This week’s openings in Brussels

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This week’s openings in Brussels ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌
This week’s openings in Brussels
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Opening this week
Wednesday 27 Apr → Tuesday 03 May

Wed 27.04 — 10:00
AEROPLASTICS
Eyes wide open

Wed 27.04 — 11:00
Templon
Iván Navarro – 'Constellations of Fate'

Wed 27.04 — 11:00
Modesti Perdriolle Gallery
Inside India

Wed 27.04 — 15:00
Galerie Felix Frachon
Mano Penalva – 'Entre les plis'

Wed 27.04 — 15:00
dépendance
Peter Wächtler

Wed 27.04 — 16:00
La Loge
Leonor Antunes – 'discrepancies'

Wed 27.04 — 17:00
Stems Gallery
Figuration NOW! curated by Pascaline Smets

Wed 27.04 — 17:00
LMNO
Miguel Sbastida – 'High Tide'

Wed 27.04 — 17:00
Xavier Hufkens
Cassi Namoda – 'Tropical Depression'

Wed 27.04 — 17:00
Xavier Hufkens
Wyatt Kahn – 'Pile Ups / Cut Outs '

Wed 27.04 — 17:00
Rodolphe Janssen
Jason Saager – 'Sky Gardens'

Wed 27.04 — 17:00
Almine Rech
Brian Calvin – 'More'

Wed 27.04 — 17:00
Irène Laub Gallery
Michèle Magema – 'Garden Paths'

Wed 27.04 — 17:00
Almine Rech
The Wall: Peter Peri 'Night is also a sun'

Wed 27.04 — 18:00
CENTRALE | box
Oussama Tabti – Alien

Wed 27.04 — 18:00
Nosbaum Reding Bruxelles
Gallery Night – Maen Florin, Emma Hart, Nathanaëlle Herbelin, Ana Karkar, Emma Talbot, Sophie Ullrich and cie.

Wed 27.04 — 18:00
Waldburger Wouters
Elen Braga – 'The Horses Are Coming'

Wed 27.04 — 18:00
Super Dakota
Julia Wachtel- 'Believe'

Wed 27.04 — 18:00
OV Project
Sam Samore, Lawrence Weiner, Gene Berry – 'Words as poetical weapons !'

Wed 27.04 — 18:00
Nosbaum Reding Bruxelles
Hisae Ikenaga – 'Multiforme' @ Avenue Van Volxem 316, 1190 Forest

Wed 27.04 — 18:00
La Verrière
Tactiques du rêve augmenté

Wed 27.04 — 18:00
Bernier/Eliades
Gallery Night – Christiane Löhr

Wed 27.04 — 18:00
Baronian
Eric Poitevin

Wed 27.04 — 18:00
CENTRALE | lab
Helen Anna Flanagan – Deeply, Madly

Wed 27.04 — 18:00
Harlan Levey Projects 1050
Zach Bruder – 'Greeter'

Wed 27.04 — 18:00
CENTRALE for contemporary art
Els Dietvorst – This is what you came for

Wed 27.04 — 18:00
MLF | Marie-Laure Fleisch
Alice Cattaneo – 'Unbroken Landscape'

Wed 27.04 — 18:00
Harlan Levey Projects 1080
A Place for the Affections: dwelling in anguish (torment) and love

Wed 27.04 — 18:00
Maruani Mercier
Marina Adams, Paul Mogensen, Johanna Poussette – Dart – 'Structuring Light'

Fri 29.04 — 16:00
Michel Rein
Michele Ciacciofera – 'Step into life of maybe'

Fri 29.04 — 17:00
Bernier/Eliades
Christiane Löhr



Opening next week
Wednesday 04 May → Tuesday 10 May

Thu 05.05 — 18:30
Moonens Foundation
Amat Gueye, Fabien Karp, Florence Laprat, Anatole Tieche, Paul de Toytot, Stelios Yamashita – 'Grasshopper

Fri 06.05 — 18:00
n0dine
Henri Pellée-Hirne, Marie Reinert invited by CMdD (Centre Mondial du Dessin)

NECA and this newsletter are brought to you by la Fondation pour les Arts / Stichting voor de Kunsten. with the active support of visit.brussels.
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ABA MISS READ Friday, April 29 from 5–9 pm!

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ABA

AIR Berlin Alexanderplatz
Upcoming

 

 

 

ABA is pleased to invite you to
several events in which we take part

 

MISS READ: The Berlin Art Book Festival 2022

Opening Hours
Friday, April 29 from 5–9 pm Saturday, April 30 from 12–7 pm Sunday, May 1 from 12–7 pm
Opening party: Friday, April 29, 9 pm until late
Haus der Kulturen der Welt John-Foster-Dulles-Allee 10 10557 Berlin, Germany
more:

 

Gallery Weekend
taking place from 29 April – 1 May
Uqbar project space in Berlin-Wedding Schwedenstraße 16, Berlin
ABA current Residents Ambasada Kultury present Antiwarcoalition.art
more:

 

Hopscotch Reading Room
taking place on 28th of May 2022
Kurfürstenstraße 14/Haus B, 10785 Berlin
Book presentation: “ FUNKENZUFLAMMEN ” edited by Susanne Kriemann & Aleksander Komarov
  more:

 

Feel free to join our ongoing online events here: ABA / Air Salon Radio broadcast on the 19 April 2022

Currently
at Residency Air Berlin Alexanderplatz : Dorothy Wong Ka Chung, Benjamin Ryser (CH), Valentina Kiselyova (BLR), Anna Chistoserdova (BLR)

 

scroll down for more

 

 

 

 

 

 

 

 

FUNKENZUFLAMMEN „ABA 10+1 years artists research”
 

A book edited by Susanne Kriemann and Aleksander Komarov, designed by Tobias Wenig, published by Spector Books, 360 p, over 200 images, edition 500.

“Perhaps this book holds a place in a room, or in the text of another book; perhaps it is in the sound of radio tunes, or in the pc-mouse’s clicking through a blog. It rests for a moment, in between certainty and wonder, to encounter anew what has been edited over ten years; where one’s own voice challenges the noise of the city, where our good friend, the night, pioneered the sun, and sparks turned into flames “
photo credit: Studio Œ

 

10% Concerning the Image Archive of a Nuclear Research Center,
Edited by Susanne Kriemann, Judith Milz, Friederike Schäfer, Klaus Nippert, Elke Leinenweber, designed by Moritz Appich and Cécile Kobel

Unknown lady in the radiation protection department, puddle, dancing couple in costume, damage to a waste drum, retiree send-off, lead shielding, burnt-out glovebox, scorpion with microchip—these are all captions to photographs of Germany’s first major nuclear research facility. In 1957, professional photographers began to make an on-site record of procedures at the Kernforschungszentrum Karlsruhe (KfK, Karlsruhe Nuclear Research Center). In 2017, the decision was made to digitize ten percent of this image archive. Based on current concerns regarding the whereabouts of contaminated nuclear waste, the publication brings together over thirty perspectives from the fields of art, sociology, politics, and science as well as accounts of people who were directly involved with the facility. “10%. Concerning the Image Archive of a Nuclear Research Center” sets out to delineate and visualize the afterlife of nuclear research.
more:

 

Susanne Kriemann, Ge(ssenwiese), K(anigsberg) – Library for Radioactive Afterlife, edited by Cassandra Edlefsen Lasch, published by Spector Books, Leipzig Design by Alix Linn Bouteleux, typefaces by Catharina Grözinger, Radim Pesko 16 x 24 cm, 196 pages, color and black/white images, hardcover, April 2020, English, ISBN: 9783959053365

Gessenwiese and Kanigsberg form part of a landscape that has been in a process of constant change since 1946. The overburden from the mining industry created radioactive spoil heaps and lakes that are being rehabilitated by various means: plants growing on Gessenwiese accumulate contaminants from the soil. Textiles are used to slowly dry out the lakes and bind the radioactive dust. The banked mounds are returned to the earth bit by bit. These continual changes to the volumes in the landscape and their afterlife are the conceptual starting point for Ge(ssenwiese) K(anigsberg), Library for radioactive afterlife. In recent years, Susanne Kriemann has developed a radically expanded idea of photography that investigates new systems for registering events and geological periods.
 

more:

 

Susanne Kriemann, MNGRV (polymersday) & MNGRV (nylonsnoon)
Edition of 100 each, self-published, designed by Dongyoung Lee,
with text excerpts by Natasha Ginwala & Vivian Ziherl, and Bernadette Bensaude Vincent, 2020

Mngrv adds a new plant species to the botanical sciences.  Mngrv emerged in South and South East Asia, where mangroves’ rhizomatic roots, always exposed to the rhythm of the tides, get entangled with fishnets, plastic waste, and oil remnants. Mngrv explores how in times of climate change and environmental pollution the borders between nature and culture, plant and plastic, increasingly blur. Susanne Kriemann imprinted the photographs she took during field research in Sri Lanka and Indonesia with the plastic waste she found on location, using a chunk of raw oil picked in the water as her pigment.

 

more:

 

Can You Take Me On Your Way Home After Sunset? 太陽下山後，可以帶我走一次你回家的路嗎?

Author and Artist
Dorothy Wong Ka Chung, Benjamin Ryser

Content
Set of 6 books + 8 audio tracks (108:52 min), Artist copy (limited edition)
Texts: English, Traditional Chinese
Audio: Cantonese, with English transcription
Year of Publication: 2021
No. of Pages: 556
Price: 85 Euro (VAT included) Publisher: Self published

The artist duo Dorothy Wong Ka Chung and Benjamin Ryser (o!sland) worked on their project “Can you take me on your way home after sunset“ throughout 2020-2021 in Hong Kong, inviting and accompanying a number of their friends home. On the way home, while listening to their stories, the artists recorded everything they saw, heard and felt on the road. The artists recorded and reproduced the memories with words and photos, and reshaped the mental space of the story owners with sound, and finally presented them in the form of an audio-visual book. Audiences are invited to walk along streets in Hong Kong with the book and step into the others’ thoughts at night.

 

 

Our Manifestos: Videography. Micro Narratives. Temporal Beings. Our Manifesto 我們的錄像宣言：微敘事。存在的時間書寫

Author, Artist, Editor
Ryan Chan Siu Lung, Anna Chim, Ding Cheuk Laam, Tony Hui Wang Cheun, Gloria Shum Wing Pui, Don Tsang Yuk Hei, Dorothy Wong Ka Chung, Linda Lai Chiu Han

Content
Book + DVD (16 videos)
Year of Publication: 2018 Language: English, Traditional Chinese
No. of Pages: 140
ISBN / ISSN: 978-988-14525-3-5
Price: 20 Euro (VAT not included) Publisher: Floating Project

“Our Manifesto” is a collection of a shout, a whisper, a note, or a written record in any form written by a group of young video artists and their teacher from Hong Kong between 2015-2018. A 140-page of bilingual writings (in traditional Chinese and English) with a DVD of works by 7 videographers, this Manifestos project documents the process of Dr. Linda Chiu-han Lai and 8 young artists sorting out, in 3 years, their reasoning for experimental actions in art and in what ways videography is a unique critical response to the milieu in which they live.

 

 

 

Our Manifestos II: Videography, Documentary Impulses 我們的錄像宣言2：記述的衝動

Author, Artist, Editor
49 artists…

Content
Book + DVD (67 videos)
Year of Publication: 2021 Language: English, Traditional Chinese
No. of Pages: 364
ISBN / ISSN: 9789887566403
Price: 30 Euro (VAT not included)
Publisher: Floating Project

The Manifesto series on videography, launched in 2018 in Hong Kong, is a project initiated by research-based interdisciplinary artist, Dr. Linda Chiu-han Lai, to encourage the re-purposing of videography in a time when image-making tools are ubiquitous. And we have gathered self-directed, diligent videographers to enter a series of rigorous dialogues and to become a theorist of their own practice. “Our Manifestos II: Videography, Documentary Impulses” , a 365-page bilingual book (English, traditional Chinese), which includes 49 Hong Kong local and overseas videographers’ manifestos, and a total of 67 video works, will be released on 25th May.

 

 

 

 

Gallery Weekend Berlin

April, 29 – May, 1
Ambasada Kultury presents antiwarcoalition.art: International Coalition of Cultural Workers Against the War in Ukraine
https://antiwarcoalition.art/
#antiwarcoalitionart

Venue: UQBAR (Schwedenstraße 16, Berlin)

As part of the screening, a discussion ‘The silent words are frightening’ will take place on April 29 at 6 p.m.

Participants: Piotr Armianovski, Lesia Khomenko, Anna Shcherbyna
Moderator: Tatiana Kochubinska
The discussion will be held on English

Antiwarcoalition.art is initiated by Ambasada Kultury and a group of Belarusian cultural workers: Anna Chistoserdova, Oxana Gourinovitch, Valentina Kiselyova, Aleksander Komarov, Lena Prents, Antonina Stebur, Maxim Tyminko.
More than 50 works from Ukraine, Belarus, Germany, Serbia, Bosnia and Herzegovina, India, Poland, South Africa, etc. be shown as a gesture of solidarity with those in Ukraine who are affected by the Russian military aggression, and with those resisting colonial, patriarchal, imperialistic, and political repressions and terror elsewhere.
more

#77 Salon hosted by Rhona Mühlebach

past

 

Excitement is not part of my feeling repertoire

Feb27, 2021
The Salon took place via a Telegram-Chat-Group

“You will go for a walk in a forest or park nearby starting at 3 p.m. You’ll need to take your phone and headphones with you on your walk. Via the Telegram-Chat-Group you will receive different audio pieces for about one hour. We invite you to listen to them wherever you are outside in a park or in the woods.

(more.)

Image: Rhona Mühlebach, 2020

 

 

#76 Salon hosted by Magali Dougoud

past

 

The Womxn Waves I-II-III 

Oct 8, 2020
Schwedenstraße 16, 13357 Berlin, Germany

All the womxn’s bodies that crossed the rivers and canals of the city of Berlin are connected with each other. They were killed there, died, or only passed through these liquid spaces and together they grew into an original memory that connects distant pasts and potential futures. In this new narration a population has emerged from this violence and loss: the Womxn Waves.

 

 

(more…)

Image: Magali Dougoud: Still from the video work: The Womxn Waves I, 2020

 

 

#75 Salon 
hosted by Joris Perdieus

past

 

Sep 19, 2020, 17:00
Schwedenstraße 16, 13357 Berlin, Germany

 

Immersive Installation.
Room A: The Healing Room

You are invited into a dark room. You enter it by yourself. Inside you are immersed in a healing sound. You are immersed in a healing wind. You are there for a while. To discover the rocks.

The installation is A result of the research Joris conducted on nonvisual atmospheric and scenographic actors in his artpractice

 

(more…)

Image: Room B, during the Salon, 2020, Berlin

 

 

REMOVED FOOTER

      

 

Jan Mot open during Gallery Night, 27 April, 2 – 9pm

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Please note

Johanna Billing, Each Moment Presents What Happens (2021), video, sound, 27 min./loop.

Currently on view:

Johanna Billing
Each Moment Presents What Happens
Exhibition until 21/05
Proposed by Hollybush Gardens, London

Opening hours during Art Brussels week: 
Wednesday: 2 – 9 pm
Thursday and Friday: 2 – 7 pm
Saturday: 12 – 6 pm
Sunday: closed

The Newspaper no. 131 is now online.

Upcoming:

Andrea Büttner
Part 1: Asparagus harvest
04/06 – 23/07
Opening: 04/06, 3-7 pm
 

Jan Mot
Petit Sablon / Kleine Zavel 10
1000 Brussels, Belgium
+32 2 514 10 10
www.janmot.com
Wednesday till Friday 2 – 6.30 pm
Saturday 12 – 6 pm
and by appointment

Webshop: www.by-association.online 

You are receiving this letter because you have either signed up for it via our website or have emailed us directly.

Update your preferences or unsubscribe from this list.

 

Beleef Design Fest Gent, Kunstennacht en unieke rondleidingen

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Z33 Nieuwsbrief

De komende dagen trekt Z33 eropuit. We zoeken grensverleggende ideeën op tijdens Design Fest Gent en keren terug naar onze buren tijdens Tournée Locale en Kunstennacht in Hasselt. 

5 tips voor Design Fest Gent

Design
re-FORMAT Heleen Sintobin © Selma Gurbuz

Design Fest Gent is de hoogmis voor alle designliefhebbers. Ook Z33 is deze week aanwezig op het festival. Morgenavond staan we er stil bij de nood aan een designtijdschrift in Vlaanderen. Daarnaast ontdek je op verschillende locaties in Gent werken van o.a. Mae-ling Lokko en tal van designers die aan FORMAT deelnamen. 

Nog meer tips voor Design Fest Gent lees je hier

Een unieke blik achter de schermen bij Z33

Architectuur
© Jeroen Verrecht

Z33 telt heel wat geheime plekken waar je als bezoeker nooit komt. Ontdek ze tijdens één van onze architectuurrondleidingen op zaterdag 7 of 21 mei.  In samenwerking met de Mies van der Rohe Award neemt een gids je mee langs alle verborgen en bekende plekken. 

Architectuurliefhebbers kunnen ook de tentoonstelling van BC architects & studies & materials over duurzaam bouwen bezoeken. 

Schrijf je in voor de rondleiding op 7 of 21 mei

Aaibare dierenhuiden op Kunstennacht 

Kunst

© Boumediene Belbachir

Hasselt wordt één groot kunstenparcours tijdens Kunstennacht. Pik een concert, cursus naaktmodel tekenen of een museumbezoek mee. Bij ons kan je met een cocktail in de hand de nieuwste tentoonstelling van Lore Langendries ontdekken. Speciaal voor Kunstennacht en voor jou als bezoeker ontwierp ze een uniek papieren juweel. 

Ontdek het programma

Z33 is een grensverleggende kunstinstelling in Hasselt, op het kruispunt van hedendaagse kunst, design en architectuur. 

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Bonnefantenstraat 1
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tegenboschvanvreden news April/May, 2022

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ART BRUSSELS 2022
 

We are pleased to invite you to the opening of Art Brussels on Thursday April 28, or to one of the regular opening days of the fair. We will present a solo show by Ricardo van Eyk

RICARDO VAN EYK

NIHIL (smoke and mirrors)

 

Booth D -14
Tour & Taxis, Brussels
April 28 – May 1

Vernissage: Thursday April 28, 2022 from 5 – 10 pm
Regular opening hours: Friday April 29 – Sunday May 1, 2022 from 11 – 7 pm

Ricardo van Eyk
Lobby, 2019
plywood, concrete plywood, filler
141 x 172 x 25 cm
photo LNDW Studio

GALLERY

 

HAMZA HALLOUBI
 

You’re your country’s lost property with no office to claim you back!

 

Make sure not to miss Hamza Halloubi’s second solo show in the gallery:

Until April 30

Hamza Halloubi
, You”re you’r country’s lost property with no office to claim you back, installation view
photo LNDW Studio

AMSTERDAM ART WEEK
 

Transferring Cultures into Bodies

 

curated by Adriana Gonzalez Hulshof

Karim Adducchi, Faig Ahmed, Lisa Konno, Paul Kooiker, Ana Navas, and Aimée Zito Lema & Elisa van Joolen

 

May 12 – June 18

 

‘Special’: on Sunday, May 15 Adriana Gonzalez Hulshof will give a tour through the exhibition.

Lisa Konno
Henk, 2022
photo Laila Cohen
 

ART ROTTERDAM

We have the pleasure to invite you to the opening of
Art Rotterdam on May 18, or to one of the regular opening days off the fair, from 19 until May 22.

We will show works by Ricardo van Eyk, Hadassah Emmerich, Cristina Lucas, Ana Navas, Anna Ostoya, Sanne Rous, Dieuwke Spaans, Anouk van Zwieten, Evi Vingerling

Anouk van Zwieten,
Heads, 2021, textile paint, ink and acrylic on canvas, 183 x 122 cm
Violence, 2022, acrylic on canvas, 183 x 122 cm

BALLROOM PROJECT

We are happy to participate in Ballroom Project #4 during Antwerp Art Weekend. 
At Turnhoutsebaan 92, 2140 Antwerp curator Ilse Roosens will put together a show with works of the participating galleries.

We will present

CRISTINA LUCAS 

Subjects in mirror are closer than they appear

Lucas reflects on the huge disconnect between man and nature in  abstract compositions made with the very matter that makes up the human body. The images for the video were shot in Spitsbergen, Norway. With her video Lucas not only portrays the urgent issues of our time, but she does so in one of the most challenging locations in the world, the North Pole, where the effects of climate change are obvious and where tensions relating to the international division of sources of fossil fuel will determine the near future. 

Cristina Lucas, The People that is Missing, 2019, HD video, installation view

tegenboschvanvreden

     contact
bloemgracht 57
1016 ke amsterdam
the netherlands

+31 [0]20 320 67 68
www.tegenboschvanvreden.com

     opening hours
wednesday – saturday, 1 pm – 6 pm

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Final call for our open call!

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NEWSLETTER OF: 26/04/22
Sweet reminder for our open call, a new publication and two artist talks to look forward to!

Laatste oproep voor onze open call, een nieuwe publicatie van Wim Cuyvers en twee artist talks om naar uit te kijken! 

OPEN CALL
Artist Residencies 2023
NL – De deadline voor onze open call nadert: nog tot 12 mei kan je je aanmelden voor een kunstenaarsresidentie in 2023. Dien je aanvraag tijdig in via het online formulier.

Heb je vragen over onze residentiewerking? Op 4 mei organiseren we digitale infomomenten en een bezoekmoment. We staan je dan graag te woord! 

EN – The deadline for our open call approaches! Applying for an artist residency in 2023 is still possible until May 12th. Submit your application online. 

Do you have questions about the residency? On May 4th we organise digital, as well as walk-in info sessions!
Former resident Colin Lyons at work in our intaglio studio – (c) Ksenia Kuleshova

PUBLICATIE & ARTIST TALKS
DE-AD – Wim Cuyvers
NL – De nieuwe publicatie ‘DE-AD’ van architect-kunstenaar-schrijver-forestier Wim Cuyvers wordt feestelijk ingelezen tijdens twee verschillende artist talks. Het boek bundelt zowel recente en nieuwe essays als ontwerpen van architectuurprojecten die nooit werden uitgevoerd en geeft zo een overzicht van de ruimtes waar Cuyvers naar zocht en zoekt.

Wees welkom op 19 mei om 19u in CIVA, Brussel en op 29 mei om 15u in BOOOOOKS tijdens Antwerp Art Weekend.
Bezoekers genieten een lanceringskorting van 10% op de aankoop van het boek.

EN – You're welcome to the launch of the new publication 'DE-AD' by architect-writer-artist Wim Cuyvers during two different artist talks. The book not only bundles recent as well as new essays, but also designs of architectural projects that were never executed. In this way, Cuyvers gives an overview of the spaces he has searched and searches for. 

We'd love to see you on May 19th, 19h at CIVA, Brussels and on May 29th, 15h in BOOOOOKS during Antwerp Art Weekend. Attendees enjoy a 10% launch discount on the purchase of the book. 
Cover image of 'DE-AD'  (2022) by Wim Cuyvers, published by Frans Masereel Centrum.

AFFILIATED ARTIST
Emmanuelle Quertain met EQSNC in Toison d'Or
NL – In het kader van Connexion #1 werden zes Belgische kunstorganisaties gevraagd om een kunstenaar te selecteren voor een solopresentatie in een van de panden van Toison d’Or, een gekende winkelgalerij in het hart van Brussel. In deze context presenteert Emmanuelle Quertain het project EQSNC, dat ze de voorbije twee jaar op uitnodiging van het Frans Masereel Centrum ontwikkelde in onze ateliers.
Open op 29 april, 6 mei, 13 mei, 20 mei, 27 mei, 3 juni en 24 juni 2022 van 14u tot 18u.

EN – For Connexion #1, six Belgian art organizations were asked to select an artist for a solo presentation in one of the buildings of Toison d'Or, a well-known shopping gallery in the heart of Brussels. In this context, Emmanuelle Quertain presents the EQSNC project, which she developed over the past two years in the workshop of the Frans Masereel Centrum.
Open on 29 April, 6 May, 13 May, 20 May, 27 May, 3 June and 24 June 2022 from 14h to 18h.

 
Conceived as a mail order catalogue, EQSNC (2021) provides an overview of the digital experiments developed by Emmanuelle Quertain in the Frans Masereel Centrum ateliers within the framework of Hibernus #1. 

BOOKSHOP
VENICE BIENNALE 2022
NL – Proficiat aan onze voormalige residenten en affiliated artists Amy Sillman, Tina Gillen en Kendell Geers met hun bijdragen voor de Biënnale van Venetië 2022 in respectievelijk de centrale tentoonstelling “The Milk of Dreams”, het paviljoen van Luxemburg en het nevenevent “PLANET B, Climate Change and the New Sublime.” 

Hun bijdragen in gelimiteerde oplage aan eerdere initiatieven van het Frans Masereel Centrum zijn hier en hier te vinden.

EN – Our compliments to our former residents and affiliated artists Amy Sillman, Tina Gillen and Kendell Geers with their contributions to the 2022 Venice Biennale in respectively the main-exhibition “The Milk of Dreams”, the Luxembourg Pavilion and the collatoral event “PLANET B, Climate Change and the New Sublime.” 

Find their contributions in limited edition to previous initiatives of the Frans Masereel Centrum here and here.
'The O.G. Vol. 15: Elements for a Conversation' (2021)  by Amy Sillman as part of Solitude; '’L.H.O.O.Q. (X)’ (2008), silkscreen print by Kendell Geers as part of Re:print; 'Apartment III' (2008) silkscreen print by Tina Gillen as part of Re:print. 

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INVITATION PREVIEW 72E FESTIVAL JEUNE CREATION

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 INVITATION PREVIEW – JEUNE CRÉATION 72E

ASSOCIATION LOI 1901 | ART CONTEMPORAIN

Rendez-vous le 29 avril 2022
de 15h à 18h

Exposition principale
72e Festival Jeune Création

C’est avec un immense plaisir que nous vous invitons à Romainville pour la preview de l’exposition principale du 72e festival d’art contemporain Jeune Création, qui se tiendra du 30 avril au 15 mai 2022 dans la Chaufferie sur le site de la Fondation d’entreprise Fiminco en partenariat avec les galeries de Komunuma. 

Télécharger le pack presse

À cette occasion vous pourrez découvrir le travail de 48 artistes internationaux sélectionnés par leurs pairs. 
 

Pour l’exposition principale du 72e festival d’art contemporain Jeune Création, la commission de sélection était composée de 10 artistes des éditions précédentes : Chedly Atallah, Carmen Ayala, Benoit Blanchard, Nathalie Genot, Hélène Gugenheim, Shani Ha, Tilhenn Klapper, Vincent Lemaire, Norman Nedellec, Samuel Trenquier ; et d’une personnalité invitée, Françoise Docquiert.

 

Les artistes sélectionné.e.s :

Aram Abbas, Morgane Baffier, Olivier Bémer, Max Blotas, Kamil Bouzoubaa-Grivel, Mégane Brauer, Camille Chastang, Lou Chavepayre, Clément Courgeon, Juliette Dérutin, Jérémie Danon, Yuna Denis, Énora Denis, Inès Di Folco, Morgane Erpen, Cédric Esturillo Cacciarella, Raphaël Fabre, Léo Fourdrinier, Juliette George, Juliette Green, Shuo Hao, Ninon Hivert, JJ von Panure (Leïla Fromaget & Anastasia Gaspard), Jean-François Krebs, Guillaume Lépine, Corentin Laplanche Tsutsui, Aurore Le Duc, Robin Lopvet, Leticia Martinez Perez, Adrien Menu, Sergio Morabito, Lucian Moriyama, Pascal Mouisset, Raphaël-Bachir Osman, Nefeli Papadimouli, Chae Dalle Park, Joseph Perez, Maëlle Poirier, Franck Rausch, Paola Siri Renard, Francisco Rodriguez Teare, Lucas Seguy, Masahiro Suzuki, Una Ursprung, Gaspar Willmann, Yoann Ximenes, Xolo Cuintle (Romy Texier & Valentin Vie Binet). 

Le festival Jeune Création se poursuivra ensuite dans les villes de Marseille, Lhomme et Paris par des expositions thématiques, des programmes de performances et des interventions infusant l’art, la culture et la solidarité au coeur de la vie. 

Au plaisir de vous rencontrer, d’échanger et de partager ensemble,
Bien à vous,

L’équipe de l’association Jeune Création
 

À PROPOS | L’ASSOCIATION JEUNE CRÉATION
Née en 1949, Jeune Création est un des plus ancien collectifs d’artistes dans le monde. Fidèle à sa mission, Jeune Création perpétue l’émulation entre artistes, publics, collectionneurs, galeries et institutions publiques ou privées.
À PROPOS | FONDATION FIMINCO

Créée en 2017, la Fondation Fiminco incarne les missions de Groupe Fiminco de soutien à la création contemporaine et d’accès pour tous à la culture, au plus près des dynamiques sociales et culturelles du Grand Paris.

INFOS PRATIQUES

43 rue de la Commune de Paris
93230 – Romainville
Métro : ligne 5 / Bobigny-Pantin-Raymond Queneau

CONTACTS

Manon Raoul : Jérémy Chabaud :

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Vanessa Disler I Art Brussels 2022 I 28. April – 1. May 2022

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Damien & The Love Guru


Vanessa Disler, The Wheel, 2021, oil on canvas, 200 x 70 cm / 78.74 x 27.56 in 

 

Vanessa Disler 
collaborative presentation with Hot Wheels Athens and works by Anastasia Pavlou

DISCOVERY SECTION D08

PREVIEW : APRIL 28, 2022
PUBLIC : APRIL 29 – MAY 1, 2022

ART BRUSSELS 
AVENUE DU PORT 86 C
1000 BRUSSELS
BELGIUM

⏧

Preview request of Art Brussels paintings by Vanessa Disler

⏧

CURRENTLY

Magnus Andersen
READERS REMEDY 
Opening Tuesday 26. April 5-9 pm 
Damien & The Love Guru
Brussels

Christiane Blattmann 
The Law
4. February – 30. April 2022
Damien & The Love Guru
Zurich

Anne Fellner
duo show with Alessandro Carano
Depth of Field 
29. March – 7 May 2022
Castiglioni in collaboration with Damien & The Love Guru 
Milano

Christiane Blattmann 
Sharon Van Overmeiren 
Sour Well
group show with Henrik Potter
12. March – 30. April 2022 
Nir Altman 
Munich

Emanuele Marcuccio
Der Radwechsel
Opening 30. March 6-9 pm 
group show with Jenna Bliss, Noémie Degen/Simon Jaton, Martin Ebner, Georgia Gardner Gray, Julia Haller, Sveta Mordovskaya, Matthias Noggler, Lukas Posch, Allen Ruppersberg, Michael E. Smith, Joanna Woś, Steffen Zillig
curated by Lukas Posch
Universitätsgalerie im Heiligenkreuzerhof
Vienna

Emanuele Marcuccio
D’Après Cavenago
2017-2021
suns.works / Damien & The Love Guru 
Zurich

Jannis Marwitz
La réforme de Pooky 
19. February – 8. May 2022
group show with Fabienne Audéoud, Sarah Benslimane, Elise Corpataux, Gritli Faulhaber, Sophie Gogl, Jasmine Gregory, Nanami Hori, Tom Humphreys, Marc Kokopeli, Matthew Langan-Peck, Sophie Reinhold, Marta Riniker-Radich, Christoph de Rohan Chabot, Thomas Sauter, Grégory Sugnaux, SoiL Thornton, Amanda del Valle, Jiajia Zhang
curated by Grégory Sugnaux, Paolo Baggi and Nicolas Brulhart
Kunsthalle Friart Fribourg
Fribourg

Jasmin Werner 
Stufen zur Kunst 
11. March 2022 – March 2023
Kunstverein Hannover
Hannover

UPCOMING 

Vanessa Disler 
Light Sleeper
Opening 13. May 2022
Damien & The Love Guru 
Zurich

 

Jasmin Werner 
solo presentation 
13-19 June 2022
Liste Art Fair 
Basel 

 

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Rue de Tamines 19
1060 Brussels

Wednesday – Saturday
12 – 6 pm
and by appointment

& 

Zollikerstrasse 249
8008 Zürich
by appointment

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Reminder: CAConrad, Reading performances

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CAConrad,

13 Moons: Listen to the Golden Boomerang Return

Reading performances
 

Friday 29 Abril 2022, 8 p.m
Saturday 30 April 2022, 12 p.m
 
BOOK HERE
 

As part of their solo exhibition 13 Moons: Listen to the Golden Boomerang Return, Philadelphia-based poet CAConrad will be performing what they coined as (soma)tic exercises, exploring which direction their voice should move and the fluctuations of sound as a liberating movement. 

As a poet who is also interested in movement, these ritualistic body experiences unfold language as a mechanism of presence. CA’s work has been a vital figure in thinking about how poetry and the body can play and build off one another. In this, the notion of Ecopoetics becomes more than just a focus on degraded soil, air and water, and through this 2–chapter performance considers the ability of language to invoke environmental vibrational absences, making and distributing poems that embody the vulnerable and generative friction between bodies and words. 

This event has been programmed in the context of 13 Moons: Listen to the Golden Boomerang Return and will take place in–site with no online retransmission. Thus, we kindly encourage you to book your attendance through the link above. 
 
13 Moons: Listen to the Golden Boomerang Return was made possible with the generous support of INJUVE.

fluent
c/ Luis Hoyos Sainz nº2 (int)
39001, Santander, SP.

fluentfluent.org

 

Art Brussels x LMNO

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Nous avons le plaisir de vous annoncer notre participation à la foire d’Art Brussels pour la 5ème année consécutive.

Du 28 avril au 1er mai LMNO retrouvez-nous au stand D30 à Tour & Taxi.

 

Durant ces 4 jours de foire, vous pourrez venir découvrir les oeuvres du collectif VOID, un duo d’artistes qui utilise le son comme matériau de représentation du réel réalisant des oeuvres résolument visuelle et sculpturales. Une sélection d’oeuvre de la série La stagione dell’amore réalisée par Denicolai & Provoost sera également visible lors de la foire. Ce duo d’artistes produit un art qui analyse des faits économiques et des réalités sociales avec légère et un humour caractéristique.

 

Dans le cadre de la Gallery Night organisée par Art Brussels le 27 avril, nous vernirons l’exposition High Tide de l’artiste espagnol Miguel Sbastida à la galerie.

 

 

 

DU 28 AVRIL AU 1er MAI

Tour & Taxi – Av. du Port 86C

1000, Bruxelles, Belgique

_________________________

+32 498 57 35 47

LMNO – 31 Rue de la Concorde, 1050 Brussels

 

N’hésitez pas à faire la demande par

Au plaisir de vous retrouver ! 

www.lmno.be

Save the Date – Upcoming Exhibitions

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contemporary art fair – THE SOLO PROJECT Brussels

Nathalie Campion Solo Show presented by Atelier Jespers

April 27 > May 1 – Circularium, Liverpool Hall 1 – Liverpool street 77- 1070 Brussels

Corpus #3 – The Gisant – Glazed Ceramic – 2021 – 40 x 69 x 160 cm – photo Antony Girardi

I’ve Lost My Head

Nathalie Campion Solo Show presented by Jonathan F. Kugel Gallery

Opening May 5 > May 29 – rue Watteeu 16- 1000 Brussels

Corpus #10 – Glazed Ceramic – 2021 – 72 x 12 x 36 cm – photo Antony Girardi

Oscillation 2022 Bulletin ::: episode 3 :: All things radio

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 workspace for experimental music and sound art

Oscillation Bulletin ::: episode 3
25 April

Tune in, drop out!

Oscillation ::: Festival wouldn’t be Oscillation ::: Festival if there weren’t some radio waves involved; hence, a bulletin dedicated to all things radio, to get you prepared at the start of the festival (that is, only in three days!). Be sure to grab your tickets and reserve for the workshops and walks in time.

Get in the mood for our four day celebration: listen to festival previews on Klara’s Late Night Shift (the Oscillation part starts at 1h 22’) by Bart Vanhoudt and Gerrit Valckenaers, Kiosk Radio by Caroline Profanter and Margherita Brillada and Cashmere Radio (Tuesday, 15:00 Brussels time) / We Are Various (Wednesday, 15:00 Brussels time) by Margherita Brillada.

During the festival, all of the acts are live relayed via the festival website. Our radio partners Listening Arts channel, radio P-node and Shirley & Spinoza are also broadcasting parts of the program. The acts that are streamed are indicated with the red dot on the festival website. The first act starts Thursday, 19:00 Brussels time.

We also like to highlight RYBN as a very special addition to this year’s festival. We came across the practice of RYBN while researching contemporary sound-walking as part of an upcoming book in collaboration with Elena Biserna. The collective has been operating in Paris since 1999 in a wide variety of formats and guises, drawing on computer programming, activism and experimental art. There is a forensic precision to their work, paired with an expansive attitude to research and presentation, drawing parallels and comparisons across various systems and technologies that shape the world we live in.

For their contribution to Oscillation ::: Public Address, RYBN proposed to stroll through the murky world of international finance. The Offshore Tour Operator is a Situationist Dérive charting the opaque territories of Offshore Finance. The project starts out with the Paradise Papers, a 2017 leak of some 13.4 million documents detailing international tax evasion. This evasion was made possible by a vast network of so called “shell companies”, which use physical addresses all across the world to move money in and our of tax jurisdictions. On Friday, Saturday and Sunday, RYBN will lead a performative hunt for shell companies, trust firms, domiciliation agencies, and shadow finance offices—in short, the physical infrastructure of international tax evasion, reshaping the city by virtue of its shadow finance. The walks make use of specially designed players built by the collective to capture and document these addresses.

This is a rare and intimate occasion to encounter the work of RYBN, so don’t wait too long to sign up for a walk and discussion on Friday, Saturday or Sunday, followed by a collective discussion in various locations around Brussels.

Lastly, Den Haag-based sound artist and electroacoustic music composer Margherita Brillada will kick off the workshop program with her Radiophonix workshop, in which we dive deep into radio art, broadcasting technologies and discuss our own radiophonic pieces. Be sure to subscribe for this and the other workshops in time.

Hoping to meeting you later this week,

The Oscillation Crew

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With the kind support of Needcompany, citydev.brussels, Vlaamse Gemeenschap, Vlaamse Gemeenschapscommissie, among others.

Greetings from Berlin — Grüße aus Berlin — Amitiés de Berlin

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Wouter

We would be pleased to see you at Miss Read, Berlin Art Book Festival 2022. We will be presenting a selection of our recent artists publications.

Philippe

Nb: I will be in Berlin the first ten days of May. I hope to see you there.
Logo

MISS READ
Berlin Art Book Festival 2022
April 29 – May 1, 2022
at Haus der Kulturen der Welt
John-Foster-Dulles-Allee 10
10557 Berlin
FREE ENTRY

Opening Hours
Friday 5-9pm // Opening Party 9pm till late.
Saturday 12-7pm
Sunday 12-7pm

MISS READ: The Berlin Art Book Fair 2022 will take place on April 29th to May 1st at Haus der Kulturen der Welt and will bring together a wide selection of 300+ publishers, art periodicals and artists/authors.

In conjunction, the Conceptual Poetics Day will explore the imaginary border between visual art and literature.

The poster for MISS READ 2022 is created by Jay Ramier. Funded by Hauptstadtkulturfond Berlin

First launch of the book / Première présentation du livre
EVERYTHING LOOKS BETTER WITH LOVE

MICHAËL SELLAM

EVERYTHING LOOKS BETTER WITH LOVE

Artist Book / Jacket / Soft cover / 60 pages / 9 color inserts / Edition of 500 copie / isbn 978-2-9552776-2-1 / Editions Salon du Salon / 19 € / Online sales (Worldwide shipping)

With the support of Cnap, Centre national des arts plastiques & Région Sud

TOUT SEMBLE MIEUX AVEC DE L’AMOUR

The protocol for the production of the works presented at Salon du Salon is simple. There is a certain nonchalance, few gestures. These gestures directly question how a work is produced. The stages of development of these works are predefined: visiting museums, taking photographs, opening them on a computer, copying, pasting, adjusting, moving and recording. The same protocol is applied to sculptures: looking for models of works of art, downloading them, opening them on a computer, copying, pasting, adjusting, moving and recording. The finalized digital document is then sent via the internet for printing. Once received, its elements are arranged and displayed. My task is to keep the machine running, to test my method, to extend it and to accept the hazards of improvisation, chaos and surprise. The forms produced would have what Tristan Garcia calls an equal ontological dignity.


« We live in this world of things, where a cutting of acacia, a gene, a computer-generated image, a transplantable hand, a musical sample, a trademarked name, or a sexual service are comparable things. » (1)

In addition to this drift in the museum rooms, there is a drift on the many websites that offer models, files of digitised works. This monstrous, distorted approach represents both a way of proceeding and a principle of equality. Everything is reduced to a relation to forms, remains elusive. It is difficult to establish substantive relations between these forms, but there is something that connects them. A certain desire, a willingness, a need projected in the use or contemplation of the object, the gesture, the icon. These works and these attitudes embody the same joyful and inoperative melancholy in the world. Beyond the meaning that can be extracted from it, this process questions copying, documentation and capture. Understanding, creating, citing, using, deforming, destroying, copying and pasting; acting, drifting too.

This set of works takes a precise and critical look at what computing is changing in our way of thinking and understanding the world. It is a question of experimenting with a whole system of possible operations carried out with an unfailing form of love for things, gestures and beings.

This publication is both a synthesis and an extension of these issues.

Qu’il est bon
de se réveiller le matin
tout seul
et de se dire de l’art
que vous l’aimez
que vous l’aimez plus que tout
au monde. (2)

Michaël Sellam, Paris, September 2019

(1) – Tristan Garcia, Form and Object: A Treatise on Things, Edinburgh University Press, 2014, p. 1.
(2) – Freely inspired by: « Love Poem » by Richard Brautigan.
TOUT SEMBLE MIEUX AVEC DE L’AMOUR

First launch of the book / Première présentation du livre
EVERYTHING LOOKS BETTER WITH LOVE

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Arjan van Helmond | Vertical Thinking | Opens Saturday April 30, 5-7 pm

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Arjan van Helmond | Vertical Thinking | Opens Saturday April 30, 5-7 pm

 
ALBADA JELGERSMA GALLERY
 

 
We would like to invite you to the opening of:
 
Arjan van Helmond
Vertical Thinking
 
Saturday April 30, 5-7 pm
 

 
Albada Jelgersma Gallery is pleased to invite you to Vertical Thinking, Arjan van Helmond's second solo exhibition at the gallery. The exhibition opens on Saturday April 30th from 5-7 pm and runs through June 4th.

On display are ten large and smaller paintings of trees, always painted from the same point of view. In contrast to his usual loose way of working, van Helmond created a series of works with the same motif. Yet the paintings are very different. Each work explores in an experimental way the different possibilities and options that color, light and form have to offer.

Van Helmond uses vertical thinking, which is regarded as the opposite of creative (or lateral) thinking. It describes a strict, linear thinking process, in which you rationally look at all options to arrive at the best result. In this series, van Helmond explores whether and how this way of thinking can be used in the creative process of painting.

Although as a viewer you view the paintings horizontally, it feels as if you are looking vertically 'into' the painting. There is a sense of looking up. If you look up at the trunk, you can see light shining through the foliage. Sometimes the light seems to come from the trunk itself. Or the light is reversed, as in a negative of a photograph. At times the trunk of the tree fills up half the image, but way up beyond the leaves, there is always an infinite amount of sky to look up to. Depending on the distance between you and the painting, the paintings can appear almost abstract.

We usually recognize a tree by its location, much more than by its specific appearance. As a source, van Helmond photographed trees in places that are meaningful to him. An oak tree near his home in Amsterdam. A beech tree in a park in Berlin. A palm tree in a garden in Dubai. Each of the trees have a physicality to it. With branches that twist and bend like arms. Exuberant or subdued. Although the trees are all painted from the same perspective, this makes each of the trees recognizable and unique.
 
Arjan van Helmond (1971) lives and works in Amsterdam. He graduated from the Rijksakademie in Amsterdam in 2004. Currently he has a solo exhibition at Museum MORE, through June 6, 2022. In October 2019 he created a public artwork in the NS Station of Leeuwarden, named Golfbrekers. In 2018 he received the Jeanne Oosting Prize. Solo exhibitions include: Kranenburgh Bergen (2018); De Nederlandsche Bank, Amsterdam (2017); Lucebert Huis, Bergen (2017); LUMC, Leiden (2010). Group exhibitions include Arti et Amicitiae, Amsterdam (2014); Dordrechts Museum, Dordrecht (2011); White Box, NY (2001). His work is part of the following collections: Museum MORE, the Saatchi Gallery, Museum Het Domein, De Nederlandsche Bank, Chadha Art Collection, Akzo Nobel Art Foundation, Heden, Schunck, The Schorr Family Collection, Rabo Art Collection.
 

Re-collection in Museum MORE
 
Currently there is a solo exhibition of Arjan van Helmond's work on view at Museum MORE. Arjan van Helmond and curator Marieke Jooren selected more than 20 works created over a period of 15 years. This exhibition, Re-collection is on view at Museum MORE through June 6, 2022.
 
 
More information

New book: What speaks to us. Arjan van Helmond
 
In line with the exhibition at Museum MORE, Arjan van Helmond has a new book, published by Jap Sam Books. In What speaks to us he looks back and reflects on his paintings of the last twelve years.
 
 
More information

 
Image: Arjan van Helmond,Tree #18, 2022, 105 x 85 cm, gouache and acrylic paint on canvas
 

 
ALBADA JELGERSMA Gallery
Lijnbaansgracht 318
1017 WZ Amsterdam
The Netherlands
 
Open during exhibitions: Wednesday through Saturday 1-5 pm and by appointment.
 

 
© 2022 ALBADA JELGERSMA
 

Magnus Andersen I Readers Remedy I Opening Tuesday 26. April 6-9pm

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Damien & The Love Guru

 

Magnus Andersen
READERS REMEDY 

Opening 
Tuesday April 26th 2022
5-9 pm

Rue de Tamines 19
1060 Brussels 

⏧

Art Brussels Gallery night 
Wednesday April 27th 2022
6-9 pm 
 

⏧

Preview request of ‘Readers Remedy‘

 

CURRENTLY

Christiane Blattmann 
The Law
4. February – 30. April 2022
Damien & The Love Guru
Zurich

Anne Fellner
duo show with Alessandro Carano
Depth of Field 
29. March – 7 May 2022
Castiglioni in collaboration with Damien & The Love Guru 
Milano

Christiane Blattmann 
Sharon Van Overmeiren 
Sour Well
group show with Henrik Potter
12. March – 30. April 2022 
Nir Altman 
Munich

Emanuele Marcuccio
Der Radwechsel
Opening 30. March 6-9 pm 
group show with Jenna Bliss, Noémie Degen/Simon Jaton, Martin Ebner, Georgia Gardner Gray, Julia Haller, Sveta Mordovskaya, Matthias Noggler, Lukas Posch, Allen Ruppersberg, Michael E. Smith, Joanna Woś, Steffen Zillig
curated by Lukas Posch
Universitätsgalerie im Heiligenkreuzerhof
Vienna

Emanuele Marcuccio
D’Après Cavenago
2017-2021
suns.works / Damien & The Love Guru 
Zurich

Jannis Marwitz
La réforme de Pooky 
19. February – 8. May 2022
group show with Fabienne Audéoud, Sarah Benslimane, Elise Corpataux, Gritli Faulhaber, Sophie Gogl, Jasmine Gregory, Nanami Hori, Tom Humphreys, Marc Kokopeli, Matthew Langan-Peck, Sophie Reinhold, Marta Riniker-Radich, Christoph de Rohan Chabot, Thomas Sauter, Grégory Sugnaux, SoiL Thornton, Amanda del Valle, Jiajia Zhang
curated by Grégory Sugnaux, Paolo Baggi and Nicolas Brulhart
Kunsthalle Friart Fribourg
Fribourg

Jasmin Werner 
Stufen zur Kunst 
11. March 2022 – March 2023
Kunstverein Hannover
Hannover

UPCOMING 

Vanessa Disler 
Anastasia Pavlou
shared booth with Hot Wheels Athens
28 April – 1 May 2022
Discovery section
Art Brussels 

Vanessa Disler 
Opening 13. May 2022
Damien & The Love Guru 
Zurich

 

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Rue de Tamines 19
1060 Brussels

Wednesday – Saturday
12 – 6 pm
and by appointment

& 

Zollikerstrasse 249
8008 Zürich
by appointment

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You can update your preferences or unsubscribe from this list

[NGHE NEWSLETTER] médiathèque écluse en fleur

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N G HHHHHHH E
n eeeeee w s l e tt e r

samedi 23 avril

m é di a th è qu e   é cl u se


img news ecluse.jpeg


On n'est pas nghieux là ? Je rêverais qu'on puisse tout rendre plus léger et tout déposer sur une grande pirogue. Sur les flots de cette rivière azur peu profonde, des saules pleureurs nous font de l'ombre et protègent nos épaules. Des disques sont rangés dans des caisses étanches. Une amie pugnace me dit que quand elle a peur de la mort, ça la rassure d'imaginer l'infiniment grand et d'accepter que son corps a peu d'importance dans ce tout tentaculaire. Ça aide à l'idée de devenir poussière. Des pics de petites vagues nous emmènent vers la rive, aux pieds d'immeubles qui brûlent de lumière. Il fait chaud, mais ce n'est pas encore l'été. On se sent jeune mais on porte notre âge dans nos jambes dans cette eau tiède. Dans ce rêve, cinq femmes s'accompagnaient sur un chemin commun en veillant les unes sur les autres jusqu'à une écluse. L'écluse est veuve elle aussi. La femme de l'éclusier est veuve. Elle vit là depuis 25 ans, avec sérénité. Dans cette maison de veuve d'eau qui se tarit, je rêverais de m'y installer un lit et une gazinière, une petite médiathèque d'eau, aux grands yeux, et regarder en plein dedans le futur qui se dessine et qui s'efface, qui se dessine et qui s'efface, qui se dessine et qui s'efface…


14h – 20h _ ouverture régulière

/ sélection spéciale faune et flore /

* ~ ~ ~ ~ ~ ~ ~ * ~ ~ ~ ~ ~ ~ ~ *

a b b r a c c i

—

NGHE – Médiathèque bricolée

rue des mariniers, 6
1080 Molenbeek St Jean

Galerie Greta Meert @Art Brussels 2022

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We are pleased to announce our participation to Art Brussels, 38th edition.

This year, we are delighted to be presenting an additional solo booth by Nathalie Du Pasquier. 

Booth B29 – B23

Gallery Night
Wednesday April 27, 6 pm – 9 pm

Thursday April 28
Preview 11 am – 5 pm
Vernissage 5 pm – 10 pm

Public Days: 
from Friday April 29 to Sunday May 1, 11 am – 7 pm

Nathalie Du Pasquier, Untitled, 2021-2022, oil on canvas (50 x 50 cm)

John Baldessari
Katinka Bock
Edith Dekyndt
Nathalie Du Pasquier
Johannes Esper
Jef Geys

Louise Lawler
Robert Mangold
Jean-Luc Moulène
Anne Neukamp
Richard Tuttle
Koen van den Broek

Catharina van Eetvelde
Pieter Vermeersch
Didier Vermeiren
Johannes Wald
James White

Current Exhibitions at the gallery

Installation view Jean-Luc Moulène, Galerie Greta Meert, 2022

Installation view, Pile ou Face, Anne Neukamp, Galerie Greta Meert, 2022

Upcoming Online Viewing Room

Joe Zorrila
Online Viewing Room and installation at the gallery

April 29 ⏤ June 5, 2022

Joe Zorrilla, Cartographies (Void), 2017, c-print, 1/3 + 1 AP (61,6 x 51,6 cm)

13 rue du Canal
1000 Brussels

+32 2 219 14 22

argosTV38: What I’m looking for

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EN FR NL

Shelly Silver, What I’m looking for (2004)
7 April – 5 May

A woman sets out to photograph moments of intimacy. On an Internet dating site she writes: “I’m looking for people who would allow to be photographed in public revealing something of themselves”. 

What I’m Looking For documents the connections formed at the intersection of virtual and actual public space. A short tale of desire and control, the video is also a rumination on the nature of photography and the persistence of vision.
 
Every month,  highlights one particular work from the collection. It can be viewed online and on site as it is shown on a window display at Koopliedenstraat 62 Rue des Commerçants (next to the rile* entrance).

Upcoming events at 𝓪𝓻𝓰𝓸𝓼
save the date

22.04 – 24.04 @MOOOV 
How to be collective?
several moving image collectives are invited to Bruges to examine the question

28 April, 20:00 – 22:00 @argos
The Don and Moki Cherry Sessions: Paul Abbott
Paul Abbott’s answer to the uniquely hybrid universe of Don and Moki Cherry

1 May, 14:00 – 17:00 @argos 
Family Day #3 : Music & Grime workshop
A family affair with homemade instruments and colourful face-painting

 

The Moki Cherry Home Movie Night 
Sunday 1 May, 19:30 — 22:00

On the closing night of the Don and Moki Cherry: Organic Music Societies exhibition, ⓐⓡⓖⓞⓢ will screen home movies made by Moki Cherry in the early 1970s. These unedited Super-8 films have never been shown before and provide an unfiltered look into the life of the Cherry family. Together with Naima Karlsson and guests, we will discuss the unique pedagogical context Don and Moki Cherry created together through their work and lives. Join us for one last immersion in the Cherry universe! 🔮


 

FR

Shelly Silver, What I’m looking for (2004)
7 avril – 5 mai

Une jeune femme entreprend de photographier des moments d’intimité dans l’espace publique. Elle se ballade dans les rues de New York City et depuis que les relations sociales ont dérivé sur Internet, elle commence à approcher les gens sur un site de rencontre et elle écrit: “Je cherche des gens qui aimeraient être photographiés en public, et révéler quelque chose d’eux-mêmes…”.

 
Tous les mois, vous permet d’accéder gratuitement aux œuvres anciennes et nouvelles de la collection sur votre écran personnel. L’oeuvre sélectionnée est également présentée dans une vitrine au 62 rue des Commerçants. 

Bientôt à 𝓪𝓻𝓰𝓸𝓼
save the date

22.04 – 24.04 @MOOOV 
How to be collective?
argos invite plusieurs collectifs audiovisuels à Bruges

28 avril, 20:00 – 22:00 @argos
The Don and Moki Cherry Sessions: Paul Abbott
Paul Abbott entre en dialogue avec l’univers artistique de Don et Moki Cherry

1 mai, 14:00 – 17:00 @argos 
Family Day : atelier Musique & Maquillage
un dimanche en famille, avec deux ateliers créatifs

 

The Moki Cherry Home Movie Night 
Dimanche 1 mai, 19:30 — 22:00

A l’occasion de la clôture de l’exposition Don and Moki Cherry: Organic Music Societies, ⓐⓡⓖⓞⓢ organise une projection de home movies réalisés par Moki Cherry au début des années 1970. Il s’agit d’une première exceptionnelle puisque ces images familiales n’ont jamais été montrées en public. Avec Naima Karlsson — petite-fille du couple et commissaire de l’exposition — et d’autres invité.es, on discutera de la vision pédagogique de Don et Moki Cherry ainsi que de leur pratique artistique. Rejoignez-nous pour un verre et une dernière immersion dans le monde de Don et Moki Cherry! 🔮


 

NL

Shelly Silver, What I’m looking for (2004)
7 april – 5 mei

Een vrouw wil intieme momenten fotograferen op openbare plekken. Op een online datingsite schrijft ze: ‘Ik ben op zoek naar mensen die in het openbaar gefotografeerd willen worden en iets van zichzelf willen laten zien.’ 

What I’m Looking For documenteert dit avontuur, de vreemde intimiteiten en banden die tot stand komen op deze kruising van virtuele en werkelijke publieke ruimte. De video is een overdenking van de aard van fotografie; de nawerking van het oog; een kort verhaal over verlangen en controle.
 
Elke maand brengt oude en nieuwe werken uit de collectie naar je thuisscherm. Het werk wordt ook beschikbaar gemaakt in de vitrine van de Koopliedenstraat 62. 

Binnenkort bij 𝓪𝓻𝓰𝓸𝓼 
save the date

22.04 – 24.04 @MOOOV 
How to be collective?
argos nodigt verschillende audiovisuele collectieven uit voor een weekend in Brugge.

28 april, 20:00 – 22:00 @argos
The Don and Moki Cherry Sessions: Paul Abbott
Paul Abbott treedt in dialoog met het werk van Don en Moki Cherry

1 mei, 14:00 – 17:00 @argos 
Family Day #3 : Muziek & Grime workshop
een kleurrijke namiddag, met zelfgemaakte instrumenten 🥁

The Moki Cherry Home Movie Night 
zondag 1 mei, 19:30 — 22:00

Voor de finissage van de Don and Moki Cherry: Organic Music Societies tentoonstelling organiseert ⓐⓡⓖⓞⓢ een speciale vertoning met home movies die Moki Cherry in de vroege jaren 1970 maakte. Deze gedigitaliseerde super-8-films werden nooit eerder vertoond en bieden een ongefilterde inkijk in het leven van het echtpaar. Samen met Naima Karlsson — kleindochter van het koppel en curator van de tentoonstelling — en andere genodigden, bespreken we de bijzondere pedagogische visie en artistieke praktijk van Don en Moki Cherry. Vergezel ons voor een drankje en een laatste duik in het Cherry universum! 🔮


 

copyright © 2022 argos centre for audiovisual arts, All rights reserved.

Our mailing address is:
argos centre for audiovisual arts
Werfstraat 13 Rue du Chantier
1000 Brussels

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UITNODIGING: OPEN STUDIO’S 2022 (13-15 MEI)

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Cas-co nodigt je van harte uit voor haar jaar­lijk­se Open Studio’s tijdens het weekend van Atelier in Beeld (13-15 mei). Hét moment om kennis te maken met de meer dan veertig kunstenaars en diverse activiteiten verbonden aan onze werking, maar ook met het bredere Leuvense ecosysteem. Verwacht je aan een fees­te­lij­ke ver­nis­sa­ge op vrij­dag en een programma met brunch, talks en een première op zater­dag. Zondag zetten alle kunstenaars de deuren van hun studio open en kan je hun werkplek en praktijk ontdekken. Daarbij kan je, naast onze historische uitvalsbasis aan de Vaartstraat nr. 94, voor het eerst ook binnenlopen bij de kunstenaars in Studio Annext (Labora, Abdij van Keizersberg) en maakleerplek (Stapelhuisstraat 13-15). 


Detail © Lisa Ijeoma


Detail affichebeeld ‘The Swimming Pool’ © Carmen Dusmet Carrasco

Atelier Jan Duerinck © Michiel De Cleene

MEER INFO

Dit pro­gram­ma kwam tot stand in samen­wer­king met:
Platform UFO, Studio Annext/Labora, M Leuven, 30CC/​CIRKLabo en STUK & de ondersteuning van Kunstwerkt.

Vaartstraat 94
3000 Leuven

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Friendly reminder: Opening of a New Exhibition by Anders Dickson | 23 April 2022, 20:00-24:00

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MAIN SPACE

Anders Dickson 
Powercells, the commons

Opening: Saturday 23 April, 20-24 hrs
24 April – 29 May 2022
Thu – Sun, 14 – 18 hrs
 

Anders Dickson’s multifaceted practice invites intimate encounters with an obscure, weird mirror of the ubiquitous world.  Themes ranging from spirituality, memory, and ‘high strangeness’ are coloured by traces of Americana as the artist implements them into his work.  Hallucinatory paintings bleed into space in the form of sculptural objects, photography and video, assembled in immersive installations.
At P/////AKT Dickson is presenting an immersive installation consisting of new works. The projects marks the first episode of Turning to Dust and Bones.

Anders Dickson (USA) exhibited his work at The Schirn Kunsthalle, Frankfurt (2022); Kayoko Yuki Gallery, Tokyo (2021); Wschod Gallery, War-saw (2021); Annet Gelink Gallery, Amsterdam (2021); 15 Orient Gallery, Paris (2020); The Oracle, Berlin (2018); Vleeshal, Middelburg (2018); Gisela Capitain Gallery, Cologne (2017); The Beach Office, Berlin (2017), and Tanya Leighton Gallery, Berlin (2017). He attended the De Ateliers (2017-2019), The Staedelschule in Frankfurt am Main, and the Staatliche Akademie der bildenden Kuenste, Karlsruhe. Dickson is also member and co-founder of the netherlands-based artist initiative Root Canal (www.rootcanal.eu).

P/////AKTSALON

Root Canal – I’ll Never be a Star, I’ve Always Been the Moon

Opening: Saturday 23 April, 20 – 24 hrs
Event for AAW 15 May 2022, 17 – 19 hrs
24 April – 29 May 2022
Thu – Sun, 14 – 18 hrs
 

Fourteen artists, musicians and writers were invited to contribute to the mix tape I’ll Never be a Star I’ve Always Been the Moon, initiated by the artist collective Root Canal. As a constructive answer to the difficulties of organizing physical exhibitions in the past year, the mix tape is recorded on classic tape cassettes, which are sent out to potential listeners and bring a group exhibition to their homes. Every contributor received carte blanche for the content of their recording, with the sole restriction that it could not be longer than 5 minutes. The resulting mix tape – an eclectic amalgam of contributions ranging from spoken word to noise poetry to dream interpretations, alternated among others with Finnish rap, garage punk and cover songs – will be presented in the P/////AKTSALON.

Contributing artists: Yong Xiang Li, Elif Saydam, Kuupuu featuring Draama-Helmi, echo+seashell  featuring Torus, Luzie Meyer, Manuela Gernedel, Nicolas Ceccaldi, Michiel Huijben, No Ice!!!, TRJJ, Vittorio Brodmann, Lonely Boys, VE holdings featuring Sakeul and Mona Varichon, Zoë d’Hont

Root Canal consists of the artists Anders Dickson, Frieder Haller, Henna Hyvärinen and Thomas Swinkels. In 2017, they started their exhibition practice in an attic in the east of Amsterdam where the four lived together. Upon leaving their attic space, the initiative has continued to exist nomadically. They curated exhibitions in various unofficial but invaluable exhibition spaces locations, such as a camper van, bedrooms, a gallery basement, as well as at the Vleeshal Center for Contemporary Art, Middelburg, NL.

Publication

El Camino 427

El Camino 427 is a brand new publication by Ricardo van Eyk, based on his project at 427 Gallery (Riga, LT) in September-October 2021. It comes with a silk screen cover in an edition of 200 copies, 20 of which will be signed by the artist for the early birds. It also contains a text by Thomas Swinkels and was co-designed by Arthur Gazzola van de Zand.

Turning to Dust and Bones


 

Turning to Dust and Bones

Turning to Dust and Bones (April 2022 – April 2023) is a new series of six consecutive solo exhibitions loosely dealing with the subconscious, memory and the traces of being uprooted. It is featuring Anders Dickson, Koen Kloosterhuis, Kristina Sedlerova-Villanen, Aslan Goisum, Giulia Cenci and Rodrigo Hernández. The public program will be moderated by DIG – the Internet Guide of literature magazine De Gids. The visual identity was designed by Dongyoung Lee.

Join our Facebook event here.

Our events are featured on Public Data for Public Events
 

P/////AKT would like to thank:

Mondriaan Fund, Amsterdam Fund for the Arts and 

Stadsdeel Amsterdam Oost.

P/////AKT
Zeeburgerpad 53
1019 AB Amsterdam

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Art Brussels 38th edition!

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Save the date!

In just one week Art Brussels opens its 38th edition from Thursday 28 April to Sunday 1 May 2022 at Tour & Taxis (Brussels)! 

 

Art Brussels, one of Europe’s most original and established art fairs, makes its long awaited in-person return with a strong and international line up and a unique mix of established artists and emerging talent. This year, Art Brussels continues to be highly curated and more appealing than ever.

 

157 participating galleries from 26 countries are presented across the fair’s five sections according to the artists on show: PRIME (for mid-career and established artists), DISCOVERY (emerging artists), REDISCOVERY (artists where recognition is long overdue), INVITED (emerging galleries that are transcending the typical gallery format) and SOLO (solo artist presentations).

 

You can still book your tickets for the fair via:

TICKETS ART BRUSSELS

Stop by and visit the BGW participating galleries present at Art Brussels 2022: 

Almine Rech (STAND B.43)
Alice Anderson, Szabolcs Bozó, Jenny Brosinski, Javier Calleja, Johan Creten, Paul de Flers, Gerasimos Floratos, Jorge Galindo, Jameson Green, Madelynn Green,…

Image ©Almine Rech Brussels
Ballon Rouge (STAND D.11)
 
Matt Ager, Deniz Pasha. 

 

©Deniz Pasha, Untitled (pink), 2020, oil on canvas, 50 x 40 cm. Courtesy the artist, Ballon Rouge & The Pill
Baronian (STAND B.48 & B.44)
 
Aline Bouvy, Marie-José Burki, Seyni Awa Camara, Max Frintrop, Jean-François Lacalmontie, Charles Sandison, Mitja Tusek, Charlotte vander Borght, Yves Zurstrassen

Solo: Seyni Awa Camara.
 

 

©Seyni Awa Camara, Anakhane, 2021, fired clay, 94x40x40 cm.
Bernier/Eliades Gallery (STAND A.37)
 
Romain Cadilhon, Dionisis Kavallieratos, Brian Rochefort, Giancarlo Scaglia, Philip A. Zimmermann.

©Dionisis KAVALLIERATOS, “Κολοκυθάκης / Zuchinelo”, 2020 | Ceramic, wood | 74 x 52 x 27 cm
C L E A R I N G (STAND C.54 & C.56 )

Jean-Marie Appriou, Korakrit Arunanondchai, Neïl Beloufa, Meriem Bennani, Sebastian Black, Daniel Dewar & Grégory Gicquel, Aaron Garber-Maikovska, Marguerite Humeau,…

Solo:  Koenraad Dedobbeleer.

©Koenraad Dedobbeleer, Not that Fluid or Vapour Isn’t Form Too (digestif), 2021, Hand blown glass, 4 1/8 x 1 5/8 inches
Damien & The Love Guru (STAND D.08)

Vanessa Disler and Anastasia Pavlou.

Shared booth with Hot Wheels Athens. 

©Vanessa Disler, Nona’s Big Naturals, 2021, oil on canvas, 200 x 160 cm
Dauwens & Beernaert Gallery (STAND D.27)
Loïc Van Zeebroek, Charlotte Vandenbroucke.
 

©Toon Boeckmans Untitled, 2022, Aluminium, lacquer, 31×50 cm. 
dépendance (STAND B.64)

Richard Aldrich, Ed Atkins, Alfred d’Ursel, Monika Stricker, Peter Wächtler, Haegue Yang.

©Haegue Yang, Sonic Rope, Silver Hexagon Light/Regular, 2021
Galeria Jaqueline Martins (STAND INV1)

Charbel-joseph H. Boutros, Philippe Van Snick

©Philippe Van Snick, Richtingen, 1974
Galerie Greta Meert (STAND B.23 & B.29)

John Baldessari, Katinka Bock, Johannes Esper, Liam Everett, Jef Geys, Louise Lawler, Robert Mangold, Jean-Luc Moulène, Anne Neukamp, Sophie Nys, Richard Tuttle, Koen van den Broek, Catharina van Eetvelde, Pieter Vermeersch, Didier Vermeiren.

Solo: Nathalie Du Pasquier.

©Nathalie Du Pasquier, Luna, 2017, oil on canvas, 100×100 cm
Galerie La Forest Divonne (STAND E.06)

Bernadette Chéné, Jeff Kowatch, Tinka Pittoors.

©Jeff Kowatch, Talking about Blue Birds, 2021, Oilbars on Dibond, 210x170cm 
Galerie Nathalie Obadia (STAND B.33)

Martin Barré, Valérie Belin, Carole Benzaken, Fabrice Hyber, Robert Kushner, Guillaume Leblon, Benoît Maire, Laure Prouvost, Fiona Rae, Andres Serrano, Joris Van de Moortel, Keping Wang, Jérôme Zonder.

©Steven Bates, Courtesy de l’artiste et de la galerie 
Gladstone (STAND B.36)

Richard Aldrich, Ed Atkins, Kasper Bosmans, Kerstin Brätsch, Claudia Comte, Alex Katz, Amy Sillman, Rikrit Tiravanija, Michael Williams.

©Gladstone Gallery
 Harlan Levey Projects (STAND C.47)
Amelie Bouvier, Sean Crossley, Ella Littwitz, Emmanuel Van der Auwera.

©Ella Littwitz, Red Mercury, 2021, Four cold rolled steel boards, 100 x 50 cm each. Photo: Yuval Hai
Hopstreet Gallery (STAND A.01)
Sara Bjarland, Thorsten Brinkmann, Julie Cockburn, Johan De Wilde, Jan van Munster, Tinus Vermeersch.

©Julie Cockburn, Firebrand, 2022, hand embroidery on found photograph, 25.4×20.2cm
Irène Laub Gallery (STAND C.01)
Stijn Cole, Jose Pedro Croft, Fernanda Fragateiro, Guillermo Mora.

©Guillermo Mora, Solo show A day with you, 2021
La Maison de Rendez-Vous (STAND D.19)
Trevor Shimizu. 

©Trevor Shimizu, Sunset and Clouds, 2020, oil on canvas, 269x376cm 
Maruani Mercier (STAND A.24 & A.26)
Radcliffe Bailey, Ross Bleckner, Ron Gorchov, Peter Halley, Ryan Hewett, Paul Kremer, Tony Matelli, Arne Quinze, Gavin Turk, Hank Willis Thomas.

Solo: Dankyi Mensah. 

©Dankyi Mensah, 2022, Acrylic on canvas 125.5×101.5 cm
Meessen De Clercq (STAND A.18 & A.14)
Ignasi Aballí, Lieven De Boeck, Adam Henry, Nicolás Lamas, Xie Lei, Benoît Maire, Claudio Parmiggiani, Benoît Platéus,…

Solo: Maarten Vanden Eynde.

©Courtesy of the artist and Meessen De Clercq, Brussels
Mendes Wood DM (STAND C.62 & C.66)
Alma Allen, Lucas Arruda, Neïl Beloufa, Paloma Bosquê, Heidi Bucher, Varda Caivano, Nina Canell, Guglielmo Castelli, Mariana Castillo Deball, Adriano Costa, Michael Dean, Sonia Gomes, Vojtech Kovarik, Amadeo Luciano Lorenzato, Matthew Lutz-Kinoy,…

Solo: Mimi Lauter.

©Mimi Lauter, Consequential Landscape, 2020, oil pastel on paper, 40.3×32.1 cm

Michel Rein (STAND B.08)

 
Nino Mier (STAND B.19 & B.13)

Andreas Breunig, André Butzer, Ginny Casey, Michael Cline, Ethan Cook, William N. Copley, Bernadette Despujols, Anna Fasshauer,  Jorge Galindo, Joanne Greenbaum, Bendix Harms, Stephanie Temma Hier,….

Solo: Marin Majic.

©Marin Majic, Call Me Anytime, 2021, Marble dust on linen
Nosbaum Reding (STAND B.72 & B.78)

Damien Deroubaix, Helmut Dorner, Tina Gillen, Barthélémy Toguo, Sophie Ullrich, Michael Simpson.

Solo: Thomas Arnolds.

©Thomas Arnolds, Run (light) 4, huile sur toile, 150×180 cm
rodolphe janssen (STAND B.28)

Cornelia Baltes, Patrizio Di Massimo, Kendell Geers, Thomas Lerooy, Sam Moyer, Christopher Myers, Gert & Uwe Tobias, Tom Poelmans, Lisa Vlaemminck.

©Tom Poelmans,Lockdownlook, 2021, Oil on panel. 44.5×31.8 cm
Photo: HV photography
Rossicontemporary (STAND D.36)

Lore Stessel.

©Lore Stessel, Laura Poletti #01, 2021, Gelatin-silver emulsion on canvas, 4,5×6 cm, 140×180 cm
Schönfeld Gallery (STAND A.87)

Albert Pepermans. 

©Albert Pepermans, Friends, 127×190 cm, 1998
Sorry We’re Closed (STAND B.18 & B.14)

Anastasia Bay, Eric Croes, Roger Herman, Spencer Lewis, Milo Matthieu, Julien Meert, Robert Nava, Stefan Rinck, Brian Rochefort, Kristof Santy, Josh Sperling.

Solo: Natsuko Uchino.

©Natsuko Uchino, Adobe, Terre, sable et éléments végétaux, 2022
Stems Gallery (STAND C.44)

Nick Doyle & Kara Joslyn. 

©Courtesy of the artist and Stems Gallery, Brussels BE.
Templon (STAND A.47 & A.49)
Artists of the gallery.

Solo: Abdelkader Benchamma.

 

©Abdelkader Benchamma, L.A. Battle-Phenomenom, 210×150 cm 
Waldburger Wouters (STAND D.34)
 Elen Braga, Julien Saudubray.

©Salondo, Elen Braga, Queen of Places, Hand-tufted tapestry
Xavier Hufkens ( STAND B.49 & B.51)
Artists of the gallery.

Solo: Paul McCarthy.

 

©Paul McCarthy, HOW MUCH WORTH, 2020, 123.2×91.4 cm. Photo: Fredrik Nilsen

P31 WORDS AS POETICAL WEAPONS! — Opening April 27, from 2pm to 9pm – Performance at 8pm

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Project 31 
e1f6bcc8-8c86-4ba4-b0ad-306f7706d233.jpg words as poetical weapons !

Including :

Gene Beery
Joana Preiss
Sam Samore
Lawrence Weiner

Opening at OV Project April, 27 from 2pm to 9pm 
May – June 2022

co-curated by Joana Preiss, Sam Samore, Olivier Vrankenne

Performance by Joana Preiss on Wednesday, April 27 at 8pm sharp

 

illusions via adjectives

a difference of interpreting the facts

every sentence invisible

a melancholy encyclopedia

unbroken chain of knowledge

melting truths with lies

uttering a sensibility and intellect

pathological liar

laughing between the silence

provocatively aloof words

swallowed by confessions

literature of romantic perversions

reality outrunning discussion

rational, logical, desperate

everyone speaking at the same time

verses from bristling mouths

lullaby of flowing syllables

maintaining the rhyme

flickering terms in the night

coiling with knowledge

submerged garments of meaning

 

Sam Samore

o          v project room
Rue Van Eyck, 57
B – 1050 Brussels

Olivier Vrankenne
Cell: +32 486 43 43 44
ovproject.com

Sophie Delruelle
Cell: +32 492 07 35 28

Opening hours :

Wedn. to Sat. from 2 — 6 pm
or by appointment

 Instagram
 Facebook
 

© Gene Beery. © Sam Samore. © Lawrence Weiner. © Joana Preiss and Leïla Smara. Courtesy the artists and Olivier Vrankenne.

Our gratefulness to Micheline Szwajcer.
 

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Welcome to the opening of ‘Lucy Raven – Another Dull Day’ • Tuesday, 26-04-2022 at 19:00

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EN     FR      NL

Discover as of next week Lucy Raven’s immersive film installations and photographic work at WIELS! 

In the solo exhibition Another Dull Day, the artist proposes a disarticulated reading of the landscape of the Western United States, turning our gaze away from the distant horizon to focus on a forcefield of geographic, material and historical tensions.

OPENING_________________26_04_2022
19:00-19:30 | Q&A with curator Helena Kritis and Lucy Raven (EN)
19:00-21:00 | All exhibitions open (free access)
21:00-23:30 | Music by A SLAY + Bar + Foodtruck

JOIN US FOR THE OPENING ON TUESDAY 26_04_2022
PLAN YOUR EXHIBITION VISIT

RESIDENCY

PROJECT ROOM

POLINA AKHMETZYANOVA & CYRIAQUE VILLEMAUX – LA GAMME D’AMOUR
 

Former WIELS residents, Polina Akhmetzyanova and Cyriaque Villemaux, open their Project Room presentation on Wednesday 4 May with a performance at 19:00. 
05-05______________22-05-2022
OPENING + PERFORMANCE:
04-05, 18:00-21:00 
OPEN: TUE > SUN, 14:00-18:00
FREE ACCESS
MORE INFO

MORE

NEWS

NEXT GENERATION PLEASE! AT BOZAR

A group of young people collaborated throughout the year with artists and experts on artistic projects at WIELS. Discover the result of their projects, ideas and dreams in an exhibition at Bozar!

01_05____03_05_2022, 11:00-17:00
LOCATION: BOZAR (Rue Ravensteinstraat 23, 1000 Bruxelles/Brussel)
MORE INFO

NEWS

MARCEL BROODTHAERS’ EXHIBITION CONTINUES 

After WIELS in 2021-2022, the ambitious exhibition Industrial Poems, Open Letters by Marcel Broodthaers travels on to MASILugano in Switzerland.

01_05_________13_11_2022
LOCATION: MASI LUGANO (Lugano, Switzerland)
MORE INFO

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newsletter Ludwig Forum Aachen

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Ludwig Forum

21.04.2022

 

Artikelbild

Rosemary Mayer, Hypsipyle, 1973, Ways of Attaching, Installation view Ludwig Forum Aachen, 2022, Städtische Galerie im Lenbachhaus und Kunstbau München © The Estate of Rosemary Mayer, New York, photo: Mareike Tocha

Dear friends,

a number of events are waiting for you! We are looking forward to Donna Dennis, US-American artist, represented in the Ludwig Collection and good friend of Rosemary Mayer, who will tell us on 28th of April about their creative period in New York.

1st of May is not only Mother’s Day and Labour Day, but also Sparda-Day at the Ludwig Forum. With free admission and an extensive programme, we will celebrate the beginning of May!

Please note: on  May,7th and 8th, a symposium-like event will take place at the Kölnischer Kunstverein and the Ludwig Forum Aachen (Sun May 8th) as part of reboot: responsiveness. The programme will follow asap!

See you at the Ludwig Forum!

Artikelbild

Donna Dennis. Photo: private

Lecture with Donna Dennis

The American artists Rosemary Mayer and Donna Dennis became best friends when chance – and their individual connections to the New York poetry world – brought them to live/work spaces a block from one another in New York’s Little Italy around 1970. It was the most formative time in their young lives as artists: Inviting each other over for dinner and a look, when a new work was finished, was like a celebration and the best kind of competition. In her lecture “Rosemary Mayer and Donna Dennis: Beginnings on the Cusp of the 1970s New York City”, Donna Dennis attempts to create a sense of what it was like to be young women artists just starting out in downtown New York in the heady, challenging early days of the 1970s. As a basis for this lecture serve excerpts from the journals, which Rosemary Mayer and Donna Dennis both used as a primary source for shaping their works, along with images of their work and their friends, especially those in their feminist consciousness-raising group. 

Thu 28.04.2022, 6.30 pm
Museum admission only 

Donna Dennis is known for her installations inspired by vernacular architecture, urban and rural: “Ship and Dock/Nights and Days or The Gazer”, at Lesley Heller Gallery, New York (2018), “Coney Night Maze”, Neuberger Museum (2013), “BLUE BRIDGE/red shift”, SculptureCenter (1993) “Deep Station”, Brooklyn Museum (1987) “Tourist Cabins on Park Avenue” (2007). Dennis has collaborated with poets Anne Waldman, Kenward Elmslie, Ted Berrigan and Daniel Wolff. Her work is in the collections of the Brooklyn Museum, the Cleveland Art Museum, the Walker Art Center, Ludwig Forum für Internationale Kunst, Aachen, Germany, the Smithsonian American Art Museum, the Martin Z. Margulies Collection. Recipient of many grants and awards, she has permanent public art commissions in New York and Boston. After decades in New York City, she currently lives and works in the Hudson Valley.

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Sparda-Day at the Ludwig Forum Aachen

In order to give as many people as possible access to contemporary art, the Sparda-Bank West Foundation regularly organises action days in museums. On Sparda-Day, admission is free for all visitors. An extensive accompanying programme offers guided tours and workshops for children, young people and adults.

Sun 01.05.2022, 10 a.m. to 5 p.m.
Free admission!

The programme:

10 to 16h One Day in May
Open workshop for families and friends
In the work of US-artist Rosemary Mayer, not everything had to last for eternity. She celebrated the moment and liked to create connections between people. Therefore, she invited others to actively participate in her art.
With big balloons, pens and paint, ribbons and lots of ingenuity, this day in May will be a colourful one.

11 / 13 / 16h Family tours
12h Guided tour Geometry and Flowers with curator Holger Otten
16h Guided tour Rosemary Mayer. Ways of Attaching with Director Eva Birkenstock

Café with snacks, coffee and cake

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graphic desin: Sean Yendrys

Asynchronicity – symposium-like-gathering

A two-day symposium-like gathering
at the Kölnischer Kunstverein and the Ludwig Forum in Aachen
hosted by Cally Spooner

Sat May 7, at the Kölnischer Kunstverein
Sun May 8, at the Ludwig Forum Aachen
8:59 am to 6pm daily

Asynchronicity is part of reboot: responsiveness.
Kölnischer Kunstverein and Ludwig Forum Aachen jointly present reboot: – a collaborative, cyclical, anti-racist and queer-feminist dialogue between performative and research-based practices.reboot:
Conceived by Eva Birkenstock, Nikola Dietrich and Viktor Neumann.

Core Collective: Alex Baczynski-Jenkins, Gürsoy Doğtaş, Klara Lidén, Ewa Majewska, Rory Pilgrim, Cally Spooner, and Mariana Valencia.Graphic design by Sean Yendrys
More information will follow soon.

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on display

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art education

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upcoming

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Imprint

Ludwig Forum für Internationale Kunst
Jülicher Straße 97–109
52070 Aachen
Tue – Sun 10am – 5pm, Thu 10am – 8pm
Tel. +49 (0) 241 1807 104/ Fax +49 (0) 241 1807 101
E-Mail: Editor:
Julia Zeh
Ludwig Forum Aachen
Public relations

www.ludwigforum.de
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Cours du deuxième trimestre et événements du printemps

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Trois cycles de cours démarrent au mois de mai 

Voir mieux pour mieux être. Une thérapie du regard 
Cours sur la catharsis de l’expérience esthétique par Olivier Duquenne

Ce cycle tentera de cerner nos principales faiblesses psychologiques et de montrer en quoi l’art contemporain peut les pallier. Les notions de sublimation, de catharsis et de résilience seront abordées en détail. Ces processus sont toujours à l’œuvre dans le champ de l’art contemporain. En témoignent les propositions de James Turrell, Lee Mingwei, Claudio Parmiggiani, Richard Serra, Kader Attia, Tadao Ando, Daniel Libeskind, et tant d’autres !

Ma. 03.05, 10.05, 17.05 & 24.05 14:00 > 16:00 
 

Entre dialogue et isolement
Cours sur l’histoire de la sculpture britannique moderne et contemporaine par Tarquin Sinan

Le Royaume-Uni jouit d’une position géographique et culturelle particulière, entre contacts et distance, que ce soit durant l’ère moderne ou contemporaine. Inspiré·e·s par leurs homologues du continent, les sculpteur·rice·s britanniques ont toutefois cultivé une identité artistique propre, à mi-chemin entre historicité inévitable et volonté politique assumée. En résulte un des corpus les plus riches et originaux jamais produits, qui oriente – à bien des égards – la trajectoire de la sculpture depuis près de septante ans. De Henry Moore à Rachel Whiteread, nombreuses sont les grandes figures à (re)découvrir.

Me. 04.05, 11.05, 18.05, 25.05 & 01.06 18:00 > 19:30
 

Le théâtre par ses limites
Cours sur les nouvelles formes théâtrales par Karolina Svobodova et Sylvia Botella
Après la performance et le théâtre d’images, ce sont aujourd’hui des formes documentaires et des créations inspirées de l’esthétique relationnelle qui secouent l’expérience théâtrale. Le cycle propose une exploration de ces dramaturgies nouvelles à partir d’exemples de créations emblématiques, qui se multiplient depuis le début de ce siècle. Rabih Mroué, Berlin, Rimini Protokoll, Zaven Paré, Kate McIntosh, et d’autres, jouent avec les frontières du théâtre, et l’ouvrent aux autres disciplines artistiques et théoriques (la sociologie, la philosophie, etc.).

Je. 05.05, 12.05, 19.05 & 02.06 14:00 > 16:00

S’inscrire ou demander plus d’informations

Ciné-philo
Des hommes dans le viseur
Le Ciné-Philo envisage le cinéma comme médium d’une réflexion philosophique. Quels regards le film propose-t-il sur les sujets qu’il aborde ? La programmation se veut à la croisée du cinéma, de la philosophie et de la géopolitique.

Deux ciné-philo sont co-organisés par l’ISELP, le Centre de recherche de Philosophie de l’ULB, et le Groupe de Recherche sur l’Expérience de Guerre de l’ULB:

Profession : historien·ne de l’art
28.04 09.30 > 17.30

Lors d’une journée d’étude s’adressant à toute personne souhaitant échanger sur le sujet, des historien·ne·s de l’art aborderont une série de questions sur les conditions d’accès, les processus de légitimation et les modalités d’exercice de leur métier.

Programme détaillé (PDF) ici.

Penser et faire le cinéma
SoundImageCulture – SIC est un espace de travail où les artistes, cinéastes, anthropologues peuvent trouver un soutien pour réaliser leurs projets personnels. Il offre un programme de coaching artistique d’un an à travers des sessions collectives. L’ISELP accueille trois évènements publics qui font partie de ces sessions collectives du mois de mai : une masterclass, un workshop et une projection.

TRANSIT : Alexander Streitberger présente une œuvre de Sammy Baloji
27.04 19.00 > 20.00

Le temps d’une soirée, une œuvre des collections du musée d’Ixelles fait la navette à l’ISELP pour nous livrer son histoire et ses spécificités. 

Plus d’infos ici.

Exposition
Visite guidée en compagnie de la curatrice – samedi 30.04 16.00 > 17.00
Découvrez le contenu des œuvres disposées, les choix qui ont présidé à leur sélection et l’univers de chaque artiste en compagnie de Catherine Henkinet, curatrice de l’exposition New Horizons in Painting.
S’inscrire gratuitement

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