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Interview

Per heden verschijnen er (vrijwel) geen tentoonstellingsbesprekingen meer op onze site. Nadia de Vries leverde deel I af van onze nieuwe serie De Ontmoeting, waarin Motley-auteurs een expositie bezoeken met iemand en het gesprek met deze metgezel de manier wordt om over het werk te spreken en vertellen.

Auteur:
Nadia de Vries

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Interview

Niet alleen met haar conceptuele benadering van wat het sieraad kan zijn maakt Dinie Besems een uitzonderlijk statement in de beeldende kunst, maar ook door de wijze waarop ze invulling geeft aan haar praktijk. Ze wacht niet af totdat ze aan de beurt is, maar dwingt haar eigen positie af. “Ik wil maar zeggen: ga niet zitten afwachten; als er niets gebeurt, organiseer het dan zelf. Dat kan dus ook in je huiskamer of in je keuken. Nodig mensen uit. Laat zien wat je maakt en doet.”

Auteur:
Alex de Vries

In de Amsterdamse Projectruimte BMB vieren Paul de Reus en Jans Muskee hun 40-jarige vriendschap met een duotentoonstelling waarin hun werk een bijzondere en humorvolle verbintenis aangaat. Chantal Breukers schreef er een tekst over.

Auteur:
Chantal Breukers

Podcast

Deze week is Jaya Pelupessy te gast bij Kunst is Lang. Het fotografische werk van Jaya Pelupessy draait om reproductieprocessen van beeld. Ze maken je fijntjes duidelijk dat iedere foto een construct is, dat onder invloed van vele randvoorwaardes en keuzes tot stand is gekomen. Jaya kruist bijvoorbeeld het proces van analoge fotografie en zeefdrukkunst, met als resultaat een uniek werk waarvoor een zeefdrukraam – normaal slechts een onzichtbaar hulpmiddel voor eindeloze reproducties – drager van allerlei afbeeldingen is geworden.

Auteur:
Luuk Heezen

Die Stadt Aachen verfügt über eine ausdifferenzierte Museumslandschaft basierend auf bürgerschaftlichem Engagement. Bei dem im Jahr 1991 in der ehemaligen Schirmfabrik Brauer eröffneten Ludwig Forum für Internationale Kunst handelt es sich um das Stammhaus einer globalen Museumsfamilie, die auf Sammlungsbestände von Peter und Irene Ludwig basiert. Es zählt zu einem der wichtigsten Museen für zeitgenössischen Kunst in der Region mit vielfältigen Sammlungsschwerpunkten und regelmäßigen Sonderausstellungen unterschiedlichster Formate.Zum nächstmöglichen Zeitpunkt ist im Geschäftsbereich Ludwig Forum für Internationale Kunst des Eigenbetriebes Kultur die Funktion der Sachbearbeitung „Museumsverwaltung und Registratur“ (m/w/d) in Vollzeit auf Dauer neu zu besetzen. Der Bereich Verwaltung und Registratur übernimmt in selbständiger und eigenverantwortlicher Arbeit spartenübergreifend eine Fülle von Funktionen aus allen Sachbereichen eines Museums für zeitgenössische Kunst mit dem Ziel, die Abwicklung und Organisation von Ausstellungen, Leihverkehr etc. fachtechnisch, wirtschaftlich und terminlich zu koordinieren. Die vielfältigen Aufgaben sind häufig termingebunden und bedürfen einer engen Abstimmung der Verantwortlichen der anderen Bereiche und Projekte (Direktion, Kurator*innen, Restaurator*innen, Ausstellungstechnik, kaufmännisch Abteilung Kulturbetrieb).

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Newsletter Ludwig Forum Aachen

Posted on 27 September 202227 September 2022

Ausgabe 27.09.2022

Konrad Klapheck, Athletisches Selbstbildnis, 1958, Öl auf Leinwand, Ludwig Forum für Internationale Kunst, Aachen, © VG Bild-Kunst, Bonn 2022, Foto: Ludwig Forum

Stellenausschreibungen im Ludwig Forum Aachen

Sachbearbeitung “Museumsverwaltung und Registratur” (m/w/d)

Ihre Aufgabenschwerpunkte

Erstellen von Budgets (z. B. Ausstellungsbudgets) innerhalb des Ludwig Forums in Zusammenarbeit mit der Direktion und nach den Vorgaben des Wirtschaftsplans für den Kulturbetrieb
Controlling zur Einhaltung der Budgetvorgaben durch Einsatz der vorgegebenen Controllinginstrumente
finanzielle Berichterstattung gegenüber der Geschäftsbereichsleitung sowie Vorbereitung der Finanzberichte für die Betriebsleitung des Kulturbetriebes und des Fachdezernats
Vorbereiten und Erstellen von Verträgen für den Geschäftsbereich (u.a. Kooperations-, Honorar -, Werk – und Ausstellungsverträge)
Abwicklung des Ausstellungs- und Sammlungsleihverkehrs inklusive der Vorbereitung und Mitwirkung bei der Verhandlung von Kooperationsverträgen mit Ausstellungstourneemitwirkenden
Koordination und Vorbereitung von Auftragsvergaben sowie Fertigung der entsprechenden Vorlagen für die zuständigen Gremien (u.a. Betriebsausschuss, Finanzausschuss, Rat)
Mitarbeit bei der Fördermittelakquise
Vorbereitung von Personalvorlagen bspw. für Arbeitsverträge, Praktikumsverträge, etc.
Neu- und Fortentwicklung des Museumsshops
Abrechnung der Versicherungs- und Transportkosten mit Ausstellungstourneemitwirkenden und mit den beteiligten Versicherungen und Speditionen
Ausschreibung von Kunsttransporten
Abwicklung von Versicherungsleistungen
Koordination von Arbeiten rund um den ausstellungsbezogenen Leihverkehr
Erstellung von Leihverträgen für Sonderausstellungen und Projekte
Mitteilung von Schäden aus Sonderausstellungen an den entsprechenden Versicherten sowie die daraus resultierende Kommunikation mit Leihgeber*innen

Das bringen Sie mit

Laufbahnbefähigung für die Laufbahngruppe 2 erstes Einstiegsamt für den allgemeinen Verwaltungsdienst oder die erfolgreiche Absolvierung des Verwaltungslehrgangs II oder einen vergleichbaren Studienabschluss (z.B. Diplom-Finanzwirt*in (m/w/d) bei der Finanzverwaltung, Diplom-Rechtspfleger*in (m/w/d) im Justizdienst, Bachelor oder Diplom im Bereich Verwaltungsmanagement)
oder ein abgeschlossenes Hochschulstudium (Bachelor oder Diplom) aus den Bereichen Verwaltungswissenschaften, Rechtswissenschaften (z.B. 1. oder 1. u. 2. Staatsexamen), Betriebswirtschaftslehre, Kulturmanagement, Museologie, Kunstvermittlung oder einer vergleichbaren Fachrichtung
Berufserfahrung von mindestens 18 Monaten, die vorteilhaft für die Erfüllung der o.g. Aufgaben ist
hohe Affinität zu Kunst und Kultur insbesondere der bildenden Kunst
fundierte Kenntnisse im Vertrags– und Versicherungsmanagement
Erfahrungen in der Arbeit mit Kunstsammlungen und den Abläufen in einem Museum für bildende Kunst, insbesondere im Leihverkehr
Teamfähigkeit, Kundenorientierung, Leistungsbereitschaft und ausgeprägtes Organisationsgeschick sowie Belastbarkeit
ausgeprägte Kooperationsbereitschaft sowie Flexibilität und Kreativität
Eigenständigkeit und Verantwortungsbewusstsein
sehr gute Kommunikationsfähigkeit, gute Ausdrucksfähigkeit und Ergebnisorientierung
sehr gutes Verhandlungsgeschick und Durchsetzungsvermögen
Kenntnis der verwaltungsüblichen EDV-Software (Word, Excel, etc.) sowie sicherer Umgang mit SAP und Datenbanksystemen (z.B. MuseumPlus)
interkulturelle Kompetenz
Bereitschaft zu Schicht- und Wochenenddienst

Wünschenswert

gute Kenntnisse von Verwaltungsstrukturen, idealerweise im öffentlichen Dienst
verhandlungssichere Englischkenntnisse
Beherrschung einer weiteren Fremdsprache z.B. Französisch
gute Kenntnisse der Aachener Museumslandschaft sowie deren inhaltliche Angebote

Das bieten wir

Arbeiten bei der zweitgrößten Arbeitgeberin der Region mit rund 6.000 Beschäftigten
Verantwortung und Raum zur Mitgestaltung
respektvolle und faire Arbeitsbedingungen
Fort- und Weiterbildungen zu beruflichen und persönlichen Entwicklung
Vereinbarkeit von Beruf und Familie
flexible Arbeitszeitmodelle (wie bspw. Mobile Arbeit)
Jobticket für den ÖPNV
Zusatzversorgung zur betrieblichen Altersvorsorge
ein umfassendes Arbeitsschutz- und Gesundheitsmanagement
einen sicheren Arbeitsplatz mit unbefristetem Arbeitsvertrag
einen Urlaubsanspruch von 30 Tagen bei einer 5-Tage-Woche

Die Besetzung der Stelle mit Teilzeitkräften ist möglich unter der Maßgabe, dass eine ganztägige Besetzung sichergestellt ist. Die jeweiligen Arbeitszeiten für Teilzeitkräfte sind daher in Absprache mit der Leitung festzulegen. Der Auswahlprozess zur Besetzung der Funktion setzt sich zusammen aus einer Vorauswahl und einem sich anschließenden Auswahlverfahren.Wir freuen uns auf Ihre Bewerbung mit Ihren vollständigen und aussagekräftigen Bewerbungsunterlagen inklusive eines Anschreibens mit Bewerbungsmotivation, eines Lebenslaufes, Zeugnissen und Prüfungs-/Beschäftigungsnachweisen.

Bewerben Sie sich über das Online-Portal der Stadt Aachen!

Forschungsvolontariat mit Sammlungsschwerpunkt Osteuropa

Das Ludwig Forum für Internationale Kunst ist ein Museum für internationale, zeitgenössische Kunst. Es basiert auf der Sammlung von Peter und Irene Ludwig, die Schlüsselwerke der globalen Kunst seit 1960 bis heute umfasst. Die Sammlung des Ludwig Forum bildet den Ausgangspunkt für ein möglichst vielstimmiges, diverses und transdisziplinäres Ausstellungs-, Veranstaltungs- und Vermittlungsprogramm.

Die Stelle des wissenschaftlichen Forschungsvolontariats ist darauf ausgerichtet, jungen Kunstwissenschaftler*innen nach Abschluss eines Fachstudiums den Berufseinstieg durch das Sammeln praktischer Erfahrungen an einer Institution von internationalem Rang zu ermöglichen. In diesem Rahmen sollen die Bewerber*innen zur eigenständigen Bearbeitung sammlungs- und ausstellungsbezogener Aufgaben angeleitet werden. Besondere Bedeutung kommt im Forschungsvolontariat „Sammlungsschwerpunkt: Osteuropa“ der Aufarbeitung der osteuropäischen Sammlungskonvolute des Hauses zu. Zum Abschluss des Projektes sollen die Forschungsergebnisse in eine Sammlungsausstellung.

Gefördert wird das Volontariat durch das Ministerium für Kultur und Wissenschaft des Landes NRW im Rahmen des Programms „Forschungsvolontariat Kunstmuseen NRW“.

Aufgaben

Erforschung der osteuropäischen Sammlungskonvolute der Sammlung des Ludwig Forum Aachen
Recherche in den Archiven der Peter und Irene Ludwig Stiftung in Aachen
Digitalisierung und gegebenenfalls Übersetzung diverser Unterlagen und Dokumente
Kollaboration mit regionalen Kooperationspartnern wie Hochschulen, Universitäten, unabhängigen Kurator*innen und Forscher*innen
Wissenschaftliche Auseinandersetzung mit den osteuropäischen Beständen der Sammlung des Ludwig Forum Aachen unter Anleitung des Kuratoriums und der Inventarisierungsabteilung
Eigenständiges Erarbeiten einer umfassenden osteuropäischen Sammlungspräsentation bis Ende 2024 gemeinsam in Dialog mit der Direktion und den Kurator*innen des Hauses

Das bringen Sie mit

Abgeschlossenes wissenschaftliches Hochschulstudium in den Bereichen Kunstgeschichte, Kunstwissenschaft, Kulturwissenschaft, Museologie/Museumswissenschaften oder einem gleichwertigen Hochschulabschluss
Erfahrungen in der Museums- und/oder Ausstellungsarbeit
Umfassende Kenntnisse der Gegenwartskunst Osteuropas und ein für unsere Sammlung relevantes Forschungsgebiet mit konkretem Projektvorschlag
Sehr gute Deutsch- und Englischkenntnisse zwingend erforderlich sowie weitere Sprachkenntnisse aus der Region Osteuropas (russisch, polnisch, ukrainisch, bulgarisch, o.ä.) von Vorteil
Fundierte historische Kenntnisse der Geschichte Osteuropas
Hohe Belastbarkeit
Kenntnisse in Office-Anwendungen sowie der Bildbearbeitung
Strukturierte und selbstständige Arbeitsweise
Hohes Maß an Eigeninitiative, Zuverlässigkeit und Planungs- und Organisationskompetenz
Interkulturelle Kompetenz
Wünschenswert sind Kenntnisse in Datenbanksystemen wie MuseumPlus

Wir bieten Ihnen

100%-Stelle für einen Zeitraum von 2 Jahren (01.01.2023 – 31.12.2024). Diese ist nach TV-L EG 13 Stufe 1 mit 50 Prozent bewertet. Die wöchentliche Arbeitszeit beträgt 39 Stunden.
Arbeiten bei der zweitgrößten Arbeitgeberin der Region
Verantwortung und Raum zur Mitgestaltung
Fort – und Weiterbildungen zur beruflichen und persönlichen Entwicklung
Gleitzeit und flexible Arbeitszeitmodelle
Jobticket für den ÖPNV

Kontakt und Informationen
Fragen zum Aufgabengebiet beantworten Ihnen gerne unsere stellvertretende Direktorin Fanny Hauser, unter

Konrad Klapheck, Athletisches Selbstbildnis, 1958, oils on canvas, Ludwig Forum für Internationale Kunst, Aachen, © VG Bild-Kunst, Bonn 2022, photo: Ludwig Forum

Job Opening at Ludwig Forum Aachen

Research Trainee with focus on Eastern Europe

The Ludwig Forum for International Art is a museum specializing in international, contemporary art. Based on the collection of Peter and Irene Ludwig, it covers key works of global art from 1960 through to the present day. The collection of the Ludwig Forum forms the starting point for a polyphonic, diverse, and transdisciplinary exhibition, event, and education program. The position of a curatorial research traineeship enables young art scholars to embark on a professional career after the completion of their studies, providing an opportunity to collect practical experience at an institution of international renown. Applicants will be instructed on how to evaluate and complete a broad range of tasks relevant to collections and exhibitions. Over the course of the “Collection Focal Point: Eastern Europe” research traineeship, special attention will be given to reviewing and appraising the museum’s holdings from Eastern Europe. At the conclusion of the project, the research findings are to be included in a collection presentation. The traineeship is funded by the Ministry of Culture and Science of the state of North Rhine-Westphalia as part of the “Research Traineeships in NRW’s Art Museums”.

Tasks and responsibilities

Research the Eastern European holdings in the collection of Ludwig Forum Aachen
Research the archives of the Peter and Irene Ludwig Foundation in Aachen
Digitization and, where necessary, translation of diverse papers and documents
Collaboration with regional cooperation partners such as tertiary institutions, universities, and independent curators and researchers
Scholarly analysis of the Eastern European holdings of the collection of Ludwig Forum Aachen under the guidance of the curators
Independent development of an extensive presentation of the Eastern European art in the collection by the end of 2024, working closely together with the museum’s director and curatorial team

Requirements

Completed academic degree with specialization in one or more of the areas of art history, art studies, cultural studies, museology, or an equivalent tertiary degree
Experience in museum and / or exhibition work
Broad knowledge of contemporary art in Eastern Europe and specialization in a research area relevant to our collection, including a concrete project proposal
Proficiency in German and English is necessary, while language skills relevant to Eastern Europe are of advantage (Russian, Polish, Ukrainian, Bulgarian, etc.)
Sound knowledge of the history of Eastern Europe
Ability to work under pressure
Skills in Office applications and digital image processing
Capacity to work in a structured and independent manner
High degree of initiative, reliability, and competence in planning and organizing
Intercultural competence
Knowhow in working with database systems like MuseumPlus is desirable

We offer you

100% position for a term of 2 years (Jan 1, 2023 – Dec 31, 2024), based on TV-L EG 13 level 1 with 50%. The working week is 39 hours.
The opportunity to work for the region’s second biggest employer
Responsibility and opportunity to be actively and creatively involved in a worthwhile project
Further training programs to enhance professional and personal development
Flexible working hours and models
Job ticket for the public transport system

Contact and information
Should you have any questions concerning the position and its requirements, please contact our deputy director Fanny Hauser, at

Ausstellungen

Kunstvermittlung

Was kommt?

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Impressum

Ludwig Forum für Internationale Kunst
Jülicher Straße 97–109
52070 Aachen
Di bis So 10–17 Uhr, Do 10–20 Uhr
Tel. +49 (0) 241 1807 104/ Fax +49 (0) 241 1807 101
E-Mail: Redaktion:
Ludwig Forum Aachen
www.ludwigforum.de

Newsletter abbestellen

Anne Fellner I Forever Home I Opening Friday 30. September 5-8 pm I Zürich

Posted on 27 September 202227 September 2022

Damien & The Love Guru

Please join us for Anne Fellner’s solo exhibition ‘Forever Home’ at the gallery space in Zürich.
Looking forward to see you on Friday !

Anne Fellner is a Swiss/U.S. artist based in Berlin and Zurich. Her genre-bending paintings navigate a broad field of styles and materials: from figuration to abstraction, from hard-boiled to hypnotic, from cinematic to plain air. Drawing on a variety of techniques, the artist projects her signs and figures onto colourful, synthetic fabrics, allowing the textile’s physical properties to set the tone.

⏧

CURRENTLY

Jasmin Werner
there in spirit
8. September – 22. October 2022
Damien & The Love Guru
Brussels

Stufen fur Kunst
March 2022 – March 2023
Kunstverein Hannover

Julian Irlinger
Hanna-Maria Hammari, James Krone, Tetsumi Kudo, José Montealegre, Berenice Olmedo, Darling Lopez-Salinas, Anna Solal, Zoe Williams
Wet Resistance
13. August – 30. October 2022
Dortmund Kunstverein

Emanuele Marcuccio
Dream pop
8. September – 15. October 2022
Lodos Gallery
Mexico City

Sharon Van Overmeiren
Jef Geys, Fik van Gestel, Luc Deleu, Ria Pacquée, Guillaume Bijl, Liliane Vertessen, Anne-Mie Van Kerckhoven, Fred Bervoets, Anita Evenepoel, Luk Van Soom, Hans Op de Beeck, Vaast Colson, Tom Liekens, Dries Segers, Bart Van Dijck, Michèle Matyn, Nicolas Provost, Nick Andrews, Peter de Cupere, Nel Aerts, Filip Vervaet, Carole Vanderlinden, Peter Morrens, Nadia Naveau, Philippe Aguirre y Otegui and others
Old Wine / New Bags
16. September 2022 – 29. January 2023
De Warande
Turnhout

Anežka Abrtova, Josefina Leon Ausejo, Bolla Szilvia, Nada Elkalaawy, Domenik Málek, Din Bar Varshavyak
Jacuzzi Of Despair
24. September – 19. November 2022
Prague

Anne Fellner & Mathis Pfäffli
Valentin Cafuk, Valentin Hauri, Cosima zu Knyphausen
Doors
organized by Samuel Haitz
10. September – 20. October 2022
PROVENCE Pavillon
Zürich

UPCOMING

Emanuele Marcuccio
Frieze London
solo presentation
12. – 16. October 2022
The Regents Park – London

Self employed
publication
graphic design by Teo Schifferli
published by Damien & The Love Guru

Mathis Pfäffli
Look A Long
Opening 14. October 2022
Project Links
Bern

Jasmin Werner
Schloss der Republik Burj Khalifa
D3
Dubai

Contribution to Architecture Symposium of Goethe Institut Gulf Region
Jameel Art Center
Dubai

Jannis Marwitz
Paris Internationale
solo presentation with Lucas Hirsch
19. – 23. October 2022
Paris

group exhibition
Opening mid October
Crèvecoeur
Paris

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Rue de Tamines 19
1060 Brussels

Wednesday – Saturday
12 – 6 pm
and by appointment

Zollikerstrasse 249
8008 Zürich
by appointment

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Lara Khaldi nieuwe directeur de Appel

Posted on 26 September 202226 September 2022

Lara Khaldi nieuwe artistiek directeur de Appel

De Raad van Toezicht van de Appel kondigt met trots aan dat Lara Khaldi per januari 2023 de nieuwe artistieke directeur van de Appel is. Khaldi (geboren in Jeruzalem en woonachtig in Amsterdam) werkt ruim 15 jaar als curator, kunstenaar, schrijver en educator. Khaldi heeft een interdisciplinaire achtergrond; haar educatieve achtergrond ligt in curatorial studies (ze is een alumni van het de Appel Curatorial Programme 2013/14), Philosophy, Art & Critical Thought (European Graduate School), evenals in kunstgeschiedenis.

Ze heeft tentoonstellingen en projecten samengesteld zoals School of Intrusions, Educational Platform met Noor Abed, (2020-lopend); Overtone: On the Politics of Listening, Goethe-instituut, Ramallah (2019); Unweaving Narratives, Palestijns Museum, Birzeit (2018); Shifting Ground, Sharjah Biënnale 13 (2017); Maria Thereza Alves: Possible Reversal, KSCC, Ramallah (2017); Untranslatability met Eszter Szakács, Off Biennial, Boedapest (2017); Jerusalem Shows V & VI (2011 en 2012), Al Ma’mal Art Foundation, Jeruzalem.

Khaldi heeft lesgegeven aan verschillende kunstprogramma’s; tussen 2017 en 2019 werkte ze als gastdocent en afdelingshoofd van het Media Studies-programma aan het Al Quds-Bard College, Jeruzalem. Khaldi was ook docent bij het Disarming Design MA-programma, aan het Sandberg Instituut, 2020-2022. Ze was adjunct-directeur van programma’s bij Sharjah Art Foundation, VAE, (2009-2011) en bekleedde daar verschillende functies sinds 2006.

Sinds eind 2019 is ze curatorieel lid van het artistieke team van documenta vijftien en werkt ze met de praktijk van lumbung die “een alternatieve economie van collectiviteit, gedeelde hulpbronnen en een rechtvaardige verdeling mogelijk maakt.”

Lara Khaldi: “Ik ben vereerd dat het bestuur hun vertrouwen in mij heeft gesteld om de komende drie jaar collectief werk bij de Appel te organiseren en te faciliteren. Ik zie dit streven als een voortzetting van zowel mijn praktijk als die van de Appel, en vertrouw erop dat ik niet alleen zal staan. Ik sta te popelen om me aan te sluiten bij het bestaande team en netwerk van de Appel en om de gemeenschappen binnen te halen waar ik de afgelopen jaren van heb geleerd en waarvan ik deel heb uitgemaakt.”

Orlando Maaike Gouwenberg, voorzitter van de Raad van Toezicht: “Met de vastberaden keuze voor Lara Khaldi zetten we een uitgesproken stap richting de toekomst. De ervaring en idealen van Lara lijken ons de juiste om de Appel te vernieuwen en op een baanbrekende manier in de wereld van morgen te plaatsen. Haar interesse in maatschappelijke vraagstukken gecombineerd met artistieke relevantie geeft ons het vertrouwen dat de vooruitstrevende idealen die de Appel vanaf haar begindagen heeft uitgedragen zullen worden voortgezet op een wijze die past bij de vraagstukken van vandaag, met antwoorden voor de toekomst. We zijn verheugd om Lara te ondersteunen in haar streven om de Appel deel uit te laten maken van processen van institutionele verandering.”

In haar visie voor de Appel stelt Lara voor om structurele institutionele uitdagingen om te zetten in collectieve culturele vragen: “Hoe kunnen kunstinstellingen de bestaande machtssystemen niet in stand houden maar juist bevragen? Hoe zou de kunstinstelling kunnen functioneren als infrastructuur die ten dienste staat van kunstenaars die de samenleving willen veranderen? Hoe zou je een kunstinstelling als collectief kunstwerk kunnen benaderen?” De Raad van Toezicht en het team van de Appel kijken ernaar uit om met Khaldi samen te werken aan deze cruciale vragen over hoe instellingen te heroverwegen, macht te delen en bij te dragen aan maatschappelijke verschuivingen.

De Raad van Toezicht heeft de aanbevelingen overgenomen van de benoemingsadviescommissie bestaande uit Orlando Maaike Gouwenberg, Vincent van Velsen, Defne Ayas, Astrid Elburg, Liza Nijhuis en Maaike Lauwaert en heeft unaniem besloten tot benoeming van Khaldi tot artistiek directeur van de Appel.

Voor interviewverzoeken kunt u met Djuna Spreksel.

de Appel
Schipluidenlaan 12
1062 HE Amsterdam

+31 (0)206255651
www.deappel.nl

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De Appel supports the arts sector through De Zaak Nu and MOKER

Double vernissage : Jours de lenteur / Sound Without Music

Posted on 26 September 202226 September 2022

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invitation

Le Casino Luxembourg a le plaisir de vous accueillir ce vendredi au vernissage de ses deux expositions de rentrée. Le public y découvrira des propositions à la fois contrastées et communicantes, où la toile se dilate, où le son prend corps.

Vendredi 30.09.2022, 18 h 00 – 23 h 00

Jours de lenteur
Adrien Vescovi
Curatrice : Stilbé Schroeder

Pensées et composées comme des tableaux, les toiles d’Adrien Vescovi s’exposent dans des espaces où elles agissent avec leur environnement. En pleine nature où elles s’imprègnent des éléments et des intempéries ; en intérieur où ces toiles et leur disposition répondent à l’architecture des lieux.

Pour son passage au Casino, l’artiste s’est lancé le défi d’en recouvrir toute la façade nord, soit une superficie de 14 sur 38 mètres, offrant ainsi ses compositions au souffle et aux éléments.

Exposition du 01.10 au 29.01.2023
Voir la bande-annonce

Sound Without Music
Le potentiel du son dans l’art contemporain
Avec les œuvres de : Lorenz Lindner (Molto), Andrea Mancini,
Passepartout Duo, Anna Raimondo
+ Programme cadre : Thomas Ankersmit, Hans Beckers, His Fable, LAGERKULTUR, Puck Schot (Acidic Male), Sensu,
United Instruments of Lucilin
Curatrice : Anastasia Chaguidouline

Sound Without Music met en lumière des pratiques, des collectifs et des synergies émergents et établis pour montrer comment l’écoute et la production de sons restent des rituels essentiels dans la société contemporaine.

Brisant la convention d’une exposition de choses, le format hybride entre une exposition permanente d’œuvres au Casino et un programme éphémère dans plusieurs lieux, constitué de DJ sets, de performances, de concerts et de films, mettra en évidence la liberté d’expérimentation et le croisement des disciplines.

Exposition du 01.10 au 27.11.2022
Écouter la playlist

PROGRAMME

18 h 00 : Ouverture des expositions Jours de lenteur et Sound Without Music
19 h 00 – 20 h 00 : Molto (performance)

Tout au long de la soirée :
Cassette set : E-Lodie (radio 100,7)
Atelier pour enfants

Food truck : HYDE Neapolitan Street Pizza
Boissons : Bonne Nouvelle Bar

Entrée gratuite

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BOOKS IN ATHENS / EXHIBITION IN MARSEILLE

Posted on 25 September 202225 September 2022

Wouter

We are back in Athens.

We are participating in the Athens Art Book Fair 2022 until Sunday September 25th and will take advantage of a few days to visit our friends, booksellers and artists in their studios.
This trip is part of a travel program that started with a stay in Bergen for the Bergen Assembly Triennial and then in Brussels for the Wiels Art Book Fair with some exhibitions and appointments. This was interspersed with a trip to Paris for the reading of Liliane Giraudon organized by Actoral in the Extra festival at the Georges Pompidou center. We are planning New York in 10 days to visit NY Art Book Fair and more …

We will be back in Marseille Mid-October to present “SKULLFLOWER, LIVE IN ANTWERPEN, 27.01.2007” PART II, Hendrik Hegray’s exhibition at Salon du Salon Marseille in partnership with the Festival Photo Marseille (and still in collaboration with the artist and the gallery Valeria Cetraro).

During this time we welcome you in Marseille for the last days of Hendrik Hegray’s “SKULLFLOWER, LIVE IN ANTWERPEN, 27.01.2007” PART I, exhibition at Salon du Salon Marseille until October 9th 2022.

Thank you for following us and see you soon.

Philippe Munda

CURRENT: ATHENS ART BOOK FAIR SEPT. 23-25

Athens Art Book Fair — September 23, 24 & 25 — Athens Conservatory
Athens Art Book Fair is an artist-run initiative aiming to bring together and showcase artist publications produced in Greece as well as to create a link with publishing-based artistic practices (print, online and else) internationally.

Athens Art Book Fair was founded in 2019 by Margarita Athanasiou and Michalis Pichler.
Poster Design by Studio Lialios Vazoura

LAST DAYS

SALON DU SALON MARSEILLE

HENDRIK HEGRAY
SKULLFLOWER, LIVE IN ANTWERPEN, 27.01.2007
PART I
Until October 9, 2022
21 avenue du Prado 13006 Marseille
In collaboration with the Valeria Cetraro gallery

Infos, visits: Exhibition text by Julien Bécourt, Aug 2022

Observer of the infra-ordinary and the anomalies extracted from his most immediate daily life, HH takes a side-long look at the things that surround him and testify to his existential condition.
Resulting images have an uncertain status, a landscape of ruins of the present time, the presence/absence of a world from which humans have been exiled. Truncated photographs, compulsive doodles or consumer objects from another time are erected to the status of the most disconcerting abstraction: snapshots of a concert of the noise-psychedelic group Skullflower (which gives its title to the exhibition at Salon du Salon), reorganized segments of an old Japanese bondage magazine, dusty display cases filmed in the Cairo Museum of Agriculture, the gloomy architecture of a suburban area, grotesque drawings or scans of wrapping paper… An art of disconnectedness and non-adaptation to the world, as if it was necessary to pass by the most radical otherness to reach the domain of the vision. A vision which does not pass any more only by the scopic impulse but by experience of a decadence, conjugating random accidents with the most rigorous formal decisions – even if, to the onlooker, their arbitrary role would escape them.

This sublimation of formlessness, coupled with an excess of absurdity bordering on sociopathy, HH accomplishes it almost with his eyes closed, groping in a nameless mess. A mess of obsessive, of the compulsive archiving, of the passion for the obscure, of the search for the missing image, of a poetry of the scrap. The needle in the haystack, the piece of untraceable puzzle without which the global view is as uncertain as undecidable – comes this effect of destabilization so sought after. It is by this tangent, this deliberate counter-sense, this active misdirection and inversion of the hierarchies that occur associations of ideas the most absurd: the entry in collision of cryptic references which the initiated seize with jubilation, but which befuddle all the more those who are unaware of the radically underground content of his former works. Photocopies of photocopies of photocopies which no longer filter anymore than streaks of color, geometric lines and snatches of S/M figuration.The repressed, the irretrievable and the negativity are not only the agents of their neuroses – his, and those of a society irremediably sick – but reach a form of impure beauty, not impure, not homologated in the field of the art. From stratum to another occurs then an experience almost initiatory, whose ins would be deprived of outs. The mystery reigns, accompanied most often with a laughter which frees it of violence and social humiliation.

Because HH has always practiced a mocking humor, provoking incongruence to the point of arousing a form of fear or discomfort – nowadays we would say noawkwardness. There is in him the lucidity of an outsider conscious of seeing further, lost in a society to which he is at the same time stranger and receptive. He opposes a radical self-alienation, in attitude and in pictorial gesture. Radicality which consists in particular in restoring the most vulgar dross of the pop culture of the years 1980-1990 and the obsolete technologies in which his youth bathed to commute them in enigmatic totems or in waves of low-fi noise. Make capitalism' garbage can to extract the ready-made, what of more salvific?

As the years go by, Hendrik’s practice becomes more and more assertive and refined, more and more acute, more and more calculated in its casualness. Delicately disturbing, so to speak. His natural inclination for the grotesque would even tend to fade to a form of refinement. For nothing is left to chance in these falsely random arrangements that simulate chaos to better trigger perplexity. Between his self-publications, his latent sculptures, his sticky videos shot with a camcorder and his walls of photocopied collages, HH offers a formidable précis of aesthetic deviance from which emerges a new form, reconciling degenerate art and sophisticated avant-gardism.

HENDRIK HEGRAY “SKULLFLOWER, LIVE IN ANTWERPEN, 27.01.2007” PART I,
exhibition at Salon du Salon Marseille until October 9th 2022.

Hendrik Hegray, «Exodus», 2021 – Photocopie et collage, 42 cm x 29,7 cm (encadré). Unique

Hendrik Hegray, «Skullfl ower, Live in Antwerpen, 27.01.2007» (Extrait), 2007/2022 – 10 Photocopies A4 + fichier numérique.

Hendrik Hegray, «Spiral Tribe #14», 2021 – Encre de chine sur papier – 29,7 cm x 21 cm (encadré). Unique

CONVENTION #7 – HENDRIK HEGRAY – ED. SALON DU SALON – SEPTEMBRE 2022

CONVENTION #7 – HENDRIK HEGRAY – Guest: Ada Nnoir – 28 pages. Editions Salon du Salon, Sept.2022. In the context of «Skullflower, live in Antwerpen, 27.01.2007», Hendrik Hegray’s exhibition, 25.08 – 09.10.2022 at Salon du Salon, Marseille, France

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Autumn 2022 at fluent

Posted on 23 September 202223 September 2022

Autumn Season 2022
at fluent

Calle Luis Hoyos Sainz 2, (int)
39001, Santander,
Spain.

www.fluentfluent.org

Against the backdrop of an economic downward spiral, warlike climate and environmental violence whose uncertain futures keep proving to be another sign of our times, the end of the summer comes to fluent. For the autumn season, we present a new series of projects that we are excited to announce below. These projects also expand through a new selection of publications just arrived to our bookshop:

Georgina Hill. In a Cowslip’s bell I lie.
Exhibition extended until September 30th, 2022.

In a Cowslip’s bell I lie looks at the invisible impact of logistics and how it reveals the structural dimension of life and the systems it circulates through.
In Shakespeare’s the tempest, the character of Ariel is presented as the airiest, a spirit whose voice fluctuates in rhythm and movement. An invisible entity, whose subtle presence shifts the narrative. Aiming at a similar lightness, the two series of sculptures featured in this exhibition confront the commodified to the precarious, being its possible frictions a place for meanings to emerge. This interaction, allows Hill to explore the textural manifestations of large scale power structures and ideologies, how the body encounters material environments and what these indicate about societal constructs.

Adjoa Armah.
<◯><◯>(or less than living more than less than living more than)
Exhibition opening: October 14th
October 14th –– December 31st

<◯><◯>(or less than living more than less than living more than) is a commissioned solo exhibition by Adjoa Armah. The artist uses the exhibition space to explore an interest in how we may develop a black historiography in relation with the temporal consciousness of sand. The proposed display invites the audience to engage with questions that have arisen out of long–term research into how materials witness life, how they can support the (re)telling of historical events, and how the reality of a place is equally defined by what happens there and what is imposed upon it from elsewhere.

The work centres around a recycled glass hourglass produced in collaboration with artist Sel Kofiga and glassblower Michael Tetteh using sand from Cape Three Points, Ghana. Known as the place on land closest to “nowhere”, which is a location at sea known as Null Island (0°N 0°E), Cape Three Points has 4 European built forts within a 20 km radius and is a site from which we can reflect on the history of European presence on the African continent. The central object of the hourglass is put into correspondence with various objects, images, and responses from thinkers invited by Armah as part of a living form of research.

Aguas Vivas
New commission in the context of Concomitentes.
Work in progress.

Aguas Vivas is the title of a forthcoming commission in the framework of Concomitentes, an initiative by Fundación Daniel y Nina Carasso inviting civil society groups to become the citizen–commissioners of an artwork, while ensuing its inherent process of negotiation. Departing from a series of assemblies held at the community of Llanos –a small village in the rural context of Valles Pasiegos– since April 2022, the project engages with the river as a tactic to investigate the ecological, social and political dimensions of hydric resources, infrastructures, knowledge and rituals.

Mediated by fluent’s director Alejandro Alonso Díaz and Sören Meschede, the project is now entering a further research stage where a group of artists is invited to develop research and work with the local vicinity, imagining new forms of interaction between the river and the community.

Image: Walking the Western Region coast, Ghana, 2021.
Photography: Adjoa Armah. Courtesy of the artist.
*For further information and image requests, please contact hello[at]fluentfluent.org
The exhibition program is kindly supported by Santander City Hall and INJUVE.
Aguas Vivas is kindly supported by Fundación Daniel y Nina Carasso.

fluent

Calle Luis Hoyos Sainz 2, (int).
39001, Santander, SP.

fluentfluent.org

Salon #83 24/25 Sep 2022 at 15:00 by Dorothy Wong Ka Chung & Benjamin Ryser

Posted on 22 September 202222 September 2022

ABA

AIR Berlin Alexanderplatz

Salon #83
Why are you here ?
你點解會黎到呢度 ?
Warum bist du hier ?

A photo and audio guided city walk.
Hong Kong – Berlin.

Saturday, 24 September 2022
15:00 – 17:00
Meeting point: World Clock, Alexanderplatz

Sunday, 25 September 2022
15:00 – 17:00
Meeting point: World Clock, Alexanderplatz

The event takes place twice,
feel free to join on Saturday or Sunday.

By Dorothy Wong Ka Chung, Benjamin Ryser
www.oisland.co
www.dorothywongkachung.com

We invite you on a walk through Berlin:

Walking on a thin line that connects Berlin and Hong Kong,
searching for our own stories in the stories of others.

We will meet at 15:00 under the World Clock at Alexanderplatz and take a U-Bahn from Alexanderplatz to Brandenburger Tor. The walk will end at approximately 17:00 in Tiergarten. It includes strolling, listening, sitting down, reading; voices and photos will guide you into the stories of different people in this city. Please bring your own phone (with data connection) and headphones. We will provide you with an artist’s print with audio walks. The audio walks will be available to stream via your browser. You can also purchase the artist’s print after the walk if you would like to. After the walk you are invited to join us for a picnic.

Please make a reservation by email to
Spontaneous guests are welcome too!

About the project:

Dorothy Wong Ka Chung and Benjamin Ryser (o!sland) are an artist duo from Hong Kong and Switzerland who stayed at the residency of ABA in the first half of 2022. They are working on an ongoing project about the imaginations of home of Hongkongers who left their city during the different migration waves of the past decades.

This photo and audio guided walk features stories from the way home in Berlin and Hong Kong. It’s a part of an ongoing search for street corners, moments in time and personal memories where these two cities touch and their histories speak to each other. What is belonging when we lose the sense of home? These stories are not only crossing geographically, but also travel between times and generations. How do the experiences of the German separation resonate with Hong Kong’s future?

Underground stations connecting continents, world clock, the pigeons, a blue school uniform, a colonial playground, arriving at Brandenburger Tor, Victoria/Viktoria/維多利亞 statues, standing under the rain, what time is it over there?

Artist in Residency:
Neige Sanchez

Residency Sep– Feb 2023

Coming from the practice of photography, with an apprenticeship in silver print and a diploma at the School of Photography in Vevey (CH), Neige Sanchez (1992*, French-Swiss) has then developed their work through performance, video, installation, text, edition and curation. They·she recently obtained a Master’s degree in Visual Arts at HEAD – Genève (CH), with an exchange semester at the Academy of Fine Arts in Vienna (AT). Today, their practice is transdisciplinary and research-based oriented with a theoretical and poetic component.
Their research mainly explores critical theories about the structural violence inherent in the history of the medium of photography, more specifically the history of representations of so-called « minorities » with a focus on queer communities, questioning whether image production can be an emancipatory tool. In parallel, with the uprising of interest in queer issues by cultural institutions, they·she investigates ways in which artists attempt to challenge the recuperation and instrumentalisation of their practices through refusal, abstraction, diversion, joy, collectivity and collaboration.

Image: Neige Sanchez

Artist in Residency:
Matheline Marmy

Residency Sep– Feb 2023

Matheline Marmy’s practice is experimental and material-based, taking the form of a speculative investigation into environmental forms and processes. She’s interested in phenomena such as invasion, growth, accumulation of matter. Her works are the empirical results of this method. They are assembled and grown out of reactive and trace-bearing materials such as metals, water, salts, acids, textiles and bacteria, coupled with less-penetrable components that retain and contain, like glass and plastic.

Matheline Marmy (*1993), born in Geneva, studied Photography and Fine Arts at ECAL (Lausanne) and HFBK (Hamburg). She received her BA from ECAL (2016) and MFA from the Piet Zwart Institute in Rotterdam (2019). She works with sculpture and installation, using manipulable and reactive materials such as metals, water, salts, acids, textiles, bacteria- coupled with less-penetrable components that retain and contain.

Image: Matheline Marmy, « Longue Durée » (detail) 2019

Artist in Residency:
Machiel van Stokkum

Residency Sep–Dec 2022

The concept of ‘place’ always plays a central role in the work of Machiel van Stokkum (1991). He has a special interest in places that are somewhat generic, don’t seem to belong to a certain geographical location but can be found the world over, such as modernist housing schemes, industrial zones, sea harbours, construction sites and the likes.
He visits these places time and again, in different cities, countries and continents, moving through them while capturing them in photographs, video and by gathering physical materials on said sites. This ever expanding collection of images and materials, that all seem to resemble one another in certain ways, forms the base material that van Stokkum works with.Works often find their final form in installations that seem to balance somewhere between construction and deconstruction, becoming and disappearing. Forming new places by connecting already existing ones. He is currently based between places.

Image:: Machiel van Stokkum, Immer zuhause, (detail), 2021.

#64 Salon
Robbert&Frank
Frank&Robbert

past

Robbert&Frank Frank&Robbert will conclude their Berlin residency with a public presentation — a ‘Salon’. The presentation will take place on Sunday the 18th of August , 4 pm-6pm during the alternative arts festival ‘Ritual’, organized by Globe Gallery at a derelict tuberculosis hospital called Heilstätte Grabowsee, 30 km north of Berlin.

(more…)

Image: ‘Suitcase – Fire Ritual’ 2019, Robbert&Frank, Frank&Robbert

#63 Salon Phelim Hoey

past

Approaching Immeasurability

Place: ManuFACTORY, Lüderitzstraße 13, 13351 Berlin.
Date: 31st of May,5 pm

During his residency period at ABA, Phelim researched the continuously changing relationship he has with his body after he was diagnosed with Multiple Sclerosis. What happens when the body doesn’t carry out certain actions anymore and how do these alienating experiences influence identity and the self? At the Salon Phelim will present his research and we’ll have the opportunity to discuss and philosophize about identity, loss and daily measurability.

(more…)

Image: Phelim Hoey , 2019

#62 Salon Sally Schonfeldt

past

date: 28.03.2019
Am Treptower Park, Berlin, Germany

The first part of the Salon Colonial Fantasies consists of a site visit to the Karpfenteich in Berlin’s Treptower Park, where the first German Colonial Exhibition was held in 1896. Throughout this exhibition so-called ethnographic performances or Völkerschauen were on display, in which over a hundred people from Germany’s colonies in Africa and Oceania had been brought to Berlin and made to “perform” before multitudes of visitors, often under considerable duress. At the Karpfenteich today no traces of this harrowing colonial history are visible, there is no memorial of what people were unjustly made to endure here. By bearing witness to this site together, uncovering the layers of history held here and critically reflecting on them a process to open up a postcolonial culture of remembrance is envisioned.

The second part of the Salon Decolonial Mnemonics will be held at the Museum Treptow to deepen the contemporary reflection on the ongoing effects of Germany’s colonial legacy.

(more…)

Image: Amelia Prazak & Milda Lembertaitė , 2019

REMOVED FOOTER

[NGHE NEWSLETTER] Ce samedi 24/09 – Latin Flowers = Concert + Marche / Ce dimanche 25/10 – Chansons Partout = Emission Radio, Chants des cuisines

Posted on 22 September 202222 September 2022

N g h eeeeeeëęēeėée

SAMEDI 24 SEPTEMBRE

Ouvert 14h – 20h – CONCERT + MARCHE

( Mais en partie hors les murs !! Suivez le programme !!)

LATIN FLOWERS – MANTRA POP

14h – Rendez-vous à Nghe

15h – Départ de la marche vers Tenace – Médiatheque Mobile Nghe Balpop

16h – Arrivée sur la Péniche Tenace, allée du Kaai

17h – LATIN FLOWERS, PÉNICHE TENACE ALLÉE DU KAAI,

Quai des Matériaux 17

1000 Bruxelles

LATIN FLOWERS is

a walk

a guided tour

a boat trip

a song

LATIN FLOWERS is

an alphabet of flowers sung in Latin – English

by Mott Flyf and Francesca Chiacchio

on Buratinas’ Boat

from A to Z

Pendant la marche le long du canal prenez votre radio et réglez là sur 87.00 FM

18h – Arrivée à Nghe – Sortie de la K7 MANTRA POP

MINI CONCERT DE FRANCESCA CHIACCHIO & MOTT FLYF

pique-nique végétalien proposé par 
Au Poil dans la Soupe

https://index.nadine.be/latin-flowers-by-francesca-chiacchio-mott-flyf/

Proposé main dans la main avec Nghe, la péniche Tenace et le Buratinas

DIMANCHE 25 SEPTEMBRE

17h – RADIO CHANSON PARTOUT

LES CHANTS DES CUISINES

écoutable ICI

https://streaming.domainepublic.net/radioismaa.ogg

Parfois certaines recettes nécessitent un chant pour être menées à bien,
comme une sorte de formule magique qui donne son pouvoir à la potion.
Que chante-t’on alors lorsqu’on fait la cuisine ?
Quels sont les chants qui racontent la cuisine, qui donnent des
recettes, qui parlent des vertues de certaines plantes et des bienfaits
des fruits et légumes ? Savez-vous planter les choux?

les unes les autres.jpeg

Plus d'infos sur

https://index.nadine.be/chansons-partout-mediatheque-nghe/

Avec le soutien de la Fédération Wallonie Bruxelles

Un futur pour la culture

LE POINT LITTÉRAIRE

—

NGHE – Médiathèque bricolée

rue des mariniers, 6

1080 Molenbeek St Jean

www.mediathequenghe.be

Uitnodiging: super feelings Episode 2: Paola Siri Renard – what will you be then Oneiroi? – glamour

Posted on 22 September 202222 September 2022

Uitnodiging

super feelings

Episode 2: Paola Siri Renard – what will you be then Oneiroi? – glamour

30 september t/m 9 oktober, dagelijks van 12:00-18:00

Opening: 29 september 19:00 (deuren open om 18:30)

Performance met Mira Mann en Sol-i So

Beeld: Melissa Appleton

W is for Worry (thumb)

F is for Fear (index finger)

A is for Anger (middle finger)

S is for Sadness / Grief (ring finger)

T is for Trying To / Pretence (little finger)

– get rid of Worry FAST / Jin Shin Jyutsu instructies

super feelings, een vierdelige tentoonstelling georganiseerd door het Curatorial Programme van de Appel, is nu volop bezig. Op donderdag 29 september ben je van harte uitgenodigd voor de opening van episode 2. We zijn vereerd kunstenaar Paola Siri Renard te mogen verwelkomen met what will you be then Oneiroi? – glamour.

Paola Siri Renard vormt de tweede tentakel van super feelings en reageert op het blauwe licht en het zand van episode 1; het residu dat werd achtergelaten door Jota Mombaça en Tessa Mars. what will you be then Oneiroi? – glamour bestaat uit een reeks sculpturale mutanten die zijn aangespoeld op de zandbodem van de Aula en verspreid door de ruimte hangen. ‘Oneiroi’ in de titel verwijst naar de gevleugelde daemonen (geesten) uit de Griekse mythologie. Men geloofde destijds dat deze boodschappers elke nacht dromen naar de stervelingen brachten via twee poorten: de één gemaakt van hoorn, die waarheidsgetrouwe en voorspellende dromen bracht en de andere van ivoor, die alleen valse en betekenisloze dromen bracht.

Renard omschrijft haar sculpturen als ‘testinstrumenten’, waarin architectonische motieven en mythologische elementen zoals rollen, schelpen, hoorns en acanthusbladeren (van een hermafrodiete plant) zijn verweven. Hun vormen suggereren exoskeletten, fossielen en cocons, die zijn uitvergroot tot menselijke schaal en ze nodigen uit om aangeraakt te worden. Voor what will you be then Oneiroi? – glamour creëert Renard nieuwe ondersteunende structuren van metalen armaturen en touwen, om de sculpturen in de Aula van de Appel te ankeren.

‘In Greek Mythology, Apollo tried to kidnap Acantha. As she scratched his face, he transformed her into a spiny plant, the Acanthus, reducing her to a contemplative, unreachable thing.’

– Paola Siri Renard

Op 29 september 2022 nodigt Paola Siri Renard de kunstenaars Mira Mann en musicus Sol-i So uit om episode 2: what will you be then Oneiroi? – glamour te openen met een performance. Voor de performance halen Mann en So hun inspiratie uit een Koreaans volksverhaal Sugungga (het lied van het onderwaterpaleis) door middel van zang, Soribuk trommel en beweging/dans. Sugungga is een van de vijf overgebleven verhalen uit de Koreaanse muzikale pansori-storytelling traditie uit de zeventiende eeuw. Na de performance zal episode 2 tien achtereenvolgende dagen lang te zien zijn in de Appel, van vrijdag 30 september t/m zondag 9 oktober 2022, van 12:00 tot 18:00 uur. Klik hier voor meer informatie.

Wij verwelkomen je graag in de Aula van de Appel voor episode 2: what will you be then Oneiroi? – glamour! Bekijk hier de beelden van de opening van episode 1 sinking could be terug: een performance van Jota Mombaça en Tessa Mars.

Vriendelijke groet,
Ka-Tjun, Chala, Melissa en Monika,
deelnemers van het Curatorial Programme 2022 de Appel.

Praktische informatie

De opening is vrij toegankelijk, vooraf opgeven is niet nodig. Voor aanvang van de performance zal de Aula gesloten zijn. We vragen de bezoekers daarom te verzamelen in de Livingroom. De performance duurt ongeveer 45 minuten.

Let op: Tijdens super feelings heeft de Appel gewijzigde openingstijden. Episode 1 van super feelings, sinking could be, is geopend tot en met aanstaande zondag 25 september. Volgende week zijn we vanaf maandag tot en met woensdag gesloten voor de opbouw van episode 2: what will you be then Oneiroi? – glamour, die op donderdagavond opent.

Overig nieuws
Op woensdag 28 september vindt bij Theater van Deyssel de tweede interventie plaats in de serie performatieve lezingen getiteld On the poverty of lived experience, ontwikkeld door Mohamad Dib. Met Sleep /wi/th a/n ey/e o/pe/n and/ you/ will/ see /your/self onderzoekt kunstenaar Betina Abi Habib aan de hand van het levensverhaal van het gedicht ‘Le dormeur du val’/’De slaper in het dal’ van de Franse dichter Arthur Rimbaud de dynamische relatie tussen taal en affectie, vertaling en interpretatie, herinnering en de maakbaarheid van ervaringen. Iedereen is van harte welkom. Klik hier voor meer informatie.

de Appel
Schipluidenlaan 12
1062 HE Amsterdam

+31 (0)206255651
www.deappel.nl

STEUN de Appel

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Essentiële steun aan het Curatorial Programme wordt verleend door Stichting Hartwig en Ammodo

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Newsletter Ludwig Forum Aachen

Posted on 22 September 202222 September 2022

Ausgabe 22.09.2022

Liebe Freundinnen und Freunde,

wir freuen uns, Sie zu einem abwechslungsreichen Wochenende im Ludwig Forum willkommen heißen zu dürfen.

Anlässlich der morgigen Eröffnung der Ausstellung Die Sein: Para Psychics von Kerstin Brätsch, laden wir diesen Samstag um 11 Uhr zu einer Buchpräsentation und Dialogführung mit der Künstlerin Kerstin Brätsch, Kerstin Stakemeier und Eva Birkenstock ein.

Zudem kann die umfassende Ausstellung Bad Words von Keren Cytter noch bis Sonntag, den 25.09.2022 besucht werden. Zu diesem Anlass laden wir am Samstag ebenfalls zu einem offenen Siebdruckworkshop mit Petra Hellwig und Petra Kather ein und freuen uns, Sie am Sonntag um 16 Uhr gemeinsam mit der Künstlerin zu einer Probevorführung der Rohfassung ihres ersten Spielfilms begrüßen zu dürfen.

Wir sehen uns im Ludwig Forum!

Eröffnung: Kerstin Brätsch “Die Sein: Para Psychics”

Kerstin Brätsch
Die Sein: Para Psychics
23.09.2022 – 05.02.2023
Eröffnung: Fr 23.09.2022, 19 Uhr

Book Release und Dialogführung
mit Kerstin Brätsch, Kerstin Stakemeier und Eva Birkenstock
Sa 24.09.2022, 11 Uhr

Freier Eintritt am Eröffnungswochenende!

In der Ausstellung Die Sein: Para Psychics präsentiert die in Berlin und New York lebende Künstlerin Kerstin Brätsch zum ersten Mal alle einhundert Zeichnungen ihrer Serie Para Psychics (2020-2022) in einer ortsspezifischen Installation. Die Arbeiten sind im Zuge der sich ausbreitenden Covid-19-Pandemie entstanden, welche die Künstlerin dazu bewegte, ihre oftmals kollaborative und raumgreifende Arbeitsweise in einen nach innen gerichteten Prozess des täglichen Zeichnens zu überführen.

Kuratiert von Eva Birkenstock

Zur Ausstellung erscheint das Künstlerinnenbuch Para Psychics im Verlag der Buchhandlung Walther und Franz König. Zu diesem Anlass laden wir Sie am Samstag, den 24. September 2022, um 11 Uhr zu einer Dialogführung mit Kerstin Brätsch, Kerstin Stakemeier (Professorin für Kunsttheorie und -vermittlung, Akademie der Bildenden Künste Nürnberg) und Eva Birkenstock ein.

Am Sonntag, den 25. September 2022, 12 Uhr eröffnet im Leopold-Hoesch-Museum in Düren die Ausstellung Sein der Peill-Preisträgerin Kerstin Brätsch (bis 8. Januar 2023).

Keren Cytter. Bad Words, Ausstellungsansicht, 2022, Ludwig Forum Aachen, Foto: Mareike Tocha

Finissage: Keren Cytter “Bad Words”

Keren Cytter
Bad Words
25.06. – 25.09.2022
Finissage mit Test-Screening: So 25.09.2022, 16 Uhr

Wir laden Sie herzlich ein, noch bis 25.09.2022 die aktuelle Ausstellung Bad Words von Keren Cytter im Ludwig Forum Aachen zu besuchen. Wir freuen uns, Sie zur Finissage mit der Künstlerin und einer Probevorführung der Rohfassung ihres kommenden Spielfilms (Erscheinungsdatum 2023) begrüßen zu dürfen.

Foto: Ludwig Forum Aachen

Offener Siebdruckworkshop “Brutal Turtle meets Furious Hamster”

Brutal Turtle meets Furious Hamster
Offener Siebdruckworkshop mit Petra Hellwig und Petra Kather
Sa 24.09.2022, 11 Uhr

Anlässlich der Finissage der Ausstellung Bad Words von Keren Cytter können in der Kunstwerkstatt Motive aus der Ausstellung auf Textilien gedruckt werden. Der Workshop bietet einen Einblick in den druckgrafischen Bereich der Kunstwerkstatt des Ludwig Forums: In Aktion kann der Siebdruckprozess mit Zeichnungen aus den Büchern The Brutal Turtle und The Furious Hamster ausprobiert werden. Dafür kann eigene Kleidung mitgebracht oder ein Stoffbeutel zum Preis von 2,50 € vor Ort erworben werden.

English Version

PARA PSYCHIC_Scarabaeus Sacer (Pillendreher), 2021, Courtesy die Künstlerin, Foto: Andrea Rossetti

Dear friends,

we are pleased to welcome you at the Ludwig Forum this weekend for a varied programme.

On the occasion of tomorrow’s opening of the exhibition Die Sein: Para Psychics by Kerstin Brätsch, we invite you to a book launch and conversational tour with the artist Kerstin Brätsch, Kerstin Stakemeier, and Eva Birkenstock on Saturday at 11 am.

In addition, the comprehensive exhibition Bad Words by Keren Cytter can be visited until Sunday, Sept. 25. On this occasion, we also invite you to an open screen-printing workshop with Petra Hellwig and Petra Kather on Saturday, and look forward to welcoming you to a test screening of the rough version of Cytter’s first feature film together with the artist on Sunday at 4 pm.

See you at the Ludwig Forum!

Opening: Kerstin Brätsch “Die Sein: Para Psychics”

Kerstin Brätsch
Die Sein: Para Psychics
23.09.2022 – 05.02.2023
Opening: Fri 23.09.2022, 7 pm

Book Release and Guided Tour
with Kerstin Brätsch, Kerstin Stakemeier, and Eva Birkenstock
Sat 24.09.2022, 11 am

Free admission on the opening weekend!

With the exhibition Die Sein: Para Psychics, Berlin- and New York-based artist Kerstin Brätsch presents for the first time all one hundred drawings of her Para Psychics series (2020-2022) in a site-specific installation. Brätsch developed these works in the course of the spreading Covid-19 pandemic, which prompted the artist to transition her often collaborative and expansive working method into an inward-looking process of daily drawing.

Curated by Eva Birkenstock

The exhibition will be accompanied by the artist’s book Para Psychics published by Buchhandlung Walther und Franz König. On the occasion of its release, we invite you to a guided tour with Kerstin Brätsch, Kerstin Stakemeier (Professorfor Art Theory and Mediation, Academy of Fine Arts Nuremberg) and Eva Birkenstock on Saturday, September 24, 2022 at 11 am.

On Sunday, September 25, 2022, 12 pm Leopold-Hoesch-Museum in Düren presents the exhibition of the Peill prizewinner Kerstin Brätsch Sein (through January 8, 2023).

Keren Cytter. Bad Words, Ausstellungsansicht, 2022, Ludwig Forum Aachen, Foto: Mareike Tocha

Finissage: Keren Cytter “Bad Words”

Keren Cytter
Bad Words
25.06. – 25.09.2022
Finissage with test film screening: Sun 25.09.2022, 4 pm

We cordially invite you to the last opportunity to visit the current exhibition Bad Words by Keren Cytter at the Ludwig Forum Aachen. Join us for a finissage with the artist, and a test screening of the rough version of her upcoming feature film (to be released in 2023).

Foto: Ludwig Forum Aachen

Screenprinting Workshop: “Brutal Turtle meets Furious Hamster”

Brutal Turtle meets Furious Hamster
Open Screenprinting Workshop with Petra Hellwig and Petra Kather
Sat 24.09.2022, 11 am

On the occasion of the finissage of the exhibition Bad Words by Keren Cytter, motifs from Cytter’s books The Brutal Turtle and The Furious Hamster can be printed on textiles at the Kunstwerkstatt at Ludwig Forum. For this purpose, bring your own clothes or purchase a tote bag on site for € 2.50.

Ausstellungen

Kunstvermittlung

Was kommt?

Mehr Informationen hier.

Impressum

Newsletter abbestellen

Herbert News: Opening 106 and Vernissage

Posted on 22 September 202222 September 2022

Exhibition space 106 with works by Robert Ryman, Carl Andre and Donald Judd.
(Photo: Philippe De Gobert)

OPENING EXHIBITION SPACE 106

It is… it isn’t…
The Collection of Annick and Anton Herbert

Zondag / dimanche / Sunday
2.10.2022, 16:00 – 20:00

NL
Herbert Foundation nodigt u van harte uit op de opening van de tentoonstellingsruimte 106 en de vernissage van de presentatie It is… it isn’t… The Collection of Annick and Anton Herbert

FR
Herbert Foundation a le plaisir de vous inviter à l’ouverture de l’espace d’exposition 106 et au vernissage de la presentation It is… it isn’t… The Collection of Annick and Anton Herbert

EN
Herbert Foundation is pleased to invite you for the opening of the exhibition space 106 and the vernissage of the presentation It is… it isn’t… The Collection of Annick and Anton Herbert

met de steun van / avec le soutien de / with the support of

Uitschrijven / Gegevens wijzigen

This week’s openings in Brussels

Posted on 22 September 202222 September 2022

This week’s openings in Brussels ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌

This week’s openings in Brussels

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Opening this week
Thursday 22 Sep → Wednesday 28 Sep

Thu 22.09 — 17:00

Xavier Hufkens
Giorgio Griffa – 'Luce buio'

Thu 22.09 — 18:00

Alice Gallery
Maya Hayuk – 'Spin Cycle'

Sat 24.09 — 13:00

Fondation A Stichting
Women’s Perspectives

Sat 24.09 — 18:00

argos centre for audiovisuals arts
THE 1970s: _____

Sat 24.09 — 18:00

argos centre for audiovisuals arts
Opening: THE 1970s: _____ + Alexander Kluge #5

Sat 24.09 — 18:00

argos centre for audiovisuals arts
Alexander Kluge: Minutenfilme #5

Wed 28.09 — 18:30

La Verrière
Myriam Mihindou

Opening next week
Thursday 29 Sep → Wednesday 05 Oct

Thu 29.09 — 16:00

Contretype
Alexandre Christiaens, Mat Jacob, Julia Toro – Valparaíso

LMNO – Maria Friberg – AROUND VIDEO LILLE- 30/9-02/10

Posted on 21 September 202221 September 2022


Art Fair / Foire d’Art / Kunstbeurs Still from Maria Friberg’s Somewhere Else, video, 8 min. loop, 1998.
	MARIA FRIBERG @ AROUND VIDEO Art Fair À Moxy Hotel, Lille 30/09 – 02/10, 2022 https://around-video.com/
	ENG LMNO is pleased to announce the participation of Maria Friberg at AROUND VIDEO Art Fair 2022 in Lille (France). The fair will take place at the Moxy Hotel (Lille) from 30/09 – 02/10. The work on viewing will be Somewhere Else (1998), a captivating video characteristic for Maria Friberg’s oeuvre. FR LMNO est heureuse de vous annoncer sa participation à AROUND VIDEO Art Fair 2022 à Lille avec une oeuvre de Maria Friberg. La foire aura lieu au Moxy Hotel (Lille) du 30/09 au 02/10. L’uvre à visionner sera Somewhere Else (1998), une captivante vidéo caractéristique de l’uvre de Maria Friberg. NDL LMNO is blij om de participatie van Maria Friberg aan AROUND VIDEO Art Fair 2022 in Rijsel (Frankrijk) aan te kondigen. De beurs zal plaatsvinden in het Moxy Hotel (Rijsel) van 30/09 – 02/10. Het tentoongestelde werk, Somewhere Else (1998), is een sprekend werk voor het oeuvre van Maria Friberg.

LMNO 31, Rue de la Concorde / Eendrachtstraat B-1050 Brussels, BE	The gallery is open from Wednesday to Saturday from 12 a.m. to 6 p.m. and by appointment	+32/498.57.35.47 Facebook Instagram Newsletter

Confidentialité des données : conformément à la Loi Informatique et Libertés du 6 Janvier 1978, vous disposez à tout moment, d’un droit d’accès et de rectification ou d’opposition aux données personnelles vous concernant. Si vous ne souhaitez plus recevoir d’email de notre part, cliquez ici pour vous désabonner

24. & 25.09: Very Contemporary Festival | Finissage im IKOB 🎪

Posted on 21 September 202221 September 2022

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FR / EN / NL

Samstag 24.09.2022, 11:00 – 18:00

VERY CONTEMPORARY PERFORMANCE FESTIVAL
IKOB präsentiert Catinca Malaimare: Emergency Ex

Am 24. September 2022 veranstaltet das Netzwerk der EUREGIO Very Contemporary zum ersten Mal das » Performance-Festival cross-border «. Institutionen aus Belgien, Deutschland und den Niederlanden zeigen ausgewählte performative Positionen im Kunsthaus NRW in Aachen-Kornelimünster. Das IKOB präsentiert eine Performance der Künstlerin Catinca Malaimare, mit dem Titel Emergency Ex (2022): eine intime Begegnung zwischen menschlichen Körpern und Maschinen.

Den Zeitplan und detaillierte Informationen zu den Künstler:innen findet ihr auf www.verycontemporary.org und hier.

Sonntag 25.09.2022, 13:00 – 18:00

FINISSAGE: Feministischer Kunstpreis 2022 & Nika Schmitt

Das IKOB lädt ein zur Finissage der aktuellen Ausstellungen, bestehend aus einer Führung mit der Kuratorin Brenda Guesnet um 14:00 und Daniela Bershans Performance OCEAN von 15:30-18:00.

Sonntag 09.10.2022, 14:00

VERNISSAGE: Johan Tahon & Redrawing the Lines

Johan Tahon gilt als einer der wichtigsten belgischen Künstler seiner Generation. In der Einzelausstellung “Umarmung” präsentiert er ältere Werke aus der IKOB Sammlung neben neuen Arbeiten.

Mehr Informationen hier.

Die Ausstellung “Redrawing the Lines” zeigt Werke der rumänischen Künstler:innen Matei Bejenaru, Irina Botea Bucan und Dani Ghercă. Von Daniella Géo kuratiert und in Zusammenarbeit mit SwitchLab, Bukarest organisiert.

Mehr Informationen hier.

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Rotenberg 12b
4700 Eupen
Belgien / Belgique / Belgium

Öffnungszeiten / Horaires d’ouverture / Opening hours
Di – So / Mar – Dim / Tue – Sun
13.00 – 18.00

Führungen auf Anfrage / Visites guidées sur demande / Guided tours on demand: Pressedossiers auf Anfrage / Dossiers de presse sur demande / Press Files on demand: Presse-Login

Art does not need a common language, it is international by itself.
www.verycontemporary.org
The Network of 11 art institutions of the Meuse-Rhine Euregion. Supported by Euregio Maas-Rhein

Mit der Unterstützung von / Avec le soutien de / With the support of

Copyright © 2022 IKOB – Museum für Zeitgenössische Kunst, All rights reserved.
Sie haben diese E-Mail erhalten, weil Sie sich für den IKOB-Newsletter angemeldet haben. / Vous avez reçu cet email parce que vous vous êtes inscrit à la newsletter de l’IKOB. / You have received this email because you registered to the IKOB newsletter.

Our mailing address is:

IKOB – Museum für Zeitgenössische Kunst

Rotenberg 12b

Eupen 4700

Belgium

Nehmen Sie uns in Ihr Adressbuch auf

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❣️ CE SOIR 💓 KEUR LAST DAY 💔 ! Eden-Tinto Collins, Inès Cherifi, Chouf

Posted on 21 September 202221 September 2022

à keur ouvert
KEUR LAST DAY !
🖤 CE SOIR 🖤
mercredi 21 septembre 2022

Nous vous annonçons ici le dernier événement de Keur au 78 rue des Amandiers. De nombreuses contraintes structurelles nous obligeant à quitter le local. On espère avoir le plaisir de partager avec vous cette dernière fête 🙂 Venez nombreuxses !

BLOCK PARTY 2 : Inès Cherifi, Chouf
mercredi 21 septembre – 20h

Inès Chérifi – live
Instagram
Soundcloud

Chouf – performance
Instagram
Soundcloud

Finissage de l’exposition carte blanche à Eden Tinto-Collins
mercredi 21 septembre – 18h
Si m’endurcir n’est pas la voie de mon salut, mais le point de non-retour indispensable à ce que la droite qu’iels goûtent soit tendre et m’émancipe alors je trinque.

© Andrès Baron

Exposition et concerts programmés par Caroline Honorien

à keur ouvert avec le soutien de la Direction régionale des Affaires culturelles
d’Île-de-France – Ministère de la Culture – été culturel 2022.
Les concerts des 17 juin et 21 septembre ont également reçu le soutien de la Mairie du 20e arrondissement de Paris.

KEUR, centre d’expérimentation et de diffusion du travail artistique
78, rue des Amandiers, 75020 Paris www.keur.info

Our mailing address is:

Keur

78 Rue Des Amandiers

20E ARRONDISSEMENT

PARIS 75020

France

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21st of September, 6 – 9 pm #2 Will The World Ever! Anna Fries, Anne Dukhee Jordan & Zippora Elders

Posted on 20 September 202220 September 2022

ABA

AIR Berlin Alexanderplatz
WON

#2 Will The World Ever

Join us

21st of September, 6 – 9 pm
Location: at Soft Power, Teilestraße 11-13, Berlin

With: Anna Fries, Anne Dukhee Jordan & Zippora Elders

Orginisers:
ABA Air Berlin Alexanderplatz and the Swiss Embassy in Germany

A salon on the intersections of sustainability, science fiction and technology. This evening welcomes fantastical scenarios, comments and critical imaginations of present and future worlds. ABA brings together Swiss artist Anna Fries, offering a glimpse into their & Malu Peeters’ work “Posthuman Wombs” and visual artist Anne Duk Hee Jordan, who is showing a waste-eating robot. After the demonstration, there will be space for exchange during a joint conversation, led by Zippora Elders, head of the curatorial department at Gropius Bau.

Visitors are invited to taste a cake by rustcakes, drink a natural wine and local beer! more

ABA AIR SALON

Sakura Sakura

20. September 2022 um 16:00
With Joris Perdieus
Supported by Flanders State of the Art

Salon#83

Why are you here ?
你點解會黎到呢度 ?
Warum bist du hier ?

A photo and audio guided city walk.
Hong Kong – Berlin. By Dorothy Wong Ka Chung, Benjamin Ryser
The event takes place twice, feel free to join on 24 Saturday or 25 Sunday. 15:00 – 17:00
Meeting point: World Clock, Alexanderplatz
More

The Salon series on Sustainability was conceived by (ABA) in cooperation with the Swiss Embassy in Berlin.The series consist of four Salons: #1. World Building, #2. Science Fiction, #3. Mending Practices, #4.Sustainable Photography.

Artist in Residency:
Neige Sanchez

Residency Sep– Feb 2023

Image: Neige Sanchez

Artist in Residency:
Matheline Marmy

Residency Sep– Feb 2023

Matheline Marmy’s practice is experimental and material-based, taking the form of a speculative investigation into environmental forms and processes. She’s interested in phenomena such as invasion, growth, accumulation of matter. Her works are the empirical results of this method. They are assembled and grown out of reactive and trace-bearing materials such as metals, water, salts, acids, textiles and bacteria, coupled with less-penetrable components that retain and contain, like glass and plastic.

Matheline Marmy (*1993), born in Geneva, studied Photography and Fine Arts at ECAL (Lausanne) and HFBK (Hamburg). She received her BA from ECAL (2016) and MFA from the Piet Zwart Institute in Rotterdam (2019). She works with sculpture and installation, using manipulable and reactive materials such as metals, water, salts, acids, textiles, bacteria- coupled with less-penetrable components that retain and contain.

Image: Matheline Marmy, « Longue Durée » (detail) 2019

Artist in Residency:
Machiel van Stokkum

Residency Sep–Dec 2022

The concept of ‘place’ always plays a central role in the work of Machiel van Stokkum (1991). He has a special interest in places that are somewhat generic, don’t seem to belong to a certain geographical location but can be found the world over, such as modernist housing schemes, industrial zones, sea harbours, construction sites and the likes.
He visits these places time and again, in different cities, countries and continents, moving through them while capturing them in photographs, video and by gathering physical materials on said sites. This ever expanding collection of images and materials, that all seem to resemble one another in certain ways, forms the base material that van Stokkum works with.Works often find their final form in installations that seem to balance somewhere between construction and deconstruction, becoming and disappearing. Forming new places by connecting already existing ones. He is currently based between places.

Image:: Machiel van Stokkum, Immer zuhause, (detail), 2021.

#64 Salon
Robbert&Frank
Frank&Robbert

past

Robbert&Frank Frank&Robbert will conclude their Berlin residency with a public presentation — a ‘Salon’. The presentation will take place on Sunday the 18th of August , 4 pm-6pm during the alternative arts festival ‘Ritual’, organized by Globe Gallery at a derelict tuberculosis hospital called Heilstätte Grabowsee, 30 km north of Berlin.

(more…)

Image: ‘Suitcase – Fire Ritual’ 2019, Robbert&Frank, Frank&Robbert

#63 Salon Phelim Hoey

past

Approaching Immeasurability

Place: ManuFACTORY, Lüderitzstraße 13, 13351 Berlin.
Date: 31st of May,5 pm

During his residency period at ABA, Phelim researched the continuously changing relationship he has with his body after he was diagnosed with Multiple Sclerosis. What happens when the body doesn’t carry out certain actions anymore and how do these alienating experiences influence identity and the self? At the Salon Phelim will present his research and we’ll have the opportunity to discuss and philosophize about identity, loss and daily measurability.

(more…)

Image: Phelim Hoey , 2019

#62 Salon Sally Schonfeldt

past

date: 28.03.2019
Am Treptower Park, Berlin, Germany

The first part of the Salon Colonial Fantasies consists of a site visit to the Karpfenteich in Berlin’s Treptower Park, where the first German Colonial Exhibition was held in 1896. Throughout this exhibition so-called ethnographic performances or Völkerschauen were on display, in which over a hundred people from Germany’s colonies in Africa and Oceania had been brought to Berlin and made to “perform” before multitudes of visitors, often under considerable duress. At the Karpfenteich today no traces of this harrowing colonial history are visible, there is no memorial of what people were unjustly made to endure here. By bearing witness to this site together, uncovering the layers of history held here and critically reflecting on them a process to open up a postcolonial culture of remembrance is envisioned.

The second part of the Salon Decolonial Mnemonics will be held at the Museum Treptow to deepen the contemporary reflection on the ongoing effects of Germany’s colonial legacy.

(more…)

Image: Amelia Prazak & Milda Lembertaitė , 2019

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Q-O2 News :: September/October 2022

Posted on 20 September 202220 September 2022

workspace for experimental music and sound art

post-residency performance
22 September – 18h
Tomàs Cabado
Tomas will perform a solo set for acoustic guitar and processed archival and field recordings. The material derives from various practices, including short pieces for solo guitar, realizations of text scores in public and domestic contexts, and archival materials.
[read more]

concert
14 October – 20h30 (doors 20h) – 8/6€
Anne Gillis & XT [Seymour Wright & Paul Abbott]
The three interdisciplinary artists operate at the boundaries of sound-making/music, plastic arts, performance and learning. They explore the limits and relationships between body, object, prosthesis—and memory, patterns and the material world.
[read more]

call
15 October
Showcase Emerging Sound 2023
STUK, Q-O2, Musica & C-TAKT present an annual showcase of emerging sound artists in Belgium. The showcase shines a light on the diversity of the Belgian sound art landscape, and gives a boost to an upcoming generation of makers. We are looking for recent, existing work in which sound plays a central role, in conventional or more innovative formats. The selected works will be presented in May 2023, deadline for application is October 15th 2022.
[more info and registration]

room to rent
1 January
From January 1st on, we are renting a room in our apartment in the Ieperlaan/Bd. d’Ypres, 1000 Bxl, to a permanent tenant. The room has 30m2, the rent is 375€ plus 75€ forfait for all costs (in light of the unsecure energy prizes). The tenant would have a small responsibility as host for our artists in residency, with whom they’d also share kitchen and bathroom.
For more information and pictures, please contact us at

listen
QOOOOOOOOOO2 @ LYL Radio: Mark Vernon
Mark Vernon speaks about and plays fragments about his project ‘Magneto Mori: Bruxelles / Brussels’ which he has realised in residency at Q-O2. The project gathers people’s earliest or most vivid memories direct to tape. These are then buried in the ground and finally used as the basis for a new de-composition. The process is an analogy for the frailty of human memory and our ability to recall the past.
[listen here]

listen
21 Tracks for the 21st Century: Lawrence
HART magazine and Q-O2 join forces with 21 Tracks for the 21st Century, a series of playlists to gear ourselves for our present century. We ask our guests: what music does this century need? As tonic, as engine-fuel, as rhythm, as common ground, as ballast? Each time, we invite one artist, thinker or musician to prepare a playlist of those sounds, songs and pieces of music that will best arm their listeners with the tools to approach what is left of this young century.
This month’s playlist is curated by Lawrence, the project of Berlin-based producer, DJ and label-organiser Peter Kerstin.
[listen here]

revisit
Oscillation ::: Public Address
You can now re-listen to some of the sets, talks, listening sessions and interviews from this year’s festival Oscillation ::: Public Address on our soundcloud:
::: Open Mic with Francesca Hawker and guests
::: Round Table with Elena Biserna, RYBN, David Helbich, Alisa Oleva, Bill Dietz
::: Fausto Caceres (Radio Shirley and Spinoza): Street Cries & the Wandering Song
::: Céline Gillain : How listening is conditioned by context (talk)
::: Bill Diet z: My Ears, the Police (talk)
::: Elena Biserna interviewed by Margherita Brillada
::: Alisa Oleva interviewed by Margherita Brillada
::: Thomas Ankersmit interviewed by Margherita Brillada

still available + new
podcasts, books, releases, videos

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VERY CONTEMPORARY: Performance Festival cross-border

Posted on 20 September 202220 September 2022

VERY CONTEMPORARY PERFORMANCE FESTIVAL
CROSS-BORDER

SAMSTAG, 24. SEPTEMBER 2022, 11-18 UHR
Kunsthaus NRW Kornelimünster

Das Netzwerk der EUREGIO Very Contemporary richtet 2022 zum ersten Mal ein gemeinsames Kunst-Festival aus. Das Very Contemporary Performance-Festival cross-border findet am 24. September 2022 im Kunsthaus NRW in Aachen-Kornelimünster statt und wird gemeinsam produziert vom NAK Neuer Aachener Kunstverein und dem Kunsthaus NRW.

Institutionen aus Belgien, Deutschland und den Niederlanden stellen internationale Künstler_innen vor und geben damit Einblick in Tendenzen der aktuellen Performance-Szene. Die Aktionen reichen von einer Drehorgel, die Aufnahmen einer Solidaritäts-Demonstration spielt, über eine ortsbezogene Performance in der ehemaligen Klosterküche bis hin zu Lectures und medial gestützten Performances. Das Kunsthaus NRW in der ehemaligen Reichsabtei Kornelimünster bietet mit seinen barocken Räumlichkeiten sowie den Außenanlagen mit dem Skulpturengarten ein reizvolles Setting für die zeitgemäßen performativen Positionen. Wir freuen uns auf Sie!

Weitere Informationen zu den beteiligten Institutionen, Künstler_innen sowie den genauen Zeitplan des Festivals finden Sie auf der Very Contemporary Webseite.

Teilnehmende Künstler_innen:

Daniel Frota de Abreu, Tessa Knapp & Yoshie Shibahara, Catinca Malaimare, Vanja Smiljanić, Luca Soudant, Britta Thie

Mit freundlicher Unterstützung durch:

Falls Sie den Newsletter nicht mehr erhalten möchten, senden Sie uns bitte eine E-Mail mit dem Betreff UNSUBSCRIBE.
_ _

NAK Neuer Aachener Kunstverein
Passstraße 29
52070 Aachen
0049 (0)241503255
www.neueraachenerkunstverein.de
www.instagram.com/neuer.aachener.kunstverein

NFT’s uitgelegd: de hype, de toekomst en het grote geld

Posted on 20 September 202220 September 2022

Het beste van Mister Motley in je postvak

Essay

NFT’s openden de ogen van Ayrton van Noort voor de schoonheid van digitale kunst. Het medium opent nieuwe artistieke deuren: ‘Digitale- en internetkunst bevinden zich in een unieke positie. Ze kunnen snel reageren op sociale trends en vraagstukken, bieden inventieve manieren tot samenwerking met andere kunstenaars en het publiek.’

Auteur:
Ayrton van Noort

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In dit manifest roept Ko van ‘t Hek op tot een revolutie tegen de zoveelste kaalslag binnen de kunsten en de culturele sector. ‘Bezuiniging op bezuiniging als omgekeerde hersenspoeling. Tot er alleen nog maar uitgestrekte woestijnen zijn, schrijft hij in zijn vlammende pamflet. Kapitalisme verdraagt in de kern geen kunst, is zijn sombere conclusie, maar hij heeft absoluut een antwoord op dit doemscenario.

Auteur:
Ko van ‘t Hek

Interview

Tijdens zijn periode als Fotograaf des Vaderlands ging Jan Dirk van der Burg op zoek naar het allergewoonste, het voortkabbelende leven. ‘Ik wilde naar Nederland kijken met een soort blanco blik.’ Thomas van Huut sprak Van der Burg over hoe dat allergewoonste er in ‘typisch Nederland’ uitziet.

Auteur:
Thomas van Huut

Column

In de rubriek Gevonden voorwerpen lichten Motley-auteurs een kunstwerk toe dat zij recent zijn tegenkomen. Een werk dat opvalt door zijn uitbundige verschijning of juist verrast door zijn subtiliteit. Vandaag is dat de tentoonstelling Tegenspoed van Dirk-Jan Visser.

Auteur:
Erik Wong

Podcast

Deze week is Ralf Kokke te gast bij Kunst is Lang. Hij schildert zijn eigen versies van mythische figuren, en beelden die uit zijn dromen zijn ontsproten. De mensen en dieren die hij weergeeft lijken vaak te worstelen met hun geschilderde leven, in een sfeer van zowel humor als ongemak – niet toevallig twee belangrijke elementen uit Ralfs naar eigen zeggen neurotische persoonlijkheid.

Auteur:
Luuk Heezen

→ Pre-order Sinkhole: Three Crimes
→ Book tickets to the launch at ICA, London

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Montez Press September News

Posted on 20 September 202220 September 2022

Montez Press News
September 2022

→ Pre-order Sinkhole: Three Crimes by Rosanna McLaughlin
→ Sinkhole Launch at ICA, London
→ Interjection-008-09_Olivia Douglass.pdf
→ MPR September Schedule

Sinkhole: Three Crimes by Rosanna McLaughlin launch event at ICA London, 18th October

We are pleased to announce that our latest release, Sinkhole: Three Crimes, a novel in three parts by Rosanna McLaughlin, will be launched at the ICA, London on Thursday the 18th October.

Sinkhole: Three Crimes submerges readers in a grotesque and comical world on the edge of collapse – much like our own. Britain is immersed in a toxic swamp, and sinkholes are opening up in the ground with alarming frequency. Amid the mayhem, three crimes take place: Stonehenge has been stolen, a porn-addicted ghost writer faces the phantoms of her past, and a murder occurs among ex-pats in a Goan village.

Rosanna McLaughlin is an author and cultural critic. Double-Tracking, her debut collection of satirical essays and short fiction on the subject of middle-class duplicities, was published by Carcanet in 2019. An original proposal for the book was shortlisted for the Fitzcarraldo Essay Prize in 2016. Rosanna has written on subjects including Ariana Grande, the legacy of Section 28, and the weaponisation of Ana Mendieta. In 2017, she was writer-in-residence for the British Council Caribbean, researching the political fallout following Mendieta’s death. Her reviews and essays have been published in frieze magazine, ArtReview and the Guardian, among other places. She is co-editor of The White Review.

Come along on Thursday 18th October and celebrate the launch of Sinkhole with readings from Rosanna McLaughlin, Shola von Reinhold, and other readers to be confirmed.

September Interjection: New Light by Olivia Douglass

Olivia Douglass is a British-Nigerian writer and poet. They are the author of Slow Tongue, a verse/lyric-essay hybrid that responds to the work of M. NourbeSe Philip. Their writing appears in publications including Bath Magg, Nothing Personal, and Prototype 2. A Barbican Young Poets Alumna, Olivia has been commissioned by the National Poetry Library and Galleria Duarte Sequeira, alongside curating reading rooms for Passa Porta Festival and reading at NoguerasBlanchard Gallery. They have held residencies with Talawa Theatre Company and Theatre Peckham, been shortlisted for the Rebecca Swift Foundation’s Women Poet Prize 2020, and in 2021 were longlisted for a Jerwood Compton Poetry Fellowship. Olivia curated Strange Echoes at the Institute of Contemporary Arts in 2022, a six-day Black experimental poetry convening. Their writing is concerned with articulating alternative visions of liberated Black queer experiences, away from colonial frameworks.

Read four poems by Olivia at the link below:

→ Interjection-008-09_Olivia Douglass.pdf

MPR September Schedule

Montez Press Radio is back and broadcasting from NYC and London this September.

Wednesday the 21st September with Edition Eric Schmid, Will Fraser, Gryphon Rue, Phill Niblock, Belladonna* Collaborative, Philippus Johan, Josh Citarella, Yung Chomsky, Ebony Haynes, Channel PTP, Johann Diedrick, and Katie Giritlian.

Thursday the 22nd from 12pm London / 7am NYC with Katayoun Jalilipour, Suzanne Treister, Tenement Press, Gelare Khoshgozaran, EYESORE, Sam Keogh, Matvei Yankelevich, Tony Iantosca, and Uche Nduka.

Friday the 23rd back in NYC with new shows from RiichPsycho, Esther Sibiude, Lucia della Paolera, Justine Lugli, Timothy Rusterholz, and Thomas Hobson Williams, plus re-airing some of our broadcasts from last month in Seoul.

Saturday the 24th with Anais Duplan, Tongue and Cheek, Art Against Displacement, TNT, Mutamur, Ruby McCollister, Aria Dean and Emmanuel Olunkwa, Psychic Liberation, Viktor Timofeev, and Tabitha Piseno.

Sunday the 25th with re-broadcasts from Seoul contributors including Rope Editions, Joo YunTakk, Pulsecom, Vomit & Tear, Arexibo, seesea, Noi, DJ Hotpot, and See.bong Sae, followed by a performance at 7pm from Ron House live at Ergot Records with DJ Vinnie Martini.

Monday the 26th with re-broadcasts from Psychic Liberation Night #2: Seoul Edition featuring Daham Park, Joyul, guixine, Choi Taehyun, Ben Kudler, Yeong-Die, Jiyoung Wi, Nick Klein plus a new sound piece from Ben Kudler.

→ Listen at radio.montezpress.com
→ Schedule
→ Sign up as a Supporter and unlock the archive
→ Donate

With love,

MPR & Montez Press

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September – October news

Posted on 16 September 202216 September 2022

UPCOMING

VOID
Group show

“I AM NOBODY. ARE YOU NOBODY TOO?”, by curator Selen Ansen at Meşher (Istanbul, Turquie).

14/09/2022 – 12/02/2023

Adrien Lucca
Group show

“Couleur / Lumière” by Anne-Céline Maréchale at Maison des Arts de Schaerbeek (Belgique).

16/09 – 16/11

Adrien Lucca – VOID
Group show

“PROMETHEE, LE JOUR D’APRES” by centre Wallonie-Bruxelles à Paris & Centre des Arts at the Centre des Arts (Enghien-les-Bains, France).

Opening 20/09, 18h30

21/09 – 18/12

Aïda Kazarian
Group Show

“Accrochage” by Baudouin Oosterlynck at Kamer 9 / K 9 in Rixensart (Belgique).

Closing days 17 – 18/09 from 14h – 18h

Rue Robert Bolsacq 9, 1330 Rixensart.

Maria Friberg
Group Show

“Smörgåsbord” at The Bonnier Gallery (Miami, USA).

Opening 17/09 from 19h – 22h

17/09 – 12/11

Aïda Kazarian
Artist Talk

Open atelier at Les Ateliers de l’Orée, with artist talk by Aïda Kazarian (Belgique).

24 – 25/09 from 15h – 18h

10 avenue de l’Orée, 1000 Bruxelles

Pep Vidal
Solo Show

“Natura Viva” by Carolina Grau at Museu de l’Empordà (Girona, Spain).

07/10 – 11/12

Yoann Van Parys
Workshop + Solo Show

“Exubérance” at ArBA-EsA (Bruxelles).

Workshop 04/10 – 06/10 from 10h – 18h

Solo Show 07/10 – 08/10 from 10h – 18h

CURRENTLY

Adrien Lucca
Group Show

“On the Lookout” just opened at Fondation CAB (Rue Borrens 32-34, 1050 Bruxelles, Belgique), curated by Grégory Lang.

Until 28/01/2023

Miguel Sbastida
Group Show

“Fabular un Mundo Diferente” is a group show by Blanca de la Torre exhibited at CCE Montevideo (Uruguay).

Until 31/10

Denicolai & Provoost
Bergen Biennale

“Yasmine and the Seven Faces of the Heptahedron” curated by Yasmine d’O at the Bryggens Museum (Norway).

08/09 – 06/11

→read more

Detanico/Lain
Public order

“Lumière” ordered by Frac Provence-Alpes-Côte-d’Azur and MUCEM at MUCEM, fort Saint-Jean – Place d’Armes (Marseille, France).

29/03 – 30/09

Yoann Van Parys
Group Show

“Festival Point Point” by the assocation FAIRE DE RIEN at Avranches (France).

10/09 – 25/09

Yoann Van Parys
Group Show

“Carte Blanche” by Louis Clais and Gabriel Folli at Galerie ToTem (Amiens, France).

05/09 – 01/10

LMNO
31, Rue de la Concorde / Eendrachtstraat
B-1050 Brussels, BE

The gallery is open from Wednesday to Saturday from 12 a.m. to 6 p.m. and by appointment

+32/498.57.35.47
Facebook
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Newsletter

September – October news

Posted on 16 September 202216 September 2022

UPCOMING

VOID
Group show

“I AM NOBODY. ARE YOU NOBODY TOO?”, by curator Selen Ansen at Meşher (Istanbul, Turquie).

14/09/2022 – 12/02/2023

Adrien Lucca
Group show

“Couleur / Lumière” by Anne-Céline Maréchale at Maison des Arts de Schaerbeek (Belgique).

16/09 – 16/11

Adrien Lucca – VOID
Group show

“PROMETHEE, LE JOUR D’APRES” by centre Wallonie-Bruxelles à Paris & Centre des Arts at the Centre des Arts (Enghien-les-Bains, France).

Opening 20/09, 18h30

21/09 – 18/12

Aïda Kazarian
Group Show

“Accrochage” by Baudouin Oosterlynck at Kamer 9 / K 9 in Rixensart (Belgique).

Closing days 17 – 18/09 from 14h – 18h

Rue Robert Bolsacq 9, 1330 Rixensart.

Maria Friberg
Group Show

“Smörgåsbord” at The Bonnier Gallery (Miami, USA).

Opening 17/09 from 19h – 22h

17/09 – 12/11

Aïda Kazarian
Artist Talk

Open atelier at Les Ateliers de l’Orée, with artist talk by Aïda Kazarian (Belgique).

24 – 25/09 from 15h – 18h

10 avenue de l’Orée, 1000 Bruxelles

Pep Vidal
Solo Show

“Natura Viva” by Carolina Grau at Museu de l’Empordà (Girona, Spain).

07/10 – 11/12

Yoann Van Parys
Workshop + Solo Show

“Exubérance” at ArBA-EsA (Bruxelles).

Workshop 04/10 – 06/10 from 10h – 18h

Solo Show 07/10 – 08/10 from 10h – 18h

CURRENTLY

Adrien Lucca
Group Show

“On the Lookout” just opened at Fondation CAB (Rue Borrens 32-34, 1050 Bruxelles, Belgique), curated by Grégory Lang.

Until 28/01/2023

Miguel Sbastida
Group Show

“Fabular un Mundo Diferente” is a group show by Blanca de la Torre exhibited at CCE Montevideo (Uruguay).

Until 31/10

Denicolai & Provoost
Bergen Biennale

“Yasmine and the Seven Faces of the Heptahedron” curated by Yasmine d’O at the Bryggens Museum (Norway).

08/09 – 06/11

→read more

Detanico/Lain
Public order

“Lumière” ordered by Frac Provence-Alpes-Côte-d’Azur and MUCEM at MUCEM, fort Saint-Jean – Place d’Armes (Marseille, France).

29/03 – 30/09

Yoann Van Parys
Group Show

“Festival Point Point” by the assocation FAIRE DE RIEN at Avranches (France).

10/09 – 25/09

Yoann Van Parys
Group Show

“Carte Blanche” by Louis Clais and Gabriel Folli at Galerie ToTem (Amiens, France).

05/09 – 01/10