NEW ISSUE: Labour of Love & CALL FOR PAPERS: Nose-stalgia

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C A L L   F O R   P A P E R S

Image by Cesar Majorana

NOSE-STALGIA
Kunstlicht vol. 44 (2022), no. 2  
Deadline: December 19, 2022
Guest Editor: Sofia Collette Ehrich and Amarens Eggeraat

In our everyday life, nostalgia (“a wistful or excessively sentimental yearning for return to or of some past period or irrecoverable condition”) often equates to some sort of past aesthetic or sound – the playlist of Nemo’s Dreamscapes on YouTube (“Oldies music playing in another room and it’s raining, w/fire crackling + windstorm”), for example. Many of us constantly long to connect to and experience a piece of the past. But so far, it seems that nostalgia is mostly being explored through audiovisual mediums, missing many of the ways that nostalgia can actually be felt. This is where smell can play a significant part.

In many ways, smells and the act of smelling have been overlooked in arts, culture and media. But our sense of smell is directly linked with our brain’s limbic system, meaning that when we smell it has the power to activate and imprint on our memory and emotion. This makes our sense of smell a powerful way to connect with our own past and perhaps even connect strongly to those of other people, places, and times.

READ ENTIRE CALL FOR PAPERS HERE

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19 NOV 20H LIVE MINITEL SUR RESA + FINISSAGE DE L’EXPOSITION HENDRIK HEGRAY

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MINITEL
Juliette Bineau, Hendrik Hegray, Erik Minkkinen & Lionel Fernandez [Sister Iodine]
Performance le 19 novembre à 20h
SALON DU SALON 21 avenue du Prado 13006 Marseille
Sur réservation : www.helloasso.com/associations/salon-du-salon/evenements/minitel

RESA MINITEL

MINITEL

Juliette Bineau, Lionel Fernandez, Hendrik Hegray & Erik Minkkinen [Sister Iodine]

www.discogs.com/fr/release/1230111-Minitel-Minitel

MINITEL crie, chante, joue avec des guitares, des percussions, des lecteurs K7 et divers autres ustensiles non réglementés. minitel est transe joie et bruit. minitel comprend des gens comme Juliette Bineau, Lionel Fernandez, Hendrik Hegray, Erik Minkkinen /…/ no-wave bien digérée ou d’une transe bruitiste et mécanique par des activistes de la scène parisienne (Jérôme Noetinger ~ Metamkine)

The French they are a funny race. They like to do it with their________. Drum machines? Synthesizers? Baguettes? Aperitifs? I forget how that old chestunt ends, anyway, the Bruit Direct label is doing a fine service to us all by providing the most wonderous noise escargot, seemingly feeding their potent Gros Gris a diet of petit greens & toxic earth. The 2nd release, this 7″ from Minitel is a plump bugger ripe w/schizophrenic angst; the a-side is clearly borne out of the avant soil once trod upon by Ilitch & DDAA while the flip sounds like the band harvested an entire field of wormwood, distilling it into a noxious absinthe of Swans like potency. (Tom Lax ~ Siltbreeze)

Hot, tangled, primal noise scrape rock action with tons of moaning, drum triggers and full-on Greco-Roman scrambler guitar/FX box grapple. France’s answer to Sightings has produced a swift, saturated blow of old-school industrial terror and classic hive attack/defense tones for maximum discomfort. Some more peaceful, tribal motifs on “Sang” and “Minogue” on the B-side act as a cooling off from the hammer attack of the first two songs. Anti-music, pro-knuckledrag, and just what a lot of you yobbos out there want. Actually reminds me of the washing machine churn score of the movie “The Entity,” which Thurston realized the potential of on the Male Slut single.(Doug Mosurock ~ Dusted Magazine)

DERNIER JOURS

EXPOSITION SKULLFLOWER, LIVE IN ANTWERPEN, 27.01.2007, HENDRIK HEGRAY
SALON DU SALON 21 avenue du Prado 13006 Marseille

Jusqu’au au 19 novembre 2022

EXPOSITION SKULLFLOWER, LIVE IN ANTWERPEN, 27.01.2007, HENDRIK HEGRAY
SALON DU SALON 21 avenue du Prado 13006 Marseille

Jusqu’au au 19 novembre 2022

En partenariat avec le festival Photo Marseille, Provence Art Contemporain et la galerie Valeria Cetraro (Paris). p-a-c.fr/les-membres/salon-du-salon/sds-34-hendrik-hegray-skullflower-part-ii

Artwork : HENDRIK HEGRAY, Exodus, 2021
Photocopie et collage – 42 cm x 29,7 cm (encadré). Unique
Courtesy de l’artiste et galerie Valeria Cetraro – Infos :  

HENDRIK HEGRAY pratique le dessin, la musique, la performance, la photo, la vidéo, la sculpture.

Influencé à la fin des années 90 par les mouvements liés au graphisme et au dessin underground, il publie de nombreuses revues Nazi Knife, Ed. Paraguay, False Flag (avec Jonas Delaborde) avec une implication particulière dans le domaine de l’auto-édition.

Hendrik Hegray développe une œuvre forte, fragile, radicale et aberrante qui, malgré sa radicalité et sa position en “marge” a pu bénéficier d’importantes mises en avant avec les expositions L’époque, les humeurs, les valeurs, l’attention Fondation Ricard, 2014 ; Rêve de cuir, Treize 2016 Futur Ancien Fugitif, Palais de Tokyo 2019 ; FREESTyle = CLAQUEMENTs DE CUISSE, Galerie Valeria Cetraro 2020.

Hendrik Hegray poursuit un chemin au gré d’envies, de partages, de rencontres, et propose une variation de sa capacité à tendre au monde un miroir accidenté, peuplé de ses chimères, inventions, de ses débris et découvertes.

HENDRIK HEGRAY Skullflower, Live in Antwerpen, 27.01.2007, 2007/2022
Tirages numériques A4 & fichier numérique – 2 ex + 1 ea
Courtesy de l’artiste et galerie Valeria Cetraro – Infos :

FANZINE
CONVENTION #7 – HENDRIK HEGRAY
Guest: AMANDINE MONSTERLET
28 pages. 8 €
ÉDITIONS SALON DU SALON, 2022.
editionsdusalon.com/HENDRIK-HEGRAY-CONVENTION-7
HENDRIK HEGRAY
TEXTE DE JULIEN BÉCOURT, AOÛT 2022

Observateur de l’infra-ordinaire et des anomalies puisées dans son quotidien le plus immédiat, Hendrik Hegray porte un regard en biais sur les choses qui l’entourent et témoignent de sa condition existentielle. En résultent des images au statut incertain, décorum de ruines du temps présent, présence-absence d’un paysage dont les humains se seraient exilés. Photographies tronquées, griffonnages compulsifs ou objets de consommation d’un autre temps sont érigés au statut d’abstraction la plus déconcertante : snapshots d’un concert du groupe noise-psychédélique Skullflower (qui donne son titre à l’exposition au Salon du Salon, Marseille), segments réagencés d’un vieux magazine de bondage japonais, vitrines poussiéreuses filmées au musée d’agriculture du Caire, architecture glauque de zone pavillonnaire, dessins grotesques ou scans de papier d’emballage… Un art du déphasage et de la non-adéquation au monde, comme s’il fallait en passer par l’altérité la plus radicale pour atteindre le domaine de la vision. Une vision qui ne passerait plus seulement par la pulsion scopique mais par l’expérience d’un décadrage, conjuguant les accidents aléatoires avec les décisions formelles les plus rigoureuses – quand bien même elles échapperaient au regardeur dans leur part d’arbitraire.

/…/

Photocopies de photocopies de photocopies qui ne laissent plus filtrer en bout de chaîne que des traînées de couleur, des lignes géométriques et des bribes de figuration S/M. Le refoulé, l’irrécupérable et la négativité ne sont plus seulement le ferment de ses névroses – les siennes, comme celles d’une société irrémédiablement malade – mais atteignent une forme de beauté impure, non homologuée dans le champ de l’art.

/…/

Il y a chez HH une lucidité d’outsider conscient de voir plus loin, égaré dans une société à laquelle il est à la fois étranger et perméable. Il y oppose une auto-aliénation radicale, dans l’attitude comme dans le geste pictural.

/…/

Rien n’est laissé au hasard dans ces agencements faussement hasardeux qui simulent le chaos pour mieux déclencher la perplexité. Entre ses auto-publications et ses murs de collages en photocopies, HH offre un redoutable précis de déviance esthétique d’où surgit une forme inédite, réconciliant art dégénéré et avant-gardisme sophistiqué.
 

SALON DU SALON est un projet d’exposition et une maison d’édition fondée en 2013. SALON DU SALON développe un programme en partenariat des artistes, des auteurs, des galeries, des éditeurs et des centres d’arts. Les formes dépendent des projets : résidences de recherche et de création, performances, discussions, expositions, publications, …

SALON DU SALON is a exhibition project and a publishing house founded in 2013. SALON DU SALON develops a programme in partnership with artists, authors, galleries, publishers and art institutions. Forms depend on the project: research and creative residencies, performances, discussions, exhibitions, publications and more.

BECOME A MEMBER

SALON DU SALON exhibition project with links to publishing
SALON DU SALON IS MEMBER OF PAC NETWORK
Copyright © 2022 SALON DU SALON, All rights reserved.
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SALON DU SALON

21 avenue du Prado

Marseille 13006

France

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This week’s openings in Brussels

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This week’s openings in Brussels ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌
This week’s openings in Brussels
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Opening this week
Thursday 17 Nov → Wednesday 23 Nov

Thu 17.11 — 16:00
Contretype
Solar Plexus Istanbul Sessions – Thomas CHABLE, Alexandre Christiaens, François GOFFIN, Philippe HERBET.

Thu 17.11 — 17:00
La Patinoire Royale | Galerie Valérie Bach
Luzia Simons – 'Récits en fleur'

Thu 17.11 — 17:00
Stems Gallery
Arghavan Khosravi

Thu 17.11 — 17:00
La Patinoire Royale | Galerie Valérie Bach
Luc Praet – 'Several Heads'

Thu 17.11 — 17:00
Xavier Hufkens
McArthur Binion – 'Visual'

Thu 17.11 — 17:00
Xavier Hufkens
McArthur Binion – 'Paper'

Thu 17.11 — 18:00
Galerie Montoro12
Perseverance III : Lionel Dury, Barbara Leclercq, Lucian Moriyama, Anna Zanichelli, Robin Wen

Thu 17.11 — 18:00
n0dine
Gary Farrelly – 'Proximity Papers- new works from an organizational self'

Thu 17.11 — 18:00
Alice Gallery
Brian Lotti

Thu 17.11 — 18:00
Eté 78
Massinissa Selmani – 'Après l’ordinaire'

Thu 17.11 — 19:00
Nino Mier Gallery
Nicola Tyson

Fri 18.11 — 18:00
Dauwens & Beernaert Gallery
Maxim Frank & Jason McGlade – 'Symbiosis'

Sat 19.11 — 14:00
Kusseneers Gallery
Leen Van Tichelen – 'Fundamentals'

Sat 19.11 — 14:00
Waldburger Wouters
Ana Mazzei & Julien Saudubray

Sat 19.11 — 14:00
Kusseneers Gallery
Delphine Somers – 'o our invisible companions'

Sat 19.11 — 15:00
Modesti Perdriolle Gallery
Anne Pesce – 'Seule dans mon Apollo'

Sat 19.11 — 16:00
Briefing Room
Koen Brams – 'MTL or DTH? Fernand Spillemaeckers and …-art'

Sun 20.11 — 13:00
Lee Bauwens Gallery (Art'Loft)
Jiana Kim – 'Color inside color'

Wed 23.11 — 15:00
CENTRALE | lab
Nelleke Cloosterman – Cardshark

Wed 23.11 — 15:00
CENTRALE for contemporary art
PHOTO I BRUT #1 – collection Bruno Decharme & installation vidéo Angel Vergara

Wed 23.11 — 15:00
Botanique
PHOTO I BRUT #2 Collection Bruno Decharme

Wed 23.11 — 15:00
CENTRALE | box
Cataplasme ! – Maud Gourdon

Wed 23.11 — 15:00
CENTRALE | vitrine
Irina Favero-Longo – Heavy mechanics

Wed 23.11 — 15:00
Botanique
KITSCH CATCH the Franco-Belgian golden age | Collection Barnabé Mons



Opening next week
Thursday 24 Nov → Wednesday 30 Nov

Thu 24.11 — 18:00
JAP / Vitrine “Entre deux portes”
Benoît Platéus

Fri 25.11 — 17:00
La Maison de Rendez-Vous
Erika Verzutti

Sat 26.11 — 17:00
Galeria Jaqueline Martins
Boiler room with LLANO Gallery presenting Noe Martinez

Sat 26.11 — 17:00
Mendes Wood DM
Varda Caivano – Paloma Bosquê

NECA and this newsletter are brought to you by la Fondation pour les Arts / Stichting voor de Kunsten. with the active support of visit.brussels.
Fondation pour les arts
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This Saturday 19 November, 2-5pm: ABA BOOKSTOP: Feminist and Queer Urban Practices @Haus der Statistik

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ABA

Air Berlin Alexanderplatz

invites you to

Saturday, 19 November 2022, 2–5pm | ABA BOOKSTOP 

Feminist And Queer

 

Urban Practices 

Haus der Statistik/OTTO, Otto-Braun-Straße, Berlin
Curated by Mio Kojima

 

The ABA BOOKSTOP is an open reading space and collective archive. Following the logic of an online platform and as an analog version of file-sharing, visitors are invited to browse through our curated reading material and shape the archive by commenting, adding to the collection, copying, collaging, and cross-connecting. 

The BOOKSTOP is meant as a space for exchange and aims at barrier-free access to resources without the bureaucracy and hierarchization of knowledge associated with public libraries. 

Every month, we offer a collection of reading material around a specific topic. The BOOKSTOP: FEMINIST AND QUEER URBAN PRACTICES focuses on activist and collective practices of community-building, city-making, and counter-mapping for more just cities.

Come by to read texts and peek into books by Zainab Marvi published by Futuress.org, Lucas LaRochelle published by Hackers and Designers, Fem Arc Collective, Alex Martinis Roe, and many more!

Air Berlin Residency:

Neige Sanchez from September 2022–Feb 2023, Switzerland
Matheline Marmy from September 2022–Feb 2023, Switzerland
Machiel van Stokkum from September–December 2022, Netherlands

 

ABA (Air Berlin Alexanderplatz) e.V. / Schöneberger Str. 13 / DE-10963 Berlin / https://airberlinalexanderplatz.de/
Team: Susanne, Mio, Tatiana, Aleksander, Stefanie

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Christiane Blattmann I Jannis Marwitz I Jasmin Werner I Art Cologne 12-16 November 2022

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Damien & The Love Guru


Christiane Blattmann, Untitled (Net II), 2022, cast silicone, pigment, dyed silk, aluminum stretcher, 85 x 45 x 5 cm /
33.46 x 17.71 x 1.97 in


Jannis Marwitz, Untitled, 2021, tempera on wood panel, 25 x 20 cm / 9.84 x 7.87 in


Jasmin Werner, Al Satwa Balikbayan (Western Union), 2022, digital print, cling film wrapping, archival card, aluminum frame, 73,5 x 42,5 cm /
28.94 x 16.73 in

 

⏧

 

Damien & The Love Guru is excited to present works by Christiane Blattmann, Jannis Marwiz & Jasmin Werner at collaborations section together with Clages Gallery at 
Art Cologne 2022 

Find us here : hall 11.3 – booth A-216

Art Cologne 
12 – 16 November 2022 

⏧

 

Christiane Blattmann is a German artist living and working between Brussels and Ham-burg. Her sculpture practice aims to dissolve clear disciplines of creation and to question the autonomy of these domains. Often departing from everyday environments, her works are not so much hybrids of art and quotidian life, but rather a body of thinking figures that are designated as art objects; a spatial strategy to suspend oppositions between con-cepts of the inside and the outside. Christiane studied at the Hochschule für Bildende Künste in Hamburg, at Goldsmiths University in London and at the Universität der Kün-ste in Berlin. Recent selected exhibitions include: The Law, Damien & The Love Guru, Zurich, 2022 (solo); Look, Lightning Has Struck the Flowers, conceived by Christiane Blattmann & Jannis Marwitz, SUNDY, London, 2022; Sour Well, Nir Altman, 2022; Diananess, with Jannis Marwitz, Le Berceau, Marseille, 2021; Amour Four, Damien & The Love Guru, Brussels, 2020 (solo); The Constant Glitch, Museum Leuven, 2021; Squish, Ephremidis, Berlin, 2020; Commission Roundabout, HKW, Berlin, 2020; Un-Break My Walls, Kunsthalle Münster, 2019 (solo).

Jannis Marwitz is a German artist living and working in Brussels. Jannis’ figurative paint-ing stands out for his distinctive, challenging visual idiom. Elegiac, myth-laden motifs, often borrowed from Greco-Roman funerary reliefs, stage a disturbing feast of physicality. The Brussels based artist uses a caustic palette and a painting style that combines old techniques with contemporary appeal. Jannis studied at Städelschule in Frankfurt and at the Hochschule für Bildende Künste in Hamburg. He attended the program De Ateliers in Amsterdam in 2015.  Recent selected exhibitions include: La proie et l’ombre, Crève-coeur, Paris, 2022; Pooky’s Reform, Kunsthalle Fribourg, 2022; Lightning Has Struck the Flowers, conceived by Christiane Blattmann & Jannis Marwitz, SUNDY, London, 2022; Onions, Damien & The Love Guru, Brussels, 2021 (solo); Diananess, with Christiane Blat-tmann, Le Berceau, Marseille, 2021; The Raid, Barbara Weiss, Berlin, 2021 (solo); Sweet Lies, Ludwig Forum, Aachen, 2021; Kündigung, Lucas Hirsch, Dusseldorf, 2020.

Jasmin Werner is a German-Filipino artist living and working in Cologne and Berlin. In her practice she investigates historical analysis, ideologies and individual desire by creating her own system of reference and combining different cultures and epochs non-hierarchi-cal. Her sculptures explore a perception of economical, social and spiritual development based on constant growth. By this, Werner questions the modern concept of productivity with an emphasis on its gender-specificities. Werner studied at HfG Karlsruhe, Rietveld Academy Amsterdam and Städelschule Frankfurt and has since participated in various exhibitions at home and abroad, such as: there in spirit, Damien & The Love Guru, Brussels, 2022 (solo); Jahresgaben at Kölnischer Kunstverein, Cologne, 2022; Schloss der Republik Burj Khalifa, Dubai Design Week, 2022, Abu Dhabi Art, 2022; Stufen zur Kunst, Kunstverein Hannover, 2022 (solo); Seniorita Latifa Sharifah, Galerie Guido W. Baudach, Berlin, 2021 (solo); Unschuldsengel, Project Room of Westfälischer Kunstvere-in, Münster, 2021 (solo); Façadomy, Damien & The Love Guru, Brussels, 2020 (solo); The Wheel of Life Remise, Kunstverein Braunschweig, 2020 (solo); Musée sentimentale de l’ours de Berlin, Bärenzwinger, Berlin, 2020; RAW, DuMont Kunsthalle, Cologne. Upcoming exhibitions include: BPA (Berlin Program for Artists) exhibition, KW, Berlin, 2023.

 

⏧

 

CURRENTLY

Slow Reading Club 
13 dedications
28. October – 17. December 2022 
Damien & The Love Guru, Brussels 

Anne Fellner 
Forever Home 
30. September 2022 – 14. January 2023
Damien & The Love Guru, Zürich

UPCOMING 

Anne Fellner 
in dialogue with Julia Künzi (Kunsthalle Bern) 
Friday 25. November 2022, 6pm 
Damien & The Love Guru, Zürich

 

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Rue de Tamines 19
1060 Brussels

Wednesday – Saturday
12 – 6 pm
and by appointment

& 

Zollikerstrasse 249
8008 Zürich
by appointment

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ART COLOGNE: Frankfurter Hauptschule

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ART COLOGNE 2022

HALLE 11.3, STAND A 007

 

 

 

 

 

 

 

 

 

 

 

 

 

 

16. – 20. November 2022

 

 

 

Der NAK Neuer Aachener Kunstverein freut sich anlässlich der diesjährigen Art Cologne eine Einzelpräsentation des Kollektivs Frankfurter Hauptschule auf seinem Messestand zeigen zu können. Bereits im Frühjahr präsentierte der NAK mit kANzELKuLTuR die erste institutionelle Einzelausstellung des Kollektivs überhaupt.

Auf der Kölner Messe zeigt der Kunstverein die vieldiskutierte Arbeit Visionäre Ruine aus dem Jahr 2018. Zugleich präsentiert der NAK die neue Jahresgabe Kunst der FHS.

Wir freuen uns darauf Sie am Stand A 007 in Halle 11.3 begrüßen zu dürfen.

Falls Sie den Newsletter nicht mehr erhalten möchten, senden Sie uns bitte eine E-Mail mit dem Betreff UNSUBSCRIBE.
_ _

NAK Neuer Aachener Kunstverein
Passstraße 29
52070 Aachen
0049 (0)241503255
www.neueraachenerkunstverein.de
www.instagram.com/neuer.aachener.kunstverein

 

 

Newsletter Ludwig Forum Aachen

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Ludwig Forum

Ausgabe 15.11.2022

 

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Training the Archive – Konferenz zu Kunst & Algorithmen

Training the Archive
Konferenz zu Kunst & Algorithmen
17. und 18.11.2022

Am 17. und 18.11.2022 findet im Rahmen des Forschungsprojekts Training the Archive eine Konferenz statt zum Thema Kunst & Algorithmen. Bei der Konferenz geben namhafte Wissenschaftler*innen einen Überblick zum aktuellen Forschungsstand bei der Anwendung von Algorithmen im Kunst- und Museumskontext.

Zum Auftakt führt Professorin Sybille Krämer mit einer Keynote ins Thema ein. Es folgt ein Podiumsgespräch mit Inke Arns (Direktorin des HMKV Hartware MedienKunstVerein), Yvonne Zindel (Autorin & Kuratorin) und Sybille Krämer zu den gesellschaftlichen Einwirkungen von algorithmischer Technik auf unseren Alltag. Autor Mattis Kuhn beschließt das Programm mit einer Lesung, vor dem Get-together.

Ausgehend von der Frage, wie Modelle der Künstlichen Intelligenz und des Maschinellen Lernens den Zugang zu musealen Sammlungen verändern können, werden am zweiten Konferenztag die großen Fragen verhandelt rund um die Schlagwörter: Select (Auswählen), Retrieve (Erschließen) und Combine (Verbinden).

Programm

Donnerstag, 17.11.2022
18:00–20:15 Uhr

Begrüßung: Eva Birkenstock (Ludwig Forum Aachen), Julia Mai (Kulturstiftung des Bundes) u. a.

Programm mit Sybille Krämer (Keynote, Diskussion), Inke Arns & Yvonne Zindel (Diskussion),
Mattis Kuhn (Lesung) und anschließendem Get-together

Freitag, 18.11.2022
09:00–16:15 Uhr

1 Select: Das Auswählen als Geste im Möglichkeitsraum aktueller KI-Modelle
Mit Fabian Offert, Roland Meyer und Tillmann Ohm

2 Retrieve: Multimodale Erschließung musealer Sammlungen sowie der Ikonografie
Mit Eva Cetinić, Dominik Bönisch und Vincent Christlein

3 Combine: Kuratieren als Bindeglied zwischen Mensch und Maschine
Mit Katrin Glinka, Gaia Tedone und Geoff Cox

Am Freitag wird eine Simultanübersetzung von Englisch auf Deutsch angeboten.

Für mehr Informationen besuchen Sie: https://trainingthearchive.ludwigforum.de

Ein Verbundprojekt des Ludwig Forum Aachen mit dem HMKV Hartware Medien KunstVerein, Dortmund (2020–2023). In Zusammenarbeit mit dem Visual Computing Institute der RWTH Aachen Universität. Das Forschungsprojekt lotet die Möglichkeiten und Risiken von Künstlicher Intelligenz in Bezug auf die automatisierte Strukturierung von musealen Sammlungsdaten zur Unterstützung der kuratorischen Praxis und der künstlerischen Produktion aus

Gefördert im Programm Kultur Digital der Kulturstiftung des Bundes. Gefördert von der Beauftragten der Bundesregierung für Kultur und Medien.

Kunstrauschen – Trainieren eines Archivs

Im Museum werden nicht nur Kunstwerke gezeigt. Es wird auch geforscht: Im Gespräch mit Dominik Bönisch, Leiter des Forschungsprojekts Training the Archive, finden Anton und Beyza heraus, was eine Künstliche Intelligenz ist, wie man eine Maschine trainiert und ob demnächst die Ausstellungen im Ludwig Forum nur noch von Computern zusammengestellt werden.

Der Podcast Kunstrauschen erscheint jeden zweiten Sonntag im Monat auf Podigee und Spotify.

Aktuelle Ausstellungen im Ludwig Forum Aachen

Belkis Ayón
Ya Estamos Aquí
22.10.2022 bis 26.02.2023

Kerstin Brätsch
Die Sein: Para Psychics
22.09.2022 bis 05.02.2023

Ölbilder. Michel Majerus im Dialog mit der Sammlung Ludwig
Sammlungspräsentation
15.10.2022 bis 15.01.2023

Palmidpeda: Lateinamerikanische Grafik, Installation und Malerei der 80er und 90er Jahre
Sammlungspräsentation
Ab 15.11.2022

Demnächst im Ludwig Forum Aachen

Psychic Universe
Vortrag von Patrizia Dander
Do 01.12.2022, 18:00 Uhr

Bereits während ihres Studiums begann Kerstin Brätsch die Arbeit an der Serie der Psychic-Malereien: Bilder, die nach Besuchen bei Wahrsagerinnen entstanden und teils ungegenständliche Formen zeigen, teils an abstrahierte Köpfe oder gar Portraits erinnern. In dieser Werkserie begründet die Künstlerin ihre Auseinandersetzung mit dem für die Malerei so essenziellen Verhältnis von Subjektivität und Ausdruck, von Innerlichkeit und Oberfläche. Entlang ihrer nachfolgenden Werkserien, die diese Fragen wie durch ein Prisma auffächern, zeichnet der Vortrag von Patrizia Dander die ebenso kluge und ernstgemeinte wie intuitive und humorvolle Arbeitsweise Kerstin Brätschs nach.

Patrizia Dander war zuletzt leitende Kuratorin am Museum Brandhorst in München, wo sie 2017 die Einzelausstellung Kerstin Brätsch. Innovation kuratierte. Anfang November hat sie die Leitung der Abteilung Wissenschaft an der Kunstsammlung NRW in Düsseldorf übernommen. 

English Version

Training the Archive – Conference on Art & Algorithms

Training the Archive
Conference on Art & Algorithms
Nov 17 and 18, 2022

On November 17 and 18, 2022, a conference will be held on the topic of Art & Algorithms as part of the research project Training the Archive. On this occasion, renowned scholars will provide an overview of the current state of research in the application of algorithms in the context of art and museums.

Professor Sybille Krämer will introduce the topic in her keynote. This will be followed by a panel discussion with Inke Arns (director of HMKV Hartware MedienKunstVerein), Yvonne Zindel (author & curator) and Sybille Krämer on the social impact of algorithmic technology in our everyday lives. Mattis Kuhn will conclude the program with a literary reading before a get-together.

Based on the question of how artificial intelligence and machine learning models can change access to museum collections, the second day of the conference will address the big questions regarding the keywords: Select, Retrieve, and Combine.

Programme

Thu, Nov 17, 2022
6:00 pm–8:15 pm

Reception: Eva Birkenstock (Ludwig Forum Aachen), Julia Mai (Kulturstiftung des Bundes) a. o.

Program with Sybille Krämer (keynote, panel discussion), Inke Arns & Yvonne Zindel (panel discussion), Mattis Kuhn (reading), and a get-together afterwards.

Fri, Nov 18, 2022
9:00 am–4:15 pm

1 Select: Analyzing the space of possibilities in state of the art AI models
with Fabian Offert, Roland Meyer, and Tillmann Ohm

2 Retrieve: Multimodal exploration of museum collections and iconography
with Eva Cetinić, Dominik Bönisch, and Vincent Christlein

3 Combine: Curating as an interaction between humans and the machine
with Katrin Glinka, Gaia Tedone, and Geoff Cox

Simultaneous translation from English to German will be offered on Friday.

For more information please visit: http://trainingthearchive.ludwigforum.de

Training the Archive is a joint project of the Ludwig Forum Aachen with the HMKV Hartware Medien KunstVerein, Dortmund. In collaboration with the Visual Computing Institute of RWTH Aachen University.

Funded by the Digital Culture Programme of the Kulturstiftung des Bundes (German Federal Cultural Foundation). Funded by the Beauftragte der Bundesregierung für Kultur und Medien (Federal Government Commissioner for Culture and the Media).

Current Exhibitions at Ludwig Forum Aachen

Belkis Ayón
Ya Estamos Aquí
Oct 22, 2022 – Feb 26, 2023

Kerstin Brätsch
Die Sein: Para Psychics
Sept 22, 2022 – Feb 05, 2023

Ölbilder. Michel Majerus in Dialogue with the Ludwig Collection
Collection Presentation
Oct 15, 2022 – Jan 15, 2023

Palmipeda: Latin American Graphic, Installation, and Painting from the 1980s and 1990s
Collection Presentation
From Nov 15, 2022

Upcoming Events at Ludwig Forum Aachen

Psychic Universe
Lecture by Patrizia Dander
Dec 1, 2022, 6pm

During her studies, Kerstin Brätsch started working on her series of Psychic paintings, which she created after visits to fortune tellers. Some show non-representational forms, while others are reminiscent of abstracted heads or even portraits. In this series of works, the artist examines the relationship between subjectivity and expression, between interiority and surface, which is so essential to painting. Along her subsequent series of works, which fan out these questions as if through a prism, Patrizia Dander’s lecture traces Kerstin Brätsch’s working method, which is as clever and serious as it is intuitive and humorous.

Patrizia Dander was most recently senior curator at the Museum Brandhorst in Munich, where in 2017 she curated the solo exhibition Kerstin Brätsch. Innovation. At the beginning of November, she took over as Deputy Artistic Director / Head of Curatorial Department at the Kunstsammlung NRW in Düsseldorf.

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Ausstellungen

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mehr

 

Impressum

Ludwig Forum für Internationale Kunst
Jülicher Straße 97–109
52070 Aachen
Di bis So 10–17 Uhr, Do 10–20 Uhr
Tel. +49 (0) 241 1807 104/ Fax +49 (0) 241 1807 101
E-Mail: Redaktion:
Ludwig Forum Aachen
www.ludwigforum.de

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Ein Museum der Stadt Aachen

Het ongewenste en bevrijde lichaam

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Juan d’Oultremont – Inflatable Caveman Club

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Saint-Martin Bookshop
presents

Juan d’Oultremont

INFLATABLE CAVEMAN CLUB
Vernissage November 19 from 3 to 6:00pm
Performance @  Seymour Kassel Records

Exhibition till Dec 18 2022

From the Neanderthal cave, to the toy store, and from the playroom to the museum, it is a question of retroactivity for the series of toy clubs, the club (the one that I sculpt or that I mold) finding when leaving the workshop all or part of its initial materiality and thus of its “knocking” potential.

More…

 

 

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Tomorrow 15 November, 4pm-5pm: ABA’s Air Salon Radio with Elke Cuppens, Stef Lemmens, and Stefanie De Bakker

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ABA

Air Berlin Alexanderplatz

invites you to

Tuesday, 15 November 2022, 4pm–5pm | AirSalon 

Soup & Dialogue

Stefanie De Bakker invites Elke Cuppens and Stef Lemmens
to talk about food, collectivity, community, and living. 

 

A joint listening session: collide with others, bring your leftover vegetables and create some soup while listening to this ABA Air SALON.

These 60 minutes were created to gather, connect and relax.

Broadcasted through Colaboradio via Freies Radio Berlin/Brandenburg (88,4 MHz in Berlin 90,7 MHz in Potsdam)

Link: https://fr-bb.org/programm/sendung/55710.html

 

 ABA’s Air Salon presents the work of contemporary visual artists on the radio. Every third Tuesday of the month from 4-5pm on fr-bb Freies Radio – Berlin Brandenburg on CoLabRadio 88.4. in Berlin, 90.7 MHz in Potsdam. You can listen at home, on the radio or online.

 

more

Upcoming events:

Nov 19, 2pm–5pm:
Bookstop: Feminist and queer urban practices @ KO-Markt, Haus der Statistik
 

Air Berlin Residency:

Neige Sanchez from September 2022–Feb 2023, Switzerland
Matheline Marmy from September 2022–Feb 2023, Switzerland
Machiel van Stokkum from September–December 2022, Netherlands

 

ABA (Air Berlin Alexanderplatz) e.V. / Schöneberger Str. 13 / DE-10963 Berlin / https://airberlinalexanderplatz.de/
Team: Susanne, Mio, Tatiana, Aleksander, Stefanie

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Q-O2 News :: November 2022

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 workspace for experimental music and sound art

Second Sundays #35
20 November – 17h (doors 16h30)
Futura Resistenza / Frederic Van de Velde
For its 35th edition, Second Sundays invites Frederic Van De Velde of the Brussels/Rotterdam label Futura Resitenza. Join us in the listening room as we dive into the catalogue for full record side listenings from sound poetry and spoken word to abstract electronic and sound collage. There will also be limited copies of most of the titles in the catalogue for sale.
[read more]

release
Oscillation ::: Public Address
Q-O2 / umland editions is pleased to present 3 split releases of live recordings from our festival Oscillation ::: Public Address that took place in April and May this year. The recordings captured six of the many beautiful performances that made up our first return to a live public festival after two years of radio only. Relive the moment or hear what you missed over at the umland bandcamp page.
Issue 1: Enrico Malatesta & Attila Faravelli / Kate Carr
Issue 2: Aymeric de Tapol / BMB con.
Issue 3: Jasmine Guffond / Peter Kutin & Stan Maris
[Bandcamp]
[more info]

post-residency concert
26 November – 18h – free
Aymeric de Tapol
For his residency in Q-O2, Aymeric continued and took time to focus on his research on hypnotic polyrhythms on modular synthesizer, that he has been exploring for the last 3 years.
When you are listening to something that seems the same thing during a really long period, many things happen to your spirit…
Come along to hear a new version of this project, a work-in-progress presentation: a piece, in continuous transformation.
[read more]

book launch
9 December – 19h30 – free
Elena Biserna : Going Out – Walking, Listening, Soundmaking
Going Out explores the relationship between walking, listening, and soundmaking in the arts – from the first soundwalks and itinerant performances in the 1960s to today’s manifold ambulatory projects. The book consists of an extensive essay by Elena Biserna followed by an anthology of historical and contemporary contributions in the form of documentation, essays, interviews, manifestos, scores, narratives and reflections.
[read more]

Second Sundays #36
11 December – 16h (doors 15h30)
Performensk
In December, Second Sundays teams up with Performensk Festival and hosts the artist Nikolay Karabinovich and artist duo Aliens (Marika Krasina and Anton Kryvulia), for a double-listening session, showing a wide palette of musical influences presented by the artists.
 More infos about Performensk Festival => https://www.performensk.com/
[read more]

listen
QOOOOOOOOOO2 @ LYL Radio: Hildegard Westerkamp
This episode focusses on German Canadian composer Hildegard Westerkamp, featuring a new piece: “The Soundscape Speaks – Soundwalking Revisited”, commissioned by BEAST FEaST 2021 and presented at Q-O2’s Festival Oscillation ::: Public Address, on 30th of April 2022, at Decoratelier in Brussels.
[listen here]

listen
21 Tracks for the 21st Century: Tomas Cabado
HART magazine and Q-O2 join forces with 21 Tracks for the 21st Century, a series of playlists to gear ourselves for our present century. We ask our guests: what music does this century need? As tonic, as engine-fuel, as rhythm, as common ground, as ballast? Each time, we invite one artist, thinker or musician to prepare a playlist of those sounds, songs and pieces of music that will best arm their listeners with the tools to approach what is left of this young century.
[listen here]

revisit
Oscillation ::: Public Address
You can now re-listen to some of the sets, talks, listening sessions and interviews from this year’s festival Oscillation ::: Public Address on our soundcloud:
::: Open Mic with Francesca Hawker and guests
::: Round Table with Elena Biserna, RYBN, David Helbich, Alisa Oleva, Bill Dietz
::: Fausto Caceres (Radio Shirley and Spinoza): Street Cries & the Wandering Song
::: Céline Gillain: How listening is conditioned by context (talk) 
::: Bill Dietz: My Ears, the Police (talk)
::: Elena Biserna interviewed by Margherita Brillada
::: Alisa Oleva interviewed by Margherita Brillada
::: Thomas Ankersmit interviewed by Margherita Brillada

still available + new
podcasts, books, releases, videos

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Julian Irlinger I Gift I Wende Museum Los Angeles I Opening Sunday 13. November 2022, 11am-5pm

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Damien & The Love Guru

 

Julian Irlinger
Gift

Opening Sunday 13. November 2022, 11am – 5pm
Wende Museum, Los Angeles 

13. November 2022 until 12. March 2023

⏧
 

Opening alongside: Ruth Wolf-Rehfeldt and David Horvitz: For Ruth, The Sky in Los Angeles; (De)constructing Ideology: The Cultural Revolution and Beyond

In ‘Gift’ Julian Irlinger explores the writing of history through an institutional process by donating various documentary materials to the Wende Museum in Los Angeles, one of the largest historical archives on GDR history. Irlinger negotiates the institutional process that controls the relevance of artifacts before they enter the archive through an artistic donation of documentary materials.
The documents and photographs record the consecutive forms of ownership of a house in Schönebeck an der Elbe. The property was confiscated in 1983 from his grandmother by the German Democratic Republic, transferred back to her in 1991 by the Federal German Republic, and subsequently sold in 1992. These documents, the act of donation, and the story they tell not only describe various forms of ownership, authorship and appropriation, they also examine how art can operate as an infrastructure to address such processes. While the Wende Museum would normally not have accepted these documents as a donation in the first place, Julian Irlinger foregrounded in conversations with the museum the act of donation itself as the work of art.

Gift evolved through several different manifestations: from an exhibition at Galerie Wedding in Berlin (2020) to a volume published by Spector Books (2021), Billboards with Ideal Art Space in Leipzig and Schönebeck an der Elbe (2022) and finally becoming situated in a specific context: the Wende Museum (2022). 

 

⏧

 

CURRENTLY

Slow Reading Club 
13 dedications
28. October – 17. December 2022 
Damien & The Love Guru, Brussels 

Anne Fellner 
Forever Home 
30. September 2022 – 14. January 2023
Damien & The Love Guru, Zürich

UPCOMING 

Christiane Blattmann
Jannis Marwitz 
Jasmin Werner
Art Cologne 
collaborations section with Clages Gallery
16. – 22. November 2022

Anne Fellner 
in dialogue with Julia Künzi (Kunsthalle Bern) 
Friday 25. November 2022, 6pm 
Damien & The Love Guru, Zürich

 

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Rue de Tamines 19
1060 Brussels

Wednesday – Saturday
12 – 6 pm
and by appointment

& 

Zollikerstrasse 249
8008 Zürich
by appointment

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Stedelijk x IDFA: Video Club met Ansuya Blom

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Op 20 november organiseren we in samenwerking met IDFA een Video Club met het werk van Ansuya Blom.

 ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌  ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌  ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌  ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌  ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌  ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌  ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌  ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌  ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌  ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌  ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌  ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌

Bekijk online
 
Stedelijk foto gebouw stedelijk museum Museum
 
Public
Program		 Nieuwsbrief
 
Met veel plezier informeren we je over het Public Program bij het Stedelijk Museum. Op 20 november organiseren we in samenwerking met IDFA een Video Club met het werk van Ansuya Blom. In dit programma worden haar werken uit de collectie time-based media van het Stedelijk samen met een selectie aan nieuwe werken uit die collectie getoond.
 
Evenement — 20 november
STEDELIJK X IDFA: VIdEO CLUB MET ANSUYA BLOM
film still
Ansuya Blom is sinds de jaren 1970 actief als kunstenaar en maakt schilderijen, tekeningen en film. Haar werken worden gekenmerkt door hun verkenningen van innerlijke processen, het gemarginaliseerde subject en de fricties tussen deze elementen en de externe wereld. Het gebruik van taal en narratief speelt een belangrijke rol in de unieke filmwerken van Blom. 

Vaak baseert zij zich op bestaande teksten, zoals het werk van dichters als Sylvia Plath en Langston Hughes, waaromheen zij een eigenzinnige visuele en emotionele wereld creëert. Bloms genreoverstijgende werken uit de collectie van het Stedelijk bevatten contemplatieve scènes van wooninterieurs en beeldmateriaal van organen, waaraan een voiceover is toegevoegd.

Na de screening zal Blom in gesprek gaan met curator Monika Szewczyk. Er worden vegetarische bitterballen en drankjes geserveerd.
Programma
15.30   Inloop
16.00   Welkomstwoord en introductie door Karen Archey
16.10   Screeningprogramma
16.50 Paneldiscussie en Q&A
17.30 Einde programma
Meer info & tickets
 
over videoclub
Video Club is een roterende serie screenings waarin de gerenommeerde collectie van kunstwerken in time-based media van het Stedelijk Museum wordt geëtaleerd. In thematisch georganiseerde selecties presenteert Video Club kunstwerken uit uiteenlopende periodes, regio’s en kunststromingen. Na elke openingspresentatie van Video Club is de screening te zien in de collectiepresentatie Tomorrow is a Different Day, zaal 1.16.
 
over idfa
en het stedelijk
Twee films in het IDFA programma hebben een link met het Stedelijk. Eregast tijdens IDFA is de Oscar-winnende regisseur Laura Poitras. In All the Beauty and the Bloodshed volgt zij fotograaf, kunstenaar en activist Nan Goldin. Goldin’s verslaving aan pijnstillers ontvlamde bij haar een strijd tegen de omstreden Sackler familie, rijk geworden met OxyContin, dat vele dodelijke slachtoffers maakt. Goldin streed met succes tegen deze pijnstillerindustrie: haar acties zorgden ervoor dat Sackler door de kunstwereld wordt geweerd als donateur. Vanaf september volgend jaar kun je het werk van Nan Goldin in het Stedelijk zien – This Will Not End Well zal de eerste overzichtstentoonstelling zijn die Nan Goldin als filmmaker presenteert. 

Ook te zien tijdens IDFA: de documentaire White Balls on Walls van Sarah Vos. Zij volgde het Stedelijk de afgelopen 2,5 jaar, vanaf het aantreden van Rein Wolfs als directeur. Die kondigde aan dat hij transparant wil zijn, en dat hij een Stedelijk voor ogen heeft dat inclusiever en diverser is. Het Stedelijk liet Sarah Vos toe tijdens dit veranderingsproces. De documentaire toont hoe het Stedelijk een nieuwe kijk op de kunstgeschiedenis ontwikkelt en laat actuele en complexe thema’s zien waar kunstinstituten vandaag de dag mee dealen, thema’s die universeel zijn. De film gaat vrijdagavond 11 november in première in Carré, met een nagesprek tussen Sarah Vos, Rein Wolfs en Charl Landvreugd. Kaartjes voor de première en overige screenings te koop via onderstaande button.
Tickets
 
Agenda
nu en straks
20 nov Evenement Stedelijk x IDFA: Video Club met Ansuya Blom
2 dec   Evenement Meet the Masters: Meer dan Malevich
2 & 3 dec   Symposium De Appel x Stedelijk: Drawing Faces
In samenwerking met De Appel samengesteld door Curatorial Fellow Edwin Nasr.
 
1.Foto: Jannes Linders
2. Ansuya Blom, Borderline, 1985. Collectie Stedelijk Museum Amsterdam.

 
 
Stedelijk Museum
 
Dagelijks 10–18 uur
 
Plan je bezoek   Nu te zien
 
 
Stedelijk Museum Amsterdam  
Gemeente Amsterdam
 

Partner
BankGiroLoterij
 

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Publications publications publications!

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Volg ons op Facebook en Instagram

 10/11/22
Onze kunstenaarspublicaties tijdelijk aan uitzonderlijke tarieven!

Discover our artist publications, now at exceptional rates! 

Bookshop
Uitzonderlijke korting op publicaties t/m 11 december
Exceptional discount on our publications until December 11th
NL – Geniet van uitzonderlijke kortingen bij de aankoop van minimum twee publicaties in onze bookshop!
Hoe meer publicaties je koopt, hoe hoger de korting bovendien:

2 publicaties: 20% korting 
3 publicaties: 30% korting 
4 publicaties: 40% korting 

Deze actie loopt tot en met 11 december, geldt niet voor edities en cadeaubonnen en is niet cumuleerbaar met andere kortingen.

EN – Enjoy exceptional discounts on all publications in our bookshop!
The more publications you buy, the higher the discount:

2 publications: 20% discount 
3 publications: 30% discount 
4 publications: 40% discount 

This promotion runs until December 11, is not valid for editions and gift cards and cannot be combined with other discounts. 
Buy 2, buy 3, buy 4!

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New exhibition: ‘Archiving Ian Wilson’

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Please note

16/11 – 23/12
Ian Wilson
Archiving Ian Wilson

One of the ambitions and joys of making exhibitions in a gallery comes from the different ways artists and curators make use of the space. During Archiving Ian Wilson we are turning the exhibition space into a working space while remaining open to the public. Prior to his death in April 2020 Ian Wilson requested that all his works that had remained in his possession would be sent to our storage. A first inventory of remaining discussion certificates, books and other works was made soon after their arrival in Brussels in 2021. During the coming two months we will continue with the inventarisation and seek the expertise of museum archivists, curators, publishers and other specialists who have worked with Ian Wilson during his lifetime. The ambition is to do preparatory research for the second volume of the catalogue raisonné that was published in 2008 by the Van Abbemuseum (Eindhoven) in collaboration with MACBA (Barcelona). While small groups of works will be displayed, gallery visitors will be given an insight into Wilson’s work as well as in the inventarisation process. 

Newspaper No.134 now available online.

Jan Mot
Petit Sablon / Kleine Zavel 10
1000 Brussels, Belgium
+32 2 514 10 10
www.janmot.com

Wednesday till Friday 2 – 6.30 pm
Saturday 12 – 6 pm
and by appointment

Webshop: www.by-association.online 

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[nadine] upcoming November 2022

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[n0dine] Proximity Papers – notes from an organisational self   
Gary Farrelly
18/11 – 08/12/2022

[EN] Proximity Papers is Gary Farrelly’s first solo exhibition in Brussels, a curatorial initiative of Various Artists. The new body of work signals a reignition of his interest in obsessive and repetitive processes of hand manufacture such as stitching, stenciling, typing, folding, labelling and redacting. The exhibition evokes architectural and geographical fictions laced with traces of self-referential archiving and linguistic inhabitation.

[NL] Op uitnodiging van Various Artists toont Gary Farrelly een nieuwe reeks werken die aansluit bij zijn hernieuwde belangstelling voor de obsessieve en repetitieve processen eigen aan handwerk, zoals naaien, stencilen, typen, vouwen, labelen en redigeren. De tentoonstelling roept architecturale en geografische ficties op, een aaneenrijging van sporen die voortkomen uit een archief dat naar zichzelf verwijst, en de bezetenheid van tekst.

[FR] L’exposition Proximity Papers, initiée par Various artists, est la première exposition personnelle de Gary Farrelly’s à Bruxelles. Ce nouveau corpus d’oeuvres réactiveson intérêt pour les processus obsessionnels et répétitifs de fabrication manuelle, tels que la couture, le pochoir, la dactylographie, le pliage, l’étiquetage et la rédaction. L’exposition propose des fictions architecturales et géographiques parsemées de traces d’archives personnelles.

Opening on Thursday 17 November, 18:00 – 21:00
Exhibition : 18/11- 08/12/2022, 10:00 – 17:00 & by appointment /  n0dine, Rue de Laekensestraat 105, 1000 Brussels
more info: nadine.be; garyfarrelly.com
supported by Vlaamse Gemeenschapscommissie, the Arts Council of Ireland and Fingal Arts Office

image by Gary Farrelly

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[dinA] oracle Telepatic Publication Launch
24/11/2022 – book launch

[EN] During the spring months of the lockdown, oracle transformed their body voice practice into a series of telepathic vocal “gatherings”. The aim was to offer another form of connection in times of crisis and isolation while remunerating each participant for their telepathic presence. The resulting traces, created by a diverse group of artists, are collected in this book.

[NL] Tijdens de lentemaanden van de lockdown vormde oracle haar body voice praktijk om tot een reeks telepathische vocale “bijeenkomsten”. Er werd gezocht naar alternatieve manieren van verbinding in tijden van crisis en afzondering. Deelnemers werden hierbij vergoed voor hun telepathische aanwezigheid. De sporen die werden gecreëerd door deze diverse groep kunstenaars, zijn gebundeld in dit boek.

[FR] Pendant les mois de printemps du confinement, oracle a transformé sa pratique voix et corps en une série de “réunions” vocales télépathiques. D’autres moyens de connexion ont été recherchés en période de crise et d’isolement. Dans le processus, les participants ont été compensés pour leur présence télépathique. Les traces créés par ce groupe diversifié d’artistes sont compilés dans ce livre.

24/11/2022 : 18:00 – 21:00 
dinA, Nieuwbrug 3 Rue du Pont Neuf, 1000 Brussels
more info: nadine.be; oracleoracleoracle.com
supported by nadine vzw and wpZimmer Topos 

image by oracle

[RusClub #57] Master I Margarita – mini series by Vladimir Bortko Part 1
28/11/2022 – mini series (first 3 episodes)

[EN] We exceptionally show a mini series for the coming two RusClub screenings. (We show 3 episodes this date. Next 3 episodes on the 23 December.)
RusClub is a platform for Russian cinema. Alexandra Dementieva selects Russian movies and guides you through the history of Russian cinema.

[NL] RusClub is een platform voor Russische cinema. Alexandra Dementieva gidst het publiek doorheen de geschiedenis van de Russische cinema aan de hand van geselecteerde films.

[FR] RusClub est une plateforme pour le cinéma russe. Alexandra Dementieva nous fait part de sa sélection de films russes et nous guide à travers l’histoire du cinéma russe.

28/11/2022 : 19:30 – 22:30
Projection starts at 20:00. Feel free to bring some drinks and snacks.

dinA, Nieuwbrug 3 Rue du Pont Neuf, 1000 Brussels
more info : nadine.be; alexdementieva.org

nadine is supported by:
Vlaamse Gemeenschap
Vlaamse Gemeenschapscommissie van het Brussels Hoofdstedelijk Gewest
Mobiel Brussel van het Brussels Hoofdstedelijk Gewest

Contact: 
dinA / Nieuwbrug 3 Rue du Pont Neuf / Brussel 1000 Bruxelles

Visit the exhibitions of Vermeiren and Shimabuku • Meet the Residents & Open School • Kets

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“In the handsome exhibition Double Exposition, Didier Vermeiren shows what is possible when the pedestal becomes the sculpture.”

– De Standaard

BOOK YOUR TICKET
BOOK A GUIDED TOUR

On Saturday 19 November, we welcome you for Open School & Meet the Residents! Around the central theme of sovereignty, the 5th edition of Open School explores the notion of ‘arbitrary functions’ and dives into the writing of Lauren Berlant and Ariana Reines. 

On the same day, get to know the work and practice of current artists in residence.

PROGRAMME

OPEN SCHOOL + LECTURE
Matt Hare – From Arbitrary Functions to Arbitrary Nature 

Matt Hare, PhD, researcher at the Centre for Modern European Philosophy, Kingston University London, lectures on the emergence of the modern notion of “arbitrary function” as a prism through which the relationship between formalism and sensory experience can be discussed. 

SAT_19_11__________14:00-15:00
SIGN UP

OPEN SCHOOL + GROUP LECTURE
Sex Negativity

Persis Bekkering and Zanë Hadri will collectively read and discuss a section from Lauren Berlant and Lee Edelman’s Sex, or the Unbearable. This essay explores the revolutionary potential of sex negativity as it “designates the relentless force that challenges the fantasy of sovereignty”.

SAT_19_11__________20:30-22:00
SIGN UP

MEET THE RESIDENTS
 
Through studio encounters, lectures, film projections, presentations and much more, get to know the work of: Oussama Tabti, Thomas Hitchcock, Felix De Clercq, Esther Gatón, Nancy La Rosa, Takuya Watanabe, Kader Kabore, Camille Picquot & Sandra Kosorotova. 

SAT_19_11__________15:00-20:00
DISCOVER THE FULL PROGRAMME HERE

 

KETS

KETS POSTER

The WIELS KETS poster allows children to discover Shimabuku’s exhibition Instrumental in a playful way. The poster is full of fun activities, including making your own octopus in origami. Available for free.
VISIT WIELS WITH THE WHOLE FAMILY
ORIGAMI VIDEO TO MAKE YOUR OWN OCTOPUS

CHILDREN’S ART DAY
During Children’s Arts Day, you can come and watch Amadeo Kollectif’s performance Lusiola with the whole family. A participatory performance for young people starring the audience. At 1 pm in Dutch and at 4 pm in French.
SUN_20_11_________13:00 & 16:00
FREE
SIGN UP

 

MORE EVENTS 

BOOK PRESENTATION 

Ernst van Alphen: Seven Logics of Sculpture

Ernst van Alphen, Emeritus Professor of Literature at Leiden University Centre for the Arts in Society, will give a book presentation of the book Seven Logics of Sculpture with a focus on Didier Vermeiren and the building blocks of sculpture.

THU_10_11__________19:00-19:45
FREE
MORE INFO

FILMPREMIERE 

Manthia Diawara – AI: African Intelligence

WIELS and Gluon have the pleasure of inviting you to the premiere of Manthia Diawara’s latest essay film, on Monday 28 November at Cinema Palace.
MON_28_11__________19:30
FREE (AT CINEMA PALACE)
SIGN UP

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This week’s openings in Brussels

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This week’s openings in Brussels ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌
This week’s openings in Brussels
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Opening this week
Thursday 10 Nov → Wednesday 16 Nov

Thu 10.11 — 17:00
Irène Laub Gallery
Esther Gatón and Guðný Rósa Ingimarsdóttir – 'Salted Peelings'

Thu 10.11 — 17:00
Rodolphe Janssen
Sam Moyer – 'Relief'

Thu 10.11 — 17:00
Rodolphe Janssen
Brooklin A. Soumahoro – 'Supernova'

Thu 10.11 — 17:00
Michel Rein
Lucas Vitone – 'Plastic paintings'

Thu 10.11 — 17:00
Super Dakota
Baptiste Caccia – 'T e imperfect cop '

Thu 10.11 — 18:00
Dvir Gallery
Omer Fast

Thu 10.11 — 18:00
Meessen De Clercq
Hreinn Fridfinnsson – 'About the day and the ray'

Fri 11.11 — 18:00
Galerie Felix Frachon
Hans Lemmen – 'In Search of Better Paradise'

Sat 12.11 — 12:00
Harlan Levey Projects 1050
Sheida Soleimani – 'Credible Threats'

Wed 16.11 — 18:00
BEIGE
Willem Oorebeek – '1, 2, 3 Pirelli'



Opening next week
Thursday 17 Nov → Wednesday 23 Nov

Thu 17.11 — 16:00
Contretype
Solar Plexus Istanbul Sessions – Thomas CHABLE, Alexandre Christiaens, François GOFFIN, Philippe HERBET.

Thu 17.11 — 17:00
Stems Gallery
Arghavan Khosravi

Thu 17.11 — 17:00
La Patinoire Royale | Galerie Valérie Bach
Luzia Simons – 'Récits en fleur'

Thu 17.11 — 17:00
La Patinoire Royale | Galerie Valérie Bach
Luc Praet – 'Several Heads'

Thu 17.11 — 17:00
Xavier Hufkens
McArthur Binion – 'Visual'

Thu 17.11 — 17:00
Xavier Hufkens
McArthur Binion – 'Paper'

Thu 17.11 — 18:00
Galerie Montoro12
Perseverance III : Lionel Dury, Barbara Leclercq, Lucian Moriyama, Anna Zanichelli, Robin Wen

Thu 17.11 — 18:00
n0dine
Gary Farrelly – 'Proximity Papers- new works from an organizational self'

Thu 17.11 — 18:00
Alice Gallery
Brian Lotti

Thu 17.11 — 18:00
Eté 78
Massinissa Selmani – 'Après l’ordinaire'

Thu 17.11 — 19:00
Nino Mier Gallery
Nicola Tyson

Fri 18.11 — 18:00
Dauwens & Beernaert Gallery
Maxim Frank & Jason McGlade – 'Symbiosis'

Sat 19.11 — 14:00
Waldburger Wouters
Ana Mazzei & Julien Saudubray

Sat 19.11 — 15:00
Modesti Perdriolle Gallery
Anne Pesce – 'Seule dans mon Apollo'

Sat 19.11 — 16:00
Briefing Room
Koen Brams – 'MTL or DTH? Fernand Spillemaeckers and …-art'

Sun 20.11 — 13:00
Lee Bauwens Gallery (Art'Loft)
Jiana Kim – 'Color inside color'

Wed 23.11 — 15:00
CENTRALE | lab
Nelleke Cloosterman – Cardshark

Wed 23.11 — 15:00
Botanique
PHOTO I BRUT #2 Collection Bruno Decharme

Wed 23.11 — 15:00
CENTRALE for contemporary art
PHOTO I BRUT #1 – collection Bruno Decharme & installation vidéo Angel Vergara

Wed 23.11 — 15:00
CENTRALE | box
Cataplasme ! – Maud Gourdon

Wed 23.11 — 15:00
CENTRALE | vitrine
Irina Favero-Longo – Heavy mechanics

Wed 23.11 — 15:00
Botanique
KITSCH CATCH the Franco-Belgian golden age | Collection Barnabé Mons

NECA and this newsletter are brought to you by la Fondation pour les Arts / Stichting voor de Kunsten. with the active support of visit.brussels.
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Friendly reminder: Opening New Exhibitions and Presentations | 12 November 2022, 20:00-24:00

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P/////AKT would like to invite you to the opening of the following new exhibitions and presentations
Opening Saturday 12 November, 20-24 hrs
13 November – 18 December 2022
Thu – Sun, 14-18 hrs

MAIN SPACE: Aslan Goisum

Aslan Goisum – Our memories are quite similar but pickled alive in a poison which accompanies objects too as a part of this emptiness.

Aslan Goisum (b. 1991 in Grozny, Chechnya) employs various artistic media, mainly the moving image, sculptural installation and paper-based techniques. Recent exhibitions include: A War in the Distance, steirischer herbst (Graz, AT, 2022); The Invented History, KINDL (Berlin, DE, 2020); Blood and Soul: Dark Arts for Dark Times, Contemporary Art Centre (Vilnius, LT, 2019); Beautiful  World, Where Are You?, 10th Liverpool Biennial (Liverpool, UK, 2018); How To Live Together, Kunsthalle Wien (Vienna, AT, 2017) and People of No Consequence, Museum of Contemporary Art (Antwerp, BE, 2016).

Goisum’s new project at P/////AKT marks the 4th part of the exhibition series Turning to Dust and Bones.

Image: Aslan Goisum, Untitled, 2022, courtesy of the artist

Special thanks to: Archie Metaalbewerking (Richard & Jaques)

P/////AKTPOOL is hosting Boo 2

Boo 2 presents

Orbit Allures – Opening Saturday 12 November, 13 – 27 November
Benjamim Furtado, Aske Hyldborg Jensen, Simone Mine Koza, Monique Todd
and Arto Rta
Musical performance by Benjamim Furtado during the opening night

JANEY’S ROOM – Opening Wednesday 7 December, 8 – 18 December
organised by Niklas Büscher and Sara Milio
Performance on Saturday 10 December

Boo 2 is an artist-run project space which started in January 2022 in a vacant store at the Boven’t Y shopping centre. Currently spaceless, it is looking for a new home. Each exhibition of the programme is created by proposing an artist to invite peers and organise a group show themselves. The aim is to give space for public presentations organised collaboratively and independently by the artists. Boo 2 restricts its role to facilitating a space and offering a communication platform. In its time at the Boven’t Y, the space was activated every uneven weekend by a show of three days after a period of two weeks where the artist worked in the space.
The presentations at P/////AKT will follow this energetic rhythm that is at the core of Boo 2. Read more here.

Image by Mayya Kuznetsova

P/////AKTSALON: Stephan Blumenschein

Stephan Blumenschein
A stain inside a paper, a whisper

Inspired by Felicity Callard’s “The Intimate Geographies of Panic Disorder”, which analyzes events that took place at Hillside Hospital/New York during 1959-62 and would become the origin story of panic disorder as a new medical category.
Thinking together (the disregard) of both, the specific architectural conditions and the role of care work in the tale of the birth of panic disorder A stain inside a paper, a whisper explores processes of (dis)appearance, withdrawal and traces of (in)visibilities the artist encountered in the archives and during his research period in New York in spring 2022.

The research was made possible with the financial support of Amsterdam Fund for the Arts, Stichting Gerbrandy and BMKOES Austria.

A stain inside a paper, a whisper is the latest addition to the P/////AKT-collection of limited edition works by alumni artists.

Join our Facebook event here.

Our events are featured on Public Data for Public Events
 

P/////AKT would like to thank:

Mondriaan Fund, Amsterdam Fund for the Arts and 

Stadsdeel Amsterdam Oost.

P/////AKT
Zeeburgerpad 53
1019 AB Amsterdam

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Newsletter Ludwig Forum Aachen

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Ludwig Forum

Ausgabe 09.11.2022

 

Artikelbild

Kerstin Brätsch. Die Sein: Para Psychics, Ausstellungsansicht, 2022, Ludwig Forum Aachen. Foto: Mareike Tocha

Ludwig Forum empfiehlt: Gespräch mit Kerstin Brätsch und Anja Dorn im Leopold-Hoesch-Museum in Düren

Kerstin Brätsch im Gespräch mit Anja Dorn im Leopold-Hoesch-Museum, Düren
Do 10.11.2022, 19 Uhr

Parallel zur aktuellen Ausstellung Die Sein: Para Psychics von Kerstin Brätsch im Ludwig Forum Aachen ist im Leopold-Hoesch-Museum in Düren die Ausstellung Sein der Künstlerin zu sehen. Wir freuen uns, Ihnen eine in diesem Zusammenhang stattfindene Veranstaltung in Düren zu empfehlen: Am Donnerstag, den 10. November 2022 um 19 Uhr spricht in der Reihe “Museumsdialog” Direktorin und Kuratorin Anja Dorn mit Kerstin Brätsch über ihre Arbeiten im Leopold-Hoesch-Museum.

Eintritt: 3 Euro (freier Eintritt für Mitglieder des Museumsvereins Düren)
! Veranstaltungsort: Leopold-Hoesch-Museum, Hoeschplatz 1, 52349 Düren !

Training the Archive – Konferenz zu Kunst & Alogrithmen

Training the Archive
Konferenz zu Kunst & Algorithmen
17. und 18.11.2022
 
Am 17. und 18.11.2022 findet im Rahmen des Forschungsprojekts Training the Archive eine Konferenz statt zum Thema Kunst & Algorithmen. Bei der Konferenz geben namhafte Wissenschaftler*innen einen Überblick zum aktuellen Forschungsstand bei der Anwendung von Algorithmen im Kunst- und Museumskontext.Zum Auftakt führt Professorin Sybille Krämer mit einer Keynote ins Thema ein. Es folgt ein Podiumsgespräch mit Inke Arns (Direktorin des HMKV Hartware MedienKunstVerein), Yvonne Zindel (Autorin & Kuratorin) und Sybille Krämer zu den gesellschaftlichen Einwirkungen von algorithmischer Technik auf unseren Alltag. Autor Hannes Bajohr (Schreibenlassen. Texte zur Literatur im Digitalen) beschließt das Programm mit einer Lesung, vor dem Get-together.

Ausgehend von der Frage, wie Modelle der Künstlichen Intelligenz und des Maschinellen Lernens den Zugang zu musealen Sammlungen verändern können, werden am zweiten Konferenztag die großen Fragen verhandelt rund um die Schlagwörter: Select (Auswählen), Retrieve (Erschließen) und Combine (Verbinden).

Mit den Wissenschaftler*innen Fabian Offert, Roland Meyer, Tillmann Ohm, Eva Cetinić, Dominik Bönisch, Vincent Christlein, Katrin Glinka, Gaia Tedone und Geoff Cox.

Für mehr Informationen besuchen Sie: https://trainingthearchive.ludwigforum.de/konferenz/

Ein Verbundprojekt des Ludwig Forum Aachen mit dem HMKV Hartware Medien KunstVerein, Dortmund. In Zusammenarbeit mit dem Visual Computing Institute der RWTH Aachen Universität.

Gefördert im Programm Kultur Digital der Kulturstiftung des Bundes. Gefördert von der Beauftragten der Bundesregierung für Kultur und Medien.

Aktuelle Ausstellungen im Ludwig Forum Aachen

Belkis Ayón
Ya Estamos Aquí
22.10.2022 bis 26.02.2023

Kerstin Brätsch
Die Sein: Para Psychics
22.09.2022 bis 05.02.2023

Ölbilder. Michel Majerus im Dialog mit der Sammlung Ludwig
Sammlungspräsentation
15.10.2022 bis 15.01.2023

Palmidpeda: Lateinamerikanische Grafik, Installation und Malerei der 80er und 90er Jahre
Sammlungspräsentation
Ab 15.11.2022

Kunstvermittlung: Workshops und Kurse

Sonntagsmaler
Offene Kreativ-Werkstatt für große und kleine Künstler*innen
So 13.11.2022, 14 – 16 Uhr

An jedem zweiten Sonntag im Monat findet sonntags ein Workshop für Kinder und Erwachsene statt. Inspiriert durch die aktuellen Ausstellungen können in der Werkstatt verschiedene Werkstoffe und künstlerische Techniken erprobt werden.

Kosten: Erwachsene 8 €, Kinder 4 €, zzgl. Museumseintritt

Experimentelle Druckgrafik
Künstlerkurs mit Antonio Nuñez
Ab Do 24.11.2022

Anlässlich der Überblicksausstellung Ya Estamos Aquí der kubanischen Künstlerin Belkis Ayón greift der Workshop die Technik des Materialdrucks auf. Unter Anleitung des Künstlers Antonio Nuñez, der einst mit Ayón befreundet war und an einem Workshop von ihr teilnahm, werden die vielseitigen Möglichkeiten der Collografie als Technik für experimentelle Prozessarbeiten herausgestellt. Effekte unterschiedlichster Materialien und Strukturen werden im Druck auf Papier erprobt und im eigenen Werk kombiniert.

Ein Kurs für Anfänger*innen und Fortgeschrittene
Do 24.11.,01.12., 08.12., 15.12.2022 und 19.01., 26.01., 02.02., 09.02.2023, jeweils 18 – 21 Uhr

Anmeldung erforderlich.
Maximal 10 Teilnehmer*innen
Kosten: 160 € / ermäßigt 128 €

Antonio Nuñez, geb. 1971 in Camagüey, Kuba, 1993-1998 Studium der Malerei und Grafik am Instituto Superior de Arte in Havanna, Kuba. 1996 Teilnahme an einem Lithographie-Workshop von Belkis Ayón am Instituto Superior de Arte in Havanna, Kuba. Stipendien in Kuba, Kanada und der Schweiz. 2001 Stipendium der Peter und Irene Ludwig Stiftung in Aachen. Nominiert für den CityARTists 2022 des Kultursekretariats NRW. Lebt und arbeitet seit 2002 in Aachen.

DIY – Demo-Workshops in der Kunstwerkstatt
So 20.11.2022, 14 –16 Uhr

An jedem dritten Wochenende im Monat geben Künstler*innen, Designer*innen und Kunsthistoriker*innen Einblicke in fachspezifische kreative Techniken. In 2-stündigen Demo-Workshops wird auf spezielle Werkstoffe und kreative Methoden eingegangen. Techniken und deren Gestaltungsmöglichkeiten werden demonstriert und können in kleinem Umfang ausprobiert werden. Mit diesem Angebot stellt das Ludwig Forum die vielseitigen Möglichkeiten in Museum und Kunstwerkstatt vor und gibt den Gästen Inspirationen für eigene Projekte mit auf den Weg. DEMO-SiebdruckWas ist ein Siebdruck? Die Designerin Petra Hellwig zeigt Technik, Maschinen und Werkzeuge anhand von Exponaten und in der Siebdruck-Werkstatt. Natürlich wird auch selbst gedruckt! 

Kosten 10 €, zzgl. Museumseintritt

English Version

Ludwig Forum recommends: Conversation with Kerstin Brätsch and Anja Dorn at Leopold-Hoesch-Museum in Düren


Conversation with Kerstin Brätsch and Anja Dorn at Leopold-Hoesch-Museum, Düren
Thu Nov 10, 2022, 7pm

Admission: 3 Euro (free admission for members of the Museumsverein Düren)
! Venue: Leopold-Hoesch-Museum, Hoeschplatz 1, 52349 Düren !

Training the Archive – Conference on Art & Algorithms

Training the Archive
Conference on Art & Algorithms
Nov 17 and 18, 2022

On November 17 and 18, 2022, a conference will be held on the topic of Art & Algorithms as part of the research project Training the Archive.

On this occasion, renowned scholars will provide an overview of the current state of research in the application of algorithms in the context of art and museums.Professor Sybille Krämer will introduce the topic in her keynote. This will be followed by a panel discussion with Inke Arns (director of HMKV Hartware MedienKunstVerein), Yvonne Zindel (author & curator) and Sybille Krämer on the social impact of algorithmic technology in our everyday lives. Hannes Bajohr (author of Blanks. Word Processing) will conclude the program with a literary reading before a get-together.Based on the question of how artificial intelligence and machine learning models can change access to museum collections, the second day of the conference will address the big questions regarding the keywords: Select, Retrieve, and Combine.

Speakers: Fabian Offert, Roland Meyer, Tillmann Ohm, Eva Cetinić, Dominik Bönisch, Vincent Christlein, Katrin Glinka, Gaia Tedone, and Geoff Cox.

For more information please visit: https://trainingthearchive.ludwigforum.de/en/conference/

Training the Archive is a joint project of the Ludwig Forum Aachen with the HMKV Hartware Medien KunstVerein, Dortmund. In collaboration with the Visual Computing Institute of RWTH Aachen University.

Funded by the Digital Culture Programme of the Kulturstiftung des Bundes (German Federal Cultural Foundation). Funded by the Beauftragte der Bundesregierung für Kultur und Medien (Federal Government Commissioner for Culture and the Media).

Current Exhibitions at Ludwig Forum Aachen

Belkis Ayón
Ya Estamos Aquí
Oct 22, 2022 – Feb 26, 2023

Kerstin Brätsch
Die Sein: Para Psychics
Sept 22, 2022 – Feb 05, 2023

Ölbilder. Michel Majerus in Dialogue with the Ludwig Collection
Collection Presentation
Oct 15, 2022 – Jan 15, 2023

Palmipeda: Latin American Graphic, Installation, and Painting from the 1980s and 1990s
Collection Presentation
From Nov 15, 2022

Art Education: Workshops and Courses

Sonntagmaler: Open Workshop
Sun, Nov 13, 2022, 2–4pm
Costs: Adults 8 €, Children 4 €, plus museum admission

Experimental Graphic Art: Artist course with Antonio Nuñez
Dates: Thu Nov 24, Dec 01, Dec 08, Dec 15, 2022
and Jan 19, Jan 26, Feb 02, Feb 09, 2023, always 6–9pm
Max. 10 Participants. Registration required.
Costs: 160 € / reduced 128 €

DIY – Demo-Workshops
Sun Nov 20, 2022, 2–4pm
Costs 10 €, plus museum admission

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Impressum

Ludwig Forum für Internationale Kunst
Jülicher Straße 97–109
52070 Aachen
Di bis So 10–17 Uhr, Do 10–20 Uhr
Tel. +49 (0) 241 1807 104/ Fax +49 (0) 241 1807 101
E-Mail: Redaktion:
Ludwig Forum Aachen
www.ludwigforum.de

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newsletter

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GREYLIGHT
PROJECTS

platform for arts & culture

Hey, hai, hoi,

Very welcome to the following:

 

soon: TALK&WALK

Jean Bernard Koeman

Met de komende Talk&Walk serie willen we de vraag die wij ons stellen, namelijk: ‘Waar zijn we nu?’ verder verkennen en uitdiepen. Het is een open bijna naieve vraag die op verschillende manieren gesteld en gebruikt kan worden. Het kan o.a. refereren naar de locatie, het moment of de situatie.

Voor de Talk&Walk op donderdag 10 november hebben we beeldend kunstenaar Jean Bernard Koeman uitgenodigd om te vertellen over zijn werk en om met hem in gesprek te gaan over thema’s die in zijn werk(proces) voorbijkomen. Een thema of term die veelvuldig voorbijkomt is de ‘mentale architectuur’ een term die de vraagstelling ‘waar zijn we nu?’ raakt of eerder neigt naar ‘waar wil ik heen?’.

[EN] With the upcoming Talk&Walk series, we want to further explore and deepen the question we are asking, namely, “Where are we now?”. It is an open-ended almost naive question that can be asked and used in different ways. Among other things, it can refer to location, moment or situation.

For the Talk&Walk on Thursday 10 November, we have invited visual artist Jean Bernard Koeman to talk about his work and to engage in a conversation with him about themes that come up in his work (process). One theme or term that frequently comes up is ‘mental architecture’ a term that touches on the question ‘where are we now?’ or rather leans towards ‘where do I want to go?’.


date: donderdag/ Thursday 10.11.2022 19:30-21:30
locatie / location: Schaesbergerweg 58, 6415 AJ, Heerlen
meer informatie/ more information: greylightprojects.org/talkwalk-jean-bernard-koeman/

 

 

&

ongoing:

Furkart ephemera 


image: Rémy Zaugg - Furkart 1988 / photo : Aufdi Aufdermauer / © Aufdi Aufdermauer / Succession Rémy Zaugg / Institut Furkablick
Een tentoonstelling samengesteld uit de archieven van het hotel Furkablick in de Zwitserse Alpen. Het begon allemaal in de Zwitserse Alpen bij de Furka Pass op een hoogte van 2.429 meter, niet ver van de Rhônegletsjer, op 24 juni 1983 om 12 uur ‘s middags met het optreden van James Lee Byars: “a drop of black perfume”. Vanaf de volgende zomer en tot in 1996 nodigde Marc Hostettler (uitgever, galerist in Neuchâtel en initiator van FurkArt) niet minder dan zestig kunstenaars in het oude hotel Furkablick uit 1893 op de Furka Pass, niet ver van de Rhônegletsjer. In de perioden dat de bergpas open is veranderde het hotel Furkablick en haar omgeving in een artistiek laboratorium, een plaats waar duurzame en efemere kunstwerken ontstonden. De expositie Furkart ephemera is onderdeel van het Dutch Mountain Film Festival (www.dmff.eu).

 
[EN] An exhibition compiled from the archives of the hotel Furkablick in the Swiss Alps. It all started in the Swiss Alps at the Furka Pass at an altitude of 2,429 meters, not far from the Rhone glacier, on 24 June 1983 at noon with the performance of James Lee Byars: “a drop of black perfume”. From the following summer and until 1996, Marc Hostettler (publisher, gallerist in Neuchâtel and initiator of FurkArt) invited no less than sixty artists to the old hotel Furkablick from 1893 on the Furka Pass, not far from the Rhone glacier. During the periods when the mountain pass was open, the hotel Furkablick and its surroundings turned into an artistic laboratory, a place where lasting and ephemeral works of art were created. The exhibition Furkart ephemera is part of the Dutch Mountain Film Festival (www.dmff.eu).
 

samengesteld door/ curated by: Thomas Roderiguez

opening: Donderdag/ Thursday 3.11.2022 / 18:00-20:00
data/ dates: 04.11.2022 – 04.12.2022
opening hours: donderdag/ Thursday – zaterdag/ Saturday 13:00-17:00

meer informatie/ more information: https://greylightprojects.org/performance-by-ratu-r-saraswati-finissage-exhibition-there-there/

new billboard: Transition by Claude Horstmann

image: Transition by Claude Horstmann

Claude Horstmann was in het voorjaar van 2022 resident artist bij Greylight Projects. Ze werkte en woonde drie maanden in een van de gastateliers in Heerlen. Tijdens haar verblijf in Heerlen maakte ze verschillende nieuwe werken. Een daarvan is het op tekst gebaseerde werk ‘Transition’. Dit werk werd eerst gemaakt om op een vlag te plaatsen omdat de tekst voortdurend zou veranderen door luchtbewegingen. Deze vlag is, als onderdeel van het What the Flag?! project, momenteel te zien in het Leopold Hoesch museum in Düren (DE). De tekst heeft veel meer implicaties en verwijst naar veel situaties waarin we ons tegenwoordig bevinden. Dat geldt voor de structuur van Greylight Projects zelf, de locatie waar we werken en voor veel dingen die in de onze maatschappij en de wereld om ons heen gebeuren. De tekst resoneert en vervormt voortdurend. Dit bracht ons op het idee om een andere manier te vinden om het werk in onze omgeving te plaatsen. Het billboard aan de Limaweg in Heerlen kwam uit een passende positie om het werk op grote schaal te plaatsen. Het werk bevestigd ons huidige zijn en nodigt ons uit om na te denken over de verandering die op komst is of dringend nodig is.

Meer informatie over haar werk vindt u op haar website: https://www.claudehorstmann.de/

Tijdens haar verblijf in Heerlen vond Claude Horstmann enkele interessante uitzichtpunten in Heerlen. Deze zijn te vinden op #mappingheerlen -> https://mappingheerlen.greylightprojects.org/map/claude-horstmann/

[EN] Claude Horstmann was resident artist at Greylight Projects in the spring of 2022. She worked and lived three months in one of the guest studios in Heerlen. During her stay in Heerlen she made various new works. One of them is the text based work ‘Transition’. This work was first made to put on a flag as on this medium the text would be constantly transforming cause of air movements. This flag is currently shown, as part of the project What the flag?! at the Leopold Hoesch museum in Düren (DE). Thought the text has much more implications and refers to many situations we find us in nowadays. This can be said for the structure of Greylight Projects it self, the location where we are working, and for many things happening in society and the world. The text is constantly resonating in different ways. This brought us to the idea to find another way to place the work in our surroundings. The billboard at the Limaweg in Heerlen came out as a fitting position and context to place the work at large scale. The work answers our present being and invites us to reflect on the change that is coming or urgently needed.

More information about her work you can find on her website: https://www.claudehorstmann.de/

During her stay in Heerlen Claude Horstmann found some intersting viewpoints in Heerlen. These you can find on #mappingheerlen -> https://mappingheerlen.greylightprojects.org/map/claude-horstmann/

inauguration: Thursday 03.11.2022 , 18:00-20:00
location: Limaweg 3, 6415 XD. Heerlen (NL)
meer informatie/ more information: greylightprojects.org/new-billboard-transition-by-claude-horstmann/

 


ONGOING:

 
What the flag?!

image: close up 1 - close up 2, 2021, Kristina Benjock

De vlag heeft een lange traditie van verschillende gebruiken en betekenissen. Vlaggen worden veelal gebruikt om signalen door te geven, om landen, regio’s of steden te identificeren, of om een territorium visueel af te bakenen. Ook worden vlaggen veelvuldig gebruikt om politieke ideeën en overtuigingen te representeren. De kunstenaars worden gevraagd om vanuit hun eigen werk en visie op het medium ‘vlag’ te reageren binnen het gegeven van de locatie waarin ze getoond worden. De verschillende vlaggen worden op verschillende locaties in en rond de binnenstad van Heerlen geplaatst. Daarnaast is er een uitwisseling van kunstenaars vlaggen tussen kunstorganisaties en musea in de Euregio, een samenwerking binnen het Very Contemporary netwerk.

[EN] The flag has a long tradition of different uses and meanings. Flags are commonly used to transmit signals, to identify countries, regions or cities, or to visually demarcate a territory. Flags are also frequently used to represent political ideas and beliefs. The artists are asked to respond from their own work and vision of the medium “flag” within the context of the location in which they are shown. The different flags will be shown to the public at various locations in and around the inner city of Heerlen. There is also an exchange of artists flags between art organizations and museums in the Euregion, a collaboration within the Very Contemporary network.

artist(s): Alex Chevalier, Amit Goffer, Anaïs Touchot, Balta, Célie Falières, Claude Horstmann, Datu Arellano, Éloïse Alliguié, Emeline Galhac, Fran Hoebergen, Francesco Finizio, Irma Kalt, Jean Boumans, JM Crapanzano, Kristina Benjocki, Michael Kargl, Monty von Richthofen, Myriam Hornard, Vera Molnar

curated by: Josephine Kaeppelin, Roy Voragen, Wouter Huis

date: 26.08.2022 – 27.11.2022
opening: Friday 26.08.2022 , 13:00-17:00
opening hours: Mon, Tue, Wed, Thu, Fri, Sat, Sun , sunrise till sunset
What the Flag?! #Euregio is samengesteld door/ is curated by:
Bureau Europa • Greylight Projects • IKOB • La Châtaigneraie • SPACE Collection • Kunsthaus NRW Kornelimünster • Leopold-Hoesch-Museum • Ludwig Forum Aachen • NAK Neuer Aachener Kunstverein

meer informatie/ more information: https://greylightprojects.org/what-the-flag-2022/
kaart/ map: https://mappingheerlen.greylightprojects.org/map/what-the-flag/

 
 

Greylight Projectsis a member of Very Contemporary,
the network of contemporary art venues in the Meuse-Rhine Euregion.

 
Greylight Projects is part of the cross border residencie
 

Greylight Projects is supported by the Mondriaan Fonds for the general program
for the years 2021 & 2022 with a ‘Podium Start’ grant .

 
 
Greylight Projects is supported by the gemeente Heerlen
 
 
Greylight Projects is part of #TOKTOK,
platform for cultural initatives in Heerlen.

 
ateliers/ studio’s: Limaweg 3, 6415XD, Heerlen
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Jasmin Werner I Palast Der Republik Burj Khalifa I Goethe-Institut Dubai

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Damien & The Love Guru

 

JASMIN WERNER: PALAST DER REPUBLIK BURJ KHALIFA

Art installation in celebration of the 50th anniversary of diplomatic relations between the United Arab Emirates and Germany

 

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8 – 13 November 2022, Dubai Design Week, Dubai Design District (d3)

10 November 2022, 7:00 – 8:00 pm: Artist’s talk with Jasmin Werner,
 Sole DXB, Dubai Design District (d3)

16 – 20 November 2022, Abu Dhabi Art, Manarat Al Saadiyat, Abu Dhabi
 

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With the installation Palast der Republik Burj Khalifa artist Jasmin Werner explores architectural connections between Berlin and Dubai. Steel girders from the demolished Palace of the Republic were used in the Burj Khalifa. The artist puts the two architectures in immediate relation and combi­nes both shapes into a one scaffolding sculpture. The outdoor scaffolding sculpture will incorpo­rate reused materials like construction mesh and canvas sourced in the UAE. 
The material will be combined with printed images on construction mesh that is referencing the journey of the re­cycled steel from Germany through Turkey to the UAE.
 
You will find more information here
 
Commissioned by the German Embassy in the United Arab Emirates
Curated by the Goethe-Institut

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INC Newsletter November – 2022

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INC in November

With this November newsletter, we warmly welcome you to several exciting events happening this month. Firstly, the upcoming Memetic Tacticality INC Conference, which includes a number of talks, as well as the anticipated launch of the second Critical Meme Reader. Furthermore, we invite you to attend the double book launch of Geert Lovink’s Stuck on the Platform which takes place in Rotterdam tomorrow (Wednesday), and in Amsterdam on the 24th of November.

On our website, you can find several new publications, including our Theory on Demand #45 and new episodes of THE VOID #3 & #4.

Memetic Tacticality INC Conference and Critical Meme Reader II launch
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The Institute of Network Cultures and Spui25 invites you to attend the Memetic Tacticality INC Conference and Critical Meme Reader II launch.

​The (political) power of memes has moved beyond virtual images. The distinction between the virtual and ‘real life’ no longer applies, or perhaps was never really there. Their effects (or should we say affects?) are moving through digital infrastructures, policy, regulations, and bodies. If memes are used as a tool by the alt-right to mobilize people to storm the Capitol and play a substantial role in the Ukrainian war, can they also be used by the left to spark a revolution, as memetic warfare is more immediate and accessible than real-life demonstrations? What kind of labor would that require? And what if memetic logics of spreading information were applied to spread progressive ideas for a possible future? 

This Friday, on the 11th of November, we have invited various theorists, researchers, journalists, activists, designers, and other creatives and thinkers to critically reflect on the tacticality of memes. During a one-day conference at Spui25, we dive into meme activism & political warfare, meme design & labor, and speculative memes & imaginaries. The Memes Beyond the Image Conference is also the launch of the Critical Meme Reader #2: Memetic Tacticality, which is edited by Chloë Arkenbout and Laurence Scherz.

This conference is free of charge, takes place at Spui25 in Amsterdam, and is also live-streamed. Full program and registration HERE.

Theory on Demand #45: Overload, Creep, Excess – An Internet from India
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OUT NOW – Theory on Demand #45: Overload, Creep, Excess – An Internet from India by Nishant Shah, Ashish Rajadhyaskha, and Nafis Hasan.

This book locates India’s flourishing internet within a complex 24-year history that has seen an unprecedented re-organization of social and political life. Three essays provide independent perspectives on a common area of ​​inquiry, an era that witnessed a fundamental mutation of the State, its mechanisms of planning and governance, the public domain, and the everyday, all mediated by digital technology, all impacting its internet. Bringing the essays together is a common timeline, which begins in the late 1970s, and includes such landmarks as the Information Technology Act, the much-discussed Aadhaar biometric identification program, the checked career of social media, and the widespread use of internet shutdowns.

Order or download a copy HERE.

DeepPockets #4: The Psychology of the Web Developer, Reality of a Female Freelancer
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OUT NOW: DeepPockets #4: The Psychology of the Web Developer, Reality of a Female Freelancer By Maisa Imamović.

Underneath the user interface of any website—be it simple or complex—lurks the web developer’s struggle with money, prestige, and power. An ever-lasting race to the top, never not working. Yet what are these unseen costs of being a traditional web developer, and who decides the rules of the game?

In this book on the psychology of an emerging yet often overlooked profession, Maisa Imamović explores the technological complexities underneath ordinary websites by asking questions such as: Who is a web developer? What does their assistant look like? Why does everybody want a ‘simple’ website? What on Earth is WordPress Cringe? And what does it mean to be a female freelance web developer in a world full of tech bros?

Strolling through this landscape of questions with irony and self-reflection by her side, Imamović takes the reader on an insightful, playful journey. Combining recollections of the author’s very first digital friend with a characterization of a bossy Senior Web Developer and his loyal Assistant as well as funny, raw testimonies of her own (post-pandemic) development within the field, the book can be read as a quest for liberation of the constraints of being both a web developer and a user.

Maisa Imamović is an Amsterdam-based writer, web developer, designer, and artist, currently doing an MA at CalArts. The Psychology of the Web Developer: Reality of a Female Freelancer is her first book.

Order or download a copy HERE.

Double Book Launch of Geert Lovink’s Stuck on the Platform at De Dépendance and OT301
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​​On the 9th and 24th of November, we celebrate Geert Lovink’s new book Stuck on the Platform(Valiz, 2022), both in Rotterdam and Amsterdam.

We’re addicted to large-scale platforms, unable to return to the frivolous age of decentralized networks. Zoom fatigue, cancel culture, crypto art, NFTs and psychic regression are all markers of a platform culture that no longer serves the general public, but favors platform giants instead. Our very own media theorist and internet critic Geert Lovink argues that we can reclaim the internet on our own terms. How, for example, do we make sense of the rising disaffection with the platform condition, and what can be done about it?

To honor the launch of Lovink’s new book, Stuck on the Platform, we have organized not one but two events centering on the book.

​​On the 9th of November at 20h, we’ll host a book launch and talk for Stuck on the Platform, taking place at De Dépendance in Rotterdam. Following a presentation of the book, digital anthropologist Payal Arora and Bits of Freedom director Evelyn Austin will join the conversation. More information and tickets can be found HERE.

On the 24th of November, it’s time to celebrate with both talk and music at OT301 in Amsterdam, where Lovink will be interviewed about the book by curator and researcher Annet Dekker, after which live (drag) performances and DJ sets will ensue. Feeling trapped by the internet, you say? Not with these tunes! Let’s dance away all of our internet troubles by enjoying a live drag performance by Lucien Le Chevalier, a french boi who really (REALLY) loves horses, pop trash, and clouds; as well as music sets by justin case and Mo Wrights. The event starts at 19h and is free of charge. More information HERE.

New Publications
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Theory on Demand #45: Overload, Creep, Excess – An Internet from India
Edited by Nishant Shah, Ashish Rajadhyaskha & Nafis Hasan

Order or download a copy HERE
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THE VOID 03 | Sampling Memes with Annebel Breij (Dj Set + Interview)
By THE VOID TEAM

Watch HERE
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THE VOID 04 | Memorable Websites (with Maisa Imamović and Clara Pasteau)
By THE VOID TEAM

Watch HERE

INC Books

​Order a paper copy of our publications:

  • Critical Meme Reader II
  • Let’s Get Physical. A Sample of INC Longforms

Pre-order HERE 

FROM THE INC BLOG
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Female Manipulator Theory: On Being a Disgusting Angry Girl on the Internet

By Dimitra Trigka
Read HERE
 
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Dispatches from the Place of Imminence, part 13

By Svitlana Matviyenko
Read HERE
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Violence is an Image: Weaponization of the Visuality During the War in Ukraine

By Lesia Kulchynska
Read HERE

Institute of Network Cultures
Networkcultures.org 

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Concert – Tuesday 29th November – 8PM

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