De regenboog toont ons hoe te stralen als het licht dat we zijn

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DERNIERS JOURS : Lynn Klemmer au Casino Display

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la fête est bientôt finie… 

01 – 06.08.2022

I Will Not Return to a Universe of Objects That Don’t Know Each Other

Lynn Klemmer

Commissaire
Nadina Faljic

Dernière semaine et dernière occasion de découvrir l’exposition de l’artiste en résidence Lynn Klemmer. 

LIEU : Casino Display, 1, rue de la Loge, L-1945 Luxembourg

Jours d’ouverture : de lundi à samedi, de 13 h 00 à 19 h 00
Fermé mardi

Entrée gratuite

Plus d’infos 

Le Casino Luxembourg
est soutenu financièrement par 

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2022 Casino Luxembourg – All rights reserved

Save the date / Summer Break

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SAVE THE DATE

We are glad to announce you our next solo exhibition

JEFF WALL

Opening Thursday 8th of September
6 – 9 pm
September 9 – November 5, 2022

Galerie Greta Meert will also welcome you during the
Brussels Gallery Weekend
from Thursday 8th to Sunday 11th of September 

Summer Break from August 2 – 15

The gallery will be closed for two weeks.
For urgent inquiries, you can send an email to

13 rue du Canal
1000 Brussels

+32 2 219 14 22

Q-O2 News :: August 2022

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 workspace for experimental music and sound art

post-residency performance
2 August – 20h-22h – free
Rebecca Lane & Clara de Asis
Sound performance for flutes, synthesizer, percussion, field recordings & silent whistles.
Distances Bending is an ever-expanding process – a building up, distilling and mirroring of materials particular to each artist’s sonic practices, responding to and inhabiting a space over multiple hours or days. During the residency, sonic and visual materials have been developed to inform an environmental system within which the performance takes place, but  which has a life force or choreography of its own. Developing a repeated time structure, a temporal loop that is altered by upwardly expanding frequencies (plucked from the harmonic series), instruments (whose size, timbre and shape correspond to these frequencies), various filtering bodies (found & electronic) and changing light, they aim to create a subtle space where perception can be transformed.
[read more]

call
15 September
Call for residencies at Q-O2
Q-O2 will host 20 residencies in 2023 of which 10 for international and 10 for local artists working with, on or around sound. We are open for artists, art workers and theorists who wish to work on a research-oriented project (please mind that we do not organise residencies directed at production).

We offer a work studio and material, a creative and communicative environment, and the possibility to present your work to a public. For international residents we provide accommodation in a shared apartment and a contribution to travel expenses of max 150€. A small subsistence budget will be reserved for all artists who do not come with other funding. Residencies should be between four and six weeks long.

To apply, please send a concise project proposal of not more than one page and a link to your website or other secondary information by September 15th to

listen
21 Tracks for the 21st Century: Dora Benyo
HART magazine and Q-O2 join forces with 21 Tracks for the 21st Century, a series of playlists to gear ourselves for our present century. We ask our guests: what music does this century need? As tonic, as engine-fuel, as rhythm, as common ground, as ballast? Each time, we invite one artist, thinker or musician to prepare a playlist of those sounds, songs and pieces of music that will best arm their listeners with the tools to approach what is left of this young century.
For this month’s edition, we invited painter and video and performance artist Dóra Benyó, who put together a two-part playlist featuring sounds from the Hungarian underground and pop scenes from the 60s to the 80s and beyond.
[listen here]

still available + new
New post-residency videos by:
Lilja María Ásmundsdóttir: https://vimeo.com/727340245
Luke Nickel: https://www.youtube.com/watch?v=Vvql0FZ-3XY
podcasts, books, cassette releases, videos.:

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Light Sleeper I Vanessa Disler I extended until 17. September I Summer Sundowner Saturday 30. July 7-10 pm Zurich

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Damien & The Love Guru


Installation view 


extended until 17. September 2022

While the term originates in psychiatry, euphoric recall can also be applied to other spheres to describe the phenomenon whereby episodes from the past become catalysts for creative potential. Euphoric recall can be used to describe Vanessa Disler summoning the artistic anima of Martin Disler (1949-1996) the Swiss artist whose legacy has been a touchstone for her for several years. Now remembered predominately as a proponent of the Neue Wilde. Martin Disler’s work typifies how many artists in the early 1980’s attempted to sidestep what they saw as an excessively cerebral and etiolated approach to making art. A self proclaimed outsider, Disler believed art should be intense, intimate and spontaneous. Vanessa draws upon Martin’s visual vocabulary while sharing his aspiration to make paintings imbued with personal, historical and archetypal meaning. She too is drawn to the visceral immediacy of expressionism and her engagement with painting is exuberant and sensual. There is a palpable jouissance to Vanessa’s application of paint; works are distinguished by rapid, vigorous brushwork created via spontaneous gestures. Like her predecessor, Vanessa uses archetypal symbols in her work, demonstrated here in the imagery on each side of the painted structure; the depictions of day and night; the eternity loop; the square spiral and patterning resembling rusted chainmail fencing. Both share a propensity for using language in their work, as highlighted here in the three steel ‘gates’ installed in the garden. (excerpt of the exhibition text by Padraic E. Moore) 


Vanessa Disler, Butterflyeffect, 2015, steel rebar, 190 x 150 cm / 74.80 x 59.06 in
 

⏧
 

Summer Sundowner with snacks and drinks at Haus zum Öpfelbaum
Saturday 30. July from 7 – 10pm 
Zollikerstrasse 249-251

Damien & The Love Guru
Vanessa Disler
Light Sleeper

suns.works
Salon Solaire
Jordan Belson, Johanna Odersky, Jutta Zimmermann, Albert Oehlen & Carsten Nicolai, Vidja Gastaldon, Thomas Sauter

flatmarkus
Secret
Xie Lei

⏧

CURRENTLY
Jasmin Werner
Stufen fur Kunst
March 2022 – March 2023
Kunstverein Hannover

UPCOMING 
Julian Irlinger
Hanna-Maria Hammari, James Krone, Tetsumi Kudo, José Montealegre, Berenice Olmedo, Darling Lopez-Salinas, Anna Solal, Zoe Williams
Wet Resistance
Opening 13. August 2022 
Dortmund Kunstverein
 

Jasmin Werner 
there in spirit 
Opening 8. September 2022
as part of Brussels Gallery Weekend
8 – 11 September 2022
9. September – 22. October 2022 
Damien & The Love Guru
Brussels

Christiane Blattmann
The Sculpture Factory
as part of Brussels Gallery Weekend
8 – 11 September 2022 
Maria Zahle, Xavier Mary, KRJST Studio, Haseeb Ahmed, Tatiana Wolska, Ana Mazzei, Enrique Ramir, 
Rafa Macarrón, Christoph Meier, Thomas Renwart, Jeanne Vicerial, Jean Katambayi Mukendi 
Boulevard Berlaimont 56 
Brussels

Emanuele Marcuccio
Opening 8. September 2022
Lodos Gallery
Mexico City

Sharon Van Overmeiren 
Jef Geys, Fik van Gestel, Luc Deleu, Ria Pacquée, Guillaume Bijl, Liliane Vertessen, Anne-Mie Van Kerckhoven, Fred Bervoets, Anita Evenepoel, Luk Van Soom, Hans Op de Beeck, Vaast Colson, Tom Liekens, Dries Segers, Bart Van Dijck, Michèle Matyn, Nicolas Provost, Nick Andrews, Peter de Cupere, Nel Aerts, Filip Vervaet, Carole Vanderlinden, Peter Morrens, Nadia Naveau, Philippe Aguirre y Otegui and others
Old Wine / New Bags 
Opening Friday 16. September 2022
De Warande
Turnhout
–
Group show
17 – 18 September 2022
Open Monumentendagen
Egmontpaleis 
Brussels 

Anne Fellner 
Group show
Opening 10. September 2022
PROVENCE Pavilion 
Zurich 

Anne Fellner & Mickael Marman
Opening 30. September 2022 
Damien & The Love Guru
Zürich

 

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Rue de Tamines 19
1060 Brussels

Wednesday – Saturday
12 – 6 pm
and by appointment

& 

Zollikerstrasse 249
8008 Zürich
by appointment

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Ontdek Z33 binnen en buiten Hasselt

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Geen afbeeldingen? Bekijk de webversie

Z33 Nieuwsbrief

Antwerpen, Brussel, Borgloon-Heers, Genk en de Maasvallei: ook buiten onze muren kan je Z33 op verschillende plekken ontdekken. En binnen de muren brengen we Congolese kunstenaars, aaibare objecten en duurzame architectuur samen. 

Drie voor de prijs van één

Rep je naar Z33 om de tentoonstellingen te zien. In de loop van augustus eindigen de huidige, daarna is het weer uitkijken naar nieuwe. 

Charging Myths volgt het spoor van lithium en vertrekt vanuit Manono (Democratische Republiek Congo). Nog tot 21.08.
Same Same but Different toont de duurzame architectuur van BC architects & studies & materials. Nog tot 07.08.
Please do touch is de aaibare tentoonstelling van maakster Lore Langendries. Nog tot 15.08.

© Selma Gurbuz

Interview

De energie van kunst

© Kristof Vrancken

“Soms gaat het moeilijk om een nieuwe richting op te gaan, maar dat is niet erg. Zonder tegengewicht is er immers geen gewicht. Weerstand is ook iets moois.” Jean Katambayi Mukendi maakt deel uit van de tentoonstelling Charging Myths. In dit interview vertelt hij uitgebreid over zijn werk en de zoektocht naar een nieuwe balans in de wereld. 

Lees het interview

Buiten de muren

Je hoeft niet naar Hasselt te komen om ons gebouw te bewonderen. Momenteel is het ontwerp van Francesca Torzo onderdeel van een tentoonstelling in Antwerpen. Binnenkort zie je Z33 ook in Brussel. 

© Olmo Peeters

De tentoonstelling Care for Space for Care van het Vlaams Architectuurinstituut in De Singel draait rond zorgzame architectuur. Een van de voorbeelden? Het gebouw van Z33 in Hasselt!

Lees meer

 

© Jeroen Verrecht

In Bozar kan je vanaf 16 augustus de finalisten van de Mies van der Rohe awards 2022 ontdekken. Z33 was dit jaar een van de finalisten van de prestigieuze architectuurprijs.

Lees meer

Z33 is een grensverleggende kunstinstelling in Hasselt, op het kruispunt van hedendaagse kunst, design en architectuur.

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Word Vriend

Partners:

Je ontvangt deze e-mail omdat je je daarvoor hebt aangemeld op onze website.
Our mailing address is: 

Z33

Bonnefantenstraat 1

Hasselt 3500

Belgium

Add us to your address book

update your preferences or unsubscribe from this list.
 

Q-O2 News :: July/August 2022

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 workspace for experimental music and sound art

post-residency performance
29 July – 18h – free
Florence Cats
i perform with a theremin,
drawing sounds in the air, inspired by stars’ phenomena
i use fingers, the whole body, water, metal, breath, voice
starting from nothing
raising tiny vibrations into acoustic and electric sounds
sound and light reflected through paper, wall, eye and ear moving in space
tuning sign and signal to silence and void
[read more]

call
15 September
Call for residencies at Q-O2
Q-O2 will host 20 residencies in 2023 of which 10 for international and 10 for local artist working with, on or around sound. We are open for artists, art workers and theorists who wish to work on a research-oriented project (please mind that we do not organise residencies directed at production).
We offer a work studio and material, a creative and communicative environment, and the possibility to present your work to a public. For international residents we provide accommodation in a shared apartment and a contribution to travel expenses of max 150€. A small subsistence budget will be reserved for all artists unless they have other funding. The residencies can be between four and six weeks long.
To apply, please send a concise proposal and presentation of yourself of not more than one page, and a link to your website or other secondary information by September 15th to

listen
21 Tracks for the 21st Century: Dora Benyo
HART magazine and Q-O2 join forces with 21 Tracks for the 21st Century, a series of playlists to gear ourselves for our present century. We ask our guests: what music does this century need? As tonic, as engine-fuel, as rhythm, as common ground, as ballast? Each time, we invite one artist, thinker or musician to prepare a playlist of those sounds, songs and pieces of music that will best arm their listeners with the tools to approach what is left of this young century.
For this month’s edition, we invited painter and video and performance artist Dóra Benyó, who put together a two-part playlist featuring sounds from the Hungarian underground and pop scenes from the 60s to the 80s and beyond.
[listen here]

still available + new
New post-residency videos by:
Lilja María Ásmundsdóttir: https://vimeo.com/727340245
Luke Nickel: https://www.youtube.com/watch?v=Vvql0FZ-3XY
podcasts, books, cassette releases, videos.:

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Closing Event, Current and Upcoming Exhibitions

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Closing event for Koen Kloosterhuis – Spaghetti Rain

Closing event for Koen Kloosterhuis – Spaghetti Rain
Turning to Dust and Bones, part 2
Sunday 31 July, 17 -19 hrs

Bar open: 17 hrs
Commissioned text by Çağlar Köseoğlu
Performance by Mica Pan at 17.30 hrs:

“There is such a thing as remembering without recognising the memory in it,” he remarked. 
                             —George MacDonald, Lilith: A Romance

But for in the past these differences conceal contemporaneousness: how are we to distinguish difference in time from difference in space? 
                             —Richard Fortey, Life

Mica Pan is interested in the subconscious, the idea of “nothingness” in contrast with “something-ness”. As a site-specific performance artist, different structures of architecture and spaces often serve as a material and starting point for her idea to manifest into a form, while everyday actions and objects often appear as a medium to merge with space in a minimalistic way. She aims to create a subtle intersection of narrative and feeling/sensation in a space, allowing the audience to enter a realm where they can get in touch with their own subconscious in an immersive atmosphere and be aware of the now-ness of the presence. 

Çağlar Köseoğlu was invited to write an autonomous piece of work in response to the work of Koen Kloosterhuis. It will be available at the space in print and published on the website of P/////AKT from Sunday onwards. Köseoğlu studied philosophy and literature in the Netherlands, Turkey and the US. He received his second MA in Aesthetics and Politics at California Institute of the Arts on a Fulbright scholarship. He is a Lecturer at the Piet Zwart Institute in Rotterdam as well as Erasmus University College, where he teaches literature, politics and postcolonial theory.

Turning to Dust and Bones (April 2022 – April 2023) is a series of six consecutive solo exhibitions loosely dealing with the subconscious, memory and the traces of being uprooted. It is featuring Anders Dickson, Koen Kloosterhuis, Kristina Sedlerova-Villanen, Aslan Goisum, Giulia Cenci and Rodrigo Hernández. 
The public program is moderated by DIG – the Internet Guide of literature magazine De Gids, with editors Asha Karami, in charge of selecting contributors for additional texts and events, and Fabienne Rachmadiev, who is closely following the program in order to write the central essay for the series.

(read more)

Sarah Pichlkostner – Fill O – David Dale Gallery, Glasgow

Sarah Pichlkostner – Fill O
David Dale Gallery, Glasgow
Opening: Saturday 6 August 4 – 8pm

Until 20 August, Thu 12 – 6 pm & Fri – Sat 12 – 8pm
Bar Dee Dee will be open during the exhibition opening and on Fridays and Saturdays 2 – 8pm

Sarah Pichlkostner creates sculptures and environments through which she investigates the representation of invisible processes: the transmission of energy, the passage of time, and our psychological responses to materials and things. Or as she puts it: when material is brought to an object, i.e. is made into one, and the function of this object is continuously developing over time, then the object is ultimately reflecting us.

Fill O is the second part of an organisational exchange with P/////AKT, Amsterdam, with whom Sarah Pichlkostner realised the solo exhibition If the moon was a cookie in 2018. The first part of the exchange, I didn’t think it would turn out this way took place at P/////AKT from 13th November – 19th December 2021. 

Online Screening
Empathic Creatures (2018), Barbara Kapusta, 6 mins, 43 secs
Selected by Sarah Pichlkostner and viewable on our website for the duration of the exhibition

Commissioned Writing
A written response to Fill O by Clarinda Tse will be readable on our website in August.

(read more)

Koen Kloosterhuis – Spaghetti Rain – on view until 31 July

Koen Kloosterhuis, Spaghetti Rain
Turning to Dust and Bones, part 2

Closing event: 31 July, 17 – 19 hrs
26 June – 31 July 2022
Thu – Sun, 14 – 18 hrs

Three reanimated crows, inspired by their plastic lookalikes placed in gardens to scare away pigeons, and animatronics found in haunted house rides, ‘greet’ the visitor as they cross the threshold and wander through the exhibition space; turning them into an intruder. Within the space, the crows create a domain of privacy and secrecy that is inherent to most backyards. The electronics, attached on the outside of the birds instead of being concealed within, function as external organs meant to force the stuffed crows to speak. It is a single voice, belonging to one crow, that echoes its way through the second and has almost disappeared by the time it reaches the third.

Scattered across the floor lie chunks of concrete. A wing, a head, a hand, an elephant’s trunk; the remains of a carefully dissected gathering of garden statues, originally collected by my father. Fragments of bodies that are endlessly reproducible. Clones and copies not bound to time or space—reduced to decoration, degraded to kitsch.

Strands of spaghetti covered in red sauce have fallen on top of the debris. We once had a neighbor that would feed his leftover spaghetti to the crows living near our street. In the sky, the birds would fight each other over the bloody scraps, sometimes accidentally dropping them into my father’s backyard, marking the concrete tiles and stone statues with yellow strings and splashes of red.

Backed into the corner, slightly elevated from the floor, stands the untreated and vulnerable garden house that, instead of providing a solution to survive in an inhospitable environment—like its predecessor the log cabin—has become a place associated with leisure, relaxation and daydreaming. A sanctuary from the outside world placed on the edge of the domestic sphere; a room at the end of the garden.

Spaghetti Rain marks the second episode of Turning to Dust and Bones, a series of solo exhibitions by six artists that is loosely evolving with the mind, memory and a sense of being uprooted.

Tilde ~ 1934 ~ on view until 31 July

Tilde ~ 1934
Polina Kanis, Pejvak (Felix Kalmenson and Rouzbeh Akhbari)

26 June – 31 July 2022
Thu – Sun, 14 – 18 hrs

Curator: Masha Domracheva
Production and technical support: Matteo Casarin, Brian McKenna, Alex Fischer

The exhibition explores two utopian botanical projects both initiated in 1934

The work of artistic duo Pejvak is telling the story of an expedition to Japanese-occupied Manchuria led by artist, scientist and mystic Nikolay Roerich and commissioned by the US Secretary of Agriculture Henry Wallace. Roerich and Wallace had a double agenda. Wallace regarded Roerich as his spiritual leader and secretly supported the painter’s mission to establish a pan-Buddhist society based on high spirituality and cooperative labor, known as the Sacred Union of the East. Roerich in turn was supposed to collect drought-resistant plants that would be able to stabilise and restore American soil.

The work of Polina Kanis explores an ideological project accidentally started by Soviet scientist Fyodor Zorin in the botanical garden of Sochi. He planted a wild lemon tree and then grafted other citrus fruits onto its crown. A tradition grew: throughout decades prominent international figures added grafts of different citrus varieties to the tree. Today there are more than 630 of these additional shoots, representing 167 different countries and a utopian vision of political and ecological symbiosis.

So, a recently developed branch of science — breeding — became extremely important for the rise of the agricultural sectors of the world economy, and two so called ‘camps’ —USA and USSR in particular. That is not a coincidence as ideas about new forms of life often appear on the ruins of societies collapsed after a recent crises, when they are about to resurrect, and the new world is to be built. But what new world were supposed to be built? What was given a start at the same time in 1934 in the world politically and socially? And what those visionary projects, explored in the exhibition, mean to us today? Can we consider them utopias today, knowing that they were echoing imperialist logic? And lastly, how shall we reconsider the concept of utopia within decolonial thinking?

The exhibition was first opened on May 13 within Amsterdam Art Week, and supposed to function until June 19, but due to unpredictable organisational issues with the space it had to be closed the day after. Soon after these events, P/////AKT team has kindly offered to reopen the show in P/////AKTPOOL.

Raphaël Langmair – Again (Monochrome) – on view until 31 July

Raphaël Langmair
Again (Monochrome)

26 June – 31 July 2022
Thu – Sun, 14 – 18 hrs

16,5 x 25 x 3 cm
2 burnt slices of bread, cardboard box, ink stamped text
signed, numbered, dated
edition of 5, published by the artist

P/////AKT is proud to present Again, (Monochrome) a new edition by alumn Raphaël Langmair:

He finds an object and makes a replica, although differently from its original. In the past he used ink of an octopus for making one in print of that same octopus. In another work he takes a fruit market crate and rebuilds it into a triangle shaped one. Recently one morning he burnt his toast. He took another slice of bread in order to make a toast again. While waiting he decided to burn deliberately the next one as well that brought him two burnt toasts that he turned into a piece, hence the title of this edition: Again. (Kees van Gelder)

Join our Facebook event here.

Our events are featured on Public Data for Public Events
 

P/////AKT would like to thank:

Mondriaan Fund, Amsterdam Fund for the Arts and 

Stadsdeel Amsterdam Oost.

P/////AKT
Zeeburgerpad 53
1019 AB Amsterdam

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Plantagehuizen, slavenforten en kerkers tegenover het Paleis en de grachtenpanden

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Sommer 2022 im IKOB 🌞

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FR / EN / NL

 

Jetzt zu sehen

Bis 25.09.2022
IKOB – FEMINISTISCHER KUNSTPREIS 2022 
Daniela Bershan, Jieun Lim, Sandrine Morgante, Marnie Slater, Céline Vahsen, Puck Verkade

Mehr Informationen hier.

27.07.2022, 18:30

KURATORENFÜHRUNG

mit Brenda Guesnet

Entdecken Sie unsere aktuelle Ausstellung als Teil einer Führung mit Kuratorin Brenda Guesnet, nächsten Mittwoch 27. Juli um 18:30. 

Preis: 5€. Keine Anmeldung notwendig.

Mehr Informationen hier.
 

Jetzt zu sehen

Bis 25.09.2022
Nika Schmitt: sweet zenith

Meakusma und Rotondes präsentieren im IKOB die Klanginstallation sweet zenith (2022) von Nika Schmitt.

Mehr Informationen hier.

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Rotenberg 12b
4700 Eupen
Belgien / Belgique / Belgium

Öffnungszeiten / Horaires d’ouverture / Opening hours 
Di – So / Mar – Dim / Tue – Sun
13.00 – 18.00

Führungen auf Anfrage / Visites guidées sur demande / Guided tours on demand: Pressedossiers auf Anfrage / Dossiers de presse sur demande / Press Files on demand:  Presse-Login

Art does not need a common language, it is international by itself.
www.verycontemporary.org
The Network of 11 art institutions of the Meuse-Rhine Euregion. Supported by Euregio Maas-Rhein

Mit der Unterstützung von / Avec le soutien de / With the support of

Copyright © 2022 IKOB – Museum für Zeitgenössische Kunst, All rights reserved.
Sie haben diese E-Mail erhalten, weil Sie sich für den IKOB-Newsletter angemeldet haben. / Vous avez reçu cet email parce que vous vous êtes inscrit à la newsletter de l’IKOB. / You have received this email because you registered to the IKOB newsletter.

Our mailing address is:

IKOB – Museum für Zeitgenössische Kunst

Rotenberg 12b

Eupen 4700

Belgium

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IKOB – Feminist Art Award: rondleiding door curator op woensdag 27 juli

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FR / EN / NL

 

Nu te zien

Tot 25.09.2022
IKOB – Feminist Art Award 2022
Daniela Bershan, Jieun Lim, Sandrine Morgante, Marnie Slater, Céline Vahsen, Puck Verkade

Meer informatie hier.

27.07.2022, 18:30

RONDLEIDING DOR CURATOR

met Brenda Guesnet

Ontdek onze huidige tentoonstelling tijdens een rondleiding met curator Brenda Guesnet, aanstaande woensdag 27 juli om 18.30 uur. 

Prijs: 5€. Geen registratie nodig.

Meer informatie hier.

Nu te zien
Tot 25.09.2022
Nika Schmitt: sweet zenith

Meakusma en Rotondes presenteren de geluidsinstallatie sweet zenith (2022) van Nika Schmitt in het IKOB.

Meer informatie hier.

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Rotenberg 12b
4700 Eupen
Belgien / Belgique / Belgium

Öffnungszeiten / Horaires d’ouverture / Opening hours 
Di – So / Mar – Dim / Tue – Sun
13.00 – 18.00

Führungen auf Anfrage / Visites guidées sur demande / Guided tours on demand: Pressedossiers auf Anfrage / Dossiers de presse sur demande / Press Files on demand:  Presse-Login

Art does not need a common language, it is international by itself.
www.verycontemporary.org
The Network of 11 art institutions of the Meuse-Rhine Euregion. Supported by Euregio Maas-Rhein

Mit der Unterstützung von / Avec le soutien de / With the support of

Copyright © 2022 IKOB – Museum für Zeitgenössische Kunst, All rights reserved.
Sie haben diese E-Mail erhalten, weil Sie sich für den IKOB-Newsletter angemeldet haben. / Vous avez reçu cet email parce que vous vous êtes inscrit à la newsletter de l’IKOB. / You have received this email because you registered to the IKOB newsletter.

Our mailing address is:

IKOB – Museum für Zeitgenössische Kunst

Rotenberg 12b

Eupen 4700

Belgium

Add us to your address book

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Atelier créatif pour adultes

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atelier créatif pour adultes 

Dimanche 07.08.2022, 10 h 00 – 17 h 00

Atelier d’impression 3D avec de l’argile 

Encadrement
Angelika Bocian-Jaworska (Äerd Lab)

Cet atelier permet de découvrir le potentiel de l’impression 3D avec un matériau traditionnel et durable, l’argile.  Le cours passe par le dessin, la création d’un projet personnel, la préparation de l’argile et les tests à la main, et enfin par l’ensemble du processus d’impression. Comme résultat, chaque participant·e recevra une tasse en porcelaine qu’il/elle aura conçue, imprimée en 3D et cuite. 

Participation : 30 € / 1,50 € avec le Kulturpass
Réservation

Voir aussi :

Mercredi 03.08.2022, 9 h 00 – 16 h 30
Impresssion 3D en céramique 
atelier pour enfants (7-12 ans)

Le Casino Luxembourg
est soutenu financièrement par 

Casino Luxembourg – Forum d’art contemporain
41, rue Notre-Dame, L-2240 Luxembourg
T 352 22 50 45
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2022 Casino Luxembourg – All rights reserved

à keur ouvert, cette semaine : ateliers bricolage et plantes sauvages !

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à keur ouvert
17 juin–16 septembre 2022

PROCHAINES DATES :
 

Samedi 23 et mercredi 27 juillet, 14h30–17h
« Rendez-nous les visseuses ! »
Atelier de bricolage en non-mixité (sans homme cisgenre) avec Marion Abeille 

« Rendez-nous les visseuses ! » est un atelier d’auto-formation au bricolage animé par Marion Abeille dont la visée est de partager et de diffuser des ressources pratiques, techniques et théoriques pour rendre les personnes participantes plus autonomes au quotidien en matière de bricolage. Cet atelier repose sur trois mots-clés : autonomie, économie, écologie.

Il peut s’agir d’apprendre à réparer des objets à moindre coût ou de recycler des matières et matériaux pour éviter de les jeter. Cette initiative se présente comme un espace de rencontre et de mise en réseau. Les ateliers sont pensés pour répondre aux besoins spécifiques de celleux qui y participent. Plus largement, « Rendez-nous les visseuses ! » aspire à lutter contre les stéréotypes de genre quant à la capacité des minorités de genre à bricoler.

Samedi 23 et mercredi 27 juillet 14h30–17h
Keur, 78 rue des Amandiers Paris 20
Possibilité d’assister à une ou plusieurs séances. Places limitées. Aucun matériel n’est à apporter, tout est fourni sur place. Inscriptions :

Dimanche 24 juillet 
Balade et atelier avec Colin Larsonneur, cueilleur de plantes sauvages médicinales et jardinier.

10h – Balade de reconnaissance de plantes sauvages urbaines
Départ Keur, 78 rue des Amandiers Paris 20 
durée : environ 2 à 3 heures

14h –  Atelier de fabrication d’un baume à l’ortie
Keur, 78 rue des Amandiers Paris 20
durée : 2 heures

A partir de 11 ans. Places limitées. Il est possible de s’inscrire aux deux activités ou à l’une ou l’autre individuellement. Inscriptions : 

ET TOUJOURS :
 

Jusqu’au 16 septembre
Exposition carte blanche
Eden Tinto-Collins
Si m’endurcir n’est pas la voie de mon salut, mais le point de non-retour indispensable à ce que la droite qu’iels goûtent soit tendre et m’émancipe alors je trinque.
Cur. Caroline Honorien

Jusqu’au 16 septembre
Ouvert du jeudi au samedi en juin, juillet et septembre (fermée en août)
14h–18h et visible depuis la vitrine le reste du temps ou sur rendez-vous

A VENIR :

Report en septembre 2022 du concert d’Inès Chérifi et Chouf.
Date à venir.

à keur ouvert avec le soutien de la Direction régionale des Affaires culturelles
d’Île-de-France – Ministère de la Culture – été culturel 2022. 
Les concerts ont également reçu le soutien de la Mairie du 20e arrondissement de Paris.

KEUR, centre d’expérimentation et de diffusion du travail artistique
78, rue des Amandiers, 75020 Paris     www.keur.info

© images : 1 Colin Larsonneur / 2 Andrès Baron

Our mailing address is:

Keur

78 Rue Des Amandiers
20E ARRONDISSEMENT

PARIS 75020

France

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QUEERING THE NARRATIVE: Lecture + Artist Talk + Party

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QUEERING THE NARRATIVE

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

LECTURE + ARTIST TALK + PARTY am 23. JULI 2022

 

 

 

Der NAK Neuer Aachener Kunstverein freut sich anlässlich der Gruppenausstellung Queering the Narrative eine Lecture sowie einen Artist Talk am 23. Juli ab 17 Uhr im Kunstverein präsentieren zu dürfen.

Amelia Abraham ist eine Journalistin und Autorin aus London, die sich in ihrer Arbeit hauptsächlich mit queerer Kultur beschäftigt. Sie schreibt für The Guardian und Vogue und hat mit Queer Intentions: A (Personal) Journey Through LGBTQ+ Culture und We Can Do Better Than This: 35 Voices on the Future of LGBTQ+ Rights zwei Bücher veröffentlicht. In einer Kurzpräsentation spricht sie im NAK über ihre journalistische Tätigkeit und warum es für sie so wichtig ist, queere Kultur immer wieder in den öffentlichen Blick zu rücken.

Anschließend findet ein Künstlergespräch zwischen Amelia Abraham und Harry Hachmeister statt, dessen Arbeiten u.a. in der aktuellen Ausstellung zu sehen sind. Harry Hachmeister studierte an der Hochschule für Grafik und Buchkunst Leipzig. Seine interdisziplinären Arbeiten, die von Fotografie über Zeichnung und Malerei bis hin zu Keramik reichen, beschäftigen sich mit (Geschlechter-)Identitäten, Körpern und körperlichen Zuschreibungen. Danach stellen sich beide Diskussionsteilnehmer_innen den Fragen des Publikums in einem Q&A.

Die Ausstellung Queering the Narrative ist natürlich bereits ab 14 Uhr geöffnet.

Im Anschluss unterstützt der NAK die queere Party Revolting Queers im AZ Autonomen Zentrum Aachen. Für die vierte Ausgabe der Reihe steht ein spannendes Lineup auf dem Programm: ghost kid, Polyester, ffury und Aaro sorgen ab 23 Uhr für die Musik. Weitere Informationen: https://rb.gy/mfxeqs 

Teilnehmende Künstler_innen der Ausstellung:

Soufiane Ababri, Kira Bunse, TM Davy, Josh Faught, Elburuz Fidan, Jenna Gribbon, Philipp Gufler, Harry Hachmeister, Constantin Hartenstein, Christopher Hartmann, Evan Ifekoya, Artor Jesus Inkerö, William E. Jones, Sholem Krishtalka, Martin Maeller, Paul Mpagi Sepuya, Aistė Stancikaitė, Luki von der Gracht

Mit freundlicher Unterstützung durch:


Falls Sie den Newsletter nicht mehr erhalten möchten, senden Sie uns bitte eine E-Mail mit dem Betreff UNSUBSCRIBE.
_ _

NAK Neuer Aachener Kunstverein
Passstraße 29
52070 Aachen
0049 (0)241503255
www.neueraachenerkunstverein.de
www.instagram.com/neuer.aachener.kunstverein

 

Brussels Gallery Weekend celebrates 15th anniversary!

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SAVE THE DATE

BGW goes big to celebrate 15th anniversary!

© HV Photography. Courtesy the artist and rodolphe janssen, Brussel

From 8-11 September, 46 art galleries around Brussels will be open to the public as part of the Brussels Gallery Weekend. For its 15th anniversary the BGW has a special programme to match, with a unique main venue in the former printing plant of the National Bank of Belgium, the perfect setting for large format sculptures. 

Throughout the long weekend, Brussels will be buzzing with exhibitions, performances, and installations. This fifteenth edition of BGW will have 46 galleries participating, and also a brand new concept: a central focal point in the prestigious surroundings of L’Imprimerie – a former printing plant. And of course we mustn’t forget the traditional “off” programme, the “Generation Brussels” exhibition, different talks, and more to be announced later. 

PARTICIPATING GALLERIES : Almine Rech, Arcade, Archiraar Gallery, Ballon Rouge, Baronian, Belgian Gallery Brussels, Bernier/Eliades, Clearing, Damien & The Love Guru, Dauwens & Beernaert Gallery, dépendance, didier Claes, Galeria Jaqueline Martins, Galerie de la Béraudière, Galerie Dys, Galerie Felix Frachon, Galerie Greta Meert, Galerie La Forest Divonne, Galerie Nathalie Obadia, Gladstone, Harlan Levey Projects, Hopstreet Gallery, Irène Laub Gallery, Jan Mot, La Maison De Rendez-Vous, La Patinoire Royale | Galerie Valérie Bach, La peau de l’ours, Maniera, Marra\Nosco, Maruani Mercier, Meessen De Clercq, Mendes Wood DM, Michel Rein, Montoro12 Gallery, Nino Mier, Nosbaum Reding, Pierre Marie Giraud, rodolphe janssen, Rossicontemporary, Schönfeld Gallery, Sorry We’re Closed, Spazio Nobile, Stems Gallery, Templon, Waldburger Wouters, Xavier Hufkens. 

L’Imprimerie: the perfect backdrop for the “Sculpture Factory” exhibition

This year, the heart of the Gallery Weekend can be found in the very centre of Brussels, in the former printing plant of the Belgian national bank. A modernist building measuring over 20,000 square metres, built in 1950 and and recently acquired for redevelopment by 3D Real Estate and Burco Europe. Made available on a temporary basis, this emblematic space will host various talks, a Duvel bar, Lillet and Ceder bars, and numerous projects and performances including the “Generation Brussels” and “Sculpture Factory” exhibitions. With the support of Art Brussels, the space will also host a unique selection of large format works put forward by participating galleries. 

Generation Brussels!

For the fifth year running, the “Generation Brussels” exhibition will shine a spotlight on a range of artists who live and work in Brussels. Twelve artists including art students, young graduates, up-and-coming names as well as some more experienced artists whose work explores the theme of ‘care’. “In a world controlled by visible and invisible forces – at times limiting, and sometimes leading to happy coincidences – the hand that gives, heals, or repairs, the word that soothes, or the ear that listens, nature reimagined or disguised, as well as space as a vessel for minuscule signs of change, can inspire surprising processes,” explains Maud Salembier art historian and curator of the exhibition.

On the Sunday evening, one of these artists will be awarded the Prix Centre/Komett, the first edition of a prize resulting from a collaboration between the Centre Wallonie-Bruxelles/Paris and the KOMMET association based in Lyon.

OFF PROGRAM : Ada Ventura, La Centrale, Fondation CAB, Cloud Seven, Globe Aroma, JAP, La Loge, LaVallée, Musée Juif de Belgique, SB34 Clovis + Société, WIELS, 10N.

PROGRAM

Vernissage
 

Thursday September 8                                     11 am – 9 pm                   

Public Opening

Friday 9 – Saturday 10                                     11 am – 7 pm
 

Public Opening

Sunday 12                                                      11 am – 6 pm
 

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Brussels Gallery Weekend celebrates 15th anniversary!

Posted on

SAVE THE DATE

BGW goes big to celebrate 15th anniversary!

© HV Photography. Courtesy the artist and rodolphe janssen, Brussel

From 8-11 September, 46 art galleries around Brussels will be open to the public as part of the Brussels Gallery Weekend. For its 15th anniversary the BGW has a special programme to match, with a unique main venue in the former printing plant of the National Bank of Belgium, the perfect setting for large format sculptures. 

Throughout the long weekend, Brussels will be buzzing with exhibitions, performances, and installations. This fifteenth edition of BGW will have 46 galleries participating, and also a brand new concept: a central focal point in the prestigious surroundings of L’Imprimerie – a former printing plant. And of course we mustn’t forget the traditional “off” programme, the “Generation Brussels” exhibition, different talks, and more to be announced later. 

PARTICIPATING GALLERIES : Almine Rech, Arcade, Archiraar Gallery, Ballon Rouge, Baronian, Belgian Gallery Brussels, Bernier/Eliades, Clearing, Damien & The Love Guru, Dauwens & Beernaert Gallery, dépendance, didier Claes, Galeria Jaqueline Martins, Galerie de la Béraudière, Galerie Dys, Galerie Felix Frachon, Galerie Greta Meert, Galerie La Forest Divonne, Galerie Nathalie Obadia, Gladstone, Harlan Levey Projects, Hopstreet Gallery, Irène Laub Gallery, Jan Mot, La Maison De Rendez-Vous, La Patinoire Royale | Galerie Valérie Bach, La peau de l’ours, Maniera, Marra\Nosco, Maruani Mercier, Meessen De Clercq, Mendes Wood DM, Michel Rein, Montoro12 Gallery, Nino Mier, Nosbaum Reding, Pierre Marie Giraud, rodolphe janssen, Rossicontemporary, Schönfeld Gallery, Sorry We’re Closed, Spazio Nobile, Stems Gallery, Templon, Waldburger Wouters, Xavier Hufkens. 

L’Imprimerie: the perfect backdrop for the “Sculpture Factory” exhibition

This year, the heart of the Gallery Weekend can be found in the very centre of Brussels, in the former printing plant of the Belgian national bank. A modernist building measuring over 20,000 square metres, built in 1950 and and recently acquired for redevelopment by 3D Real Estate and Burco Europe. Made available on a temporary basis, this emblematic space will host various talks, a Duvel bar, Lillet and Ceder bars, and numerous projects and performances including the “Generation Brussels” and “Sculpture Factory” exhibitions. With the support of Art Brussels, the space will also host a unique selection of large format works put forward by participating galleries. 

Generation Brussels!

For the fifth year running, the “Generation Brussels” exhibition will shine a spotlight on a range of artists who live and work in Brussels. Twelve artists including art students, young graduates, up-and-coming names as well as some more experienced artists whose work explores the theme of ‘care’. “In a world controlled by visible and invisible forces – at times limiting, and sometimes leading to happy coincidences – the hand that gives, heals, or repairs, the word that soothes, or the ear that listens, nature reimagined or disguised, as well as space as a vessel for minuscule signs of change, can inspire surprising processes,” explains Maud Salembier art historian and curator of the exhibition.

On the Sunday evening, one of these artists will be awarded the Prix Centre/Komett, the first edition of a prize resulting from a collaboration between the Centre Wallonie-Bruxelles/Paris and the KOMMET association based in Lyon.

OFF PROGRAM : Ada Ventura, La Centrale, Fondation CAB, Cloud Seven, Globe Aroma, JAP, La Loge, LaVallée, Musée Juif de Belgique, SB34 Clovis + Société, WIELS, 10N.

PROGRAM

Vernissage
 

Thursday September 8                                     11 am – 9 pm                   

Public Opening

Friday 9 – Saturday 10                                     11 am – 7 pm
 

Public Opening

Sunday 12                                                      11 am – 6 pm
 

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Last days: Andrea Büttner, ‘Asparagus Harvest’, until 23/07

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Please note

Andrea Büttner, Part 1: Asparagus Harvest, installation view at Jan Mot, 2022. Photo: Philippe De Gobert

Last days: 

04/06 – 23/07
Andrea Büttner
Part 1: Asparagus Harvest

The gallery will be closed on 21/07 and from 03/08 till 22/08.

Upcoming, as part of the Brussels Gallery Weekend (08/09 – 11/09):

08/09 – 22/10
Andrea Büttner
Part 2: Painted Ceiling and Floor

08/09 – 18/09
Sven Augustijnen
Maps of the Middle East (1942 – 1969)
Jan Mot at Lempertz
Rue du Grand Cerf / Grote Hertstraat 6, 1000 Brussels
 

Jan Mot
Petit Sablon / Kleine Zavel 10
1000 Brussels, Belgium
+32 2 514 10 10
www.janmot.com

Wednesday till Friday 2 – 6.30 pm
Saturday 12 – 6 pm
and by appointment

Webshop: www.by-association.online 

You are receiving this letter because you have either signed up for it via our website or have emailed us directly.

Update your preferences or unsubscribe from this list.

 

Today 19 July, 4pm-5pm ABA’s Air Salon Radio with Lieven Lahaye!

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ABA

 

Air Berlin Alexanderplatz

invites you to

 

 

Image: playlist by Lieven Lahaye

 

 

 AirSalon

Impressed

 

by Lieven Lahaye
Tuesday, 19 July 2022, 4pm – 5pm

on
fr-bb Freies Radio – Berlin Brandenburg on CoLabRadio 88.4. in Berlin, 90.7 MHz in Potsdam

 

Iggy and The Stooges – Gimme Danger
Gregg Bordowitz – Gimme Danger (lecture) [excerpt]
Devo – (I can’t get no) satisfaction
(from ‘Kidnapped’, dir. Eric Mitchell, 1978)
DNA – Blonde Red Head
(from ‘Downtown 81’, dir. Edo Bertoglio, 1980/2000)
‘Elvis Presley’s Pink Cadillac’ (GWAT TV YouTube channel)
James Chance and The Contortions – Anesthetic
The Buzzcocks – Fast Cars
Carol Jiani – Hit‘n Run Lover
‘Kidnapped’, dir. Eric Mitchell, 1978 [excerpt]
Laura Branigan – Gloria
Levi’s 501 Jeans: Are They Worth It? (In-Depth Review) (Gentleman’s Gazette YouTube channel)
Sister Sledge – lost in music
Atlantic Starr – Circles
Voyage – Souvenirs
Jimmy Ruffin – Hold on to my love
Sharon Redd – In the Name of Love
Diana Ross ~ Upside Down
Diana Ross – Love Hangover
Debbie Harry and Fab 5 Freddy at ‘Hip Hop Honors 2004’ (VH1)
Blondie – Call Me (Acapella)

 

”You are listening to ABA’s Air Salon on Colaboradio, broadcasting on 88,4 MHz in Berlin 90,7 MHz in Potsdam.” My name is Lieven Lahaye, I’m an artist-in-residence at Air Berlin Alexanderplatz.

This is a radio show about the writer Duncan Smith, the introduction is an abridged version of ‘Impressed’, a text I wrote in 2021 and originally published in Catalog issue 17.

Writer Duncan Smith (1954-1991) excels at making wild connections.

His essay, ‘Everybody wants exposure’ builds on the speculative relationship between the process of developing photographs and fading denim jeans.

‘An interpretation of Elvis’ car-giving’ talks about exactly that: Elvis’ habit to give out Cadillacs and the interpretation of the name ‘Cadillac’ as a virtual rebus of events in Elvis’s life: ‘cad’: 50s slang for a bad boy, ‘ill’: ill and ‘lac’: lack.

Throughout ‘On the current symbolic status of oil’ he zooms in on the word ‘tar’ and the anagrams arts/tars/star, they “are crucial to the symbols that determine an identification in our culture.”

His work was published in issues of Artforum, BOMB magazine, Flash Art, the Semiotext(e) reader ‘Polysexuality’ (in the chapter ‘soft sex’) and the fall 1980 issue of FILE Megazine.

He wrote essays for the artist’s monographs of Peggy Cyphers, Brett De Palma, Alain Jacquet, and Roberto Juarez.

He wrote extensively about Elvis’ image and Elvis’ imitators – or ‘duplicators’ – in the book he co-authored with Diego Cortez, ‘Private Elvis’.

In an unpublished text, ‘Evil’ he wrote about disco lyrics and how they predicted the Aids crisis, as well as commented on it. He talks in particular about the lyrics to Electric Dreams, Gloria, In the name of love, Circles, Souvenir.

He played in the 1978 Eric Mitchell film ‘Kidnapped’. He appears throughout but does most of his talking around the 26 minute mark when he’s engaged in a conversation about speech, violence and ‘newness’.

He’s listed in the credits for the 1980 Eric Mitchell film ‘Underground USA’ as ‘the shrink’. He shows up in the origin story of the graffiti-centric ‘Fun Gallery’.

In ‘the city is our canvas’, Fun Gallery founder Patti Astor says “I always say that the beginning of the Fun Gallery was when I met Fab 5 Freddy in 1981. I was starring in my punk rock spectacular, ‘Underground USA’ […] Fab 5 Freddy dragged his homies, including Futura, to see the movie and, after that, we met.”

She continues in a 2012 interview:

“I think it was… I was really hung over, I remember… Duncan Smith, who was a poet-philosopher, was having a big party at his loft for the 100th birthday of Stéphane Mallarmé, the poet. He was serving vodka and cucumber sandwiches.”

With Edit DeAk, Duncan Smith interviewed graffiti artists Futura and Zephyr for the catalog of a 1983 exhibition at Museum Boijmans Van Beuningen, Rotterdam.

He published a collection of essays, ‘The age of oil’

He died from AIDS in 1991. His work is not widely known. He, along with a generation, died, their development cut short, leaving a legacy that is often difficult to contain.

Much of the available information on Duncan Smith was gathered in an extensive article, written by poet and critic Raphael Rubinstein and posted to this website ‘The Silo’ in August 2017.

The first sentence reads:

“The near invisibility, online as well as off, of writer Duncan Smith (1954-1991) is a stark reminder of how thoroughly information can go missing, or never emerge at all”

  more  

 

 

 

 

 ABA’s Air Salon presents the work of contemporary visual artists on the radio. Every third Tuesday of the month from 4-5pm on fr-bb Freies Radio – Berlin Brandenburg on CoLabRadio 88.4. in Berlin, 90.7 MHz in Potsdam. You can listen at home, on the radio or online.

more

 

 

——————————————————————————

 

 

AIR Berlin Residency: 

artist-in-residence:
Dorothy Wong Ka Chung, Benjamin Ryser from March 2022 – August 2022 -Hong Kong and Switzerland
Zhanna Gladko from June, 2022 – 2022 Belarus
Lieven Lahaye from May 2022 – August, 2022 Belgium

poets-in-residence:

Maria Badzei-June, 2022 Belarus, Kryscina Banduryna-June, 2022 Belarus, Nasta Mancewicz-June, 2022 Belarus, Tania Skarynkina-June, 2022 Belarus

curators-in-residence:

Anna Chistoserdova & Valentina Kiselyova
from Mart 2022 – February 2023 Belarus

Upcoming:
​Salons on Sustainability
in collaboration with the Swiss Embassy: Sustainable Photography | World Building | Science Fiction & Sustainability | Mending Practices

 

 

ABA (Air Berlin Alexanderplatz) e.V. / Schöneberger Str. 13 / DE-10963 Berlin / https://airberlinalexanderplatz.de/
Team: Susanne, Marjolein, Tatiana, Aleksander, Stefanie
 

 

 
 
 
 
 
 

 

 

 

 

REMOVED FOOTER

Ongedwongen radicaliteit vanuit kunstcollectieven

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Final month Lucy Raven & Kasper Bosmans – Finissage – Upcoming Events

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EN     FR      NL

HIDDEN IN THE DESERT

The secrets of the desert are waiting to be discovered. WIELS invites you to follow Lucy Raven’s lead and dig deeper into her exhibition Another Dull Day via an exclusive podcast and a recently recorded talk.

PLAN YOUR VISIT TO WIELS

Installation view ‘Lucy Raven: Another Dull Day’, WIELS, Brussels, 2022

In this exclusive podcast, Lucy Raven talks with producer and drummer Deantoni Parks about the compelling sonic treatment of the two video works on display at WIELS Demolition of a Wall (Album 2) and Ready Mix.

LISTEN HERE

Art historian Philippe Pirotte recently came to WIELS to discuss an unrealised project of Lucy Raven that served as the genesis of Another  Dull Day.

LISTEN HERE

 

The title Another Dull Day was borrowed from George Herriman’s Krazy Kat comic (1913-1944) depicting a love triangle between a mouse, a cat and a dog. Their circular chase plays out in the iconic landscapes of the Western United states.

DISCOVER MORE

FINISSAGE

During the summer months you can also enjoy the exhibition Husbandry  by Kasper Bosmans and the films by Shuruq Harb and Musquiqui Chihying until 14 August. On the same day we will close the season with a festive finale. Various experts will guide you through the exhibitions of Kasper Bosmans and Lucy Raven and share their personal favourites with you – save the date!

FINISSAGE + GUIDED TOUR
LOOK WHO’S TALKING: TATIANA KOCHUBINSKA ON KASPER BOSMANS (EN)

Tatiana Kochubinska (UA) is an independent curator, writer, researcher and teacher. She worked with Bosmans when he was part of the prestigious Pinchuk Art Prize.

 
SUN_14_08___________14:00-14:45
FREE WITH EXHIBITION ENTRANCE
SIGN UP HERE

FINISSAGE + GUIDED TOUR

LOOK WHO’S TALKING: ANTOINETTE JATTIOT ON LUCY RAVEN (FR)

Antoinette Jattiot lives and works in Brussels as a writer and curator. Her projects focus on moving and still images.

SUN_14_08___________15:00-15:45
FREE WITH EXHIBITION ENTRANCE
SIGN UP HERE

FINISSAGE + GUIDED TOUR
LOOK WHO’S TALKING: SAMUEL SAELEMAKERS ON KASPER BOSMANS (NL)
 
Samuel Saelemakers is curator of the Kunst in de Stad collection in Antwerp. From 2012 to 2019 Saelemakers was curator at Kunstinstituut Melly where he curated a solo exhibition with Kasper Bosmans.
 
SUN_14_08___________16:00-16:45
FREE WITH EXHIBITION ENTRANCE
SIGN UP HERE

FINISSAGE + GUIDED TOUR

LOOK WHO’S TALKING: ELS SILVRANTS-BARCLAY ON LUCY RAVEN (NL/ EN)

Els Silvrants-Barclay is a curator, researcher and activist. As co-coordinator of a speculative research platform at ETH Zurich, she exposes spatial scenarios that challenge mainstream architectural production.

SUN_14_08___________17:00-17:45
FREE WITH EXHIBITION ENTRANCE
SIGN UP HERE

& MORE

KETS + FAMILY FUNDAY

FAMILY FUNDAY (FR/NL)

Our Family Fundays continue during the holidays! A WIELS guide will take you and your children on an instructive adventure through our current exhibitions. We still have a few spots available!

SUN_17_07___________14:00-15:00
FREE WITH EXHIBITION ENTRANCE
SIGN UP HERE

NOCTURNE + PROJECT ROOM

TIM MATHIJSEN: TALM, TARRY, E A O ZAUDERN 

Tim Mathijsen is an artist living and working in Amsterdam. He was a resident at WIELS in 2019. He will present his new work, created for the WIELS project room.

OPENING
20_07___________18:00-21:00
PRESENTATION
21_07_ _07_08_2022__14:00-18:00
 

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Tomorrow: Georgina Hill, In a cowslip’s bell I lie

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Georgina Hill,

In a cowslip’s bell I lie.

Opening: Friday July 15th,  
6.00 –– 9.00 p.m
 
Exhibition continues until September 16th.
 
fluent is pleased to present In a cowslip’s bell I Lie, a solo exhibition by British artist Georgina Hill.

Taking Ariel’s verses in Shakespeare’s The Tempest as the title of the exhibition, Hill looks at the invisible impact of logistics and how it reveals the structural dimension of life and the systems it circulates through.

In the play, Ariel is presented as the airiest character, a spirit whose voice fluctuates in rhythm and movement. An invisible entity, whose subtle presence shifts the narrative. Aiming at a similar lightness, the two series of sculptures featured in this exhibition confront the commodified to the precarious, being its possible frictions a place for meanings to emerge. This in–between becomes a potentiality for the resilience of bodies and their interdependency, willing for an intimacy amid the violence of logistics, hyper-access and mobility in a white supremacist patriarchy.

Georgina Hill’s work is concerned with the interior processes of labour. She explores the intimacy generated in material structures as well as the inherent authoritarianism of such relations. She works in installation, video, drawing, and text. 
With postgraduate study in English Literature at University College London, and a Masters in Fine Art at Goldsmiths University, London, she was also a student of Hito Steyerl at UdK Berlin. Her work has been shown at the Arnis Residency (Germany), Galerie Charraudeau (France), Seoul Biennale for Architecture and Urbanism (South Korea), Bulegoa z/b (Spain), Nida Art Colony (Lithuania), Art Night (UK), Museum of Photography (Germany), and Or Gallery (Canada), among others.

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REMINDER: Tonight’s live colloquium “From Ether to Eden” + streaming link

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Friendly reminder: tonight at 19:00*

organised by Lynn Klemmer in the framework of her exhibition I Will Not Return to a Universe of Objects Thant Don’t Know Each Other
 

Guest speakers
Lynn Klemmer (multimedia artist, co-founder of Mnemozine, Luxembourg)
Christopher Michael (writer, artist, Philadelphia, PA) (via stream)
Mathieu Buchler (teacher, photographer, co-founder of Mnemozine, Luxembourg)
Saelyx Finna (researcher, media artist, rural Ohio) (via stream)

moderated by
Nadina Faljic (curator, Casino Display) 

Free attendance at
Casino Display, 1, rue de la Loge, L-1945 Luxembourg 

You can also click on the link below to activate the live stream: 
https://us06web.zoom.us/j/85766975413?pwd=TTVzVFF2bHhmWlhObzY1UVBkcCtDZz09

* The exhibition is open to the public from 13:00. Free entrance.

Le Casino Luxembourg
est soutenu financièrement par 

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[NGHE NEWSLETTER] tentative de repos

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Nghe newsletter
deuxième semaine de juillet

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récentes découvertes musicales :
Loopsel (Suède)
Hochiwah (Bruxelles)
Paffefatzle (Bruxelles out Brussels)

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“tu sais, quand on partage en public
un truc intime, sans s'en rendre compte…
après on a honte”

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C'est l'été et il fait pétant de chaud sous les toits. Les araignées font de plus en plus de toiles et je n'entends d'ailleurs pas beaucoup de moustiques. Et vous ?
Une partie de Nghe va se balader en Italie du nord ces prochaines semaines, peut-être jusque dans les Pouilles pour enregistrer de la tarentelle,
et puis vers Villefranche-de-Rouergue en Aveyron à l'automne, où vivent de nombreux-ses musicien-nes et imprimeur-ses. Il y aura un passage dans le Vercors,
certain-es seront en Bretagne, d'autres ami-es prévoient de tourner vers l'Est.. Bonne route !!
Vous avez déjà été à la piscine de Halle ? Tu paies 6,20€ et tu as accès à une piscine où faire des longueurs, à deux saunas, à un hammam bien chouette,
à des bains remous (bulles) et surtout, à un super toboggan qui indique ta vitesse. Pas mieux que de se baigner en mer, mais ça fait bien son travail de détente.

) Bon mois de juillet à toustes (
– Belle écoute – Bel anniversaire aux moonchild –

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Bisous
Bisous

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NGHE – Médiathèque bricolée

rue des mariniers, 6
1080 Molenbeek St Jean