Installation views I Finissage Slow Reading Club ’13 dedications’ I Saturday 17. December 5pm I Brussels

Damien & The Love Guru


Installation view

 

We warmly invite you for the finissage of ’13 dedications’ by Slow Reading Club at the gallery in Brussels Saturday 17. December 2022 – 5pm

Sometimes it ends with a rope ladder, sometimes a show and tell. For the closing of the exhibition, we wanted to unpick the knots of indebtedness and overexpose our sources. On December 17th, we will present a reading of texts by the little known no-wave writer Duncan Smith, from his book ‘The Age of Oil’ (1987). The end as a bootleg of the beginning.

13 dedications
Slow Reading Club
29 October—17 December 2022

 

Installation view         

Installation view   

Installation view

Installation view

 Dedication (Si muero), 2022
Recto: gesso, letraset and risograph prints on woven satin ribbons, push pins
Verso: UV print on brushed aluminum, 67 × 55 cm / 26.38 x 21.66 in


Dedication (Si no muero), 2022
Recto: letraset on woven satin ribbons, push pins
Verso: UV print on brushed aluminum, 80 × 53 cm / 31.50 x 20.87 in 

`

Installation view

Dedication (Six Colour Rainbow), 2022
Recto: gesso and letraset on woven satin ribbons, found diapositives, LED light box, pine
Verso: UV print on brushed aluminum, 88 × 56 cm / 34.65 x 7.11 in 

Dedication (Xtreme Terror Hard Vibration), 2022
Recto: letraset and photo prints on woven satin ribbons, collage and gesso on MDF
Verso: UV print on brushed aluminum, 92 × 57 cm / 36.22 x 22.04 in

Dedication (Spectacular Sacrifice), 2022
Recto: letraset and dyed silk on woven satin ribbons, push pins
Verso: UV print on brushed aluminum, adhesive felt circles, 145,5 × 28,5 cm / 57.28 x 22.56 in

Dedication (“Scoundrel, do you bite me again?”) 2022
Recto: letraset on woven satin ribbons, plywood 94 × 71 cm / 37 x 27.95 in 

Dedication (Reversible Grammar), 2022
Recto: letraset on woven satin ribbons, correction fluid on wood, aluminum hardware, 59 × 80 cm / 23.22 x 31.50 in 

Dedication (Vowels), 2022
Recto: letraset and dyed silk on woven satin ribbons, push pins, 100 × 63,5 cm / 39.37 x 25 in

Verso: UV print on brushed aluminum, adhesive felt circles

Dedication (Become Plain Glass), 2022
Recto: letraset on woven satin ribbons, gifted t-shirt, 75 × 47,5 cm / 29.53 x 18.07 in 

Dedication (Deep Blue), 2022
Recto: Gesso, letraset and laser prints on woven satin ribbons, push pins.
Verso: UV print on brushed aluminum, adhesive felt circles, 82 × 57 cm / 32.28 x 22.24 in

Dedication (Double Negative), 2022
Recto: letraset on woven satin ribbons, push pins, correction fluid on wood. 71,5 × 55 cm / 28.15 x 21.66 in

Verso: UV print on brushed aluminum, adhesive felt circles

Dedication (Conspiracy Knot), 2022
Recto: gesso, letraset and photo prints on woven satin ribbons, push pins
Verso: UV print on brushed aluminum, adhesive felt circles, 100 x 58,5 cm /  39.37 x 23.03 in

 

DEDICATION

Just after the copyright, in the first pages of a book, comes the dedication. It is a space for the author to address gratitude or affection, however openly or cryptically, to someone important in the writing of the book. Such text space offers little guidance to a reader, but it orients a writer. It verifies the author as someone real, a participant in the world via networks of friendship, partnership, and indebtedness. How else to be real than through -ship or through debt? The more enigmatic the details of the dedication — initials, a first name, a nick-name — the more we may surmise about the intimacy between writer and dedicatee. Intimacy is so measured on a scale of the cryptic.

A dedication is part of a book’s front matter, meaning that even though it is within the book’s soft/hard covers, it is not really part of the book itself. In the genre of the dedication, there are frequent petitions for likeness to the architecture of the vestibule or the portico. In the same way that a portico is an ancillary to a house, a dedication stands in front of a text. It is a threshold space that can be easily passed over. Neither properly inside nor properly outside. Neither properly private nor properly public. In this metaphor, the reader gets cast in the role of the visitor who, before entering the text proper, may take a moment to yield or to pause. 

Interestingly, in early dedications from the first age of print, this metaphor is in reverse. The book is a visitor at the doors of its potential reader, begging to be let in, to be given shelter, a warm space to rest. Early modern authors almost never met the individuals to whom their books were dedicated. That the production of books was so costly in earlier centuries, meant that each book needed to lodge direct appeal to its individual patrons/readers in such a form. As the economics of book production have shifted, the role of the dedication page has moved from a private address of asking patronage, to a more public declaration of indebtedness.

What the convention of the dedication offers to us is a format for speaking privately and publicly at once. It acts as a reminder that the form of a text or a work changes depending on who it is addressed to. When offering up anything for reception, one is often labouring under a latent but insistent demand to speak to everyone equally, to pitch one’s address at the fiction of some general viewer.  But the dedication page speaks publicly in a private language. It mirrors the strange charge of reading a confidential letter or hearing a love song written for somebody else.

The dedication sets out a one-directional contract between the writer and their dedicatee. As readers we cannot meet the terms of that arrangement, but we can serve as witness, to triangulate the intimacy of address via a third position. So what do we, as readers, do from this threshold; looking onto a private language that seems at once to invite our attention and to turn its back.

___________________________
CITATION

In part, the exhibition is an attempt to better understand the way the two of us think together. Thinking jointly has a strange, hermetic intensity which is difficult to map from the inside. Collaboration is an inhuman, science fiction type of thinking. The collective brain is not a combination or synthesis of two individual positions, but a parasite which makes hosts of two bodies then bursts out and leaves them aside once its nutrients have been collected. 

Preparing ourselves to be discarded, we looked around for external positions which would triangulate our thinking and allow us to see its contours from the outside. We used them as ciphers to measure our own thought. This writer formed our understanding of grammar, this musician taught us redundancy, this poem seduced us into repetition, and so forth. The specific identities of the dedicatees are not the point, or at least, they don’t form part of the public face of the exhibition. But the act of mapping them has produced effects and it is these effects that are on display. This is what we read to understand how we read. The cannibalistic consumption of reading by reading. 

In the tradition of academic writing, this strategy runs close to practices like citation. Like citation, this exhibition wants to participate in the useable fiction that thought is potentially external, potentially animal, potentially mappable. The erotics of citation is the seduction of being able to perfectly describe how close you are to another. It knows that there is a necromantic potency in being able to name things. In academia, with its proximity to science, there is a need to make the lines of influence verifiable and repeatable. But physicists will tell you that you cannot rely on linear techniques to map something which is still bending. The bread crumb trail is scattered. Many of the dedications on display here, do not meet the academic standards of citation, but they do participate in the gloomier modalities of tracing thought. Often, the figures themselves are more like placeholders or scapegoats than citations proper. They take the fall for certain indulgent or ridiculous, or wilfully obscure desires within our own production.

When we first started thinking together about reading, we were fixated on the idea of text having an animal or viral potential to hop from host body to host body. We made performances where we attempted to find ways of producing noise and slowness by using bodies, lights and toxins to muddy text’s circulation. But repeated exposure to these experiments has convinced us that text also shapes and disfigures the body, leaving shards of thought behind. Cut off the body of the mother tongue, common tongue, tongue back into my mouth. The acts of mapping which underwrite this exhibition are earnest attempts to understand how our reading (and listening and viewing) has altered us as readers.

To measure is to place a known object against an unknown object in order to see how the two interact. What we want out of this act of calibration is largely private. It is a way to put levers into our own thinking, in order to manipulate the axes onto which our practice is fastened. Thoughts become grippable objects to be moved about in a diorama, or tremors to be seismographically magnified to better understand how they move. The usefulness of the exhibition space is its capacity to hold together things of very different scales, densities, and fidelities, in order (perhaps) that each might measure the other. 

___________________________
GRIDS

Having long believed in a good vs. evil dynamic between form and content, we were aware from the beginning of the cosmic stakes of the matter. The exhibition consists, for the most part, in written dedications on woven supports. It is a show of grids, which is to say that it is a show of the ways in which grids shape, constrain, and scaffold content. Just like every other time, we started with the belief that the grid comes before the content, that the first step was to weave a surface and that language would necessarily follow. We were unaware of the essentially nefarious character of the grid in relation to writing. The grid is a tool. The grid is a net. The grid is a pirate that smuggles experience from the world and moves it into the abstract space of mathematics and computation where it becomes transformable, flippable, and scaleable. Grids traffic in the reverse alchemy of transmuting experiences into base objects. Here, scale is relative, not absolute. Up and down are negotiable, not underwritten by gravity. What does language in that space look like?

An empty gridded surface, like a sheet of graph paper is a way of announcing that something is going to happen: an object is going to be measured, or an image is going to be transferred from one scale to another, or a form is going to be drawn and studied. – J.E

For the chess player, it is already evident that compressing experience onto a two-dimensional plane doesn’t necessarily mean sacrificing intricacy. All movement on the chessboard is cosmic because constraint is the first means towards complexity. From where we stand in history, it now seems obvious that chess would be the first domain in which human genius would get defeated by the superior simplicity of a computer (Deep Blue, 1997). There’s nothing/which loses/which loses. So what can that teach us about experience? The grid is a flattened knot, the grid is a weapon and the letters fit in the holes. 

MOUSSE MAGAZINE

 
Slow Reading Club (SRC) is a semi-fictional reading group initiated by Bryana Fritz and Henry Andersen
in late 2016. The group deals in constructed situations for reading. SRC looks at, probes, and interrupts ‘readership’ as a way to stimulate the contact zones between reader and text, text and text, reader and reader. Their work takes the form of text, performances, collective reading sessions, exhibitions, video, sculpture, textiles and a road novel.

CURRENTLY

Anne Fellner
Forever Home 
30. September 2022 – 14. January 2023
Damien & The Love Guru, Zürich

UPCOMING 

Emanuele Marcuccio
Book Launch Emanuele Marcuccio & finissage Veit Laurent Kurz
Sunday 18. December 2022, 3-8 pm 
Weiss Falk / Hacienda Books in collaboration with Damien & The Love Guru
Weiss Falk, Zürich

Jared Madere & Mathias Toubro
Floor Pal V
Opening Friday 20. January 2023
Damien & The Love Guru, Brussels

 

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Uitnodiging: Opening Pope.L – Saamhorigheid

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Uitnodiging
Opening Pope.L – Saamhorigheid
Vrijdag 16 december 2022 om 17:00 uur
Vooraf opgeven is niet nodig, iedereen is welkom

 Pope newsletter

Pope.L
Saamhorigheid
17 december 2022 t/m 19 februari 2023

Met trots presenteert de Appel de videotentoonstelling Saamhorigheid van de Amerikaanse kunstenaar en educator Pope.L. De video installatie is het vervolg op Misverständnisse, een werk dat hij maakte in samenwerking met Portikus in Frankfurt, Duitsland, in 2021.

In Saamhorigheid thematiseert Pope.L verschillende uitingsvormen van onderdrukking en uitsluiting die volharden in de Nederlandse samenleving; van nationalisme, xenofobie en racisme tot kolonialisme, imperialisme en seksisme. Het vertrekpunt is een tv-spelshow met quiz-elementen. Hierin nemen individuele deelnemers van allerlei culturele achtergronden, leeftijden en professies het in verschillende rondes, aan de hand van opdrachten, tegen elkaar op. Zij strijden om een felbegeerde hoofdprijs.

Door middel van de uitvergroting en omwisseling van personages, het spel tussen feit en fictie, de afwisseling van script en improvisatie en de inzet van absurdisme en taboes worden conventies bevraagd en morele grenzen verkend. De kunstenaar dwingt ons allemaal – deelnemer en toeschouwer –pijnlijke waarheden onder ogen te komen wat betreft klasse-ongelijkheid, het recht op Nederlanderschap, de dominantie van het patriarchaat, drugscriminaliteit, huisvesting en maatschappelijke onverschilligheid. Bovenal rekent hij af met het selectieve geheugenverlies en de blinde vlekken die het aanpakken van dergelijke onderdrukking bemoeilijken. Meer informatie over Saamhorigheid is hier te vinden.

Over de kunstenaar
Pope.L (geb. 1955, in Newark, NJ) is een beeldend- en performance-theater kunstenaar en educator die kunst maakt vanuit tegenstellingen. Recentelijke solo-tentoonstellingen zijn ‘member: Pope.L 1978-2001’ in het Museum of Modern Art (MoMA) en ‘Choir’ in het Whitney Museum of American Art, beiden in New York in 2019, ‘Notations, Holes and Humour’ in Modern Art in Londen in 2021, en ‘A Maze Zanine, Amaze Zaning, A-Mezzaning, Meza-9’ in David Zwirner in New York in 2022. 

Pphoto of the Artist Credit Peyton Fulford kopie
Pope.L. Credits: Peyton Fulford.

Opening
Op vrijdag 16 december opent de tentoonstelling. De voorzitter van de Raad van Toezicht van de Appel, Orlando Maaike Gouwenberg, houdt een welkomstwoord. Iedereen is van harte welkom vanaf 17:00 uur, vooraf opgeven is niet nodig.

 

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Art criticism, Lisse Declercq edition, gifts from our bookshop and a 2022 wrap up!

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09/12/22
De eerste essays die voortkomen uit onze Week van de Kunstkritiek, een feestelijke editie van Lisse Declercq en een terugblik op een onvergetelijk jaar!

The first art writings resulting from our Week of Art Criticism, a festive edition by Lisse Declercq and looking back at an unforgettable year! 

Week van de Kunstkritiek
Artikelen van jonge kunstcritici in HART
Young art critics published by HART
NL – Acht jonge kunstcritici verbleven eind september een week lang in ons kunstencentrum voor meerdaagse workshops kunstkritiek in samenwerking met HART en Rekto:Verso. Tijdens de workshops maakten ze kennis met verschillende typen van kritiek, wisselden ze van gedachten over de betekenis ervan en scherpten ze hun pen. Op de website van HART lees je momenteel vier artikelen van auteurs die deelnamen.

EN – Eight young art critics spent a week in our arts center at the end of September for multi-day art criticism workshops in collaboration with HART and Rekto:Verso. During these workshops they developed knowledge of different types of criticism, exchanged thoughts about their meaning and sharpened their pen. On the HART website you can now read four articles by participating authors.
 

Week van de Kunstkritiek: deelnemers in gesprek met kunstenaars van het HISK.

Edities
Nieuwe zeefdruk van Lisse Declercq voor alle 50-jarigen in Kasterlee
A vibrant edition by Lisse Declercq gifted to all 50-year-olds of Kasterlee
NL – In het kader van het 50-jarige jubileum van het Frans Masereel Centrum realiseerde Lisse Declercq een indringende, kleurrijke zeefdruk in zeven drukgangen, als geschenk voor de 263 inwoners van Kasterlee die eveneens 50 jaar werden in 2022. Parallel realiseerde de kunstenaar ook een gesigneerde en genummerde editie voor al wie meewerkte aan het ambitieuze jubileumfeest; enkele van deze gesigneerde edities zijn nu exclusief te koop via onze bookshop.

EN – In the context of the 50th anniversary of the Frans Masereel Centrum, Lisse Declercq realized an intense and colorful screen print in seven printing runs, as a gift for the 263 inhabitants of Kasterlee who also turned 50 in 2022. At the same time, the artist also produced a signed and numbered edition for all those who participated in the ambitious anniversary party; some of these signed editions are now exclusively for sale through our bookshop.

'Les yeux dans les yeux', Lisse Declercq, 2022

Bookshop
Eindejaarscadeautjes: bestel vóór 19 december!
End of the year gifting: make sure to order before December 19th! 
NL – We brachten dit jaar maar liefst tien nieuwe edities uit en vier gloednieuwe kunstenaarspublicaties! Wil je iemand een unieke editie van bv. Pélagie Gbaguidi schenken, de nieuwste architectuurpublicatie van Wim Cuyvers of onze onderzoekspublicatie over 50 jaar Frans Masereel Centrum? Bestellingen tot en met 18 december worden nog voor de feestdagen verzonden. Daarna gaat onze bookshop tot 3 januari met vakantie. 

EN – This year we released no less than ten new editions and four brand new artist publications! If you want to gift someone for instance a unique edition by Pélagie Gbaguidi, Wim Cuyvers' latest architecture publication or our research publication on 50 years of the Frans Masereel Centrum: you have until 18 December to order. After that, our bookshop will close until January 3.

'Diepdruk – vlakdruk – hoogdruk – doordruk – 50 jaar Frans Masereel Centrum, Kasterlee (1972–2022)' en 'Look Book', de eerste overzichtspublicatie van het geprinte werk van Slavs and Tatars (2022). 

50 jaar Frans Masereel Centrum
Terugblik op een onvergetelijk jaar!
Looking back at an incredible year!
NL – De lancering van Hibernus #1, de overzichtstentoonstelling Slavs and Tatars: Look Book, de allereerste Week van de Kunstkritiek, een groots verjaardagsfeest,… 2022 was een jaar met tal van artistieke primeurs en bijzondere momenten. Dank aan iedereen die dit memorabele jaar mee mogelijk maakte! We zien jullie graag terug in 2023!

EN – The launch of Hibernus #1, the survey exhibition Slavs and Tatars: Look Book, the very first Week of Art Criticism, a big birthday celebration,… 2022 was a year with numerous artistic scoops and highlights. Thanks to everyone who made this memorable year possible! We look forward to seeing you again in 2023!

Thank you all <3

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[NGHE NEWSLETTER] Samedi 10 décembre * Médiathèque hypnotique * OUVERTURE + CONCERTS

SAMEDI 10 DECEMBRE  # Médiathèque hypnotique #
Ouverture 14h à minuit
2 CONCERTS

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NGHE – Médiathèque bricolée

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Upcoming events and current exhibitions

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P/////AKTPOOL: Boo 2 presents JANEY’S ROOM

JANEY’S ROOM

Opening: Saturday 10 December, 18 – 22 hrs
Performance by Niklas Büscher and Sara Milio: 20 hrs
Until: Sunday 18 December, Thu – Sun, 14 -18 hrs

Janey is at home. She was just dreaming. She reaches for her phone but decides against it. She creeps towards the mirror instead. She rubs her eyes awake, another day, still no freckles. Humming under her breath, she falls backwards, “…I wish I had a boyfriend…I wish I had a father. Maybe then I would have turned out right…”

Boo 2 is an artist-run project space which started in January 2022 in a vacant store at the Boven’t Y shopping centre. Currently spaceless, it is looking for a new home. Each exhibition of the programme is created by proposing an artist to invite peers and organise a group show themselves. The aim is to give space for public presentations organised collaboratively and independently by the artists. Boo 2 restricts its role to facilitating a space and offering a communication platform. The presentations at P/////AKT will follow this energetic rhythm that is at the core of
Boo 2.

JANEY’S ROOM, Boo 2’s second exhibition at P/////AKT, is organised by Niklas Büscher and Sara Milio.

MAIN SPACE: Aslan Goisum – last chance and closing event

Our memories are quite similar but pickled alive in a poison which accompanies objects too as a part of this emptiness. 

Exhibition on view until: Sunday 18 December, Thu – Sun, 14 – 18 hrs
Closing event: Sunday 18 December, 17 – 19 hrs
Bar open: 17 hrs
Reading and performance: 17.30 hrs

For the closing event of the exhibition Asha Karami will read a commissioned text work, followed by Seven Memories: a short musical performance by Samuel Vriezen making the rounds of the objects and involving the passing around of notebooks. 

Samuel Vriezen is a composer, poet and essayist living and working in Amsterdam;

Asha Karami writes poetry, prose, plays and essays, and collaborates on poetry films with Johan van Dijke. Her debut Godface (De Bezige Bij, 2019), a poetry collection, received three nominations for poetry awards and the Dutch foundation for literature grant. She was writer in residence at the Jan van Eyck academy in 2020-21. She is currently conducting research into people and communities who live or try to live outside the social structures. In addition to writing, she works as a doctor in Amsterdam;
 
Aslan Goisum (b. 1991 in Grozny, Chechnya) employs various artistic media, mainly the moving image, sculptural installation and paper-based techniques. Recent exhibitions include: A War in the Distance, steirischer herbst (Graz, AT, 2022); The Invented History, KINDL (Berlin, DE, 2020); Blood and Soul: Dark Arts for Dark Times, Contemporary Art Centre (Vilnius, LT, 2019); Beautiful  World, Where Are You?, 10th Liverpool Biennial (Liverpool, UK, 2018); How To Live Together, Kunsthalle Wien (Vienna, AT, 2017) and People of No Consequence, Museum of Contemporary Art (Antwerp, BE, 2016).

P/////AKTSALON: Stephan Blumenschein

A stain inside a paper, a whisper

Presentation on view until: Sunday 18 December, Thu – Sun, 14 – 18 hrs

Inspired by Felicity Callard’s “The Intimate Geographies of Panic Disorder”, which analyzes events that took place at Hillside Hospital/New York during 1959-62 and would become the origin story of panic disorder as a new medical category.
Thinking together (the disregard) of both, the specific architectural conditions and the role of care work in the tale of the birth of panic disorder A stain inside a paper, a whisper explores processes of (dis)appearance, withdrawal and traces of (in)visibilities the artist encountered in the archives and during his research period in New York in spring 2022.

The research was made possible with the financial support of Amsterdam Fund for the Arts, Stichting Gerbrandy and BMKOES Austria.

A stain inside a paper, a whisper is the latest addition to the P/////AKT-collection of limited edition works by alumni artists.

On 13 December Blumenschein’s related project Still, moving walls will open at mistral.

Join our Facebook event here.

Our events are featured on Public Data for Public Events
 

P/////AKT would like to thank:

Mondriaan Fund, Amsterdam Fund for the Arts and 

Stadsdeel Amsterdam Oost.

P/////AKT
Zeeburgerpad 53
1019 AB Amsterdam

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Fondation CAB Saint-Paul-de-Vence: Open studio I Artist-in-residence I Meryem Bayram

Fondation CAB Saint-Paul-de-Vence: Open studio I Artist-in-residence I Meryem Bayram ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌

Final month Didier Vermeiren & Shimabuku • Upcoming events

NL     EN      FR

The final month to visit the autumn exhibitions of Didier Vermeiren and Shimabuku starts today! Stroll among the unique sculptures of one of Europe’s most renowned sculptors and be inspired by the poetic imagination of Japanese artist Shimabuku.

GET YOUR EXHIBITION TICKETS

DOUBLE EXPOSITION

WIELS is devoting two floors to Belgian artist Didier Vermeiren with its major retrospective Double Exposition. This exhibition includes sculptures and photography from the past four decades by one of Europe’s most important sculptors, who dares to literally turn reality upside down. Following the example of Rodin, Vermeiren places reproduction at the heart of the creative process: replication, doubling and inversion are constants in his work. 

“The exhibition must be experienced in situ, in contact with the sculptures and the space around them, to immerse oneself both in the physical presence of the works and in the absence of traditional sculpture. “

 
– La Libre 
PLAN YOUR VISIT
BOOK A (GROUP) TOUR

PUBLICATIE DOUBLE EXPOSITION

Can’t get enough of the exhibition? Dig deeper into Didier Vermeiren’s sculptural world in the new publication “Double Exposition”. Based on a concept by the artist, this publication accompanies his retrospective exhibition at WIELS.

PRIZE: € 42,00 

GET YOUR COPY

 

INSTRUMENTAL

Shimabuku takes you on a poetic and musical journey, expressing his deep connection with and fascination for nature. Immerse yourself in a symphonic sound bath and momentarily forget your worries as the exhibition progresses.

Want to explore the exhibition further? Then join two guided tours led by Tom Pauwels, co-artistic director of ICTUS, and Claire Le Restif, director of the Contemporary Arts Centre d’Ivry-le Crédac.

LOOK WHO’S TALKING

Discover the musical exhibition of Shimabuku with Tom Pauwels, guitarist and co-artistic director of the music ensemble ICTUS.
 

SUN_18_12__________14:30-15:30
FREE WITH EXHIBITION ENTRY
IN DUTCH

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LOOK WHO’S TALKING

She knows Shimabuku’s work inside out, collaborated on his book The 165-metre mermaid and other stories and presented his solo exhibition in 2018. None other than Claire Le Restif will guide you through Instrumental.

SUN_08_01__________16:00-17:00
FREE WITH EXHIBITION ENTRY
IN FRENCH

SIGN UP

 

COMMUNITY

COLLECTIVE EXHIBITION

ID

What does it mean to get an idea from someone? Come to the WIELS Auditorium and de Wijkantenne (Wielemans Ceuppens Avenue 1) for the collective exhibition ID, where three artistic projects will be presented, each addressing the issue of prejudice in a different way.

07_12______________08_01_2023
OPENING HOURS: WED, SAT & SUN, 12:00-18:00
FREE

MORE INFORMATION

KETS

KETS

FAMILY FUNDAY

Family Fundays offer a fun outing for the whole family. A time to enjoy a creative and inspiring day for everyone!

 

SUN_18_12__________14:00-15:30
FREE WITH EXHIBITION ENTRY

SIGN UP

 

HOSTED

SYMPOSIUM

Transforming landscapes, manipulating images

UCLouvain is hosting a conference led by Alexander Streitberger and Anne Reverseau focusing on the meaning of landscapes or nature in the Anthropocene.

FRI_09_12__________11:00-17:00
FREE

IN FRENCH AND ENGLISH

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Nieuws: Sofia Patat nieuwe zakelijk leider van de Appel

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Nieuws:
Sofia Patat per januari 2023 nieuwe zakelijk leider van de Appel

Sofia Patat credits fotograaf Boudewijn Bollmann kopie
Sofia Patat, 2022. Credits: Boudewijn Bollman.

De Raad van Toezicht van de Appel kondigt met trots aan dat Sofia Patat (Venetië, 1982) per januari 2023 is aangesteld als de nieuwe zakelijk leider van de Appel. Zij volgt Maaike Lauwaert op, die deze functie vervulde sinds 2016. Patat was eerder werkzaam als Accountmanager Foundations bij het Stedelijk Museum, waar zij tevens lid was van de Ondernemingsraad. De afgelopen 15 jaar was ze werkzaam in de internationale beeldende kunstsector, onder andere bij de Rijksakademie van Beeldende Kunsten, waar zij verantwoordelijk was voor International Development and Partnerships, en eerder bij het Tropenmuseum en de Manifesta Foundation als Head of the Grants Department.

Sofia Patat: “Ik ben dankbaar aan de Raad van Toezicht van de Appel voor het vertrouwen gesteld in mij en kijk ernaar uit om samen met Lara Khaldi bij te kunnen dragen aan dit nieuwe hoofdstuk in de lange geschiedenis van de Appel.”

Orlando Maaike Gouwenberg, voorzitter van de Raad van Toezicht van de Appel: “Met Sofia Patat hebben we eenduidig en vol overtuiging gekozen voor een begenadigd directeur bestuurder met een onberispelijke reputatie. Haar brede ervaring met fondsenwerving en relatieonderhoud, gecombineerd met haar enthousiasme, mensenkennis en zin om nieuwe uitdagingen aan te gaan geven ons alle vertrouwen in onze keuze, en daarmee in de nieuwe bestuurlijke tandem die Sofia samen met Lara Khaldi zal vormen.”

Voor meer informatie of interviewverzoeken kunt u met Djuna Spreksel.

 

de Appel
Schipluidenlaan 12
1062 HE Amsterdam

+31 (0)206255651
www.deappel.nl

STEUN de Appel

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De Appel wordt structureel ondersteund door
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Essentiële steun aan het Curatorial Programme wordt verleend door Stichting Hartwig en Ammodo

De Appel ondersteunt de kunstsector via De Zaak Nu en MOKER

Verzorgd door MailingLijst

Winterse wandelingen, Belgische toestanden en gezellige nocturnes

Geen afbeeldingen? Bekijk de webversie

Z33 Nieuwsbrief

Nocturne

Gezelligheid troef op de nocturne van 8 december

© Selma Gurbuz

Donderdag 8 december is er opnieuw een nocturne. Opnieuw een kans om de tentoonstellingen in een sfeervolle setting te bezoeken. Met een lezing, rondleiding, workshop, poëzie én muziek staat er weer voor ieder wat wils op het programma. Kom af, het gaat leuk worden.

Meer info

Interview

“De stad van de toekomst, die bestaat al. Ze ligt voor onze neus.”

© Filip Dujardin

Dirk Somers van Bovenbouw Architectuur is curator van de tentoonstelling Composite Presence, die furore maakte op de Architectuurbiënnale van Venetië en nu staat te pronken in Z33. In het interview praat hij vrijuit over de tentoonstelling, Belgische toestanden en de toekomst van de architectuur.

Lees het interview hier

Kunst aan de Maas

Save our Souls

© Sébastien Van Malleghem

Maarten Inghels maakte een tijdelijk werk voor Kunst aan de Maas. Zijn woordsculptuur zou kunnen vernietigd worden door de Maas in de achtergrond, maar houdt voorlopig stand. Een wandeling in dit prachtige winterse landschap is dus een absolute aanrader, en check zeker ook de video op onze Instagram-pagina

Z33 is een grensverleggende kunstinstelling in Hasselt, op het kruispunt van hedendaagse kunst, design en architectuur. 

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Hasselt 3500

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Montez Press December News

Montez Press December News
December 2022

→ London! Party for MPR, TOMORROW December 8th 
→ New York! MPR Art Sale Fundraiser
→ Interjection-008-11_Kondo.pdf
New York! Join us for our Holiday Party on Ice on Friday December 16th
→ Pfeil #16 Launch at Kunstverein Harburger Bahnhof, on Saturday December 17th

Party for MPR at Ormside Projects, London, TOMORROW December 8th! 

We’re excited to host our first London Fundraiser event for Montez Press Radio on Thursday December 8th. We’ve got an incredible line up, with performances and sets by Babeworld X Utopian Realism, P-WAVE, Mander, Emily Pope, Hasti, Saucy Sez, WAJ, Terribilis, Mellowdramatics and UH (live). Doors at 7pm, performances & live music from 8pm, DJ sets from 10pm – late!

See you there, get your Early Bird ticket before they sell out!

→ Buy tickets to our MPR Fundraiser at Ormside Projects, London

MPR Art Sale Fundraiser

In the attached preview, you’ll find select works generously donated by artists and galleries that have contributed to the station in the past. All proceeds will go directly to any artists that have requested an artist’s share, and the remaining balance will support MPR’s operating costs and artist commissions for the year ahead. The diversity of aesthetic approaches offers a sense of the many communities that MPR brings together. Email us if you’d like to inquire about a work. 

Montez Press Radio invites you to see the work in person and enjoy an evening of readings and performances at Kai Matsumiya’s new gallery at 264 Canal St, Suite 5E on December 10th. The event begins at 6pm and will feature Alexandra Tatarsky, Elliot Reed, Morgan Bassichis, Jeremy Toussaint-Baptiste, and Arjun Ram Srivatsa.

Support is welcome at all levels and donations of any amount can be made here.

→ Browse our Art Sale Catalogue

November Interjection: ORANGE by Kondo

Kondo Heller (she/they) is a poet, writer, and experimental filmmaker. They are a Barbican Young Poet 18/19, an Obsidian Foundation fellow, Ledbury Critic, and Image Text Ithaca Junior Fellow. At the moment, they are particularly interested in static sound as a portal of recollection, communion, and archive. They are currently an MFA in Poetry candidate and first year writing seminar lecturer at Cornell University.

Read Kondo’s Interjection at the link below:

→ Interjection-008-11_Kondo.pdf

Winter Gala – Club Glam, Club Cringe, Montez Press

Save the date — December 16th is Montez Press Radio’s holiday party with music, dance, and ice skating at 99 Scott. Hosted by Club Glam and Club Cringe. 

With performances (ON ICE!) and DJ sets from:
Frost Children
DJ Trick
DJ Thank You
Club Eat
Frost Children
Mother Cell
Angel Money
Holyweek

 Get your tickets here

Launch of Pfeil #16, the Friend Issue at Bar Collo, Kunstverein Harburger Bahnhof

Launch of the 16th issue of Pfeil Magazine, dedicated to “Friend”, at Bar Collo, Kunstverein Harburger Bahnhof, Germany, on Saturday 17th December at 7pm. There will be a reading by Stacy Skolnik, hit after hit played by Cordula and Regina Peper, “Peeled Off” performed by David Fletcher, and you can find your perfect platonic match through the exchange of friendship bracelets made by Anne Schwätzler. 

The event will be held as part of the bookfair Booky McBookface from 16th to 18th December, where you can find us at the Montez booth. Times TBA.

→ Find out more about the Pfeil Launch and Booky McBookface

→ Donate to Montez Press Radio

→ Sign up as a Supporter and unlock the archive

Listen at radio.montezpress.com

Happy Holidays!

With love and gratitude,

MPR & Montez Press

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J-2 ! | Dernières places disponibles…

                                                                                                                                    LANCEMENT

FACETTES N°8

LE 09.12.2022

  J-2 !

VITE, VITE,
IL NOUS RESTE ENCORE QUELQUES PLACES

💥 INSCRIPTION 💥

RDV AU LaM 
CE VENDREDI 9 DÉCEMBRE À 14H30

pour découvrir le nouveau numéro
de FACETTES


Un numéro inédit qui se penche sur les initiatives transversales à la croisée d’une nouvelle plasticité, de nouveaux langages et dialogues.
 

AU PROGRAMME

14h30 : accueil

15h : mot d’accueil et présentation de la revue suivie d’une table ronde

PROGRAMME DE LA TABLE RONDE
EN PRÉSENCE DE CONTRIBUTEURS DU NUMÉRO

Aurélie Belair, artiste plasticienne

Alexia Creusen, artiste plasticienne, historienne de l’art et professeure de l’école supérieure des arts Saint-Luc à Liège et Maud Dallemagne, illustratrice (pour le collectif Les Rayons)

Louis Émauré, docteur en Histoire de l’art , dessinateur et chercheur associé au Centre de recherche Mondes Modernes et Contemporains de l’Université libre de Bruxelles

Marion Roy, commissaire d’exposition

Réjane Sourisseau, chargée d’études pour différents réseaux professionnels, la Fondation Carasso (programme Art),
la Fondation de France (Département Cultures et création)
// associée au master Métiers de la culture, Université de Lille

Mélanie Rainville, à la modération. Historienne de l’art, intéressée aux recherches transversales à l’art et aux sciences sociales

16h30 : cocktail avec le Café du LaM suivi
d’une visite libre des
expositions en cours
 

Confettis sur Noto Color Emoji, Animated

💥 INSCRIVEZ-VOUS ICI 💥

ou par téléphone au
+33(0)6 07 31 14 51

ÉVÉNEMENT GRATUIT
JAU
GE LIMITÉE. 
 

Où ?

Auditorium
du  LaM

1 allée du Musée
59650 Villeneuve d’Ascq

” CROISEMENT(S) est le huitième numéro de la revue Facettes publié par le réseau 50° nord. Le thème de ce numéro est issu d’une réflexion collective, d’un point de jonction de plusieurs visions et professions de la culture, d’un croisement. Il s’inscrit dans la continuité des réflexions initiées par les comités de rédaction des numéros précédents Économie(s) de l’art (no6) et Quelle liberté pour l’artiste (no7).

Cette année, le comité de rédaction de la revue – renouvelé à chaque numéro – a souhaité poser la question de la transversalité de l’art contemporain, de la collaboration comme méthode de travail dans les processus de recherche des artistes mais aussi dans le mode de production des oeuvres.

Ce nouveau numéro de Facettes propose donc de traverser des histoires contemporaines de l’art, entre plusieurs territoires, plusieurs disciplines et plusieurs personnes. Les artistes nous invitent ici à nous poser la question de cet entre-deux de l’art à travers plusieurs thématiques centrales, qui font, en outre, écho à l’identité du réseau 50° nord. Les glissements, les hybridations qu’effectuent les artistes transforment notre rapport à la territorialité, en tant que donnée géographique, technique et sociologique. “

+ d’infos sur FACETTES
 


Réseau transfrontalier d’art contemporain

9 RUE DU CIRQUE – B.P. 10103
F-59001 LILLE CEDEX

www.50degresnord.net
+33 (0)6 07 31 14 51

Graphisme 50° nord : Yann Linsart – The Viewer Studio

50° nord est membre du CIPAC et du collectif HF Hauts-de-France.

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[nadine] upcoming December 2022

[n0dine] Proximity Papers by Gary Farrelly
08/12/2022 – finissage

[EN] Join us on Thursday 8 December at n0dine projectroom for the closing event of ‘Proximity Papers’ by Gary Farrelly. His practice relates in an idiosyncratic way to a world ruled by structures of power and ideology. On the curatorial initiative of Various Artists, he shows a new body of visual artworks in a solo-exhibition.

[NL] Op donderdag 8 december vindt de finissage van Gary Farrelly’s show ‘Proximity papers’ in n0dine plaats. Zijn artistieke praktijk verhoudt zich op een eigenzinnige manier tot een wereld die beheerst is door machtsstructuren en ideologie. Op uitnodiging van Various Artists toont hij een nieuwe reeks werken in een solo-show.

[FR] Rendez-vous le jeudi 8 décembre chez n0dine pour le finissage de l’exposition de Gary Farrelly « Proximity papers ». La pratique de Gary Farrelly se rapporte de manière idiosyncrasique à un monde régi par des structures de pouvoir et d’idéologie. À l’initiative de Various Artists, il propose un nouveau corpus d’oeuvres dans un solo-expo.

Finissage on Thursday 8 December, 18:00 – 21:00
Exhibition : 18/11 – 08/12/2022, from 10:00 to 17:00 & by appointment
( n0dine, Rue de Laekensestraat 105, 1000 Brussels
more info: 
nadine.begaryfarrelly.com

supported by Vlaamse Gemeenschapscommissie, the Arts Council of Ireland and Fingal Arts Office

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[extra muros] Lanterne Férale by Chloé Schuiten & Clément Thiry
13-16 /12/2022 – walk

[EN] For four days and nights, Chloé Schuiten and Clément Thiry will occupy Place du Marché aux Porcs, facing the noisy and inert ‘monument to the Pigeon-Soldier’. While soaking up the noises, smells and music of the Christmas market, they will propose a new statue that is soft and mobile, like a large magic lantern, followed by a sound walk. 

[NL] Voor vier dagen en nachten vestigen Chloé Schuiten en Clément Thiry zich op de Varkensmarkt, aan de overkant van het ‘monument aan de oorlogsduif’. Terwijl ze de geluiden, de geur en de muziek van de Winterpret kerstmarkt tot zich laten doordringen, creëren ze een nieuw standbeeld dat soepel en mobiel is, zoals een grote toverlantaarn, gekoppeld aan een wandeling.

[FR] Chloé Schuiten et Clément Thiry occuperont la Rue du Marché aux Porcs pendant quatre jours et quatre nuits, face à la statue bruyante et inerte ‘au Pigeon-Soldat’. Tout en s’imprégnant des sons, des odeurs et de la musique du marché, iels proposeront une nouvelle statue molle et mobile, comme une grande lanterne de Noël, suivie d’une marche sonore.

13/12 – 16/12/2022, the artists are present at Marché aux Porcs on Tuesday, Wednesday and Thursday from 13:00 to 20:00 / Friday from 13:00 to 17:00. 
Friday 16 December, you can join them for a walk at 17:00 (meet up same place). 

Place du Marché aux Porcs, Varkensmarkt, 1000 Brussels
(no reservation needed)
more info: nadine.becifas.be
supported by Cifas, La Bellone, nadine, Boîte à clous and Plaisirs d’Hiver 

image by Chloé Schuiten & Clément Thiry

[n0dine] *X-mas shop 
15/12 – 23/12/2022 – expo

[EN] Before the end of the year, n0dine will be transformed into a one-week Christmas shop, with a diverse selection of editions and printed matter of artists affiliated with nadine. All works presented will be for sale – just in time to send wishes and to wrap gifts for your loved ones or yourself.

[NL] Voor het eind van het jaar wordt n0dine omgevormd tot kerstshop gedurende één week, met een brede selectie edities en prints van kunstenaars die nadine ondersteunt. De getoonde werken zullen te koop zijn – net op tijd om een wens of kado te vinden voor dierbaren of jezelf. 

[FR] Avant la fin de l’année, n0dine se transformera pendant une semaine en magasin de Noël ; les artistes collaborant avec nadine proposeront à la vente une sélection variée d’éditions et d’impressions publiées, juste à temps pour vous permettre d’emballer vœux et cadeaux à envoyer à vos proches ou à vous-même.

Opening on Thursday 15 December, 18:00 – 21:00
Exhibition : 16/12 – 23/12/2022, from 10 to 5 pm & by appointment
( n0dine, Rue de Laekensestraat 105, 1000 Brussels
more info: 
nadine.be

[extra muros] Déterrement – Enterrement by Clément Thiry & Agathe Voisin
20/12/2022 – walk

[EN] “Walk – Burial of a spruce coming from the Ardennes with Buratinas. The harvest is over. What we don’t want anymore, let’s leave it to the ground so it can transform into something else. Tree of renewal, welcome. We are ready to embrace winter, the cycle of seasons will soon be renewed, spring is ahead of us. In the ground we will bury you.” 

[FR] “Marche – Enterrement d’un épicéa venu des Ardennes en Buratinas. Les récoltes sont terminées, laissons à la terre ce dont on ne veux plus afin qu’elle le transforme en autre chose. Arbre du renouveau, bienvenu. Nous sommes prêt à accueillir l’hiver, le cycle des saisons se renouvelle, le printemps est devant nous. Dans la terre nous allons t’enfoncer.” 

[NL] “Wandeling – Begraving van een fijnspar die meekwam met Buratinas vanuit de Ardennen. De oogst is voorbij, laten we dat wat we niet meer willen terug over aan de aarde die ze kan transformeren. Boom van vernieuwing, welkom. We zijn klaar om de winter te omarmen, de cyclus der seizoenen zal zich spoedig hernieuwen, de lente ligt voor ons. In de grond zullen we je begraven.”

Rendez-vous at Rue des Mariniers 6, 1080 Molenbeek at 17:17. The walk/procession to the burial will start from there.

Rue des Mariniers 6, 1080 Molenbeek St-Jean
(no reservation needed)

more info: nadine.be  

image by Clément Thiry & Agathe Voisin

[RusClub #57] Master i Margarita (2005)
23/12/2022 – movie screening

[EN] We exceptionally show a mini series for two RusClubs at the end of the year. The second half of the series will be shown on Friday 23 December (3 episodes).
RusClub is a platform for Russian cinema. Alexandra Dementieva selects Russian movies and guides you through the history of Russian cinema.

[NL] RusClub is een platform voor Russische cinema. Alexandra Dementieva gidst het publiek doorheen de geschiedenis van de Russische cinema aan de hand van geselecteerde films.

[FR] RusClub est une plateforme pour le cinéma russe. Alexandra Dementieva nous fait part de sa sélection de films russes et nous guide à travers l’histoire du cinéma russe.

Screening exceptionally on FRIDAY 23/12/2022 from 19:30 to 22:30
Projection starts at 20:00. 
Feel free to bring some drinks and snacks.

dinA, Nieuwbrug 3 Rue du Pont Neuf, 1000 Brussels
more info : nadine.be; alexdementieva.org

nadine is supported by:
Vlaamse Gemeenschap
Vlaamse Gemeenschapscommissie van het Brussels Hoofdstedelijk Gewest
Mobiel Brussel van het Brussels Hoofdstedelijk Gewest

Contact: 
dinA / Nieuwbrug 3 Rue du Pont Neuf / Brussel 1000 Bruxelles

OVERTOON NEWSLETTER – DECEMBER 2022

       
   

 
       
     
       
  OVERTOON NEWSLETTER – DECEMBER 2022  
     
 


Bill Dietz appointed as director of Overtoon


 

The board of Overtoon is honoured to announce that Bill Dietz will take on the position of director, starting January 2023. Dietz has worked as a curator, composer, artist, writer, and educator for over 15 years. He has an outspoken inclusive and discursive approach to sound art, with emphasis on its social and political implications, while also being tuned into the needs of artists and practitioners.

Dietz has previously held positions as co-chair of Music/Sound in Bard College's Milton Avery Graduate School of the Arts, as founding editor of Ear | Wave | Event, as artistic director for Ensemble Zwischentöne, and on the board of the Maryanne Amacher Foundation. His work on genealogies of reception and the “political aesthetics of listening” is often presented in festivals, museums, and journals, but also in apartment buildings and on public streets.

Bill Dietz: “As an American based in Europe for the past 20 years anchored in the small world of sound, I have a deep appreciation for Overtoon’s crucial role in the field. To be entrusted with the stewardship of this organisation is a great privilege and responsibility. In imagining new horizons, I look forward to drawing on and entwining the vast archive of Overtoon's history, the work of local and international practitioners, and my own artistic and theoretical preoccupations. I am thrilled by the prospect of offering and maintaining a creative, reflexive, and inclusive space for sound.”

Annelies Van den Berghe, president of the board of Overtoon: “With the unanimous choice for Bill Dietz, the hiring committee has put its trust in someone with an impressive track record in creating work centred on sound and its creative and discursive possibilities. His professional experiences and institutional ideas seem right to renew Overtoon and place it in new ways toward the future, while simultaneously also having lots of respect for the vision of its founding directors and the great work they have carried out in the past period.”

The board of Overtoon has adopted the recommendations of the hiring committee consisting of Annelies Van den Berghe, Barbara Raes, Linnea Semmerling, and Niels Van Tomme and has unanimously appointed Bill Dietz as the new director of Overtoon.

 

Bill can be reached at   


 
 

 

NAK BENEFIZ AUKTION 2022

NAK BENEFIZ AUKTION 2022

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

VERNISSAGE: 10. Dezember 2022, 19 Uhr
FÜHRUNGEN: 12. – 15. Dezember, 19 Uhr

AUKTION: 17. Dezember 2022, 19 Uhr
ONLINEAUKTION: 12. – 18. Dezember

 

 

 

 

Der NAK Neuer Aachener Kunstverein lädt herzlich zur diesjährigen Benefiz Auktion im Dezember 2022 unter der Schirmherrschaft von Prof. Henrik Hanstein (Kunsthaus Lempertz, Köln) ein.

Onlineauktion + Auktion


Die Auktion wird in diesem Jahr sowohl vor Ort als auch digital stattfinden. Das genaue Prozedere zur Onlineauktion und Auktion wird auf der
Homepage des NAK erklärt.

Die Onlineauktion beginnt am Montag, den 12. Dezember und endet am Sonntag, den 18. Dezember. Die Onlineauktion erreichen Sie unter neueraachenerkunstverein.auction/, eine Registrierung ist ab sofort möglich.

Am 17. Dezember werden vor Ort im Kunstverein darüber hinaus weitere, nicht digital angebotene Arbeiten von Prof. Hanstein versteigert werden. Wir freuen uns sehr, dass die Auktion nach 3 Jahren in dieser Form wieder in den Räumlichkeiten des NAK stattfinden kann. Eine Anmeldung vor Ort ist ab 18 Uhr möglich; vorab nehmen wir schriftliche Gebote entgegen, ebenso kann man sich vorab als Telefonbieter registrieren lassen.

Ausstellung

Weiterhin werden wir alle zu ersteigernden Arbeiten in einer Ausstellung vor Ort im Kunstverein präsentieren. Die Ausstellung eröffnet am 10. Dezember von 19 – 23 Uhr. Besichtigungen sind danach täglich bis zum 15. Dezember möglich; der NAK ist zu diesen Tagen von 14 – 20 Uhr geöffnet. Am 16. Dezember bleibt der NAK geschlossen.

Führungen

Vom 13. bis zum 15. Dezember finden jeweils um 19 Uhr Führungen statt, in denen die Exponate und teilnehmenden Künstler_innen den Interessenten vorgestellt werden.

Ebenfalls werden wir über unsere sozialen Medien, namentlich Instagram und Facebook, alle Arbeiten zeitnah als Preview digital vorstellen.

Teilnehmende Künstler_innen

Soufiane Ababri, Emma Adler, Havin Al-Sindy, Albrecht / Wilke, Florian Auer, Eliza Ballesteros, Arno Beck, Boris Becker, Rebekka Benzenberg, Johannes Bendzulla, Nils Bleibtreu, Ton Boelhouwer, Eugenie Bongs-Beer, Claudia Breuer, Lars Breuer, Dennis Buck, Valentin Cafuk, Keren Cytter, Zuzanna Czebatul, Andreas Diefenbach, Matthias Dornfeld, Joëlle Dubois, Philip Emde, Jonas Fahrenberger, Fleckstein/ Dworczyk, Carsten Fock, Bertrand Fournier, Albrecht Fuchs, Jan Gerngross, Jakob Gilg, Andreas Greiner, Selma Gültoprak, Constantin Hartenstein, Ilka Helmig, Petra Herzog, Marcel Hiller, Benedikt Hipp, Jan Hoeft, Jonas Höschl, Olga Jakob, Christof John, Eleni Kamma, Andy Kassier, Ben Kaufmann, Christian Keinstar, Thomas Kellner, René Kemp, Daniel Kiss, Alfons Knogl, Tina Kohlmann, Konstitutiv der Möglichkeiten, Jody Korbach, Hans W. Krämer, Thomas Kratz, Sholem Krishtalka, Tom Król, Michael Kunze, Wolfgang Kupczyk, Lukas Luzius Leichtle, Anna Ley, Christine Liebich, Lukas Liese, Arthur Löwen, Timur Lukas, Martin Maeller, Marie Meyer, Marianne Mispelaëre, Jonathan Monk, Bastian Muhr, Thomas Musehold, Moritz Neuhoff, Anna Nero, Murat Önen, Bea Otto, Luc Palmer, Nicolas Pelzer, Andreas Plum, Sabrina Podemski, Lorenzo Pompa, Anys Reimann, Bernd Ribbeck, Johanna Reich, Johanna Roderburg, Markus Saile, Laurentius Sauer, Morgaine Schäfer, Laura Schawelka, Marius Schillak, Lukas Schmenger, Florian Schmidt, Natascha Schmitten, Berit Schneidereit, Franca Scholz, Ulrike Schulze, Oliver Sieber, Katharina Stadler, Studio for Propositional Cinema, Katja Stuke, Sarah Szczesny, Britta Thie, Thomas Virnich, Winfried Virnich, Anke Völk, Karl von Monschau, Marta Vovk, Mateusz von Motz, Valentin Wagner, Marcel Walldorf, Nicholas Warburg, Thomas Weidenhaupt, Christoph Westermeier, Achim Franz Willems, David Benedikt Wirth, Johannes Wohnseifer, Esther Zahel

Mit freundlicher Unterstützung durch:
       
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_ _

NAK Neuer Aachener Kunstverein
Passstraße 29
52070 Aachen
0049 (0)241503255
www.neueraachenerkunstverein.de
www.instagram.com/neuer.aachener.kunstverein

 

 

De schrijver als lichaam en het lichaam als schrijver – Hoe opnieuw te leren leven en schrijven met ziekte?

Next Monday, 12 December, 5pm: Workshop “Knotting Knots / What is creative practice to researchers and what is research to artists?”

ABA

Air Berlin Alexanderplatz

invites you to
 

Image courtesy Raphaëlle Bessette-Viens

Monday, 12 December 2022, 5–7:30 pm | WORKSHOP

 

Knotting Knots / What is

creative practice to

researchers and what is

research to artists?

diffrakt | center for theoretical periphery, Crellestraße 22 

With Raphaëlle Bessette-Viens and Neige Sanchez

 

How can art and academia inform each other without arranging themselves in a hierarchical structure? And what forms can research-creation take in the particular context of experimental film and trans* studies?

Thinking beyond the separation of the fields of fine arts and academic study, this workshop will provide a succint overview of a few emerging methods and practices comprised under the term of research-creation. While definitions of research-creation are disputed, it can be loosely described as an engagement with the ontological and epistemological questions of what constitutes research, focusing on the materialities and processes of research-outcomes.

Artists, researchers, students, and tinkerers of all kinds are warmly welcomed to participate. Text materials will be distributed to the participants in advance but are not mandatory. Participants are invited to join a conversation on what they have learned through their own entanglements with theory and creative practice and experiment with prototyping a research-creation project. 

Participation in the workshop is limited.

 

Register here!

Raphaëlle Bessette-Viens works at the intersections of trans studies, critical disability studies, and experimental filmmaking. For the workshop, they will provide examples of projects illustrative of key concepts of research-creation and present their work-in-progress, exploring the parallels and entanglements of trans studies and experimental filmmaking. 

This workshop is co-organized by Neige Sanchez, artist-researcher and curator currently in residence at ABA. Since 2017, they have been developing a curatorial practice by inviting artists and academics to join their exhibits as a means of collective, transdisciplinary and experimental thinking, highlighting critical and feminist perspectives.

about the space: diffrakt | center for theoretical periphery is a collectively organized space that hosts and promotes a range of discursive formats. diffrakt aims to further exchange between current positions from art, science, society, and philosophy and to offer a place for theoretical, artistic, and activist practice. Founded in 2017, diffrakt is a non-profit association that inhabits the former space of Merve Verlag in Berlin-Schöneberg.

diffrakt currently is: Caroline Adler, Elisa Barth, Georg Dickmann, Onur Erdur, Moritz Gansen, Max Grünberg, Kim_young Kim, Sara Morais dos Santos Bruss, Morten Paul, Gala Rexer, Tim Schmidt, Wladimir Velminski, and Hannah Wallenfels.

Air Berlin Residency:

Neige Sanchez from September 2022–Feb 2023, Switzerland
Matheline Marmy from September 2022–Feb 2023, Switzerland
Machiel van Stokkum from September–December 2022, Netherlands

ABA (Air Berlin Alexanderplatz) e.V. / Schöneberger Str. 13 / DE-10963 Berlin / https://airberlinalexanderplatz.de/
Team: Susanne, Mio, Tatiana, Aleksander, Stefanie

REMOVED FOOTER

Q-O2 News :: December 2022


 workspace for experimental music and sound art

book launch
9 December – 19h30 (doors 19h) – free
Elena Biserna : Going Out – Walking, Listening, Soundmaking
Going Out explores the relationship between walking, listening, and soundmaking in the arts – from the first soundwalks and itinerant performances in the 1960s to today’s manifold ambulatory projects. The book consists of an extensive essay by Elena Biserna followed by an anthology of 51 historical and contemporary contributions in the form of documentation, essays, interviews, manifestos, scores, narratives and reflections.
The launch will celebrate this publication with interventions by Anna Raimondo and BNA-BBOT, and a concert by David Helbich on synthesizers. For the occasion, the book will be sold with special launch-reduction!
[read more]

Second Sundays #36
11 December – start at 16h (doors 15h30)
Performensk: Nikolay Karabinovich + Aliens
In December, Second Sundays teams up with Performensk Festival and hosts the artist Nikolay Karabinovich and artist duo Aliens (Marika Krasina and Anton Kryvulia), for a double-listening session, showing a wide palette of musical influences presented by the artists.
Second Sundays is a monthly series. Each session a new guest is invited to share an insight into their own listening, playing and speaking about a selection of sound and music that is important to their thinking or practice.
More infos about Performensk Festival => https://www.performensk.com/
[read more]

release
Oscillation ::: Public Address
Q-O2 / umland editions is pleased to present 3 split releases of live recordings from our festival Oscillation ::: Public Address that took place in April and May this year. The recordings captured six of the many beautiful performances that made up our first return to a live public festival after two years of radio only. Relive the moment or hear what you missed over at the umland bandcamp page.
Issue 1: Enrico Malatesta & Attila Faravelli / Kate Carr
Issue 2: Aymeric de Tapol / BMB con.
Issue 3: Jasmine Guffond / Peter Kutin & Stan Maris
[Bandcamp]
[more info]

listen
QOOOOOOOOOO2 @ LYL Radio: Hildegard Westerkamp
This episode focusses on German Canadian composer Hildegard Westerkamp, featuring a new piece: “The Soundscape Speaks – Soundwalking Revisited”, commissioned by BEAST FEaST 2021 and presented at Q-O2’s Festival Oscillation ::: Public Address, on 30th of April 2022, at Decoratelier in Brussels.
[listen here]

revisit
Oscillation ::: Public Address
You can now re-listen to some of the sets, talks, listening sessions and interviews from this year’s festival Oscillation ::: Public Address on our soundcloud:
::: Open Mic with Francesca Hawker and guests
::: Round Table with Elena Biserna, RYBN, David Helbich, Alisa Oleva, Bill Dietz
::: Fausto Caceres (Radio Shirley and Spinoza): Street Cries & the Wandering Song
::: Céline Gillain: How listening is conditioned by context (talk) 
::: Bill Dietz: My Ears, the Police (talk)
::: Elena Biserna interviewed by Margherita Brillada
::: Alisa Oleva interviewed by Margherita Brillada
::: Thomas Ankersmit interviewed by Margherita Brillada

still available + new
podcasts, books, releases, videos

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December @Saint-Martin Bookshop

DECEMBER
WE ARE OPEN EVERY DAYS
FROM 11 TILL 7 PM,
 so don’t hesitate to pass by.
We are ready for your Xmas shopping.

SATURDAY DEC 3
Pierre Leguillon
THE BAREFOOT PROMISE
Book signing & Happening from 5 to 7pPM
I collaboration of Triangle Books & Hatshoe. 
More…

FRIDAY DEC 16
MAISON COMMUN
Artists Jewellery Edition
Presentation & Drink 6 to 9pPM

Editions of Martin Belou, Kasper Bosmans, Guillaume Bleret, Simona Denicolai, Arnaud Eubelen, Patrick Carpentier

TILL DECEMBER 18

INFLATABLE CAVEMAN CLUB
Juan d’Oultremont
 

 


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Actualités de l’art contemporain | Décembre 2022

                                                                                                                                     DÉCEMBRE 2022

 

• ANNONCES
• ANNUAIRE
• FILIÈRE ARTS VISUELS HDF
• INFOS / RESSOURCE COVID-19
• LOIS / ÉTUDES / RAPPORTS

Soyez au plus proche de l’art de votre région,
visitez des expositions, participez aux ateliers artistiques,
rencontrez des artistes…

 50° nord est à votre disposition pour vous donner une visibilité de l’offre culturelle proposée par nos adhérents en Hauts-de-France, Wallonie et Bruxelles !

Flocon sur Microsoft Teams 1.0

DÉCEMBRE

Pour notre dernière newsletter 2022, nous souhaitons vous inviter à notre évènement annuel, le lancement de la nouvelle édition de notre revue FACETTES.
L’occasion d’obtenir un cadeau supplémentaire à mettre sous vos sapins…

Pour cela, retrouvez-nous le vendredi 9 décembre à 14h30, au LaM.

En parallèle, nos actions continuent leurs avancées : les bus de liaison pour les scolaires sont lancés et roulent à travers les territoires, 
notre jeu-concours s’impatiente de connaitre son gagnant,
nos membres vous proposent toujours plus de nouvelles expositions
et enfin… nous vous préparons quelques surprises pour 2023 !

✨ Bonnes fêtes de fin d’années à toutes et tous 

J-8

Fusée sur Noto Color Emoji, Animated   LANCEMENT DE FACETTES N°8        

RDV AU LaM 
LE VENDREDI 9 DÉCEMBRE
DE 14H30 À 18H


Un numéro inédit qui se penche sur les croisements,
les coopérations artistiques et culturelles.

>>> INSCRIVEZ-VOUS <<<
ou part téléphone au 06.07.31.14.51
(Évènement gratuit, jauge limitée)

FACETTES n°8

RECEVOIR
LA NOUVELLE EDITION

CHEZ VOUS

10€ frais de port
>  Commandez – la <

     Cadeau sur Skype  JEU-CONCOURS Cadeau sur Skype

Plus qu’un mois pour tenter de gagner du matériel Beaux-Arts !

En partenariat avec le Géant des Beaux-Arts de Lille
et la Métropole Européenne de Lille,
50° nord 
vous offre un lot d’une valeur de 125€ composé d’un panachage
de sets de peinture acrylique et huile fine Le franc Bourgeois
et d’un lot de marqueurs acryliques Liquitex !
 

Rendez-vous ICI pour participer !

Actualités de l’art contemporain
en Eurorégion Nord
 

 Rdv sur notre agenda de l’art contemporain pour découvrir tous les évènements de nos adhérents en Hauts-de-France et en Wallonie-Bruxelles.

Retrouvez-nous également sur Facebook et Instagram !

20 MONDES. IAC TREASURE BOWL COLLECTIONS I-II
KERAMIS

 LES MOMENTS

FLASHS

En cette fin d’année, nos membres
lancent leurs évènements
flashs !

Entre jeu-concours, salon d’éditions et marchés de Noël,
ce sont des évènements de quelques jours seulement
qui vous attendent.

CRP/


FRAC PICARDIE


FRUCTÔSE


ARTCONNEXION

 LUMIÈRE SUR UN ÉVÈNEMENT

UNESCO
&
FRESNOY – STUDIO NATIONAL

Journée mondiale de la philosophie 2022 
” L’ Humain qui vient “

Pour célébrer la Journée mondiale de la philosophie 2022,
l’
UNESCO et Le Fresnoy – Studio national des arts contemporains

ont organisé du 16 au 18 novembre un symposium et une exposition
sur le thème « l’Humain qui vient » au Siège de l’UNESCO à Paris.

>>> Retrouver les captations vidéos de l’évènement <<<

FACETTES n°7

L’édition 2022
est toujours disponible !

RECEVOIR LA REVUE
10€ frais de port
 Commandez – la <


Réseau transfrontalier d’art contemporain
9 RUE DU CIRQUE – B.P. 10103

F-59001 LILLE CEDEX

www.50degresnord.net
+33 (0)6 07 31 14 51

Graphisme 50° nord : Yann Linsart – The Viewer Studio

50° nord est membre du CIPAC et du collectif HF Hauts-de-France.

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LILLE CEDEX 59001, France

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Private tour with the Curator – Residency

Private tour with the Curator – Residency ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌

Cas-co NEWS: december 2022

 Foto: Michiel De Cleene

ACTIVITEITEN

1-15.12

maakleerplek:
Silodrome – A Public Programme that celebrate the (end of) the silos
Twee presentaties (YOU & ELAPSE), vier publieke evenementen(een vernissage op 1.12, een Cross Overs Event op 2.12, een kerstcafé en Open Studio’s op 7.12 & een finissage op 15.12)en een kosmisch dansfeest (Last Clubber – Affair) om het allemaal af te ronden. Cas-co en maakleerplek nemen op gepaste wijze afscheid van de silo’s van Leuven. 
PRAKTISCH  Locatie: Silo's, maakleerplek, Stapelhuisstraat 13-15, 3000 Leuven

MEER INFO & TICKETS (Last Clubber)

1-15.12

maakleerplek:

ELAPSE – Curating the Young ft. Studio Annext

Met de ten­toon­stel­ling ELAPSE maakt Curating the Young ruim­te voor een dia­loog tus­sen vier kun­ste­naars (verbonden aan ate­lier­wer­king Studio Annext) en de uit­zon­der­lij­ke con­text van oude silo’s aan de Leuvense Vaartkom. Als res­tant van de laat­ste indu­stri­ë­le maal­de­rij van de stad, kun­nen de silo’s gezien wor­den als een plek van reflec­tie over de voort­du­ren­de ont­wik­ke­ling en ver­gan­ke­lijk­heid van onze leefomgeving. 
 

PRAKTISCH

Openingsuren: woe (15u-21u), do & vrij (17u-21u),  za & zo (14u-18u)

Deel van: Silodrome

MEER INFO

 


 

1-4.12

maakleerplek:

‘YOU’: showcase Tereza Holá en Hynek Skoták

Tereza Holá en Hynek Skoták ken­nen elkaar al 25 jaar. Ze wer­ken al zeven jaar samen, waar­van de laat­ste drie jaar als kunstenaarsduo. Tijdens hun resi­den­tie in de silo’s contempleerden Tereza en Hynek voor het eerst hun dikwijls gecompliceerde relatie en probeerde deze ervaring te materialiseren. De kun­ste­naars hiel­den tij­dens hun resi­den­tie een dag­boek bij, dat ze tij­dens de ver­nis­sa­ge van de pro­ject op 1 decem­ber, om 19u00, ritu­eel zul­len uitwisselen. 

PRAKTISCH

Openingsuren: do & vrij (17u-21u), za & zo (14u-18u)

Deel van: Silodrome

MEER INFO 

8.12

N+1:
Opening ‘Les adultes _______ se lever tôt pour travailler.’

& Artist Talk – Cédric Urbanski

doit


doi­vent


dois


devons

Deze presentatie is de afsluiting van Cédric Urbanski zijn 3 maanden durende N+1 Residentie. Het is ook het allerlaatste traject dat onder deze nomenclatuur valt. Vanaf volgend jaar zullen de solo residenties deel uitmaken van Off the Grid.

PRAKTISCH
Programma:
    18u00: open
    19u00: talk (Let’s Talk Leuven)
    20u00: drinks
    21u00: einde
Locatie: Cas-co, Vaartstraat 94, 3000 Leuven

MEER INFO

 

8.12

Off the Grid:
The body is the building is the body – Every Island

Parallel aan de opening in N+1 zal het collectief doorlopend performen als de eerste iteratie van het publieke programma door Every Island, genaamd ‘The body is the building is the body‘. Het tweede hoofdstuk van het lopende onderzoek ‘Maintenance as an act of care‘ en de transformerende installatie vindt plaats op 3 februari.

8.12.22     The body is the building is the body 
3.02.23     The body is the building is the body

PRAKTISCH
Uren: 18u00 – 21u00
Locatie: Off the Grid, Vaartstraat 94, 3000 Leuven

MEER INFO

NIEUWS

VACATURE

Cas-co zoekt een productie-coördinator. Onze nieuwe Cas-collega staat in voor de pro­duc­tie en plan­ning van de artis­tie­ke wer­king, m.n. de resi­den­ties, activiteiten en presentaties in maak­leer­plek en Off the Grid en het over­koe­pe­len­de pro­gram­ma met mas­ter­clas­ses, talks & stu­dio visits. Daarnaast is deze per­soon (mede-)verantwoordelijk voor hos­pi­ta­li­ty & toe­gan­ke­lijk­heid, gebouw & infra­struc­tuur en offi­ce management. Deadline 23.12. MEER INFO.

 

EXTRA MUROS

07.12  –  07.01.23: Oracles – The Life of S.F.

Oracles is de interlude van de trilogie IV – II – III – The Life of S.F., een hervertelling van Sophocles’ tragedies. De nomadische tentoonstellingsreeks neemt de verhalencyclus van Oedipus als leidraad en volgt de logica van het raadsel van de Sfinx. O.m. N+1-Resident Laurène Buchheit en Apparatus 22 vertolken hun versie van het verhaal met een performance tijdens resp. de vernissage en finissage. MEER INFO.

10.12: Meet the Artist: Lore Stessel (i.k.v. Concrete Body, Concertgebouw) 

‘Dans is een taal’, zegt ze. In haar eigen woordeloze vocabularium, de camera ter hand, legt Lore Stessel de dans vast. Ze voegt niets toe, maar laat weg. In de tentoonstelling Concrete Body (12.11 – 26.02.23) vertaalt zich dit in de verwevenheid van haar werk met het Concertgebouw en in de door haar gekozen materialen waarop elk beeld zijn thuis vindt. De fragiliteit van de dans tegenover de betonnen muren. De lichtdoorlatende stoffen tegenover de ruwheid van verre landschappen. MEER INFO.

Tot 31.12: Art aux Centre #10

De 10e edi­tie van Art au Centre vindt plaats van 06 okto­ber tot 31 decem­ber in het stads­cen­trum van Luik. Tussen de deel­ne­men­de kun­ste­naars: onze hui­di­ge M‑resident Niels Poiz, voor­ma­lig M‑resident Chantal van Rijt, voor­ma­lig solo resi­dent D.D. Trans en vaste resi­dent Siemen Van Gaubergen. MEER INFO.

Cas-co

Ateliers, residenties & omkadering voor
kunstenaars

Vaartstraat 94
3000 Leuven

REMOVED FOOTER

Save the Date Nathalie Du Pasquier and Joe Zorrilla

 
We are pleased to invite you to the opening of
Nathalie Du Pasquier's and Joe Zorrilla's solo exhibitions. 
Opening Thursday, December 1st
6 – 8pm

Nathalie Du Pasquier

ONE THING LEADS TO ANOTHER

December 2, 2022
⏤ February 11, 2023

Press release

Nathalie Du Pasquier, Untitled, 2022, oil on canvas (50 x 50 cm) 

Joe Zorrilla
Blue Hooks

December 2, 2022
⏤ February 11, 2023

Press release

Joe Zorrilla, Garden (Hanoi), 2018, 1/3, c-print (51,6  x 61,6 cm)

Derniers jours de l’expo Blue Marble, journées du CIREC & visite des ateliers de nos résidents

Cliquez ici pour voir ce mail dans votre navigateur

Logo de l'ISELP

Décembre
2022

Journées automnales du CIREC 

L’Institut accueille ces jeudi 01 et vendredi 02.12 la seconde édition des Journées automnales de recherche-création sur les mondes sociaux, consacrées aux perspectives socio-anthropologiques contemporaines d’artistes et chercheur·euse·s africain·e·s.

Projections de films et d’œuvres d’art, tables rondes, discussions avec le public composeront ces journées qui mettront à l’honneur des artistes et chercheur·euse·s africain·e·s. 

Consulter le programme

Le Centre de recherche-création (CIREC) regroupe des chercheur·euse·s et artistes qui se situent au croisement de la recherche sociale et de l’art, dans l’optique de fédérer, soutenir et promouvoir les initiatives qui se multiplient dans ce domaine.

Derniers jours pour découvrir le travail de Stéphanie Roland & Ève Gabriel Chabanon 

Une visite guidée gratuite de l’exposition Blue Marble sera proposée par l’artiste le 10.12 à 16h. 

Ouverture d’atelier
Set & Chloé

10.12
14:00 → 18:00 

Set Chevallier et Chloé Van Oost élaborent des récits d’anticipation marqués par l’anthropologie, le design et les imaginaires sciences-fictionnels. À la suite d’un travail de recherche de quatre mois en Nouvelle-Aquitaine, Set et Chloé ont investi l’espace de résidence de l’ISELP pour clôturer leur projet LUM, une œuvre de fiction pour laquelle les deux artistes interrogent la pratique de la luminothérapie.

Ouverture d’atelier
Louis Émauré & Richard Pereira De Moura

10.12
14:00 → 18:00

Durant leur résidence à l’ISELP, Louis Émauré et Richard Pereira De Moura ont fait le point sur une recherche consacrée au lieu de vie de Jean Smilowski, artiste autodidacte, « cow-boy » du vieux Lille dont les productions sont aujourd’hui référencées dans les collections de l’art brut. Leur objectif: développer un projet d’édition de revue pour partager le fruit de leurs investigations.

Podcast

Au micro d’Adrien Grimmeau, la docteure en histoire de l’art Apolline Malevez, qui a consacré sa thèse à la conception des espaces intérieurs dans la peinture et l’architecture belges des années 1900. Par l’examen des œuvres et des revues d’époque, elle a pu confronter cette conception aux questions de genre.

Ecouter cet épisode

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