ostbelgiens sowie die Einzelausstellung Sun Tan des Künstlerinnenduos CMMC.

15:00 DE / 16:00 FR / 17:00 EN
Weitere Infos hier.

Demnächst im IKOB

12.03.–05.06.2022
Kristina Benjocki: AT SUNSET WE RETREAT ONCE AGAIN, UP THE HILL, TO WHERE WE CAN WATCH THE SKEINS OF WATER REFLECT COLOURS WE’VE NEVER SEEN BEFORE

Vernissage: Freitag, 11.03.2022, 18 Uhr
Kristina Benjockis künstlerische Praxis erforscht die politischen Mechanismen des Vergessens und der Erinnerung im Kontext des ehemaligen Ost- und Westeuropas und kommt durch Film, Installation, Audio und Textilarbeiten zum Ausdruck. Die Ausstellung setzt sich mit der lokalen Geschichte der Tuchindustrie in Eupen auseinander und ist eine poetische Interpretation der Überschneidungen von Textilproduktion mit Geschichten des politischen Widerstands und der Konstruktion von kultureller Identität.

Unser Team vergrößert sich! Das IKOB sucht eine kuratorische Assistenz in Vollzeit.

Wir haben die Bewerbungsfrist bis zum 6. März 2022 verlängert. Die vollständige Stellenbeschreibung finden Sie hier

Jetzt im IKOB Shop

Anlässlich seiner kürzlichen Ausstellung im IKOB hat Arthur Cordier eine exklusive Künstleredition produziert:

Arthur Cordier
FREE COFFEE* NO SMARTPHONE FOR ETERNITY
Digitaldruck, MC Silk 250 g/m2, gerahmt mit Vinyl-Sticker
60 x 80 cm
Edition von 40 + 5 AP
220€ (inkl. MwSt)

In unserem Museumsshop und online erhältlich: ikob.be/shop

Weitere Infos findet Ihr auch auf unseren digitalen Kanälen.
 

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Rotenberg 12b
4700 Eupen
Belgien / Belgique / Belgium

Öffnungszeiten / Horaires d’ouverture / Opening hours 
Di – So / Mar – Dim / Tue – Sun
13.00 – 18.00

Führungen auf Anfrage / Visites guidées sur demande / Guided tours on demand: Pressedossiers auf Anfrage / Dossiers de presse sur demande / Press Files on demand:  Presse-Login

Art does not need a common language, it is international by itself.
www.verycontemporary.org
The Network of 11 art institutions of the Meuse-Rhine Euregion. Supported by Euregio Maas-Rhein

Mit der Unterstützung von / Avec le soutien de / With the support of

Partner / Partenaires / Partners

Copyright © 2022 IKOB – Museum für Zeitgenössische Kunst, All rights reserved.
Sie haben diese E-Mail erhalten, weil Sie sich für den IKOB-Newsletter angemeldet haben. / Vous avez reçu cet email parce que vous vous êtes inscrit à la newsletter de l’IKOB. / You have received this email because you registered to the IKOB newsletter.

Our mailing address is:

IKOB – Museum für Zeitgenössische Kunst

Rotenberg 12b

Eupen 4700

Belgium

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NEW – Limited editions en alles wat je ooit wou weten over residenties

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Volg ons op Facebook en Instagram

22/02/22
Zeven gloednieuwe edities wachten om ontdekt te worden!
Seven brand new limited editions are waiting to be discovered!

EDITIES
Hibernus #1
Presenting the limited editions for Hibernus #1
NL – Met Hibernus #1 daagden we Pélagie Gbaguidi, Emmanuelle Quertain, Océane Vallot en Joris Van de Moortel uit om een autonoom artistiek project te formuleren in de context van onze grafische ateliers. Dit resulteerde in een genereus geheel van zeven op zichzelf staande edities, die elk op hun manier een antwoord bieden op actuele thematieken. 

Met een Hibernus-editie haal je een exclusief kunstwerk in huis en steun je bovendien de artistieke werking van het Frans Masereel Centrum.

Omwille van de grote belangstelling kunnen de edities – behalve in onze online bookshop – ook ter plekke bezichtigd worden. Dit kan op afspraak tijdens de kantooruren. 

EN – With Hibernus #1 we challenged Pélagie Gbaguidi, Emmanuelle Quertain, Océane Vallot and Joris Van de Moortel to formulate an autonomous artistic project within our graphic workshops. This resulted in a generous set of seven individual, brand new editions, each offering an answer to contemporary themes. 

With a Hibernus-edition you get an exclusive work of art, and on top of that you support the artistic activities of the Frans Masereel Centrum.

Due to great interest, the editions can – aside from our online bookshop – also be viewed in our bookshop on site. This is possible by appointment during office hours.

Dilution de langage n°12 – Academisme – Image rose, Emmanuelle Quertain voor Hibernus #1, print op Epson German Etching, 2022

HIBERNUS #1
Pélagie Gbaguidi
NL – Pélagie Gbaguidi creëerde twee lithografische prenten in lijn met lopend onderzoek in haar praktijk: de deconstructie van het wereldwijde probleem van honger, door het te herbekijken in het licht van macht, in plaats van armoede. Haar werk is bedoeld om een debat op gang te brengen over hulpbronnen en de stempel die het mondiale noorden heeft op het mondiale zuiden en vice versa.

EN – Pélagie Gbaguidi created two lithographic prints in line with ongoing research in her practice: the deconstruction of the global issue of hunger, reframing it as linked to power, rather than poverty. Her work aims to open a debate on resources and the imprint actions of the global North have on the global South and vice-versa.

Hunger (1) – Pélagie Gbaguidi voor Hibernus #1, litho op papier, 2022

HIBERNUS #1
Emmanuelle Quertain
NL – In de reeks van 12 gelimiteerde prints La dilution du langage n°1-12 verweeft Emmanuelle Quertain visuele en taalkundige motieven gebaseerd op het idee taal te liquideren of te verdunnen. Door te experimenteren met digitale printmethodes kregen Quertains beelden onvoorspelbare 'glitch'-variaties. Aanvullend biedt de postordercatalogus-parodie EQSNC een exhaustief overzicht van al deze experimenten.  

EN – In the series of 12 limited prints La dilution du langage n°1-12, Emmanuelle Quertain interweaves visual and linguistic motifs based on the idea of liquidating or diluting language. Experimenting with digital printing methods gave Quertain's images unpredictable glitch-like variations. Additionally, the mail order catalog parody EQSNC provides an exhaustive overview of all these experiments.

La dilution de langage n°6 – Image originale, Emmanuelle Quertain voor Hibernus #1, print op Epson German Etching, 2022

HIBERNUS #1
Océane Vallot
NL – Océane Vallot combineerde traditionele technieken zoals etsen en chine collé met digitale printmethodes in twee etsen die aansluiten op haar reeks 'Office World'. Binnen het oeuvre dat schijnbaar alledaagse attributen van het kantoorleven afbeeldt, ontwikkelt de kunstenares een esthetisch repertoire van geanimeerde personages verwikkeld in dynamische situaties.

EN – Océane Vallot combined traditional techniques such as etching and chine collé with digital printing methods in two etchings that complement her 'Office World' series. Within a body of work depicting seemingly everyday trappings of office life, the artist develops an aesthetic repertoire of animated characters engaged in dynamic situations.

Rubber bands and staples climbing a folder, Océane Vallot voor Hibernus #1, ets op chine collé, 2021

HIBERNUS #1
Joris Van de Moortel
NL – Joris Van de Moortel liet zich inspireren door de alchemistenkeuken uit een gravure van Pieter Bruegel de Oude. Dit tafereel herwerkte hij in zeven litho's die elk op een andere manier bewerkt werden: gedrenkt in was, gevandaliseerd, verbrand, begraven,… Een gescharnierde structuur brengt iedere component opnieuw samen. 

EN – Joris Van de Moortel was inspired by the alchemist kitchen from an engraving by Pieter Bruegel the Elder. He reworked this scene into seven lithographs, each edited in a different way: soaked in wax, vandalized, burned, buried,… A hinged structure brings each component together again.

7 Spices for the Alghe*mist kitchen, Joris Van de Moortel voor Hibernus #1, wandinstallatie met 7 lithografische prints, 2021

INFOSESSIE
Alles over residenties
Everything you ever wanted to know about residencies
NL – Op donderdag 24 februari organiseert Kunstenpunt een infosessie over residenties. Het Frans Masereel Centrum is er ook bij: tijdens een rondetafelgesprek geven we een inkijk in onze residentiewerking. Kunstenaars in residentie Vaast Colson en Myrthe van der Mark vertellen er eveneens over hun ervaringen in ons centrum. Schrijf je hier in voor dit online event! 

EN – On Thursday 24 February, Kunstenpunt is organizing an information session about Residence Places. Frans Masereel Centrum is also present: during a round table discussion we tell everything about our residency activities. Artists in residence Vaast Colson and Myrthe van der Mark talk as well about their experiences in our art centre. Register here for this online event!

EXTRA MUROS
Interventie Caroline Coolen in dubbeltentoonstelling Frans Masereel
Intervention by Caroline Coolen in double exhibition Frans Masereel
NL – Naar aanleiding van de 50ste verjaardag van het overlijden van Frans Masereel, doken Amsab-ISG en het MSK (Gent) in hun collecties voor een warme hommage aan Masereel. 
Caroline Coolen, die recent in residentie was bij ons, komt eveneens in beeld op de expo met werk dat ze eerder dit jaar realiseerde in onze ateliers. 
De presentatie in Amsab-ISG loopt van 2 april t.e.m. 28 augustus. 

EN – On the occasion of the 50th anniversary of the death of Frans Masereel, Amsab-ISG and the MSK (Ghent) dived into their collections for a warm tribute to Masereel. Caroline Coolen, who was recently in residence with us, will also be featured in the exhibition with her woodcuts created in our studios. The presentation in Amsab-ISG runs from April 2 to August 28.

Houtgravure van Caroline Coolen  – zoals te zien in Club Solo, Breda. 

26 FEB 4-6PM LAUNCH @ VU ART SCIENCE GALLERY

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Launch
“Sünya: Starting from 0” 

We hereby invite you wholeheartedly to ZERO Soirée, celebrating the inaugural exhibition of VU ART SCIENCE gallery, as well as the release of the latest issue of Kunstlicht magazine, dedicated to the number zero. 

 

Saturday February 26, 4-6pm
VU Art Science Gallery
Boelelaan 1111, Amsterdam

JOIN US

JENNIFER TEE, ATOMS SERIES #2, 2016, HAHNEMÜHLE MUSEUM ETCHING PAPER, 350 GMS (FRAMED), 66,5 X 66,5 CM (EACH). EDITION OF 3. COURTESY GALERIE FONS WELTERS, AMSTERDAM. PHOTO GERT JAN VAN ROOIJ. PRINTED BY RISOWISO, ARNHEM.
 

Order Sünya NOW

Subscribe to Kunstlicht today!

The best way to support our work at Kunstlicht is to take a subscription, which is only €30,- per year. To subscribe, go here or send an email to For €22,50 you can also take a trial or a gift subscription (not automatically renewed after one year).

Subscribe Now
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Brussels Gallery Walks | 12.03.2022

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Brussels Gallery Weekend invites you to… Our Gallery Walks in Iower Ixelles !

 
 

The Brussels Gallery Walks are back. We are ready to continue discovering Brussels neighbourhoods under the spectrum of contemporary art and its galleries. Come to enjoy an artistic stroll or experience an organised guided tour around the galleries. 

This Brussels Gallery Walks will take place on Saturday March 12th, in the lower part of Ixelles from 2pm to 6pm. 

Participating Galleries : Archiraar, La Patinoire Royale – Galerie Valérie Bach, Baronian, Galerie DYS, rodolphe janssen, Harlan Levey Projects, LMNO, Galerie Nathalie Obadia, Nosbaum Reding, Michel Rein, Stems Gallery, Super Dakota, TEMPLON.

Book your guided tour in EN, FR and NL, starting at 2pm, 3pm and 4pm:  1h30 | 12 €

2PM:                                           3PM:                          4PM:
Galerie Nathalie Obadia              Archiraar                    TEMPLON
Michel Rein                                 Stems Gallery             La Patinoire Royale – Galerie Valérie Back
Super Dakota                              LMNO                         rodolphe janssen
rodolphe janssen                        Baronian                     Harlan Levey Projects
                                                  Nosbaum Reding        Galerie DYS
 

Book your tour

For more information, please contact the BGW team at 

PARTICIPATING GALLERIES

Archiraar
Rue de la Tulipe 31A/35A

Emmanuelle Leblanc “Looking for Gold”
Pierre Liebaert “Hólos Kaustós

 
 
La Patinoire Royale – Galerie Valérie Bach
Rue Veydt 15

João Freitas “UNSHIELDED” 
Sahar Saâdaoui “Illimités“
Marthe Wéry “Au gré de ces ‘déplacements’”

 
Baronian 
Rue Isidore Verheyden 2
Joseph Marioni “Liquid Light” 

Rue de la Concorde 33
Leen Voet “Je fais ce que je veux”

 
Galerie DYS
Rue de l’Arbre Bénit 84

Yasemin Senel “Carnaval”
 

 
 
rodolphe janssen
Rue de Livourne 32

Tom Poelmans ” Next time you see me, it won’t be me”

 
Harlan Levey Projects
Rue Jean d’Ardenne 46

Willehad Eilers “Holiday on Horse”

 
LMNO
Rue de la Concorde 31

Maria Friberg ” To be Handed”

 
Galerie Nathalie Obadia
Rue Charles Decoster 8

Joris Van de Moortel ” Foolhardy Boarding a Lost State of Mind “

 
Nosbaum Reding Rue de la Concorde 60A Peter Zimmermann “Torrent”
 
Michel Rein Rue Washington 51A Edgar Sarin “Rubber Soul”
 
Stems Gallery
Rue du Prince Albert 4 Susumu Kamijo “I’ll Tell You Later”
 
 
Super Dakota  Rue Washington 45 Alex Clarke “Snowballing”
 
TEMPLON Rue Veydt 13 Jeanne Vicerial “Présences”
 

SAFETY MEASURES
 
For your own safety and safety of others, you’ll be asked to wear your mask.

 
 

 

 
 
 

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JEUNE CRÉATION 73e_OPENCALL EN LIGNE

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L’OPENCALL DU 73 FESTIVAL EST EN LIGNE !

–FESTIVAL JEUNE CRÉATION–
Appel à candidatures JC73 

► L’APPEL À CANDIDATURES POUR LE 73 FESTIVAL JEUNE CRÉATION EST EN LIGNE ! VOUS AVEZ JUSQU’AU LUNDI 21 MARS 2022 À 23H59 POUR POSTULER ! 

Le Festival  Jeune Création c’est quoi ?

● Une exposition principale, qui inaugure le festival, accompagnée d’une programmation variée.

Une exposition à la galerie Jeune Création accompagnée d’une programmation.

● Des évènements nomades dans des espaces partenaires
(expositions, programmations).

➥ Le Festival Jeune Création s’étend sur une période d’environ 4 mois.

L’ensemble des candidatures sera donc examiné pour l’exposition principale, mais également pour toutes les activités du Festival.

À savoir : 

➔ Candidatures en ligne sur le site : opencall.jeunecreation.org 

➔ Appel ouvert aux artistes sans limite d’âge, toutes formations et tous médium confondus

 Appel ouvert à toutes les nationalités 

 Les frais d’inscription sont de 15€ 

➔ Un seul dossier par artiste ou collectif d’artistes est accepté

POUR EN SAVOIR PLUS SUR LES CONDITIONS DE PARTICIPATION CLIQUEZ ICI.

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Montez Press News January

Montez Press News
February 2022

→ Interjection-008-01_Moya_DeYoung.pd
→ Pre-order Eva Ďurovec’s New Mind-Mapping Form
→ February Schedule for MPR

January Interjection: Green Car by Moya DeYoung

This month we’re introducing our first Interjection Calendar contributor of 2022, as curated by Guest Editor Onyeka Igwe. 

Moya DeYoung is a (sometimes) London-based interdisciplinary writer, artist, producer and collaborator. Moya’s practice stems from a background in health activism, medical anthropology and community public health first in Zimbabwe, and later, Palestine. An immigrant to the UK, Moya’s work explores collective trauma, settler colonialism, erasure and the experience of daily violence caused by colonial contexts. 

This exploration has manifested in film, poetry, written word, critical theory, and workshops. Moya has produced works for the V&A, Somerset house, the National Portrait Gallery, Du Pont gallery in Washington DC, and Les Urbaines Lausanne, among others. The unifying features within Moya’s practice are empathy, truth seeking, expressing subjugation and the sharing of experiences, with the aim of giving body and voice to marginalised communities. 

Read Moya’s work at the link below:

→ Interjection-008-01_Moya_DeYoung.pdf

New Mind Mapping Forms by Eva Ďurovec now available for pre-order

Our first publication of 2022 is now available for pre-order through our site at the link below. New Mind Mapping Forms is a handwritten diary by Eva Ďurovec, who works as a software tester forty hours a week while also studying art. For her, there are never enough hours in the day to complete everything, to comply with everything. And then there is also her desire to have children of her own. The question is: how can all of this be reconciled within the profession of artist? 

Ďurovec investigates the possibilities that arise from different class formats, and asks what we produce and reproduce—with our bodies, through our routines, trapped between the recurring desires and cruelties of daily life.

We’ll be announcing details of the book launch event in our next newsletter, so stay tuned!

→ Eva Ďurovec’s New Mind-Mapping Forms

Montez Press Radio February Broadcast

This month we’re broadcasting from the 22nd to the 26th, with most of our shows streaming out from NYC, as well as from our London studio on Thursday the 24th

On Tuesday February 22nd from 12pm we’ll be broadcasting a selection from William Furlong’s Audio Arts, a cassette-based magazine which sought to document contemporary artistic activity by recording artist’s voices, and which was in continuous publication for thirty-five years, beginning in 1973. This collection is now hosted at the Tate, and features exclusive contributions from more than nine hundred individual artists including Joseph Beuys, Ian Breakwell, Tracey Emin and Andy Warhol.

On the 23rd, will be broadcasting from 11.30am-7pm, with Ethan Philbrick, Anh Vo, Stanley Schtinter, Mina Tomic, Gwen Tauber, Shala Miller, Janelle Ayana Miller, Tavia David, Imani Elizabeth Jackson, S*an D. Henry-Smith, Cameron Granger, Valen Sparks, Elliott Jerome Brown Jr. and Jared Brown, Silvi Naçi and Ada Reso, Christian Lorentzen, Gary Indiana, Caroline Debnam and Matt Aikins, Matvei Yankelevich with Lisa Fishman, Robert Fitterman, Paige Webb, Mónica de la Torre, Suzanne Joelson, Nathaniel Farrell and Tony Lantosca. We close out the day with Madison Moore, Xander and Julian Kevon Glover at 6pm, followed by a live set from talkPOPc.

February 24th, from 12pm-9pm UK time or 7am-4pm NYC, MPR will be broadcasting from London with shows from Gabriela Cala Lesina, Kai-Isaiah Jamal and DJ Mahta Hassanzadeh (aka Basmati), Fiend Bookshop, Lizzie Homersham and Tom Hirst, Sam Salim Saruhan, Nick Harris, Maria Mahfooz and Hugo Hutchins, Campbell King and Pixel Twister. Then, from 4pm-9pm NYC time, we’ll have shows from Queens Museum and their artists-in-residence Alex Strada & Tali Keren, followed by Libby Leola, Agosto Machado (Gordon Robichaux), and Harry Tafoya, before going live from 8.30pm with Creel Pone, Keith Fullerton Whitman and Jacob Gorchov.

Friday February 25th we return to NYC from 11.30am, with programming from MRZB with Lynn Suemitsu Ivan Cheng, Francesco Venturi, Madeleine Aktypi, Etienne Charry, Jude Joseph, Pascal Murtin, Naïma Pierre, Pascale Poyet, Julie Réal, Landtowns, Irina Jasnowski Pascual, S. David, Mark Hunter and Ripley Soprano.

And finally, on Saturday the 26th we’ll be closing out the month from 12pm-9pm with Anaïs Duplan, Logan Lockner, Sam Korman, Maggie Lee, Ebony Haynes, Josh Citarella, Ruby McCollister, Ergot Records, Obliquion, Robert Fuchs, and DJ Isi DiBlassio.

 

Happy listening, and thanks for continuing to support Montez! 

 

With love,

MPR & Montez Press   

 

Listen at radio.montezpress.com
→ Schedule
→ Sign up as a supporter and unlock the archive
Donate

 

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Open Studio Artist-in-Residence Tessa Perutz

Open Studio Artist-in-Residence Tessa Perutz ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌

3 reasons to visit the exhibition of Kasper Bosmans • Opening this Friday

EN     FR      NL

This Friday, WIELS opens Husbandry, the solo exhibition of Belgian artist Kasper Bosmans.

3 reasons not to miss the exhibition:

  1. It presents no less than 42 new works that Bosmans developed especially for WIELS. Discover in the video above more about the brand new series of enamel works he produced in collaboration with Emaillerie Belge
  2. Unravel all kinds of surprising stories in Bosmans’ multifaceted visual language, from major historical events to seemingly obscure anecdotes.
  3. Bosmans is coming home: in 2016, he was artist-in-residence at WIELS, now he is back for his first major Belgian institutional exhibition.

GET TICKETS FOR THE EXHIBITION
WATCH THE VIDEO

OPENING DAY

On Friday 25 February, everyone is welcome for the free opening day of the two new exhibitions by Kasper Bosmans and Huguette Caland. Don’t forget to book your tickets in advance at WIELS.org.

25-02-2022________________11:00-18:00

BOOK YOUR TICKETS

GUIDED TOUR 

LOOK WHO’S TALKING: 
BRIGITTE CALAND & L’OR IMAN PUYMARTIN

 

Discover Huguette Caland’s exhibition on the opening day in the company of the late artist’s daughter and granddaughter.

FRIDAY_25_02______12:00 (FR) & 14:00 (EN)
FREE UPON REGISTRATION

SIGN UP

AROUND THE EXHIBITIONS

KETS & FAMILIES

FAMILY FUNDAYS
 

Almost every day of the Carnival holidays, WIELS offers visits for families with children aged between 2 and 12 years old.
27_02 UNTIL 06_03_______14:00
(except on Monday and Saturday)

FREE WITH ENTRY TICKET
BILINGUAL FR/NL
SIGN UP

NOCTURNES

LATE NIGHT WORKSHOPS
 

WIELS invites you to take part in workshops that explore creative ideas and techniques used in the current exhibitions. Continue your exhibition experience by taking your own creation home.
 
EVERY 1ST & 3RD WEDNESDAY OF THE MONTH, 18:00-20:30
KETS WORKSHOP
FREE WITH ENTRY TICKET
MORE INFO

KETS & FAMILIES

KETS POSTER 
 

Are you visiting the Kasper Bosmans exhibition with your family? Be sure to take the free ‘Kets Poster’ with you, which includes a colouring page, quests in the exhibition and even a recipe of Kasper’s favourite cake to make at home. Have fun!

FREE WITH ENTRY TICKET  

RESIDENCY

PROJECT ROOM

YIANNIS PAPADOPOULOS –_ELOS

Former WIELS resident Yiannis Papadopoulos presents a selection of new works in the Project Room. Discover his work until 20 March.

03-03______________20-03-2022
OPENING: 02-03, 18:00-21:00
OPEN: TUE > SUN, 14:00-18:00
FREE

READ MORE

COVID-19 | It is obligatory to show your Covid Safe Ticket at the reception of WIELS and to wear a mask at all times.

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Een verdoofd hoofd en een borstkas als massieve homp

LAST WEEK I INSTALLATION VIEWS I ETHEREAL TRAP I SHARON VAN OVERMEIREN IN COLLABORATION WITH LOTTE MERET EFFINGER

Damien & The Love Guru


Sharon Van Overmeiren in collaboration with Lotte Meret Effinger, Installation view 

‘ETHEREAL TRAP’
SHARON VAN OVERMEIREN
IN COLLABORATION WITH LOTTE MERET EFFINGER

LAST WEEK ON VIEW AT THE GALLERY IN BRUSSELS

 


Installation view

Installation view


Installation view


Sharon Van Overmeiren, Faith in Strangers #4, 2021, beeswax, 122 x 26 x 26 cm / 48.03 x 10.24 x 10.24 in


Sharon Van Overmeiren, Faith in Strangers #1, 2021, beeswax, 122 x 26 x 26 cm / 48.03 x 10.24 x 10.24 in


Sharon Van Overmeiren, Faith in Strangers #4 (detail) 


Sharon Van Overmeiren, Faith in Strangers #4 (detail) 


Installation view


Installation view


Sharon Van Overmeiren, Count Your Blessings (detail)


Sharon Van Overmeiren, Count Your Blessings (detail)


Sharon Van Overmeiren, Count My Blessings (detail)


Installation view

 

A kind of archaeological dig takes place, it’s a sort of hollowing out, a kind of scraping, whose void shifts and unsettles material fragments, chains of images and their subsequent associations, intersecting the cho- reographies of temporal overlay.

It seeks remnants and imprints, sifting through a mental collage of surrealist logic, bypassing archetypes and cerebral scraps of palimpsest, anthropomorphisms, annelida, and trapezoids – objects of sacrifice, still re-VERB-erating from the detonation of the ambiguity bomb.

Circumventing the minds linguistic censorship, a filtering of agency takes place, negotiating the bleeding of fresh stimuli into a repository of surprised forgettings. Regurgitating and renewing unactivated potentials of the past for future constructs, it expresses itself symptomatically.

This is the outside of the inside, an intermediate lining whose fibres remain somewhat loosely intact to a kind of acoustic scaffolding; a gnostic apparatus, whose currency churns the model of history through an auto-cannibalistic feedback loop, expelling snapshots of ceremony, broken symbols and all that’s caught in its in mechanism out into a glittering emporium of reflections and simulations. This is the diachronic space of non contemporaneity, which in its possibility of forms and in its mutability appears to elude any formal designation. This is the shock of impression. This is the archival footage of the earth. Welcome to the ethereal trap.

–  Charlotte Norwood

 

Sharon Van Overmeiren (1985, BE) plays with the genesis of fiction, questioning facts surrounding categorisation, representation and the transmission of knowledge. Intuitive in approach, her practice investigates the realm of the collective subconscious and the growing inability of the human mind to describe and experience “things” beyond its own desires. Since graduating with an MA from the Royal Academy of Arts in Antwerp, Sharon Van Overmeiren has been awarded the Mark Macken Sculpture Prize and the Champ D’Action Time Canvas Award and has been selected for residency programs at Van Eyck Academy (NL) and WIELS, Centre for Contemporary Arts (BE). She has previously exhibited at Rodolphe Janssen Gallery (BE), Neuer Aachen Kunstverein (DE), Lucie Drdova Gallery (CZ) and at Platform: Paris/Brussels hosted by David Zwirner. She lives and works in Antwerp.

 

Lotte Meret Effinger (1985, DE) analyses the effects of digital media and new technology on our self identity. Her practice articulates the conjunctions between physical experience, political agency and digital worlds through hybrid sculptures, installation, performance and video. Since graduating from the Gerrit Rietveld Academy (NL), she has been an artist in residence at Van Dyke Academy (NL) and was included in the Emerging Artists Program at the German short film festival (DE). Her work has been exhibited at Goethe-Institute, Beijing (CH), Kunsthal Rotterdam (NL), Kunstverein Leipzig (DE), Nottingham Contemporary (UK) Kunstmuseum Bonn (DE) and Kunsthalle Basel (CH). She lives and works in Berlin.

 

CURRENTLY

Christiane Blattmann
The Law
4. February – 26. March 2022
Damien & The Love Guru 
Zurich

Anne Fellner
Wine Or Candy
27. January – 20. February 2022
Haus der Kunst 
Oslo 

Energy Patterns 
group show 
16. February – 23. April 2022
Galerie Tobias Naehring 
Berlin

Emanuele Marcuccio
D’Après Cavenago, 2017-2021
suns.works / Damien & The Love Guru 
Zurich
 
’45º28’OI’N 9ºII’24’E
group show 
10. December – 4. March 2022
CFAlive 
Milano

Mickael Marman
Heimweh 
27. January – 26. February 2022
Centralbanken / Santolarosa 
Oslo

KMS/ACC/FRA/TXL/CPH
1. February – 27. February 2022
curated by Bizarro 
as part of 27DAGE
Art Hub 
Copenhagen

Jannis Marwitz
La réforme de Pooky 
group show
19. February – 8. May 2022
curated by Grégory Sugnaux, Paolo Baggi and Nicolas Brulhart
Kunsthalle Friart Fribourg
Fribourg

UPCOMING 

Raffaela Naldi Rossano
Giuseppe Desiato 
Le Nemesiache

curated by Sonia D’ Alto 
How she spins
Opening 9. March 2022
5-9 pm

Damien & The Love Guru
Brussels 

Christiane Blattmann 
Sharon Van Overmeiren 
group show
Opening 11. March 2022
6-9 pm

Nir Altman 
Munich

Anne Fellner
duo show
Opening 29. March 2022
Castiglioni in collaboration with Damien & The Love Guru 
Milano

Margarita Maximova 
group show 
Opening 11. March 2022
suns.works
Zurich 

Jasmin Werner 
Stufen zur Kunst 
Opening 11. March 2022
7pm

Kunstverein Hannover
Hannover

 

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Rue de Tamines 19
1060 Brussels

Wednesday – Saturday
12 – 6 pm
and by appointment

Zollikerstrasse 249
8008 Zürich

by appointment

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Jan Mot at ARCOmadrid, 23-27/02

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Please note

Dominique Gonzalez-Foerster, Astrocytes, 2021

23/02 – 27/02
ARCOmadrid

Dominique Gonzalez-Foerster
Section 40 (+1)
Hall 7, booth 7B19

Ongoing at the gallery:

19/02 – 26/03
Vonna-Michell
back segments

Jan Mot
Petit Sablon / Kleine Zavel 10
1000 Brussels, Belgium
+32 2 514 10 10

www.janmot.com
Wednesday till Friday 2 – 6.30 pm
Saturday 12 – 6 pm
and by appointment

Webshop: www.by-association.online 

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VERNISSAGE | SARA by VOID @BOTANIQUE MUSEUM

An  exhibition  by  VOID

For this exhibition VOID transforms the space of the Botanique Museum into the production hub of SARA (acronym for Souvenir Archival Recording Apparatus).

SARA is a fictitious company that collects and archives intimate and meaningful memories with the most ancient technique of sound recording: drawing the vibration of each anonymous voice telling a memory on black smoke coated paper. 

Join the Souvenir Archival by leaving one or more of your memories in the recording station inside SARA.
 

Opening Wednesday 23/02
16:00  >  21:00

Book your ticket here

 

24.02.22  > 17.04.22   –  Open Wednesday to Sunday​ 12:00 > 18:00
Le Botanique  –  Rue Royale 236 Koningsstraat, 1210 Brussels  /  +32(0)2 218 37 32
 

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VOID
Chaussée de Jette 400
1081 Brussels – Belgium
www.collectivevoid.com