collected invitations

https://streaming.domainepublic.net/radioismaa.ogg

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Autumn 2022 at fluent

Posted on 23 September 202223 September 2022

Autumn Season 2022
at fluent

Calle Luis Hoyos Sainz 2, (int)
39001, Santander,
Spain.

www.fluentfluent.org

Against the backdrop of an economic downward spiral, warlike climate and environmental violence whose uncertain futures keep proving to be another sign of our times, the end of the summer comes to fluent. For the autumn season, we present a new series of projects that we are excited to announce below. These projects also expand through a new selection of publications just arrived to our bookshop:

Georgina Hill. In a Cowslip’s bell I lie.
Exhibition extended until September 30th, 2022.

In a Cowslip’s bell I lie looks at the invisible impact of logistics and how it reveals the structural dimension of life and the systems it circulates through.
In Shakespeare’s the tempest, the character of Ariel is presented as the airiest, a spirit whose voice fluctuates in rhythm and movement. An invisible entity, whose subtle presence shifts the narrative. Aiming at a similar lightness, the two series of sculptures featured in this exhibition confront the commodified to the precarious, being its possible frictions a place for meanings to emerge. This interaction, allows Hill to explore the textural manifestations of large scale power structures and ideologies, how the body encounters material environments and what these indicate about societal constructs.

Adjoa Armah.
<◯><◯>(or less than living more than less than living more than)
Exhibition opening: October 14th
October 14th –– December 31st

<◯><◯>(or less than living more than less than living more than) is a commissioned solo exhibition by Adjoa Armah. The artist uses the exhibition space to explore an interest in how we may develop a black historiography in relation with the temporal consciousness of sand. The proposed display invites the audience to engage with questions that have arisen out of long–term research into how materials witness life, how they can support the (re)telling of historical events, and how the reality of a place is equally defined by what happens there and what is imposed upon it from elsewhere.

The work centres around a recycled glass hourglass produced in collaboration with artist Sel Kofiga and glassblower Michael Tetteh using sand from Cape Three Points, Ghana. Known as the place on land closest to “nowhere”, which is a location at sea known as Null Island (0°N 0°E), Cape Three Points has 4 European built forts within a 20 km radius and is a site from which we can reflect on the history of European presence on the African continent. The central object of the hourglass is put into correspondence with various objects, images, and responses from thinkers invited by Armah as part of a living form of research.

Aguas Vivas
New commission in the context of Concomitentes.
Work in progress.

Aguas Vivas is the title of a forthcoming commission in the framework of Concomitentes, an initiative by Fundación Daniel y Nina Carasso inviting civil society groups to become the citizen–commissioners of an artwork, while ensuing its inherent process of negotiation. Departing from a series of assemblies held at the community of Llanos –a small village in the rural context of Valles Pasiegos– since April 2022, the project engages with the river as a tactic to investigate the ecological, social and political dimensions of hydric resources, infrastructures, knowledge and rituals.

Mediated by fluent’s director Alejandro Alonso Díaz and Sören Meschede, the project is now entering a further research stage where a group of artists is invited to develop research and work with the local vicinity, imagining new forms of interaction between the river and the community.

Image: Walking the Western Region coast, Ghana, 2021.
Photography: Adjoa Armah. Courtesy of the artist.
*For further information and image requests, please contact hello[at]fluentfluent.org
The exhibition program is kindly supported by Santander City Hall and INJUVE.
Aguas Vivas is kindly supported by Fundación Daniel y Nina Carasso.

fluent

Calle Luis Hoyos Sainz 2, (int).
39001, Santander, SP.

fluentfluent.org

Salon #83 24/25 Sep 2022 at 15:00 by Dorothy Wong Ka Chung & Benjamin Ryser

Posted on 22 September 202222 September 2022

ABA

AIR Berlin Alexanderplatz

Salon #83
Why are you here ?
你點解會黎到呢度 ?
Warum bist du hier ?

A photo and audio guided city walk.
Hong Kong – Berlin.

Saturday, 24 September 2022
15:00 – 17:00
Meeting point: World Clock, Alexanderplatz

Sunday, 25 September 2022
15:00 – 17:00
Meeting point: World Clock, Alexanderplatz

The event takes place twice,
feel free to join on Saturday or Sunday.

By Dorothy Wong Ka Chung, Benjamin Ryser
www.oisland.co
www.dorothywongkachung.com

We invite you on a walk through Berlin:

Walking on a thin line that connects Berlin and Hong Kong,
searching for our own stories in the stories of others.

We will meet at 15:00 under the World Clock at Alexanderplatz and take a U-Bahn from Alexanderplatz to Brandenburger Tor. The walk will end at approximately 17:00 in Tiergarten. It includes strolling, listening, sitting down, reading; voices and photos will guide you into the stories of different people in this city. Please bring your own phone (with data connection) and headphones. We will provide you with an artist’s print with audio walks. The audio walks will be available to stream via your browser. You can also purchase the artist’s print after the walk if you would like to. After the walk you are invited to join us for a picnic.

Please make a reservation by email to
Spontaneous guests are welcome too!

About the project:

Dorothy Wong Ka Chung and Benjamin Ryser (o!sland) are an artist duo from Hong Kong and Switzerland who stayed at the residency of ABA in the first half of 2022. They are working on an ongoing project about the imaginations of home of Hongkongers who left their city during the different migration waves of the past decades.

This photo and audio guided walk features stories from the way home in Berlin and Hong Kong. It’s a part of an ongoing search for street corners, moments in time and personal memories where these two cities touch and their histories speak to each other. What is belonging when we lose the sense of home? These stories are not only crossing geographically, but also travel between times and generations. How do the experiences of the German separation resonate with Hong Kong’s future?

Underground stations connecting continents, world clock, the pigeons, a blue school uniform, a colonial playground, arriving at Brandenburger Tor, Victoria/Viktoria/維多利亞 statues, standing under the rain, what time is it over there?

Artist in Residency:
Neige Sanchez

Residency Sep– Feb 2023

Coming from the practice of photography, with an apprenticeship in silver print and a diploma at the School of Photography in Vevey (CH), Neige Sanchez (1992*, French-Swiss) has then developed their work through performance, video, installation, text, edition and curation. They·she recently obtained a Master’s degree in Visual Arts at HEAD – Genève (CH), with an exchange semester at the Academy of Fine Arts in Vienna (AT). Today, their practice is transdisciplinary and research-based oriented with a theoretical and poetic component.
Their research mainly explores critical theories about the structural violence inherent in the history of the medium of photography, more specifically the history of representations of so-called « minorities » with a focus on queer communities, questioning whether image production can be an emancipatory tool. In parallel, with the uprising of interest in queer issues by cultural institutions, they·she investigates ways in which artists attempt to challenge the recuperation and instrumentalisation of their practices through refusal, abstraction, diversion, joy, collectivity and collaboration.

Image: Neige Sanchez

Artist in Residency:
Matheline Marmy

Residency Sep– Feb 2023

Matheline Marmy’s practice is experimental and material-based, taking the form of a speculative investigation into environmental forms and processes. She’s interested in phenomena such as invasion, growth, accumulation of matter. Her works are the empirical results of this method. They are assembled and grown out of reactive and trace-bearing materials such as metals, water, salts, acids, textiles and bacteria, coupled with less-penetrable components that retain and contain, like glass and plastic.

Matheline Marmy (*1993), born in Geneva, studied Photography and Fine Arts at ECAL (Lausanne) and HFBK (Hamburg). She received her BA from ECAL (2016) and MFA from the Piet Zwart Institute in Rotterdam (2019). She works with sculpture and installation, using manipulable and reactive materials such as metals, water, salts, acids, textiles, bacteria- coupled with less-penetrable components that retain and contain.

Image: Matheline Marmy, « Longue Durée » (detail) 2019

Artist in Residency:
Machiel van Stokkum

Residency Sep–Dec 2022

The concept of ‘place’ always plays a central role in the work of Machiel van Stokkum (1991). He has a special interest in places that are somewhat generic, don’t seem to belong to a certain geographical location but can be found the world over, such as modernist housing schemes, industrial zones, sea harbours, construction sites and the likes.
He visits these places time and again, in different cities, countries and continents, moving through them while capturing them in photographs, video and by gathering physical materials on said sites. This ever expanding collection of images and materials, that all seem to resemble one another in certain ways, forms the base material that van Stokkum works with.Works often find their final form in installations that seem to balance somewhere between construction and deconstruction, becoming and disappearing. Forming new places by connecting already existing ones. He is currently based between places.

Image:: Machiel van Stokkum, Immer zuhause, (detail), 2021.

#64 Salon
Robbert&Frank
Frank&Robbert

past

Robbert&Frank Frank&Robbert will conclude their Berlin residency with a public presentation — a ‘Salon’. The presentation will take place on Sunday the 18th of August , 4 pm-6pm during the alternative arts festival ‘Ritual’, organized by Globe Gallery at a derelict tuberculosis hospital called Heilstätte Grabowsee, 30 km north of Berlin.

(more…)

Image: ‘Suitcase – Fire Ritual’ 2019, Robbert&Frank, Frank&Robbert

#63 Salon Phelim Hoey

past

Approaching Immeasurability

Place: ManuFACTORY, Lüderitzstraße 13, 13351 Berlin.
Date: 31st of May,5 pm

During his residency period at ABA, Phelim researched the continuously changing relationship he has with his body after he was diagnosed with Multiple Sclerosis. What happens when the body doesn’t carry out certain actions anymore and how do these alienating experiences influence identity and the self? At the Salon Phelim will present his research and we’ll have the opportunity to discuss and philosophize about identity, loss and daily measurability.

(more…)

Image: Phelim Hoey , 2019

#62 Salon Sally Schonfeldt

past

date: 28.03.2019
Am Treptower Park, Berlin, Germany

The first part of the Salon Colonial Fantasies consists of a site visit to the Karpfenteich in Berlin’s Treptower Park, where the first German Colonial Exhibition was held in 1896. Throughout this exhibition so-called ethnographic performances or Völkerschauen were on display, in which over a hundred people from Germany’s colonies in Africa and Oceania had been brought to Berlin and made to “perform” before multitudes of visitors, often under considerable duress. At the Karpfenteich today no traces of this harrowing colonial history are visible, there is no memorial of what people were unjustly made to endure here. By bearing witness to this site together, uncovering the layers of history held here and critically reflecting on them a process to open up a postcolonial culture of remembrance is envisioned.

The second part of the Salon Decolonial Mnemonics will be held at the Museum Treptow to deepen the contemporary reflection on the ongoing effects of Germany’s colonial legacy.

(more…)

Image: Amelia Prazak & Milda Lembertaitė , 2019

REMOVED FOOTER

[NGHE NEWSLETTER] Ce samedi 24/09 – Latin Flowers = Concert + Marche / Ce dimanche 25/10 – Chansons Partout = Emission Radio, Chants des cuisines

Posted on 22 September 202222 September 2022

N g h eeeeeeëęēeėée

SAMEDI 24 SEPTEMBRE

Ouvert 14h – 20h – CONCERT + MARCHE

( Mais en partie hors les murs !! Suivez le programme !!)

LATIN FLOWERS – MANTRA POP

14h – Rendez-vous à Nghe

15h – Départ de la marche vers Tenace – Médiatheque Mobile Nghe Balpop

16h – Arrivée sur la Péniche Tenace, allée du Kaai

17h – LATIN FLOWERS, PÉNICHE TENACE ALLÉE DU KAAI,

Quai des Matériaux 17

1000 Bruxelles

LATIN FLOWERS is

a walk

a guided tour

a boat trip

a song

LATIN FLOWERS is

an alphabet of flowers sung in Latin – English

by Mott Flyf and Francesca Chiacchio

on Buratinas’ Boat

from A to Z

Pendant la marche le long du canal prenez votre radio et réglez là sur 87.00 FM

18h – Arrivée à Nghe – Sortie de la K7 MANTRA POP

MINI CONCERT DE FRANCESCA CHIACCHIO & MOTT FLYF

pique-nique végétalien proposé par 
Au Poil dans la Soupe

https://index.nadine.be/latin-flowers-by-francesca-chiacchio-mott-flyf/

Proposé main dans la main avec Nghe, la péniche Tenace et le Buratinas

DIMANCHE 25 SEPTEMBRE

17h – RADIO CHANSON PARTOUT

LES CHANTS DES CUISINES

écoutable ICI

Parfois certaines recettes nécessitent un chant pour être menées à bien,
comme une sorte de formule magique qui donne son pouvoir à la potion.
Que chante-t’on alors lorsqu’on fait la cuisine ?
Quels sont les chants qui racontent la cuisine, qui donnent des
recettes, qui parlent des vertues de certaines plantes et des bienfaits
des fruits et légumes ? Savez-vous planter les choux?

les unes les autres.jpeg

Plus d'infos sur

https://index.nadine.be/chansons-partout-mediatheque-nghe/

Avec le soutien de la Fédération Wallonie Bruxelles

Un futur pour la culture

LE POINT LITTÉRAIRE

—

NGHE – Médiathèque bricolée

rue des mariniers, 6

1080 Molenbeek St Jean

www.mediathequenghe.be

Uitnodiging: super feelings Episode 2: Paola Siri Renard – what will you be then Oneiroi? – glamour

Posted on 22 September 202222 September 2022

Uitnodiging

super feelings

Episode 2: Paola Siri Renard – what will you be then Oneiroi? – glamour

30 september t/m 9 oktober, dagelijks van 12:00-18:00

Opening: 29 september 19:00 (deuren open om 18:30)

Performance met Mira Mann en Sol-i So

Beeld: Melissa Appleton

W is for Worry (thumb)

F is for Fear (index finger)

A is for Anger (middle finger)

S is for Sadness / Grief (ring finger)

T is for Trying To / Pretence (little finger)

– get rid of Worry FAST / Jin Shin Jyutsu instructies

super feelings, een vierdelige tentoonstelling georganiseerd door het Curatorial Programme van de Appel, is nu volop bezig. Op donderdag 29 september ben je van harte uitgenodigd voor de opening van episode 2. We zijn vereerd kunstenaar Paola Siri Renard te mogen verwelkomen met what will you be then Oneiroi? – glamour.

Paola Siri Renard vormt de tweede tentakel van super feelings en reageert op het blauwe licht en het zand van episode 1; het residu dat werd achtergelaten door Jota Mombaça en Tessa Mars. what will you be then Oneiroi? – glamour bestaat uit een reeks sculpturale mutanten die zijn aangespoeld op de zandbodem van de Aula en verspreid door de ruimte hangen. ‘Oneiroi’ in de titel verwijst naar de gevleugelde daemonen (geesten) uit de Griekse mythologie. Men geloofde destijds dat deze boodschappers elke nacht dromen naar de stervelingen brachten via twee poorten: de één gemaakt van hoorn, die waarheidsgetrouwe en voorspellende dromen bracht en de andere van ivoor, die alleen valse en betekenisloze dromen bracht.

Renard omschrijft haar sculpturen als ‘testinstrumenten’, waarin architectonische motieven en mythologische elementen zoals rollen, schelpen, hoorns en acanthusbladeren (van een hermafrodiete plant) zijn verweven. Hun vormen suggereren exoskeletten, fossielen en cocons, die zijn uitvergroot tot menselijke schaal en ze nodigen uit om aangeraakt te worden. Voor what will you be then Oneiroi? – glamour creëert Renard nieuwe ondersteunende structuren van metalen armaturen en touwen, om de sculpturen in de Aula van de Appel te ankeren.

‘In Greek Mythology, Apollo tried to kidnap Acantha. As she scratched his face, he transformed her into a spiny plant, the Acanthus, reducing her to a contemplative, unreachable thing.’

– Paola Siri Renard

Op 29 september 2022 nodigt Paola Siri Renard de kunstenaars Mira Mann en musicus Sol-i So uit om episode 2: what will you be then Oneiroi? – glamour te openen met een performance. Voor de performance halen Mann en So hun inspiratie uit een Koreaans volksverhaal Sugungga (het lied van het onderwaterpaleis) door middel van zang, Soribuk trommel en beweging/dans. Sugungga is een van de vijf overgebleven verhalen uit de Koreaanse muzikale pansori-storytelling traditie uit de zeventiende eeuw. Na de performance zal episode 2 tien achtereenvolgende dagen lang te zien zijn in de Appel, van vrijdag 30 september t/m zondag 9 oktober 2022, van 12:00 tot 18:00 uur. Klik hier voor meer informatie.

Wij verwelkomen je graag in de Aula van de Appel voor episode 2: what will you be then Oneiroi? – glamour! Bekijk hier de beelden van de opening van episode 1 sinking could be terug: een performance van Jota Mombaça en Tessa Mars.

Vriendelijke groet,
Ka-Tjun, Chala, Melissa en Monika,
deelnemers van het Curatorial Programme 2022 de Appel.

Praktische informatie

De opening is vrij toegankelijk, vooraf opgeven is niet nodig. Voor aanvang van de performance zal de Aula gesloten zijn. We vragen de bezoekers daarom te verzamelen in de Livingroom. De performance duurt ongeveer 45 minuten.

Let op: Tijdens super feelings heeft de Appel gewijzigde openingstijden. Episode 1 van super feelings, sinking could be, is geopend tot en met aanstaande zondag 25 september. Volgende week zijn we vanaf maandag tot en met woensdag gesloten voor de opbouw van episode 2: what will you be then Oneiroi? – glamour, die op donderdagavond opent.

Overig nieuws
Op woensdag 28 september vindt bij Theater van Deyssel de tweede interventie plaats in de serie performatieve lezingen getiteld On the poverty of lived experience, ontwikkeld door Mohamad Dib. Met Sleep /wi/th a/n ey/e o/pe/n and/ you/ will/ see /your/self onderzoekt kunstenaar Betina Abi Habib aan de hand van het levensverhaal van het gedicht ‘Le dormeur du val’/’De slaper in het dal’ van de Franse dichter Arthur Rimbaud de dynamische relatie tussen taal en affectie, vertaling en interpretatie, herinnering en de maakbaarheid van ervaringen. Iedereen is van harte welkom. Klik hier voor meer informatie.

de Appel
Schipluidenlaan 12
1062 HE Amsterdam

+31 (0)206255651
www.deappel.nl

STEUN de Appel

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De Appel wordt structureel ondersteund door
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Essentiële steun aan het Curatorial Programme wordt verleend door Stichting Hartwig en Ammodo

De Appel ondersteunt de kunstsector via De Zaak Nu en MOKER

Newsletter Ludwig Forum Aachen

Posted on 22 September 202222 September 2022

Ausgabe 22.09.2022

Liebe Freundinnen und Freunde,

wir freuen uns, Sie zu einem abwechslungsreichen Wochenende im Ludwig Forum willkommen heißen zu dürfen.

Anlässlich der morgigen Eröffnung der Ausstellung Die Sein: Para Psychics von Kerstin Brätsch, laden wir diesen Samstag um 11 Uhr zu einer Buchpräsentation und Dialogführung mit der Künstlerin Kerstin Brätsch, Kerstin Stakemeier und Eva Birkenstock ein.

Zudem kann die umfassende Ausstellung Bad Words von Keren Cytter noch bis Sonntag, den 25.09.2022 besucht werden. Zu diesem Anlass laden wir am Samstag ebenfalls zu einem offenen Siebdruckworkshop mit Petra Hellwig und Petra Kather ein und freuen uns, Sie am Sonntag um 16 Uhr gemeinsam mit der Künstlerin zu einer Probevorführung der Rohfassung ihres ersten Spielfilms begrüßen zu dürfen.

Wir sehen uns im Ludwig Forum!

Eröffnung: Kerstin Brätsch “Die Sein: Para Psychics”

Kerstin Brätsch
Die Sein: Para Psychics
23.09.2022 – 05.02.2023
Eröffnung: Fr 23.09.2022, 19 Uhr

Book Release und Dialogführung
mit Kerstin Brätsch, Kerstin Stakemeier und Eva Birkenstock
Sa 24.09.2022, 11 Uhr

Freier Eintritt am Eröffnungswochenende!

In der Ausstellung Die Sein: Para Psychics präsentiert die in Berlin und New York lebende Künstlerin Kerstin Brätsch zum ersten Mal alle einhundert Zeichnungen ihrer Serie Para Psychics (2020-2022) in einer ortsspezifischen Installation. Die Arbeiten sind im Zuge der sich ausbreitenden Covid-19-Pandemie entstanden, welche die Künstlerin dazu bewegte, ihre oftmals kollaborative und raumgreifende Arbeitsweise in einen nach innen gerichteten Prozess des täglichen Zeichnens zu überführen.

Kuratiert von Eva Birkenstock

Zur Ausstellung erscheint das Künstlerinnenbuch Para Psychics im Verlag der Buchhandlung Walther und Franz König. Zu diesem Anlass laden wir Sie am Samstag, den 24. September 2022, um 11 Uhr zu einer Dialogführung mit Kerstin Brätsch, Kerstin Stakemeier (Professorin für Kunsttheorie und -vermittlung, Akademie der Bildenden Künste Nürnberg) und Eva Birkenstock ein.

Am Sonntag, den 25. September 2022, 12 Uhr eröffnet im Leopold-Hoesch-Museum in Düren die Ausstellung Sein der Peill-Preisträgerin Kerstin Brätsch (bis 8. Januar 2023).

Keren Cytter. Bad Words, Ausstellungsansicht, 2022, Ludwig Forum Aachen, Foto: Mareike Tocha

Finissage: Keren Cytter “Bad Words”

Keren Cytter
Bad Words
25.06. – 25.09.2022
Finissage mit Test-Screening: So 25.09.2022, 16 Uhr

Wir laden Sie herzlich ein, noch bis 25.09.2022 die aktuelle Ausstellung Bad Words von Keren Cytter im Ludwig Forum Aachen zu besuchen. Wir freuen uns, Sie zur Finissage mit der Künstlerin und einer Probevorführung der Rohfassung ihres kommenden Spielfilms (Erscheinungsdatum 2023) begrüßen zu dürfen.

Foto: Ludwig Forum Aachen

Offener Siebdruckworkshop “Brutal Turtle meets Furious Hamster”

Brutal Turtle meets Furious Hamster
Offener Siebdruckworkshop mit Petra Hellwig und Petra Kather
Sa 24.09.2022, 11 Uhr

Anlässlich der Finissage der Ausstellung Bad Words von Keren Cytter können in der Kunstwerkstatt Motive aus der Ausstellung auf Textilien gedruckt werden. Der Workshop bietet einen Einblick in den druckgrafischen Bereich der Kunstwerkstatt des Ludwig Forums: In Aktion kann der Siebdruckprozess mit Zeichnungen aus den Büchern The Brutal Turtle und The Furious Hamster ausprobiert werden. Dafür kann eigene Kleidung mitgebracht oder ein Stoffbeutel zum Preis von 2,50 € vor Ort erworben werden.

English Version

PARA PSYCHIC_Scarabaeus Sacer (Pillendreher), 2021, Courtesy die Künstlerin, Foto: Andrea Rossetti

Dear friends,

we are pleased to welcome you at the Ludwig Forum this weekend for a varied programme.

On the occasion of tomorrow’s opening of the exhibition Die Sein: Para Psychics by Kerstin Brätsch, we invite you to a book launch and conversational tour with the artist Kerstin Brätsch, Kerstin Stakemeier, and Eva Birkenstock on Saturday at 11 am.

In addition, the comprehensive exhibition Bad Words by Keren Cytter can be visited until Sunday, Sept. 25. On this occasion, we also invite you to an open screen-printing workshop with Petra Hellwig and Petra Kather on Saturday, and look forward to welcoming you to a test screening of the rough version of Cytter’s first feature film together with the artist on Sunday at 4 pm.

See you at the Ludwig Forum!

Opening: Kerstin Brätsch “Die Sein: Para Psychics”

Kerstin Brätsch
Die Sein: Para Psychics
23.09.2022 – 05.02.2023
Opening: Fri 23.09.2022, 7 pm

Book Release and Guided Tour
with Kerstin Brätsch, Kerstin Stakemeier, and Eva Birkenstock
Sat 24.09.2022, 11 am

Free admission on the opening weekend!

With the exhibition Die Sein: Para Psychics, Berlin- and New York-based artist Kerstin Brätsch presents for the first time all one hundred drawings of her Para Psychics series (2020-2022) in a site-specific installation. Brätsch developed these works in the course of the spreading Covid-19 pandemic, which prompted the artist to transition her often collaborative and expansive working method into an inward-looking process of daily drawing.

Curated by Eva Birkenstock

The exhibition will be accompanied by the artist’s book Para Psychics published by Buchhandlung Walther und Franz König. On the occasion of its release, we invite you to a guided tour with Kerstin Brätsch, Kerstin Stakemeier (Professorfor Art Theory and Mediation, Academy of Fine Arts Nuremberg) and Eva Birkenstock on Saturday, September 24, 2022 at 11 am.

On Sunday, September 25, 2022, 12 pm Leopold-Hoesch-Museum in Düren presents the exhibition of the Peill prizewinner Kerstin Brätsch Sein (through January 8, 2023).

Keren Cytter. Bad Words, Ausstellungsansicht, 2022, Ludwig Forum Aachen, Foto: Mareike Tocha

Finissage: Keren Cytter “Bad Words”

Keren Cytter
Bad Words
25.06. – 25.09.2022
Finissage with test film screening: Sun 25.09.2022, 4 pm

We cordially invite you to the last opportunity to visit the current exhibition Bad Words by Keren Cytter at the Ludwig Forum Aachen. Join us for a finissage with the artist, and a test screening of the rough version of her upcoming feature film (to be released in 2023).

Foto: Ludwig Forum Aachen

Screenprinting Workshop: “Brutal Turtle meets Furious Hamster”

Brutal Turtle meets Furious Hamster
Open Screenprinting Workshop with Petra Hellwig and Petra Kather
Sat 24.09.2022, 11 am

On the occasion of the finissage of the exhibition Bad Words by Keren Cytter, motifs from Cytter’s books The Brutal Turtle and The Furious Hamster can be printed on textiles at the Kunstwerkstatt at Ludwig Forum. For this purpose, bring your own clothes or purchase a tote bag on site for € 2.50.

Ausstellungen

Kunstvermittlung

Was kommt?

Mehr Informationen hier.

Impressum

Ludwig Forum für Internationale Kunst
Jülicher Straße 97–109
52070 Aachen
Di bis So 10–17 Uhr, Do 10–20 Uhr
Tel. +49 (0) 241 1807 104/ Fax +49 (0) 241 1807 101
E-Mail: Redaktion:
Ludwig Forum Aachen
www.ludwigforum.de

Newsletter abbestellen

Herbert News: Opening 106 and Vernissage

Posted on 22 September 202222 September 2022

Exhibition space 106 with works by Robert Ryman, Carl Andre and Donald Judd.
(Photo: Philippe De Gobert)

OPENING EXHIBITION SPACE 106

It is… it isn’t…
The Collection of Annick and Anton Herbert

Zondag / dimanche / Sunday
2.10.2022, 16:00 – 20:00

NL
Herbert Foundation nodigt u van harte uit op de opening van de tentoonstellingsruimte 106 en de vernissage van de presentatie It is… it isn’t… The Collection of Annick and Anton Herbert

FR
Herbert Foundation a le plaisir de vous inviter à l’ouverture de l’espace d’exposition 106 et au vernissage de la presentation It is… it isn’t… The Collection of Annick and Anton Herbert

EN
Herbert Foundation is pleased to invite you for the opening of the exhibition space 106 and the vernissage of the presentation It is… it isn’t… The Collection of Annick and Anton Herbert

met de steun van / avec le soutien de / with the support of

Uitschrijven / Gegevens wijzigen

This week’s openings in Brussels

Posted on 22 September 202222 September 2022

This week’s openings in Brussels ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌

This week’s openings in Brussels

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Opening this week
Thursday 22 Sep → Wednesday 28 Sep

Thu 22.09 — 17:00

Xavier Hufkens
Giorgio Griffa – 'Luce buio'

Thu 22.09 — 18:00

Alice Gallery
Maya Hayuk – 'Spin Cycle'

Sat 24.09 — 13:00

Fondation A Stichting
Women’s Perspectives

Sat 24.09 — 18:00

argos centre for audiovisuals arts
THE 1970s: _____

Sat 24.09 — 18:00

argos centre for audiovisuals arts
Opening: THE 1970s: _____ + Alexander Kluge #5

Sat 24.09 — 18:00

argos centre for audiovisuals arts
Alexander Kluge: Minutenfilme #5

Wed 28.09 — 18:30

La Verrière
Myriam Mihindou

Opening next week
Thursday 29 Sep → Wednesday 05 Oct

Thu 29.09 — 16:00

Contretype
Alexandre Christiaens, Mat Jacob, Julia Toro – Valparaíso

LMNO – Maria Friberg – AROUND VIDEO LILLE- 30/9-02/10

Posted on 21 September 202221 September 2022


Art Fair / Foire d’Art / Kunstbeurs Still from Maria Friberg’s Somewhere Else, video, 8 min. loop, 1998.
	MARIA FRIBERG @ AROUND VIDEO Art Fair À Moxy Hotel, Lille 30/09 – 02/10, 2022 https://around-video.com/
	ENG LMNO is pleased to announce the participation of Maria Friberg at AROUND VIDEO Art Fair 2022 in Lille (France). The fair will take place at the Moxy Hotel (Lille) from 30/09 – 02/10. The work on viewing will be Somewhere Else (1998), a captivating video characteristic for Maria Friberg’s oeuvre. FR LMNO est heureuse de vous annoncer sa participation à AROUND VIDEO Art Fair 2022 à Lille avec une oeuvre de Maria Friberg. La foire aura lieu au Moxy Hotel (Lille) du 30/09 au 02/10. L’uvre à visionner sera Somewhere Else (1998), une captivante vidéo caractéristique de l’uvre de Maria Friberg. NDL LMNO is blij om de participatie van Maria Friberg aan AROUND VIDEO Art Fair 2022 in Rijsel (Frankrijk) aan te kondigen. De beurs zal plaatsvinden in het Moxy Hotel (Rijsel) van 30/09 – 02/10. Het tentoongestelde werk, Somewhere Else (1998), is een sprekend werk voor het oeuvre van Maria Friberg.

LMNO 31, Rue de la Concorde / Eendrachtstraat B-1050 Brussels, BE	The gallery is open from Wednesday to Saturday from 12 a.m. to 6 p.m. and by appointment	+32/498.57.35.47 Facebook Instagram Newsletter

Confidentialité des données : conformément à la Loi Informatique et Libertés du 6 Janvier 1978, vous disposez à tout moment, d’un droit d’accès et de rectification ou d’opposition aux données personnelles vous concernant. Si vous ne souhaitez plus recevoir d’email de notre part, cliquez ici pour vous désabonner

24. & 25.09: Very Contemporary Festival | Finissage im IKOB 🎪

Posted on 21 September 202221 September 2022

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FR / EN / NL

Samstag 24.09.2022, 11:00 – 18:00

VERY CONTEMPORARY PERFORMANCE FESTIVAL
IKOB präsentiert Catinca Malaimare: Emergency Ex

Am 24. September 2022 veranstaltet das Netzwerk der EUREGIO Very Contemporary zum ersten Mal das » Performance-Festival cross-border «. Institutionen aus Belgien, Deutschland und den Niederlanden zeigen ausgewählte performative Positionen im Kunsthaus NRW in Aachen-Kornelimünster. Das IKOB präsentiert eine Performance der Künstlerin Catinca Malaimare, mit dem Titel Emergency Ex (2022): eine intime Begegnung zwischen menschlichen Körpern und Maschinen.

Den Zeitplan und detaillierte Informationen zu den Künstler:innen findet ihr auf www.verycontemporary.org und hier.

Sonntag 25.09.2022, 13:00 – 18:00

FINISSAGE: Feministischer Kunstpreis 2022 & Nika Schmitt

Das IKOB lädt ein zur Finissage der aktuellen Ausstellungen, bestehend aus einer Führung mit der Kuratorin Brenda Guesnet um 14:00 und Daniela Bershans Performance OCEAN von 15:30-18:00.

Sonntag 09.10.2022, 14:00

VERNISSAGE: Johan Tahon & Redrawing the Lines

Johan Tahon gilt als einer der wichtigsten belgischen Künstler seiner Generation. In der Einzelausstellung “Umarmung” präsentiert er ältere Werke aus der IKOB Sammlung neben neuen Arbeiten.

Mehr Informationen hier.

Die Ausstellung “Redrawing the Lines” zeigt Werke der rumänischen Künstler:innen Matei Bejenaru, Irina Botea Bucan und Dani Ghercă. Von Daniella Géo kuratiert und in Zusammenarbeit mit SwitchLab, Bukarest organisiert.

Mehr Informationen hier.

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Rotenberg 12b
4700 Eupen
Belgien / Belgique / Belgium

Öffnungszeiten / Horaires d’ouverture / Opening hours
Di – So / Mar – Dim / Tue – Sun
13.00 – 18.00

Führungen auf Anfrage / Visites guidées sur demande / Guided tours on demand: Pressedossiers auf Anfrage / Dossiers de presse sur demande / Press Files on demand: Presse-Login

Art does not need a common language, it is international by itself.
www.verycontemporary.org
The Network of 11 art institutions of the Meuse-Rhine Euregion. Supported by Euregio Maas-Rhein

Mit der Unterstützung von / Avec le soutien de / With the support of

Copyright © 2022 IKOB – Museum für Zeitgenössische Kunst, All rights reserved.
Sie haben diese E-Mail erhalten, weil Sie sich für den IKOB-Newsletter angemeldet haben. / Vous avez reçu cet email parce que vous vous êtes inscrit à la newsletter de l’IKOB. / You have received this email because you registered to the IKOB newsletter.

Our mailing address is:

IKOB – Museum für Zeitgenössische Kunst

Rotenberg 12b

Eupen 4700

Belgium

Nehmen Sie uns in Ihr Adressbuch auf

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❣️ CE SOIR 💓 KEUR LAST DAY 💔 ! Eden-Tinto Collins, Inès Cherifi, Chouf

Posted on 21 September 202221 September 2022

à keur ouvert
KEUR LAST DAY !
🖤 CE SOIR 🖤
mercredi 21 septembre 2022

Nous vous annonçons ici le dernier événement de Keur au 78 rue des Amandiers. De nombreuses contraintes structurelles nous obligeant à quitter le local. On espère avoir le plaisir de partager avec vous cette dernière fête 🙂 Venez nombreuxses !

BLOCK PARTY 2 : Inès Cherifi, Chouf
mercredi 21 septembre – 20h

Inès Chérifi – live
Instagram
Soundcloud

Chouf – performance
Instagram
Soundcloud

Finissage de l’exposition carte blanche à Eden Tinto-Collins
mercredi 21 septembre – 18h
Si m’endurcir n’est pas la voie de mon salut, mais le point de non-retour indispensable à ce que la droite qu’iels goûtent soit tendre et m’émancipe alors je trinque.

© Andrès Baron

Exposition et concerts programmés par Caroline Honorien

à keur ouvert avec le soutien de la Direction régionale des Affaires culturelles
d’Île-de-France – Ministère de la Culture – été culturel 2022.
Les concerts des 17 juin et 21 septembre ont également reçu le soutien de la Mairie du 20e arrondissement de Paris.

KEUR, centre d’expérimentation et de diffusion du travail artistique
78, rue des Amandiers, 75020 Paris www.keur.info

Our mailing address is:

Keur

78 Rue Des Amandiers

20E ARRONDISSEMENT

PARIS 75020

France

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21st of September, 6 – 9 pm #2 Will The World Ever! Anna Fries, Anne Dukhee Jordan & Zippora Elders

Posted on 20 September 202220 September 2022

ABA

AIR Berlin Alexanderplatz
WON

#2 Will The World Ever

Join us

21st of September, 6 – 9 pm
Location: at Soft Power, Teilestraße 11-13, Berlin

With: Anna Fries, Anne Dukhee Jordan & Zippora Elders

Orginisers:
ABA Air Berlin Alexanderplatz and the Swiss Embassy in Germany

A salon on the intersections of sustainability, science fiction and technology. This evening welcomes fantastical scenarios, comments and critical imaginations of present and future worlds. ABA brings together Swiss artist Anna Fries, offering a glimpse into their & Malu Peeters’ work “Posthuman Wombs” and visual artist Anne Duk Hee Jordan, who is showing a waste-eating robot. After the demonstration, there will be space for exchange during a joint conversation, led by Zippora Elders, head of the curatorial department at Gropius Bau.

Visitors are invited to taste a cake by rustcakes, drink a natural wine and local beer! more

ABA AIR SALON

Sakura Sakura

20. September 2022 um 16:00
With Joris Perdieus
Supported by Flanders State of the Art

Salon#83

Why are you here ?
你點解會黎到呢度 ?
Warum bist du hier ?

A photo and audio guided city walk.
Hong Kong – Berlin. By Dorothy Wong Ka Chung, Benjamin Ryser
The event takes place twice, feel free to join on 24 Saturday or 25 Sunday. 15:00 – 17:00
Meeting point: World Clock, Alexanderplatz
More

The Salon series on Sustainability was conceived by (ABA) in cooperation with the Swiss Embassy in Berlin.The series consist of four Salons: #1. World Building, #2. Science Fiction, #3. Mending Practices, #4.Sustainable Photography.

Artist in Residency:
Neige Sanchez

Residency Sep– Feb 2023

Image: Neige Sanchez

Artist in Residency:
Matheline Marmy

Residency Sep– Feb 2023

Matheline Marmy’s practice is experimental and material-based, taking the form of a speculative investigation into environmental forms and processes. She’s interested in phenomena such as invasion, growth, accumulation of matter. Her works are the empirical results of this method. They are assembled and grown out of reactive and trace-bearing materials such as metals, water, salts, acids, textiles and bacteria, coupled with less-penetrable components that retain and contain, like glass and plastic.

Matheline Marmy (*1993), born in Geneva, studied Photography and Fine Arts at ECAL (Lausanne) and HFBK (Hamburg). She received her BA from ECAL (2016) and MFA from the Piet Zwart Institute in Rotterdam (2019). She works with sculpture and installation, using manipulable and reactive materials such as metals, water, salts, acids, textiles, bacteria- coupled with less-penetrable components that retain and contain.

Image: Matheline Marmy, « Longue Durée » (detail) 2019

Artist in Residency:
Machiel van Stokkum

Residency Sep–Dec 2022

The concept of ‘place’ always plays a central role in the work of Machiel van Stokkum (1991). He has a special interest in places that are somewhat generic, don’t seem to belong to a certain geographical location but can be found the world over, such as modernist housing schemes, industrial zones, sea harbours, construction sites and the likes.
He visits these places time and again, in different cities, countries and continents, moving through them while capturing them in photographs, video and by gathering physical materials on said sites. This ever expanding collection of images and materials, that all seem to resemble one another in certain ways, forms the base material that van Stokkum works with.Works often find their final form in installations that seem to balance somewhere between construction and deconstruction, becoming and disappearing. Forming new places by connecting already existing ones. He is currently based between places.

Image:: Machiel van Stokkum, Immer zuhause, (detail), 2021.

#64 Salon
Robbert&Frank
Frank&Robbert

past

Robbert&Frank Frank&Robbert will conclude their Berlin residency with a public presentation — a ‘Salon’. The presentation will take place on Sunday the 18th of August , 4 pm-6pm during the alternative arts festival ‘Ritual’, organized by Globe Gallery at a derelict tuberculosis hospital called Heilstätte Grabowsee, 30 km north of Berlin.

(more…)

Image: ‘Suitcase – Fire Ritual’ 2019, Robbert&Frank, Frank&Robbert

#63 Salon Phelim Hoey

past

Approaching Immeasurability

Place: ManuFACTORY, Lüderitzstraße 13, 13351 Berlin.
Date: 31st of May,5 pm

During his residency period at ABA, Phelim researched the continuously changing relationship he has with his body after he was diagnosed with Multiple Sclerosis. What happens when the body doesn’t carry out certain actions anymore and how do these alienating experiences influence identity and the self? At the Salon Phelim will present his research and we’ll have the opportunity to discuss and philosophize about identity, loss and daily measurability.

(more…)

Image: Phelim Hoey , 2019

#62 Salon Sally Schonfeldt

past

date: 28.03.2019
Am Treptower Park, Berlin, Germany

The first part of the Salon Colonial Fantasies consists of a site visit to the Karpfenteich in Berlin’s Treptower Park, where the first German Colonial Exhibition was held in 1896. Throughout this exhibition so-called ethnographic performances or Völkerschauen were on display, in which over a hundred people from Germany’s colonies in Africa and Oceania had been brought to Berlin and made to “perform” before multitudes of visitors, often under considerable duress. At the Karpfenteich today no traces of this harrowing colonial history are visible, there is no memorial of what people were unjustly made to endure here. By bearing witness to this site together, uncovering the layers of history held here and critically reflecting on them a process to open up a postcolonial culture of remembrance is envisioned.

The second part of the Salon Decolonial Mnemonics will be held at the Museum Treptow to deepen the contemporary reflection on the ongoing effects of Germany’s colonial legacy.

(more…)

Image: Amelia Prazak & Milda Lembertaitė , 2019

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Q-O2 News :: September/October 2022

Posted on 20 September 202220 September 2022

workspace for experimental music and sound art

post-residency performance
22 September – 18h
Tomàs Cabado
Tomas will perform a solo set for acoustic guitar and processed archival and field recordings. The material derives from various practices, including short pieces for solo guitar, realizations of text scores in public and domestic contexts, and archival materials.
[read more]

concert
14 October – 20h30 (doors 20h) – 8/6€
Anne Gillis & XT [Seymour Wright & Paul Abbott]
The three interdisciplinary artists operate at the boundaries of sound-making/music, plastic arts, performance and learning. They explore the limits and relationships between body, object, prosthesis—and memory, patterns and the material world.
[read more]

call
15 October
Showcase Emerging Sound 2023
STUK, Q-O2, Musica & C-TAKT present an annual showcase of emerging sound artists in Belgium. The showcase shines a light on the diversity of the Belgian sound art landscape, and gives a boost to an upcoming generation of makers. We are looking for recent, existing work in which sound plays a central role, in conventional or more innovative formats. The selected works will be presented in May 2023, deadline for application is October 15th 2022.
[more info and registration]

room to rent
1 January
From January 1st on, we are renting a room in our apartment in the Ieperlaan/Bd. d’Ypres, 1000 Bxl, to a permanent tenant. The room has 30m2, the rent is 375€ plus 75€ forfait for all costs (in light of the unsecure energy prizes). The tenant would have a small responsibility as host for our artists in residency, with whom they’d also share kitchen and bathroom.
For more information and pictures, please contact us at

listen
QOOOOOOOOOO2 @ LYL Radio: Mark Vernon
Mark Vernon speaks about and plays fragments about his project ‘Magneto Mori: Bruxelles / Brussels’ which he has realised in residency at Q-O2. The project gathers people’s earliest or most vivid memories direct to tape. These are then buried in the ground and finally used as the basis for a new de-composition. The process is an analogy for the frailty of human memory and our ability to recall the past.
[listen here]

listen
21 Tracks for the 21st Century: Lawrence
HART magazine and Q-O2 join forces with 21 Tracks for the 21st Century, a series of playlists to gear ourselves for our present century. We ask our guests: what music does this century need? As tonic, as engine-fuel, as rhythm, as common ground, as ballast? Each time, we invite one artist, thinker or musician to prepare a playlist of those sounds, songs and pieces of music that will best arm their listeners with the tools to approach what is left of this young century.
This month’s playlist is curated by Lawrence, the project of Berlin-based producer, DJ and label-organiser Peter Kerstin.
[listen here]

revisit
Oscillation ::: Public Address
You can now re-listen to some of the sets, talks, listening sessions and interviews from this year’s festival Oscillation ::: Public Address on our soundcloud:
::: Open Mic with Francesca Hawker and guests
::: Round Table with Elena Biserna, RYBN, David Helbich, Alisa Oleva, Bill Dietz
::: Fausto Caceres (Radio Shirley and Spinoza): Street Cries & the Wandering Song
::: Céline Gillain : How listening is conditioned by context (talk)
::: Bill Diet z: My Ears, the Police (talk)
::: Elena Biserna interviewed by Margherita Brillada
::: Alisa Oleva interviewed by Margherita Brillada
::: Thomas Ankersmit interviewed by Margherita Brillada

still available + new
podcasts, books, releases, videos

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VERY CONTEMPORARY: Performance Festival cross-border

Posted on 20 September 202220 September 2022

VERY CONTEMPORARY PERFORMANCE FESTIVAL
CROSS-BORDER

SAMSTAG, 24. SEPTEMBER 2022, 11-18 UHR
Kunsthaus NRW Kornelimünster

Das Netzwerk der EUREGIO Very Contemporary richtet 2022 zum ersten Mal ein gemeinsames Kunst-Festival aus. Das Very Contemporary Performance-Festival cross-border findet am 24. September 2022 im Kunsthaus NRW in Aachen-Kornelimünster statt und wird gemeinsam produziert vom NAK Neuer Aachener Kunstverein und dem Kunsthaus NRW.

Institutionen aus Belgien, Deutschland und den Niederlanden stellen internationale Künstler_innen vor und geben damit Einblick in Tendenzen der aktuellen Performance-Szene. Die Aktionen reichen von einer Drehorgel, die Aufnahmen einer Solidaritäts-Demonstration spielt, über eine ortsbezogene Performance in der ehemaligen Klosterküche bis hin zu Lectures und medial gestützten Performances. Das Kunsthaus NRW in der ehemaligen Reichsabtei Kornelimünster bietet mit seinen barocken Räumlichkeiten sowie den Außenanlagen mit dem Skulpturengarten ein reizvolles Setting für die zeitgemäßen performativen Positionen. Wir freuen uns auf Sie!

Weitere Informationen zu den beteiligten Institutionen, Künstler_innen sowie den genauen Zeitplan des Festivals finden Sie auf der Very Contemporary Webseite.

Teilnehmende Künstler_innen:

Daniel Frota de Abreu, Tessa Knapp & Yoshie Shibahara, Catinca Malaimare, Vanja Smiljanić, Luca Soudant, Britta Thie

Mit freundlicher Unterstützung durch:

Falls Sie den Newsletter nicht mehr erhalten möchten, senden Sie uns bitte eine E-Mail mit dem Betreff UNSUBSCRIBE.
_ _

NAK Neuer Aachener Kunstverein
Passstraße 29
52070 Aachen
0049 (0)241503255
www.neueraachenerkunstverein.de
www.instagram.com/neuer.aachener.kunstverein

NFT’s uitgelegd: de hype, de toekomst en het grote geld

Posted on 20 September 202220 September 2022

Het beste van Mister Motley in je postvak

Essay

NFT’s openden de ogen van Ayrton van Noort voor de schoonheid van digitale kunst. Het medium opent nieuwe artistieke deuren: ‘Digitale- en internetkunst bevinden zich in een unieke positie. Ze kunnen snel reageren op sociale trends en vraagstukken, bieden inventieve manieren tot samenwerking met andere kunstenaars en het publiek.’

Auteur:
Ayrton van Noort

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Column

In dit manifest roept Ko van ‘t Hek op tot een revolutie tegen de zoveelste kaalslag binnen de kunsten en de culturele sector. ‘Bezuiniging op bezuiniging als omgekeerde hersenspoeling. Tot er alleen nog maar uitgestrekte woestijnen zijn, schrijft hij in zijn vlammende pamflet. Kapitalisme verdraagt in de kern geen kunst, is zijn sombere conclusie, maar hij heeft absoluut een antwoord op dit doemscenario.

Auteur:
Ko van ‘t Hek

Interview

Tijdens zijn periode als Fotograaf des Vaderlands ging Jan Dirk van der Burg op zoek naar het allergewoonste, het voortkabbelende leven. ‘Ik wilde naar Nederland kijken met een soort blanco blik.’ Thomas van Huut sprak Van der Burg over hoe dat allergewoonste er in ‘typisch Nederland’ uitziet.

Auteur:
Thomas van Huut

Column

In de rubriek Gevonden voorwerpen lichten Motley-auteurs een kunstwerk toe dat zij recent zijn tegenkomen. Een werk dat opvalt door zijn uitbundige verschijning of juist verrast door zijn subtiliteit. Vandaag is dat de tentoonstelling Tegenspoed van Dirk-Jan Visser.

Auteur:
Erik Wong

Podcast

Deze week is Ralf Kokke te gast bij Kunst is Lang. Hij schildert zijn eigen versies van mythische figuren, en beelden die uit zijn dromen zijn ontsproten. De mensen en dieren die hij weergeeft lijken vaak te worstelen met hun geschilderde leven, in een sfeer van zowel humor als ongemak – niet toevallig twee belangrijke elementen uit Ralfs naar eigen zeggen neurotische persoonlijkheid.

Auteur:
Luuk Heezen

→ Pre-order Sinkhole: Three Crimes
→ Book tickets to the launch at ICA, London

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Montez Press September News

Posted on 20 September 202220 September 2022

Montez Press News
September 2022

→ Pre-order Sinkhole: Three Crimes by Rosanna McLaughlin
→ Sinkhole Launch at ICA, London
→ Interjection-008-09_Olivia Douglass.pdf
→ MPR September Schedule

Sinkhole: Three Crimes by Rosanna McLaughlin launch event at ICA London, 18th October

We are pleased to announce that our latest release, Sinkhole: Three Crimes, a novel in three parts by Rosanna McLaughlin, will be launched at the ICA, London on Thursday the 18th October.

Sinkhole: Three Crimes submerges readers in a grotesque and comical world on the edge of collapse – much like our own. Britain is immersed in a toxic swamp, and sinkholes are opening up in the ground with alarming frequency. Amid the mayhem, three crimes take place: Stonehenge has been stolen, a porn-addicted ghost writer faces the phantoms of her past, and a murder occurs among ex-pats in a Goan village.

Rosanna McLaughlin is an author and cultural critic. Double-Tracking, her debut collection of satirical essays and short fiction on the subject of middle-class duplicities, was published by Carcanet in 2019. An original proposal for the book was shortlisted for the Fitzcarraldo Essay Prize in 2016. Rosanna has written on subjects including Ariana Grande, the legacy of Section 28, and the weaponisation of Ana Mendieta. In 2017, she was writer-in-residence for the British Council Caribbean, researching the political fallout following Mendieta’s death. Her reviews and essays have been published in frieze magazine, ArtReview and the Guardian, among other places. She is co-editor of The White Review.

Come along on Thursday 18th October and celebrate the launch of Sinkhole with readings from Rosanna McLaughlin, Shola von Reinhold, and other readers to be confirmed.

September Interjection: New Light by Olivia Douglass

Olivia Douglass is a British-Nigerian writer and poet. They are the author of Slow Tongue, a verse/lyric-essay hybrid that responds to the work of M. NourbeSe Philip. Their writing appears in publications including Bath Magg, Nothing Personal, and Prototype 2. A Barbican Young Poets Alumna, Olivia has been commissioned by the National Poetry Library and Galleria Duarte Sequeira, alongside curating reading rooms for Passa Porta Festival and reading at NoguerasBlanchard Gallery. They have held residencies with Talawa Theatre Company and Theatre Peckham, been shortlisted for the Rebecca Swift Foundation’s Women Poet Prize 2020, and in 2021 were longlisted for a Jerwood Compton Poetry Fellowship. Olivia curated Strange Echoes at the Institute of Contemporary Arts in 2022, a six-day Black experimental poetry convening. Their writing is concerned with articulating alternative visions of liberated Black queer experiences, away from colonial frameworks.

Read four poems by Olivia at the link below:

→ Interjection-008-09_Olivia Douglass.pdf

MPR September Schedule

Montez Press Radio is back and broadcasting from NYC and London this September.

Wednesday the 21st September with Edition Eric Schmid, Will Fraser, Gryphon Rue, Phill Niblock, Belladonna* Collaborative, Philippus Johan, Josh Citarella, Yung Chomsky, Ebony Haynes, Channel PTP, Johann Diedrick, and Katie Giritlian.

Thursday the 22nd from 12pm London / 7am NYC with Katayoun Jalilipour, Suzanne Treister, Tenement Press, Gelare Khoshgozaran, EYESORE, Sam Keogh, Matvei Yankelevich, Tony Iantosca, and Uche Nduka.

Friday the 23rd back in NYC with new shows from RiichPsycho, Esther Sibiude, Lucia della Paolera, Justine Lugli, Timothy Rusterholz, and Thomas Hobson Williams, plus re-airing some of our broadcasts from last month in Seoul.

Saturday the 24th with Anais Duplan, Tongue and Cheek, Art Against Displacement, TNT, Mutamur, Ruby McCollister, Aria Dean and Emmanuel Olunkwa, Psychic Liberation, Viktor Timofeev, and Tabitha Piseno.

Sunday the 25th with re-broadcasts from Seoul contributors including Rope Editions, Joo YunTakk, Pulsecom, Vomit & Tear, Arexibo, seesea, Noi, DJ Hotpot, and See.bong Sae, followed by a performance at 7pm from Ron House live at Ergot Records with DJ Vinnie Martini.

Monday the 26th with re-broadcasts from Psychic Liberation Night #2: Seoul Edition featuring Daham Park, Joyul, guixine, Choi Taehyun, Ben Kudler, Yeong-Die, Jiyoung Wi, Nick Klein plus a new sound piece from Ben Kudler.

→ Listen at radio.montezpress.com
→ Schedule
→ Sign up as a Supporter and unlock the archive
→ Donate

With love,

MPR & Montez Press

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September – October news

Posted on 16 September 202216 September 2022

UPCOMING

VOID
Group show

“I AM NOBODY. ARE YOU NOBODY TOO?”, by curator Selen Ansen at Meşher (Istanbul, Turquie).

14/09/2022 – 12/02/2023

Adrien Lucca
Group show

“Couleur / Lumière” by Anne-Céline Maréchale at Maison des Arts de Schaerbeek (Belgique).

16/09 – 16/11

Adrien Lucca – VOID
Group show

“PROMETHEE, LE JOUR D’APRES” by centre Wallonie-Bruxelles à Paris & Centre des Arts at the Centre des Arts (Enghien-les-Bains, France).

Opening 20/09, 18h30

21/09 – 18/12

Aïda Kazarian
Group Show

“Accrochage” by Baudouin Oosterlynck at Kamer 9 / K 9 in Rixensart (Belgique).

Closing days 17 – 18/09 from 14h – 18h

Rue Robert Bolsacq 9, 1330 Rixensart.

Maria Friberg
Group Show

“Smörgåsbord” at The Bonnier Gallery (Miami, USA).

Opening 17/09 from 19h – 22h

17/09 – 12/11

Aïda Kazarian
Artist Talk

Open atelier at Les Ateliers de l’Orée, with artist talk by Aïda Kazarian (Belgique).

24 – 25/09 from 15h – 18h

10 avenue de l’Orée, 1000 Bruxelles

Pep Vidal
Solo Show

“Natura Viva” by Carolina Grau at Museu de l’Empordà (Girona, Spain).

07/10 – 11/12

Yoann Van Parys
Workshop + Solo Show

“Exubérance” at ArBA-EsA (Bruxelles).

Workshop 04/10 – 06/10 from 10h – 18h

Solo Show 07/10 – 08/10 from 10h – 18h

CURRENTLY

Adrien Lucca
Group Show

“On the Lookout” just opened at Fondation CAB (Rue Borrens 32-34, 1050 Bruxelles, Belgique), curated by Grégory Lang.

Until 28/01/2023

Miguel Sbastida
Group Show

“Fabular un Mundo Diferente” is a group show by Blanca de la Torre exhibited at CCE Montevideo (Uruguay).

Until 31/10

Denicolai & Provoost
Bergen Biennale

“Yasmine and the Seven Faces of the Heptahedron” curated by Yasmine d’O at the Bryggens Museum (Norway).

08/09 – 06/11

→read more

Detanico/Lain
Public order

“Lumière” ordered by Frac Provence-Alpes-Côte-d’Azur and MUCEM at MUCEM, fort Saint-Jean – Place d’Armes (Marseille, France).

29/03 – 30/09

Yoann Van Parys
Group Show

“Festival Point Point” by the assocation FAIRE DE RIEN at Avranches (France).

10/09 – 25/09

Yoann Van Parys
Group Show

“Carte Blanche” by Louis Clais and Gabriel Folli at Galerie ToTem (Amiens, France).

05/09 – 01/10

LMNO
31, Rue de la Concorde / Eendrachtstraat
B-1050 Brussels, BE

The gallery is open from Wednesday to Saturday from 12 a.m. to 6 p.m. and by appointment

+32/498.57.35.47
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September – October news

Posted on 16 September 202216 September 2022

UPCOMING

VOID
Group show

“I AM NOBODY. ARE YOU NOBODY TOO?”, by curator Selen Ansen at Meşher (Istanbul, Turquie).

14/09/2022 – 12/02/2023

Adrien Lucca
Group show

“Couleur / Lumière” by Anne-Céline Maréchale at Maison des Arts de Schaerbeek (Belgique).

16/09 – 16/11

Adrien Lucca – VOID
Group show

“PROMETHEE, LE JOUR D’APRES” by centre Wallonie-Bruxelles à Paris & Centre des Arts at the Centre des Arts (Enghien-les-Bains, France).

Opening 20/09, 18h30

21/09 – 18/12

Aïda Kazarian
Group Show

“Accrochage” by Baudouin Oosterlynck at Kamer 9 / K 9 in Rixensart (Belgique).

Closing days 17 – 18/09 from 14h – 18h

Rue Robert Bolsacq 9, 1330 Rixensart.

Maria Friberg
Group Show

“Smörgåsbord” at The Bonnier Gallery (Miami, USA).

Opening 17/09 from 19h – 22h

17/09 – 12/11

Aïda Kazarian
Artist Talk

Open atelier at Les Ateliers de l’Orée, with artist talk by Aïda Kazarian (Belgique).

24 – 25/09 from 15h – 18h

10 avenue de l’Orée, 1000 Bruxelles

Pep Vidal
Solo Show

“Natura Viva” by Carolina Grau at Museu de l’Empordà (Girona, Spain).

07/10 – 11/12

Yoann Van Parys
Workshop + Solo Show

“Exubérance” at ArBA-EsA (Bruxelles).

Workshop 04/10 – 06/10 from 10h – 18h

Solo Show 07/10 – 08/10 from 10h – 18h

CURRENTLY

Adrien Lucca
Group Show

“On the Lookout” just opened at Fondation CAB (Rue Borrens 32-34, 1050 Bruxelles, Belgique), curated by Grégory Lang.

Until 28/01/2023

Miguel Sbastida
Group Show

“Fabular un Mundo Diferente” is a group show by Blanca de la Torre exhibited at CCE Montevideo (Uruguay).

Until 31/10

Denicolai & Provoost
Bergen Biennale

“Yasmine and the Seven Faces of the Heptahedron” curated by Yasmine d’O at the Bryggens Museum (Norway).

08/09 – 06/11

→read more

Detanico/Lain
Public order

“Lumière” ordered by Frac Provence-Alpes-Côte-d’Azur and MUCEM at MUCEM, fort Saint-Jean – Place d’Armes (Marseille, France).

29/03 – 30/09

Yoann Van Parys
Group Show

“Festival Point Point” by the assocation FAIRE DE RIEN at Avranches (France).

10/09 – 25/09

Yoann Van Parys
Group Show

“Carte Blanche” by Louis Clais and Gabriel Folli at Galerie ToTem (Amiens, France).

05/09 – 01/10

Alle Kurse im Ludwig Forum sind barrierefrei und inklusiv. Für individuelle Absprachen nehmen Sie bitte Kontakt mit dem Museumsdienst auf.:

LMNO
31, Rue de la Concorde / Eendrachtstraat
B-1050 Brussels, BE

The gallery is open from Wednesday to Saturday from 12 a.m. to 6 p.m. and by appointment

+32/498.57.35.47
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Instagram
Newsletter

Newsletter Ludwig Forum Aachen

Posted on 16 September 202216 September 2022

Ausgabe 16.09.2022

For English version please scroll down.

Liebe Freundinnen und Freunde,

nach einer langen Sommerpause freuen wir uns, Sie mit neuen Ausstellungsprojekten bei uns begrüßen zu dürfen!

Bereits kommende Woche eröffnet am Freitag, den 23. September die Ausstellung Die Sein: Para Psychics der in Berlin und New York lebenden Künstlerin Kerstin Brätsch. Im Rahmen der Aachner Kunstroute kann die Ausstellung zum Eröffnungswochenende bei freiem Eintritt besucht werden und wird am Samstag, den 24. September von einer Dialogführung mit der Künstlerin Kerstin Brätsch, der Kunsttheoretikerin Kerstin Stakemeier und Eva Birkenstock begleitet.

Darüber hinaus haben Sie noch bis zum 25. September die Möglichkeit Keren Cytters umfassende Ausstellung Bad Words zu besuchen. Zur Finissage der Ausstellung wir die Künstlerin ebenfalls vor Ort sein.

Abschließend möchten wir Sie auch auf unser Vermittlungsprogramm aufmerksam machen, das von Führungen über Workshops bis hin zu Siebdruckkursen reicht und für viel Abwechslung sorgt.

Wir freuen uns auf Ihr Kommen!

Kerstin Brätsch, 2021, Foto: Andrea Rossetti

Eröffnung: Kerstin Brätsch “Die Sein: Para Psychics”

Kerstin Brätsch
Die Sein: Para Psychics
24.09.2022 – 05.02.2023
Eröffnung: Fr, 23.09.2022, 19 Uhr

Freier Eintritt am Eröffnungswochenende!

Kuratiert von Eva Birkenstock

Am Sonntag, den 25. September 2022, 12 Uhr eröffnet im Leopold-Hoesch-Museum in Düren die Ausstellung Sein der Peill-Preisträgerin Kerstin Brätsch (bis 8. Januar 2023).

Foto: Ludwig Forum Aachen

Book Release und Dialogführung mit Kerstin Brätsch, Kerstin Stakemeier und Eva Birkenstock

Book Release und Dialogführung mit Kerstin Brätsch,
Kerstin Stakemeier und Eva Birkenstock
Sa, 24.09.2022, 11 Uhr

Para Psychics
Herausgegeben von Bettina Funcke
Mit Beiträgen von Báyò Akómoláfé, Eva Birkenstock, Kerstin Brätsch, CAConrad, Bettina Funcke, Donna Haraway, Inanna, Lucretius, Kerstin Stakemeier, Zoe Stillpass, Merlin Sheldrake, and Michael Taussig

In englischer Sprache
Preis 50 €

Keren Cytter. Bad Words, Ausstellungsansicht, 2022, Ludwig Forum Aachen, Foto: Mareike Tocha

Finissage: Keren Cytter “Bad Words”

Keren Cytter
Bad Words
Finissage mit Test-Filmvorführung
25.09.2022, 16 Uhr

Wir laden Sie herzlich ein, noch bis 25. September die aktuelle Ausstellung Bad Words von Keren Cytter im Ludwig Forum Aachen zu besuchen. Wir würden uns freuen, Sie gemeinsam mit der Künstlerin zur Finissage einer Probevorführung der Rohfassung ihres kommenden Spielfilms (Erscheinungsdatum 2023) bei uns begrüßen zu dürfen.

Foto: Ludwig Forum Aachen

Workshops und Kurse

DEMO Cyanotypie Workshop
So, 18.09.2022, 14–16 Uhr
Kosten 10 €, zzgl. Museumseintritt

Mit Licht drucken: Cyanotypie ist ein fotografisches Druckverfahren und eins der ältesten Prozesse in der Geschichte der Fotografie. Die Resultate lassen sich leicht über die intensiv cyanblaue Farbe erkennen, welche durch den Einsatz von Sonnenlicht entsteht. Dieser Kurs bietet die Möglichkeit Fotogramme und Solargrafiken experimentell auf Papier zu bringen. Das Angebot ist für Anfänger*innen und Fortgeschrittene gleichermaßen geeignet. Es müssen keine Materialien mitgebracht werden. Gerne können Sie aber z. B. gesammelte Blüten, Gräser, Blätter mitbringen.

Siebdruckkurs mit der Designerin Petra Sahm
Do 22.09., 29.09., 20.10., 27.10., 03.11., 10.11., 17.11.2022
jeweils von 18–21 Uhr
Kosten: 130 € / ermäßigt 104 €
Max. 8 Teilnehmer*innen

Siebdruck hat sich als künstlerisches Verfahren etabliert, spielt aber auch in der DIY-Bewegung eine Rolle. So können einerseits Bilder und Grafiken in kleinen Serien hergestellt werden, aber auch Stoffe, Beutel, T-Shirts, Küchenhandtücher oder Kissenbezüge bedruckt werden. Der Kurs bietet Anfänger*innen einen Einblick in die verschiedenen Möglichkeiten der Motiverstellung, angefangen von geschnittenen Schablonen und handgezeichneten Vorlagen, bis hin zur digitalen Druckvorbereitung von Grafiken oder Fotos. Fortgeschrittenen bietet der Kurs Unterstützung bei Anfertigung von Serien- oder Kunstdrucken. Die Sammlung Ludwig umfasst zahlreiche bedeutende Siebdrucke, die als Inspiration einbezogen werden

Großeltern-Enkelkinder-Programm
jeden letzten Sonntag im Monat
Kosten: Erwachsene 8 €, Kinder 4 €. zzgl. Museumseintritt
Workshop für Großeltern und Kinder von 6 bis 10 Jahren

Gemeinsam Zeit verbringen und kreativ sein: Großeltern und Enkelkinder erkunden an jedem letzten Sonntag im Monat das Ludwig Forum, um anschließend in der Werkstatt gemeinsam ein Kunstwerk zu erschaffen. Malen, Zeichnen, mit Ton oder anderen Materialien werken – ein unvergessliches Erlebnis.

Anmeldung
Für alle Kurse sind Anmeldungen erforderlich:

English Version

Dear friends,

after a long summer break we are happy to welcome you with new exhibition projects!

Next Friday, on September 23, we will open the exhibition Die Sein: Para Psychics by Berlin- and New York-based artist Kerstin Brätsch. On the opening weekend, as part of the Aachener Kunstroute, admission to the Museum is free. There will also be a conversational tour with the artist Kerstin Brätsch, as well as art theorist Kerstin Stakemeier, and Eva Birkenstock on Saturday, September 24, at 11 am.

Moreover, Keren Cytter’s comprehensive exhibition Bad Words can still be visited until September 25. We are happy to welcome back the artist for the exhibition’s finissage.

Finally, we would like to draw your attention to our educational program, which ranges from guided tours to workshops to screen printing courses, providing plenty of variety.

See you at the Ludwig Forum!

Kerstin Brätsch, PARA PSYCHIC_Scarabaeus Sacer (Pillendreher), 2021, Foto: Andrea Rossetti

Opening: Kerstin Brätsch “Die Sein: Para Psychics”

Kerstin Brätsch
Die Sein: Para Psychics
24.09.2022 – 05.02.2023
Opening: Fr, 23.09.2022, 7 pm

Free admission on the opening weekend!

With the exhibition Die Sein: Para Psychics, Berlin- and New York-based artist Kerstin Brätsch presents for the first time all one hundred drawings of her Para Psychics series (2020-2022) in a site-specific installation. Brätsch developed these works in the course of the spreading Covid-19 pandemic, which prompted the artist to transition her often collaborative and expansive working method into an inward-looking process of daily drawing.

Curated by Eva Birkenstock

On Sunday, September 25, 2022, 12 pm Leopold-Hoesch-Museum in Düren presents the exhibition of the Peill prizewinner Kerstin Brätsch Sein (through January 8, 2023).

Book Release and Conversational Tour with Kerstin Brätsch, Kerstin Stakemeier and Eva Birkenstock

Book Release and Conversational Tour with Kerstin Brätsch,
Kerstin Stakemeier and Eva Birkenstock
Sat, 24.09.2022, 11 am

The exhibition Die Sein: Para Psychics will be accompanied by the artist’s book Para Psychics published by Buchhandlung Walther und Franz König. On the occasion of its release, we invite you to a guided tour with Kerstin Brätsch, Kerstin Stakemeier (Professor for Art Theory and Mediation, Academy of Fine Arts Nuremberg) and Eva Birkenstock on Saturday, September 24, 2022 at 11 am.

Para Psychics
Edited by Bettina Funcke
With contributions by Báyò Akómoláfé, Eva Birkenstock, Kerstin Brätsch, CAConrad, Bettina Funcke, Donna Haraway, Inanna, Lucretius, Kerstin Stakemeier, Zoe Stillpass, Merlin Sheldrake, and Michael Taussig

Price 50 €

Keren Cytter. Bad Words, Ausstellungsansicht, 2022, Ludwig Forum Aachen, Foto: Mareike Tocha

Finissage: Keren Cytter “Bad Words”

Keren Cytter
Bad Words
Finissage with Test Screening
25.09.2022, 4 pm

We cordially invite you to the last opportunity to visit the current exhibition Bad Words by Keren Cytter at Ludwig Forum Aachen. Join us for a finissage with the artist, and a test screening of the rough version of her upcoming feature film (to be released in 2023).

Foto: Ludwig Forum Aachen

Workshops and Courses

DEMO Cyanotypie Workshop
Sun, 18.09.2022, 2–4 pm
Costs: 10 € (plus museum admission)

Screenprinting Workshop with Designer Petra Sahm
Thu 22.09., 29.09., 20.10., 27.10., 03.11., 10.11., 17.11.2022, 6–9 pm
Costs: 130 € / reduced 104 €
Max. 8 Participants

Program for Grandparents and Grandchildren
each last Sunday of the Month
Costs: adults 8 €, children 4 € (plus museum admission)
Workshop for grandparents and children from 6 to 10 years of age

Registration required

Ausstellungen

Kunstvermittlung

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Impressum

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Keur last days : Eden-Tinto Collins, Ines Cherifi, Chouf

Posted on 16 September 202216 September 2022

à keur ouvert
mercredi 21 septembre 2022

BLOCK PARTY 2 : Inès Cherifi, Chouf
mercredi 21 septembre – 20h

Inès Chérifi – live
Instagram
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Chouf – performance
Instagram
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© Andrès Baron

KEUR, centre d’expérimentation et de diffusion du travail artistique
78, rue des Amandiers, 75020 Paris www.keur.info

Our mailing address is:

Keur

78 Rue Des Amandiers

20E ARRONDISSEMENT

PARIS 75020

France

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Opening tonight | Prix Pictet | The global award in photography and sustainability

Posted on 16 September 202216 September 2022

SAINT-PAUL-DE-VENCE

PRIX PICTET and FONDATION CAB are delighted to invite you to a private view and cocktail celebrating Prix Pictet Fire.

Friday 16 September 2022
7PM Cocktail
7.45PM Guided tour

RSVP

Rinko Kawauchi, Untitled, 2021, Series: Hanabi, 2001

THE WORLD’S LEADING PHOTOGRAPHY PRIZE, BRINGS FIRE TO FONDATION CAB SAINT-PAUL-DE-VENCE

With
Joana Hadjithomas and Khalil Joreige, Rinko Kawauchi, Sally Mann, Christian Marclay, Fabrice Monteiro, Lisa Oppenheim, Mak Remissa, Carla Rippey, Mark Ruwedel, Brent Stirton, David Uzochukwu, Daisuke Yokota

–

The Prix Pictet aims to harness the power of photography – all genres of photography – to draw global attention to issues of sustainability, especially those concerning the environment. Prix Pictet Fire, the ninth cycle of the Prix Pictet, presents work by 13 photographers from Austria, Belgium, Benin, Cambodia, Japan, Lebanon, Mexico, Nigeria, South Africa, Switzerland, USA who have been shortlisted for this year’s prize.

The bodies of work shortlisted for Prix Pictet Fire draw their inspiration from both major global events and personal experiences. The photographic images span documentary, portraiture, landscape, collage and studies of light and process.

The winner of Prix Pictet Fire is the American photographer Sally Mann who was presented with the award in December 2021 at London’s Victoria and Albert Museum for her series Blackwater (2008-2012).

Blackwater (2008-2012) is a multifaceted exploration of the devastating wildfires that enveloped the Great Dismal Swamp in southeastern Virginia, where the first slave ships docked in America. In this work, Mann draws a parallel between the all-consuming wildfires she encountered there with racial conflict in America, explaining “The fires in the Great Dismal Swamp seemed to epitomize the great fire of racial strife in America – the Civil War, emancipation, the Civil Rights Movement, in which my family was involved, the racial unrest of the late 1960s and most recently the summer of 2020. Something about the deeply flawed American character seems to embrace the apocalyptic as solution.”

Prix Pictet Fire features other established photographers including Rinko Kawauchi who photographed firework displays throughout Japan every summer from 1997-2001 and Christian Marclay whose series of photographic prints began as small-scale collages featuring fragments from comic books, movie stills and images found on the internet. They are joined by young and emerging names in photography, including David Uzochukwu, whose portraiture series In The Wake is set within an unknown landscape on fire, and Fabrice Monteiro, whose series The Prophecy addresses worldwide pollution through staged photographs of figures in costumes made of trash and natural materials.

Sharing concern for these urgent issues, and having hosted the Prix Pictet several times in Brussels, Fondation CAB is delighted to present the latest theme at its space in St-Paul-de-Vence.

Exhibition from 16 September to 31 October 2022
From Monday to Sunday 11am – 6pm

–

Le Prix Pictet ambitionne de tirer avantage du pouvoir de la photographie – tous genres confondus – afin d’attirer l’attention du monde entier sur les questions liées au développement durable, et plus particulièrement à l’environnement. La neuvième édition du Prix Pictet, placée sous le thème «Fire», présente les travaux de 13 photographes venus d’Autriche, de Belgique, du Bénin, du Cambodge, du Japon, du Liban, du Mexique, du Nigeria, d’Afrique du Sud, de Suisse et des Etats-Unis, qui ont été finalistes pour le prix de cette année.

Les œuvres présélectionnées pour le Prix Pictet Fire s’inspirent à la fois des grands événements mondiaux et des expériences personnelles. Les images photographiques couvrent le documentaire, le portrait, le paysage, le collage ainsi que l’étude de la lumière et du processus.

La lauréate du Prix Pictet Fire est la photographe américaine Sally Mann, qui a reçu le prix en décembre 2021 au Victoria and Albert Museum de Londres pour sa série Blackwater (2008-2012).

Blackwater (2008-2012) est une exploration multiforme des feux de forêt dévastateurs qui ont ravagé le Great Dismal Swamp dans le sud-est de la Virginie, où les premiers navires négriers ont accosté en Amérique. Dans cette œuvre, Mann établit un parallèle entre les incendies dévastateurs qu’elle a observés là-bas et les tensions raciales en Amérique. Selon elle: «Les incendies dans le Great Dismal Swamp semblaient incarner parfaitement l’embrasement du conflit racial en Amérique – la guerre civile, l’émancipation, le mouvement des droits civiques, auquel ma famille a participé, les troubles raciaux de la fin des années 1960 et, plus récemment, de l’été 2020. Quelque chose dans le caractère profondément imparfait des Etats-Unis semble adopter l’apocalyptique comme une solution.»

Le Prix Pictet Fire met à l’honneur d’autres photographes reconnus, dont Rinko Kawauchi, qui a photographié des feux d’artifice partout au Japon chaque été de 1997 à 2001, et Christian Marclay, dont la série de tirages photographiques a commencé par des collages à petite échelle de fragments de bandes dessinées, d’arrêts sur image et d’images trouvées sur Internet. Ils sont rejoints par de jeunes noms émergents de la photographie, notamment David Uzochukwu, dont la série de portraits In The Wake s’inscrit dans un paysage inconnu en feu, et Fabrice Monteiro, dont la série The Prophecy aborde la pollution mondiale à travers des photographies qui mettent en scène des personnages en costumes faits de déchets et de matériaux naturels.

Étant également préoccupée par ces sujets urgents et ayant accueilli plusieurs fois le Prix Pictet à Bruxelles, la Fondation CAB est enthousiaste de s’ouvrir à ce médium et ce sujet au sein de son espace à St-Paul-de-Vence.

Exposition du 16 septembre au 31 octobre 2022
Du lundi au samedi de 11 à 18h00

ABA @ruruHaus documenta fifteen! Today!

Posted on 16 September 202216 September 2022

ABA

ABA is pleased to invite you

to

Buchvorstellung

documenta fifteen in Kassel

16.9.2022, 12.00 pm-3.00 pm CEST

Obere Königsstraße 43, 34117 Kassel

Location: ruruHaus Entrance via Treppenstraße

Languages: English

Feel free to join our ongoing online events here: ABA / Air Salon Radio

FUNKENZUFLAMMEN „ABA 10+1 years artists research”

A book edited by Susanne Kriemann and Aleksander Komarov, designed by Tobias Wenig, published by Spector Books, 360 p, over 200 images, edition 500.

“Perhaps this book holds a place in a room, or in the text of another book; perhaps it is in the sound of radio tunes, or in the pc-mouse’s clicking through a blog. It rests for a moment, in between certainty and wonder, to encounter anew what has been edited over ten years; where one’s own voice challenges the noise of the city, where our good friend, the night, pioneered the sun, and sparks turned into flames “
photo credit: Studio Œ

REMOVED FOOTER

The WIELS Art Book Fair is back!

Posted on 15 September 202215 September 2022

EN NL FR

The WIELS art book fair is back! After two years of waiting, come to WIELS on Saturday 17th and Sunday 18th for a weekend full of book launches, artist talks, debates and performances. In addition to a wide variety of print productions, with more than 40 independent art publishers, you will also have the opportunity to visit the newly opened Didier Vermeiren and Shimabuku exhibitions.

Both Saturday and Sunday afternoon we will host a free KETS workshop and a special WIELS Book Sale! Moreover, we will close the first day with a festive nocturne where you can visit the book fair until 21:00, followed by a live DJ set. Discover the full (free) programme below!

SATURDAY
17.09.2022
11:00-21:00

SIGNINGS / LAUNCHES:
14:00 I Jap Sam books
Arjan van Helmond, What speaks to us

14:00 I Zamân Books
Nidhal Chamekh, mnēmē

16:00 I ZOLO PRESS
Ann Veronica Janssens, Michel François

16:30 I BOM DIA BOA TARDE BOA NOITE
Ada Van Hoorebeke
Pattern Nor Painting

18:00 I Triangle Books
Aline Bouvy, Splendeur et Décadence des Sirènes,
LP Launch

PERFORMANCES / TALKS:
11:00 I Lise Duclaux & Livia Cahn
on Les errantes naturelles par L. Duclaux
presented by à lire à la loupe

12:00 I Madeline Zuzevich
CAVITY

13:00 I Maartje Fliervoet
Manifold Books
presented by Manifold Books

14:00 I Patrick Carpentier
Blinded by the Lights
presented by Décades Éditions

15:00 I Hélène Moreau & Anouchka Oler-Nussbaum
Le Bruit de l’échantillonneuse – partition de lecture
presented by La Houle

16:00 I Niels Poiz
FEELINGS Sentiments Gevoelens GEFÜHLE
+
Marjolein Guldentops
Right Now, Right Here, Here Now

18:00 I Fake Calligraphy
(D’Andrade, participants, Maartje Fliervoet, Ada Van Hoorebeke, manoeuvre)
Mourners
presented by manoeuvre
& BOM DIA BOA TARDE BOA NOITE

KIDS ATELIER:
14:00 – 17:00 I
Fanzines with Les Ateliers CRAM – CRAMS, ongoing, 4-12 years old

WIELS CAFÉ
19:00 – 22:00 I DJ Lengelhair

CLICK HERE FOR THE FULL SATURDAY PROGRAMME

SUNDAY
18.09.2022
11:00-18:00

SIGNINGS / LAUNCHES:
14:00 I Jap Sam books,
Rune Peitersen, Raabjerg

PERFORMANCES / TALKS:
11:00 I Jivan van der Ende & An Onghena
werkboek performance

12:00 I Ruta Butkute & Emily Kocken
How To Make Sculpture Move
presented by Jap Sam Books

13:00 I Felicitas Rohden with Isabel van Bos
Where The Sun Sets Blue

14:00 I Patrick Carpentier
Blinded by the Lights
presented by Décades Éditions

15:00 I Chloe Chignell
POEMS AND OTHER EMERGENCIES
presented by rile* books

16:00 I Théo Casciani & Lou Rambert-Preiss
VERSION (film)

17:00 I Kimberly Clark
presented by Not So Difficult magazine (concert)

KIDS ATELIER
14:00 – 17:00 I
Fanzines with Les Ateliers CRAM-CRAMS, ongoing 4-12 years old

CLICK HERE FOR THE FULL SUNDAY PROGRAMME

DOWNLOAD A MAP OF THE FAIR

& MORE

KETS + FAMILY FUNDAY

Bring your family to WIELS on the first and third Sunday of every month during our Family Fundays and learn how to become a real art expert. And all that at the normal entry price (free for children). Join us this Sunday for the first Family Funday of the season!

SU_18_09___________14:00-15:30
FREE WITH ENTRY TICKET

HERITAGE DAYS

On the occasion of Heritage Days, WIELS offers you the opportunity to discover its emblematic building through inspiring guided tours, free of charge. Reservations can be made via Urban Brussels.

SA_17_09______SU_18_09_2022

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Our mailing address is:

WIELS

Avenue Van Volxemlaan 354

Brussels 1190

Belgium