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[NGHE NEWSLETTER] # Samedi 11 Février # Médiathèque TROpiQUE-mICROphONIque #

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SAMEDI 11 FéVRIER
🎤 Médiathèque troPIque-MIcroPHoniQUE🎤


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Ouverture régulière dès 14h


16h – Non-conférence d'Aymeric de Tapol
neige tombe drum piezo test.jpg
Aymeric
nous partagera sous forme de cours avec des dessins au tableau ses
connaissances
 totalement empiriques de la prise de son, 
Nous n'y pratiquerons pas la prise de son, mais nous l'imaginerons.
Ce partage de connaissance est expérimental et surtout pour total débutant e
19h – Concert de Léa Roger
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DSC_0360.JPG

L'artiste sonore Léa Roger viendra faire un concert
réalisé à partir de fields recording
fraichement issues d'un voyage en
Bolivie qu'elle vient de faire récemment dans les Yungas – écoystème
forestier constitués de
feuillus humides tropicales et subtropicales qui se trouve au centre de
la Bolivie.
Sur ce terrain, elle a rencontré plusieurs problématiques
que pose la prise de son dans ce type de milieu. Le concert sera aussi
une invitation à la discussion sur cette pratique – à cheval entre
l'art, l'anthropologie et l'éthique 

 Et cette semaine nghe est passé par Lyl Radio, tu peux écouter ça ici si tu l'as raté :

—

NGHE – Médiathèque bricolée

rue des mariniers, 6
1080 Molenbeek St Jean

Only one more week until the opening of Marc Camille Chaimowicz’s exhibition at WIELS! 🪩

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Discover the unique world of Marc Camille Chaimowicz at WIELS! Step into his realm of reverie, opening on Thursday February 16.

Chaimowicz has sailed steadfastly against the prevailing artistic winds since the 1970s, with his constant challenging of the role of art and his development of a camp aesthetic. In Nuit américaine, this understated pioneer examines intimacy, domesticity, and the desire – or need – to create your own context.

17_02________________13_08_2023
OPENING: 16  02, 19:00

READ MORE ABOUT THE EXHIBITION
JOIN US AT THE OPENING

“To design my living space in a different way came to feel like a vital, physical need. I felt the need to reverse the traditional (male) viewpoint, which consists in despising the domestic side of things.”

– Marc Camille Chaimowicz

QUOTE: Marc Camille Chaimowicz & Marie Canet, Reverie, Its Practice and Means of Display, ed. MAMC+, Saint Étienne et les presse du réel, Dijon, 2022.
IMAGE: Marc Camille Chaimowicz, Approach Road, c.1977. Documentation photograph. Courtesy the artist and Cabinet, London.

RESIDENCIES 

PROJECT ROOM

MARYAM MOHAMMADI: TO SURVIVE!

Former artist in residence Maryam Mohammadi responds to the difficult situation faced by Ukrainian women since the invasion of Russia, through 7 photographic works she presents in the WIELS Project Room.

02_02____________19_02_2023
OPEN: TUE > SUN, 14:00-18:00
FREE
MORE INFORMATION

 

NEW

GUIDED TOUR + DRINK

APÉRO TOUR *NEW*

Every first Wednesday of the month, we invite you to a new guided tour format – the Apéro Tour – to see the exhibition(s) in a different light. Our enthusiastic and knowledgeable guides will take you on a fascinating journey of discovery, while you enjoy a complimentary drink of your choice before or after the tour.

01_03________________18:00-19:00
ENTRY TICKET + €7
FR/NL
SIGN UP

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Q-O2 News :: Oscillation ::: o tempo 27/04 – 30/04

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 workspace for experimental music and sound art

Festival
27 April – 30 April
Oscillation ::: o tempo

It’s that time of the year again ::: our annual festival is taking place in less than three months. After online and nomadic editions, the festival takes on a mainly sedentary form: this year’s edition is hosted by Needcompany and HISK in Molenbeek. The line-up breakdown per day will go online soon, as will the ticket sale – keep an eye on our festival website to stay tuned.

This year, we reflect reflect on the notion of time. Time fas­ci­nates because of its per­va­sive­ness: there is no way to think around it. As with any­thing so ubiq­ui­tu­ous, an assump­tion of time as nat­ur­al and non-nego­tiable is quick­ly made, but con­cepts of time are con­struc­tions, and those con­struc­tions depend strong­ly on social and tech­no­log­i­cal real­i­ties. Sound and music offer a space where aspects of this oth­er­wise ungras­peable mat­ter can be made tan­gi­ble, where we can exper­i­ment with its many facets and pos­si­ble approach­es.

The four days of Oscillation 2023 will pro­pose dif­fer­ent set­tings to explore these con­sid­er­a­tions. Day by day will zoom in on aspects such as dis­place­ment in time by mem­o­ry or antic­i­pa­tion; time-struc­tur­ing instru­ments like rhythm, ges­ture, pulse, rep­e­ti­tion or silence; dura­tional simul­tane­ity in which the audi­ence can nav­i­gate; and the sub­jec­tive tem­po­ral expe­ri­ence of impro­vi­sa­tion which strong­ly draws on relationality.
________________________________________

Featuring:

Younes Zarhoni, Limpe Fuchs & Valérie Vivancos, Jung An Tagen, Éliane Radigue’s Sigma, Katharina Ernst, Rebecca Lane & Clara de Asís, Mark Vernon, Charlemagne Palestine, Clara Lévy, Asuna, Marija Rasa, Juliet Fraser performs Morton Feldman, Jessica Ekomane, Ameel Brecht, Maia Urstad, John McCowen, Maria Komarova, Farida Amadou, Felix Kubin, Hans-Christian Dany, and more.

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Exposition au Casino Display

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Ludovic Hadjeras, Like a vampire, no?, 2023. © Casino Display

09 – 11.02.2023, 14 h 00 – 18 h 00 *
16 – 18.02.2023, 14 h 00 – 18 h 00 

Experimental
Re(é)[flex|ct|ion] Expérimentale

Erick Fowler, Ludovic Hadjeras, Uriel Ladino, Nguyen Phuong Thao, Katja Pilisi, Razan Sabbagh

Commissaire
Charles Rouleau

Exposition de clôture du laboratoire de recherche artistique 
  
LIEU : Casino Display, 1, rue de la Loge, L-1945 Luxembourg

Experimental Re(é)[flex|ct|ion] Expérimentale présente les résultats des projets élaborés par les participant·e·s de la première édition du laboratoire de recherche artistique (Artistic Research Lab) au Casino Display. Les jeunes participant·e·s proposent un ensemble de thématiques, toutes liées à la part d’expérimentation dans leurs pratiques respectives.

Guidé·e·s par leur volonté de déstabiliser et d’interroger les contraintes rencontrées, et fort·e·s des discussions menées au cours des trois semaines de recherche in situ, iels présentent des travaux découlant d’expérimentations autour des concepts de communauté, d’incertitude, de résistance, d’hybridité, d’attente préconçue, de mouvement et d’alternative.

L’exposition permet de découvrir la façon dont artistes et curateur ont utilisé l’espace du Casino Display pour élaborer des idées inachevées, sonder des concepts fraîchement esquissés, ou renverser ou défier des ontologies.

Experimental Re(é)[flex|ct|ion] Expérimentale montre la mesure dans laquelle l’expérimentation est un vecteur d’apprentissage.  

Entrée gratuite

Ouverture sur rendez-vous également. Contact : 

* Samedi 11.02.2023, 14 h 00 – 18 h 00
Espace Vivant Temporel 
Lieu de rencontre, de recherche, de déambulation et
d’« experiment-action »

Au Casino Display. En présence de l’artiste Uriel Ladino 

   
© Uriel Ladino

Dans un contexte qui nous pousse de plus en plus vers l’extérieur, qui nous pousse à nous perdre dans le théâtre de la vie et à ne pas tenir compte de l’altérité, Uriel Ladino s’intéresse à rendre visibles les processus qui ne sont pas visibles, les processus personnels qui passent par des voyages profonds vers l’intérieur, sans perdre de vue l’importance de chercher les processus collectifs. 

Espace Vivant Temporel est un espace interdisciplinaire, lieu de rencontre, de recherche, de déambulation et d’« experiment-action » dans lequel coexistent différentes connaissances, différentes façons de voir le monde, différentes personnes aussi. C’est un espace modulaire créé avec des matériaux où convergent la peinture, le dessin, la sculpture, les « ready made » et l’action.

Entrée gratuite

Le Casino Luxembourg
est soutenu financièrement par 

Casino Luxembourg – Forum d’art contemporain
41, rue Notre-Dame, L-2240 Luxembourg
T 352 22 50 45
Transférer à un ami

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2023 Casino Luxembourg – All rights reserved

Exhibition views I Mickael Marman ‘Gemælde’ I Kunstnerforbundet Oslo

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Damien & The Love Guru

Exhibition views

Mickael Marman 
‘Gemælde’
12. January – 19. February 2023
Kunstnerforbundet, Oslo

 


Exhibition view 

 

 


Exhibition view 


Exhibition view 


Mickael Marman, Untitled, 2023, mixed media, 43 x 68 cm / 16.93 x 26.77 in 


Mickael Marman, Untitled, 2023, mixed media, 77 x 73 cm / 30.31 x 28.74 in 


Mickael Marman, Untitled, 2023, mixed media, 45 x 38 cm / 17.72 x 14.96 in 

 

 


Mickael Marman, Untitled, 2023, mixed media, 60 x 51 cm / 23.62 x 20.08 in 

 

 


Mickael Marman, Untitled, 2023, mixed media, 44 x 37 cm / 17.32 x 14.57 in 

 

 


Mickael Marman, Untitled, 2023, mixed media, 41 x 35 cm / 16.14 x 13.78 in 


Mickael Marman, Untitled, 2023, mixed media, 41 x 36 cm / 16.41 x 14.17 in

 

 


Mickael Marman, Untitled, 2023, mixed media, 42 x 36 cm / 16.54 x 14.17 in
 

 

What do you get when you get a tote bag?
 

Tote bags are what, in psychoanalytic terms, we might call overdetermined, that is, caused by multiple factors, both trivial and potent. But where dreams, as were Freud’s concern, are private and often elude memory, tote bags achieve their special significance precisely from being excessively public, at once sign and signification, container and contained. This does not mean that we are able to control what they say about us anymore than we are able to control our dreams. Is it possible to bring a bag to the supermarket without revealing your personal punctum? Is there such a thing as a blank canvas? No and no.
 

While on a trip to the Atlantic coast of Morocco – long a destination for artists – Mickael Marman discovered that the local tote bag craze was for provincial German motifs: a Rheinland Sparkasse; an apothecary in a village on the border between Hessen and Thuringia; a marathon in Kassel. Quite sophisticated, I should say. Marman became interested in the strange presence of these bags in this unlikely location and began to rummage through secondhand shops looking for them. There, he might catch the eye of a fellow tote scavenger. Would they have to compete for the same bag? The shop keeper would also start to grow suspicious. What did these people, so hungrily digging through the piles, see in the tote bags that the shopkeeper did not? And what, then, should be their price?

We could say that tote bags speak by a meme-logic, coded and contextual; what a given bag means in one place and time will quickly slip and become unreadable in another. For art lovers, for instance, a Tate tote would defeat the purpose – too obvious – but on the right person, say, someone studying in the class of Michael Krebber, a Mona Lisa or Monet tote could actually be just right. This would be a typical post-tote position.

The logic is familiar to us from paintings. For much of art history, it would be necessary to know this or that biblical story or ancient myth, as well as how they had been previously interpreted in art, in order to read a painting. Now, in a certain corner of the German art world especially, the references that must be decoded are subtle nudges between professors and their students and former assistants. Every decision, especially those made not to do something, is pregnant with meaning. The fact that few people can read them is both what makes them so intriguing and their system of signification so claustrophobic.
 

One wishes one didn’t have to carry a tote bag, as, with Sartre, one might wish for the existence of a plant. But – God damn it – how do you do without? This question is related to that asked by many artists of how to do without painting. How nice it would be to come up with something fresher, less laden with signification, convoluted to the point of banality. Marman’s tote bag paintings are full of those questions, and even take a stab at coming up with an earnest answer to them.

And so what does oil on canvas mean when it is oil on canvas bag and the bag went from Germany to Morocco and back again? It is a story about de- and re-valuation; the hopes and promises issued by objects, and the systems of meaning by which they travel – though, crucially, the bags do not get to hang there in authentic plainness and speak to their journey around the world in a blunt yet vague gesture at capitalism, globalization, the environment, or worse: the anthropocene. Rather, they are paintings like all other paintings, their origins obfuscated, their chance of beauty impaired though not entirely ruled out. We might see in them a starry sky, an unruly sea, or a reference to actionism. The accumulated layers of color and material exacerbate overdetermination to the point that the battered bags become more presence than sign, less about selfhood than existence. Marman just keeps on painting. Who would have thought that painting’s problem could also be its solution?
 

There was reason and profound impulse behind that first tote bag you chose to drape over your shoulder. You wanted something from it; it meant something. And it is in the moment when you remember what that was that the meme-logic is suspended and another kind of mattering kicks into effect. Marman’s paintings, too, work in this way: to elevate, condense and hold still, if only for a moment, inside that square of tote, whatever it was you wanted, as if to say: it is still there, come get it.

⏤ Kristian Vistrup Madsen

 

 ⏧

CURRENTLY

Jared Madere & Mathias Toubro
Floor Pal V
21. January – 1. April 2023
Damien & The Love Guru, Brussels

 

Alison Yip & Tiziana La Melia
‘confessions on sparkling hill’
4. February – 13. May 2023
Damien & The Love Guru, Zürich

 

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Autour de notre exposition | Cours & conférences | Stage pour enfants | Appel à candidatures résidence scientifique

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Février
2023

Autour de notre exposition 

L’exposition Memories Gone Wild, accueillant les 16 artistes et chercheur·se·s du groupe international Fictive Archive Investigations (Enquêtes sur les archives fictives), a ouvert ses portes le 27 janvier dernier. Plusieurs événements sont organisés autour de la thématique de l’archive dans les semaines à venir. 

▪ Souvenirs sauvages – L’archive comme source historique et comme source de création : Philippe Black, l’un des artistes de l’exposition, propose une conférence le jeudi 16.02 entre 18h et 20h.
▪ Poétiques de l’archive fictive : une journée de réflexion et d’échanges est organisée le samedi 11.03 entre 10h et 17h.

L’exposition est accessible du mardi au samedi entre 11h et 18h jusqu’au 25.03.23 ! 

Stage pour enfants : Archives Fictives

Du lundi 20 février au vendredi 24 février, nous organisons un stage pour les enfants de 8 à 12 ans, animé par Eric Chagnon de l’asbl La Boîte à Clous. Au programme : création d’un fanzine autour du thème de la mémoire et de sa / ses traces. Glanage, photo, découpage, collage, reliure, écriture et impressions à la main.  

En pratique : 9h00 → 16h00 (garderie 8h30 → 16h45) – 110€ (10€ de réduction pour les frères et sœurs) - Infos : 

J’inscris mon enfant

Cycle de cours
Expériences sensibles et art contemporain
14.02 / 07.03 / 14.03 / 21.03
18:30 → 20:00 

Dans ce cycle dont la première séance s’est tenue le 07.02, Maud Hagelstein, chercheuse et philosophe , aborde la manière dont se joue l’expérience esthétique non pas d’un point de vue cérébral, mais à travers nos cinq sens. 

Cycle de cours
Sculpture(s) souple(s)
09.03 / 16.03 / 23.03 / 30.03
15:00 → 17:00

À travers ce cycle, Virginie Mamet, historienne de l’art, explorera le champ de la « sculpture souple ». Le terme « souple » désignant ici la nature matérielle de l’œuvre mais également l’état d’esprit dans lequel elle s’inscrit.  Parmi les artistes abordé·e·s : Louise Bourgeois, Joseph Beuys, Annette Messager…

Appel à candidatures : résidence scientifique – automne 2023

Vous avez achevé ou vous terminez vos études en histoire de l’art ou en sciences sociales ? Vous souhaitez poursuivre vos recherches en lien avec la culture artistique contemporaine ? Envoyez-nous votre candidature avant le 09.04 !
À la clé : une bourse de 2000 €, un espace de travail et un accompagnement de trois mois. 

Je télécharge l’appel à candidatures

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ERRATUM – This week’s openings in Brussels

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This week’s openings in Brussels ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌
This week’s openings in Brussels
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Opening this week
Wednesday 08 Feb → Tuesday 14 Feb

Wed 08.02 —
La Maison de Rendez-Vous
Blerta Hashani

Wed 08.02 — 18:00
La Verrière
Marion Verboom – 'Chryséléphantine'

Thu 09.02 — 17:00
Xavier Hufkens
Evan Holloway – 'Scry if you want to'

Thu 09.02 — 17:00
Stems Gallery
Sprout organized by Will Leung : Yuan Fang, Yurie Hayashi, Baoying Huang, Ellie Kayu Ng, Michelle Nguyen, Zhong Tianyue & Ji Woo Kim

Thu 09.02 — 18:00
JAP / Vitrine “Entre deux portes”
Nicolas Bourthoumieux – 'Conséquences pratiques de la finitude'

Sat 11.02 — 18:00
argos centre for audiovisuals arts
Beatriz Santiago Muñoz – 'Oriana'



Opening next week
Wednesday 15 Feb → Tuesday 21 Feb

Thu 16.02 — 11:00
Maruani Mercier
Emmanuel Taku, New Paintings

Thu 16.02 — 17:00
La Patinoire Royale | Galerie Valérie Bach
Marion Charlet – 'La paresse n’est pas un vilain défaut'

Thu 16.02 — 17:00
Rodolphe Janssen
Alvin Ong – 'Polyphony'

Thu 16.02 — 19:00
Wiels – Contemporary art centre
Marc Camille Chaimowicz: Nuit américaine

Tue 21.02 — 11:00
Aboriginal Signature Estrangin Gallery
Caress the Earth II

NECA and this newsletter are brought to you by la Fondation pour les Arts / Stichting voor de Kunsten. with the active support of visit.brussels.
Fondation pour les arts
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This week’s openings in Brussels

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This week’s openings in Brussels ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌
This week’s openings in Brussels
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Opening this week
Wednesday 08 Feb → Tuesday 14 Feb

Wed 08.02 —
La Maison de Rendez-Vous
Blerta Hashani

Wed 08.02 — 18:00
La Verrière
Marion Verboom – 'Chryséléphantine'

Thu 09.02 — 17:00
Stems Gallery
Sprout organized by Will Leung : Yuan Fang, Yurie Hayashi, Baoying Huang, Ellie Kayu Ng, Michelle Nguyen, Zhong Tianyue & Ji Woo Kim

Thu 09.02 — 18:00
JAP / Vitrine “Entre deux portes”
Nicolas Bourthoumieux – 'Conséquences pratiques de la finitude'

Fri 10.02 — 17:00
Xavier Hufkens
Evan Holloway – 'Scry if you want to'

Sat 11.02 — 18:00
argos centre for audiovisuals arts
Beatriz Santiago Muñoz – 'Oriana'



Opening next week
Wednesday 15 Feb → Tuesday 21 Feb

Thu 16.02 — 11:00
Maruani Mercier
Emmanuel Taku, New Paintings

Thu 16.02 — 17:00
La Patinoire Royale | Galerie Valérie Bach
Marion Charlet – 'La paresse n’est pas un vilain défaut'

Thu 16.02 — 17:00
Rodolphe Janssen
Alvin Ong – 'Polyphony'

Thu 16.02 — 19:00
Wiels – Contemporary art centre
Marc Camille Chaimowicz: Nuit américaine

Tue 21.02 — 11:00
Aboriginal Signature Estrangin Gallery
Caress the Earth II

NECA and this newsletter are brought to you by la Fondation pour les Arts / Stichting voor de Kunsten. with the active support of visit.brussels.
Fondation pour les arts
Not interested anymore? Unsubscribe from this newsletter

Laatste kans voor tentoonstellingen & kunstwerk in open ruimte

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Z33 Nieuwsbrief

Dit is de nieuwsbrief van de laatste kansen. Het zijn de laatste dagen (tot 12.02!) van Composite Presence, de imposante architectuurtentoonstelling van de Biënnale van Venetië 2021. Het zijn ook de laatste weken van Fitting In (tot 26.02!), de kleurrijke tentoonstelling over identiteit. En wanneer de zandsculptuur aan de Maas zal verdwijnen, kan niemand voorspellen. Maak dus zeker tijd voor een bezoek aan Z33 of een wandeling in Heppeneert.

Nocturne

Kom naar de nocturne van 9 februari

© Marwan Bassiouni – New Dutch Views

Tijdens de nocturne van 9 februari valt er weer heel wat te beleven in Z33: twee gratis tentoonstellingen, een Artist Talk met Marwan Bassiouni en Nazanin Fakoor, performances van de Toneelacademie Maastricht en een uitverkochte theeceremonie. Niemand minder dan Yooth zorgt voor deuntjes en sfeer in onze bar. Kom af!

Meer info

Kunst aan de Maas

Ondertussen aan de Maas

© Sébastien Van Malleghem

‘s Ochtends is het weer ijzig koud en dat levert mooie beelden op. De zandsculptuur van Maarten Inghels voor Kunst aan de Maas houdt voorlopig stand tegen de grillen van de natuur. De Maas loert om de hoek. Hoelang blijven de letters nog intact? 

Meer info

Ook dat nog

Wanderful.Stream

Op 10 maart ontdek je in Z33 de resultaten van de innovatietrajecten uit Wanderful.Stream. In dit project onderzoeken inspirerende KMO’s samen met ontwerpers hoe ze hun productieprocessen kunnen verduurzamen. Info & inschrijvingen via deze link.

Charging Myths in Amsterdam

Op 23 februari opent Charging Myths bij Framer Framed. De tentoonstelling was vorig jaar nog in Z33 te zien. Als je ‘m gemist hebt of opnieuw wil beleven, krijg je nu een tweede kans in Amsterdam. 

Z33 is een grensverleggende kunstinstelling in Hasselt, op het kruispunt van hedendaagse kunst, design en architectuur. 

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Tussen provocatie en suggestie: de invloed van het medium op de perceptie van het naakt

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📚 Sun, Feb 19, 4–7 pm: Reading Group “Slits in the Monolith” Session 2

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ABA

Air Berlin Alexanderplatz

invites you to
 

Sunday, 19 February 2023, 4–7 pm | READING GROUP
 

 

Slits in the Monolith

Session #2

diffrakt | center for theoretical periphery, Crellestr. 22, 10827 Berlin

 

A reading group about institutional critique

Hosted by Eleonora Toniolo, Mio Kojima, Mujgan Abdulzade and Neige Sanchez

Museums, galleries, art schools, and other cultural institutions have been promoting “inclusion” and “diversity” with increasing vigor. But who does this apparent change actually benefit? When museums make so-called marginalized positions more visible but still lack support systems, when decolonization is included in the curriculum, but universities still promote Western ideologies, diversity and inclusion remain a shallow promise, while discriminatory structures are solidified and marginalized positions once again exploited.  

In three sessions, the reading events explore the friction between visibility and appropriation by reading and discussing together critical texts about art, cultural and design institutions. As a group, we will examine how to shift an exploitative act of “looking at” into an intentional practice of “looking with and alongside one another” and ask how to articulate critical thinking within cultural institutions from counter-hegemonic perspectives. Our aim is not to look for simplified take-away solutions but rather to develop collective thinking and knowledge sharing practices, while leaving room for doubts and fragilities.

 

Text for Session 2 

“Existing in the World: Blackness at the Edge of Trans Visibility,”
Che Gossett and Juliana Huxtable in conversation in “Trap Door, Trans Cultural Production and the Politics of Visibility,” edited by Reina Gossett, Eric A. Stanley, and Johanna Burton

The text will be sent to you a week beforehand in case you prefer to read it alone. However, the format will dedicate some time for collective reading.

 

Register now!

Seats are limited to 10 people. The event is free of charge and for FLINTA/queer/BIPOC only to ensure a safer space to discuss and share thoughts and own experiences. Please also have a look at the code of conduct before registering. 

Stay tuned for session 3: Sun, Feb 26, 1–4 pm at Hopscotch Reading Room!

Eleonora Toniolo (she/her) is an interdisciplinary designer—in the midst of social, graphic and product design—with an inclination toward creating relational experiences.

Mio Kojima (she/her) is a German-Japanese designer, researcher, and educator with a focus on collaborative, intersectional, feminist, and decolonial approaches to creating and sharing knowledge. 

Mujgan Abdulzade (she/her) is a visual designer with a strong interest in information design and storytelling. Her work tries to shed light on gender, social, and environmental issues through design activism strategies.

Neige Sanchez (they/them) is a French-swiss visual artist, photographer, curator, and researcher. Neige’s research focuses on the politics of representation and (in)visibility through queer-feminist perspectives. Neige has been part of the Air Berlin Alexanderplatz residency program since September 2022.

diffrakt | center for theoretical periphery is a collectively organized space that hosts and promotes a range of discursive formats. The non-profit association aims to further exchange between current positions from art, science, society, and philosophy and to offer a place for theoretical, artistic, and activist practice. Founded in 2017, diffrakt inhabits the former space of Merve Verlag in Berlin-Schöneberg, regularly curating events in various forms and formats: conversations, workshops, book presentations, reading groups, film screenings, performances, exhibitions, and event series.

Air Berlin Residency:

Neige Sanchez from September 2022–Feb 2023, Switzerland
Matheline Marmy from September 2022–Feb 2023, Switzerland
Machiel van Stokkum from September–December 2022, Netherlands

ABA (Air Berlin Alexanderplatz) e.V. / Schöneberger Str. 13 / DE-10963 Berlin / https://airberlinalexanderplatz.de/
Team: Susanne, Tatiana, Aleksander, Stefanie

REMOVED FOOTER

Full INC Conference program online!

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INC in January

The full program of our INC conference on the 9th and 10th of March 2023 is here! See below for a link to the timetable as well as a link to register for day one, day two, or both. But first, our event on expanded video publishing takes place, on the 7th of February at Rietveld Academy. There are only a few spots left, so make sure to register if you’d like to join!

Now online: full program of the In-Between Media Conference
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In-Between Media: Hybrid Tactics in the Crisis Era
10:00 – 18:00
March 9, 2023, at Spui25
March 10, 2023, at Framer Framed 
Amsterdam

The Covid pandemic has catalyzed experimental approaches to hybrid cultural programming and togetherness, mixing online, offline, and everything in-between. How can we translate the lessons learned into ways of dealing with post-pandemic urgencies? Can we use hybrid tactics in response to violent displacement, physical impairments, and the war in Ukraine? What kind of tactical media can exist within these (new) digital spaces, and which potential for resistance do they have? Data and information used as a tool for power might not be new, but some of the strategies being looked at in this conference—hopefully—are. 

During the first day of this conference, at SPUI25 and online, we’ll have panels, talks, and round table conversations about precisely these questions. Starting off with TikTok as a research subject, we dive into its nature and qualities which lends itself to a specific user attitude: both engaged and not, both within each other’s space, and not. Furthermore, we’ll hear some hands-on testimonies about streaming resistance and look at practices that both critique and use (mainstream) platforms as a method, or even a weapon. Ending the day, we strive to find strategies for dealing with the locative media that is tracking us everywhere, as well as the techno-capitalist narratives underlining our technologies. How can anarchists—or simply users—tactically misuse online platforms?

On the second day, at Framer Framed and partly online, we invite you to join several workshops, expert sessions, and plenary talks. We’ll discuss the possibilities of event reporting through a whole new workflow, how online visitors can impact a physical space, whether or not living archives are even truly ‘alive’, how to squat the cloud, setting up quick and dirty live streams, and what to think of when looking at the (hybrid) future.

Register your free tickets for the conference via this link, or check the complete program and timetable on our website. For more information about the Going Hybrid project click here. 

There’s also an afterparty to the conference, free of charge, titled Noises of the In-Between, which takes place at OT301, Amsterdam, from 21:00 till 03:00. We’ll have (live) DJ sets ranging from ambient to hyper pop and electro. All are welcome, no need to sign up!

 

Blurring The Format
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Blurring The Format
Expanded Publishing for Practice-Based Research
February 7, 2023 at Rietveld, Room FL101, Amsterdam
Presentation and discussion: 16:00 – 18:30
Screening and exhibition: 18:30 – 19:30
Drinks from 18:30 onwards

In research publications, more often than not media production—be it audiovisual or any other form of artistic practice that isn’t writing—is still seen as somehow inferior; mere support material. A figure that accompanies the text, the main act, and that fails to be considered as a form of research itself. Producing, distributing, and consuming media is not about illustrating previously existing research or knowledge, but about doing things: working with media is actively doing research. In this sense, we should try and facilitate both tools and means for practitioners of this practice-based research, currently not or at least underrepresented in the publishing industries. To put it concisely: what is the role of publishing within practice-based research?

With THE VOID (a new research project set up by INC), over the past year, there has been tons of research and experimentation with audio-visual production and distribution. To do so, THE VOID team decided to approach the topic by starting the production of their own content, in collaboration with artists. 

This event is co-organized with Timeis.capital, Gerrit Rietveld Academie, and the Centre of Expertise for Creative Innovation (CoECi). Find more info here. If you’d like to register, please do so via

New Publications
Image
Extinction Internet
by Geert Lovink

Download a copy HERE
Image
THE VOID 07 | The Future of Art Residencies
By THE VOID TEAM

Watch HERE
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Economies of Virtue – The Circulation of ‘Ethics’ in AI
Edited by Thao Phan, Jake Goldenfein, Declan Kuch, and Monique Mann 

Order or download a copy HERE

INC Books

​Order a paper copy of our publications:

  • Critical Meme Reader II
  • Let’s Get Physical. A Sample of INC Longforms

Order HERE 
 ⚠️ Alert – This link does not work while connected with Eduroam networks.

FROM THE INC BLOG
Image
Challenging Oppressive Discourses in the Digital Public Sphere: Reflections on Anger and Empathy in Comment Wars

By Chloë Arkenbout
Read it HERE
 
Image
M.I.T. khr0n1kles [ side B ]

By @lbert Figurt 
Read HERE
Image
Giulia Timis: Media Responsibility or How Not to Get Stuck in the Indie Bubble

By Geert Lovink
Read HERE
Image
Online Intimacy-The Digital Designed Self

By Klara Debeljak
Read HERE
 

Institute of Network Cultures
Networkcultures.org 

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Conference: Reckoning with Ghosts in Arts and Heritage Practice

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LECTURE SERIES 2022/2023

Exploring the In-Between: 
Haunting Ghosts, Fantasies, Emotions, Memory and Memes 

Thursday, 02.02.2023, 19:00 – 20:30 

Haunted Worlds
Reckoning with Ghosts in Arts and Heritage Practice

A lecture by Dr. Colin Sterling, Assistant Professor of Memory and Museums, University of Amsterdam

VENUE: Casino Luxembourg

Hosted by Charles Rouleau (Casino Display project coordinator)

in English

Spectres, ghosts and phantoms have occupied a central place in artistic practice for some time now. Critical engagements with memory and history routinely evoke the haunted qualities of contemporary life to document the lingering effects of – for example – colonialism, conflict and trauma.

At the same time, heritage practice is often accused of ‘exorcising’ ghosts in pursuit of a clichéd view of the past. This talk will investigate some of the different ways in which heritage and the arts might reckon with the in-between worlds of the ghostly and the spectral in pursuit of more just futures.  

Colin Sterling is Assistant Professor of Memory and Museums at the University of Amsterdam. His research investigates creative and ecological approaches to heritage and museums, with a particular focus on the intersections between artistic research and critical heritage practice. He is the author of Heritage, Photography, and the Affective Past and co-editor of Deterritorializing the Future: Heritage in, of and after the Anthropocene.   

Free admission
Reservation required

The discussion will also be livestreamed on our website and Facebook page, and replayed on Casino Channel the next day.

Next:

09.03.2023
À la croisée des regards : regard féminin/regard masculin au cinéma
Une conférence de Vannina Micheli-Rechtman, psychiatre, psychanalyste et philosophe, Paris

Voir aussi :

Samedi, 04.02.2023, 17 h 00 – 19 h 00 

Open Lab

Erick Fowler, Ludovic Hadjeras, Uriel Ladino,
Nguyen Phuong Thao, Katja Pilisi, Razan Sabbagh

Présentation du laboratoire de recherche artistique 
Experimental Re(é)[flex|ct|ion] Expérimentale

En présence des artistes

Présentation par Charles Rouleau

LIEU : Casino Display, 1, rue de la Loge, L-1945 Luxembourg

Du 31 janvier au 4 février, les artistes Erick Fowler, Ludovic Hadjeras, Uriel Ladino, Nguyen Phuong Thao, Katja Pilisi et Razan Sabbagh se retrouvent, après une première rencontre en septembre, afin de participer à des séminaires animés par les intervenant·e·s internationaux·ales invitées sur la thématique « action/réaction ». Iels auront dès lors l’opportunité d’expérimenter dans et avec l’espace du Casino Display. 

Le samedi 4 février 2022, le Casino Display sera ouvert au public. Ce dernier pourra découvrir, dans un cadre convivial, les résultats de ces expérimentations et échanger avec les artistes sur leurs projets et leurs idées.

Cet Open Lab conclura la partie in-situ de cette première édition du laboratoire de recherche artistique. Il fera également office de vernissage pour l’exposition qui en découlera. 

Heures d’ouverture de l’exposition : 
 
Du 9 au 11.02.23 : 14 h 00 – 18 h 00
Du 16 au 18.02.23 : 14 h 00 – 18 h 00 
et sur rendez-vous.

Entrée gratuite

Le Casino Luxembourg
est soutenu financièrement par 

Casino Luxembourg – Forum d’art contemporain
41, rue Notre-Dame, L-2240 Luxembourg
T 352 22 50 45
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2023 Casino Luxembourg – All rights reserved

De herinneringen van onze huid

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OPEN CALL for collectives and art schools

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Volg ons op Facebook en Instagram

 31/01/23
Open Call voor kunstenaarscollectieven en studenten hoger kunstonderwijs
Open Call for artist collectives and art schools

Open Call
Uniek aanbod voor collectieven en studenten 
Unique opportunity for artist collectives and art students
NL – In het najaar van 2023 organiseren we opnieuw korte residenties voor kunstenaarscollectieven en kunststudenten. Wil je als collectief of student werken rond een hedendaags, print-gerelateerd project in onze gespecialiseerde ateliers? Dien dan je voorstel in via onze open call! Aanmelden kan vanaf 31 januari, de deadline is 1 maart 2023. 

Belangrijk: omwille van omvangrijke verbouwingswerken in 2024, zal het niet mogelijk zijn om dit type residentie aan te bieden in 2024. Mis deze kans dus niet! 

EN – In the autumn of 2023, we will organize short-term residencies for artist collectives and art students. Do you want to work as a collective or master student on a contemporary, print-related project in our specialized studios? Then submit your proposal via our open call! You can register as of today, the deadline is March 1st 2023. 

Important: due to extensive renovation works in 2024, it will not be possible to offer this type of residency in 2024. So don't miss this opportunity!

Bezoekdag
Rondleidingen op zaterdag 4 maart 2023
Guided tours on Saturday 4 March 2023
NL – Geregeld krijgen we de vraag of het mogelijk is om individueel of in groep het Frans Masereel Centrum te bezoeken. Om de concentratie van onze residenten te kunnen garanderen, is dit enkel mogelijk tijdens publieke activiteiten en tentoonstellingen. Om tegemoet te komen aan de grote vraag, organiseren we op zaterdag 4 maart bijkomend een bezoekdag, waarbij een gids je meeneemt achter de schermen. Gedurende een rondleiding van een uur kom je meer te weten over onze geschiedenis, onze ateliers en onze activiteiten.

Reserveer snel je tijdslot want de plaatsen zijn beperkt.

EN – We are frequently asked if it is possible to visit the Frans Masereel Centrum individually or in groups. In order to guarantee the concentration of our residents, this is only possible during public activities and exhibitions. To meet the high demand however, we are organizing an additional visit day on Saturday March 4th, during which a guide will take you behind the scenes. During a one-hour guided tour you will learn more about our history, our workshops and our activities.

Book your time slot in advance because the places are limited.
Foto (c) Annemarija Gulbe

Week van de Kunstkritiek
Jonge kunstcritici in Rekto:Verso
Young art critics published in Rekto:Verso
NL – Acht jonge kunstcritici verbleven eind september '22 een week lang in ons kunstencentrum voor meerdaagse workshops kunstkritiek in samenwerking met HART en Rekto:Verso. Na de vier artikelen die HART publiceerde afgelopen najaar, kan je nu ook twee resultaten lezen in Rekto:Verso. Een recensie van de tentoonstelling Makersgeheimen #2 in het Textielmuseum door Lena Vercauteren en een gesprek met beeldend kunstenaar Maud Gourdon door Sam Van Landschoot. 

EN – Eight young art critics spent a week in our arts center at the end of September '22 for multi-day art criticism workshops in collaboration with HART and Rekto:Verso. Following the four articles published by HART last autumn, you can now read two more results in Rekto:Verso. A review of the exhibition Makersgeheimen #2 by Lena Vercauteren and a conversation with visual artist Maud Gourdon by Sam Van Landschoot. 
Deelnemers Week van de Kunstkritiek 2022

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Q-O2 News :: January/February 2023

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 workspace for experimental music and sound art

performance
31 January – 19h (18h30 doors) – free
Students of La Cambre: Fifteen Brain Cells Left
We are cyborgs.
We invite you to our cyborg tale.
With sound, let’s invent a cyborgian language.

Works by Mina Albespy, Raphaël Bauduin, Clara Bougon, Lucille Briffaud, Élise Comte, Clément Decooman, Théo Desmaizières, Azad Eurdekian, Lune Jusseau, Milan Marly, Anatole Mélot, Billy Moisseron, Charly Molle Cousin, Valentine Vadella, Lou Viallon.
[read more]

concert
2 February – 20h (19h30 doors) – free
Kim Laugs + Gilles Gobert & Inger Elisabeth Gleditsch + Kobe Wens & DKO Sound Design / La Semaine du Son
ECHO ROOM – Kim Laugs
The degradation of auditory information and the resulting miscommunication focuses on habits of listening, on missing or unclear parts filled in with subjective knowledge.
MøRK STEMME – Gilles Gobert & Inger Elisabeth Gleditsch
Waves of darkness are created through the intensity of the voice, and gradually they invade the entire visual space.
SING CIRCLE SYNC – Kobe Wens & DKO Sound Design Antwerp
The human voice is used as a sound source, and in combination with a single loudspeaker the performance becomes a modern interpretation of the ancient ritual of the singing circle.
[more info and tickets]

post-residency installation
4 February – 15h-18h – free
Kim Laugs
This installation focuses on the degradation of auditory information and the resulting miscommunication. Do we hear what we want to hear by filling in the missing or unclear parts with our own knowledge and worldview? By passing through various methods of chain communication, the voice finds its way to the listener. The listener will receive a different message depending on his or her position in the chain.
[read more]

Second Sundays #37
12 February – 17h (doors 16h30) – free
Aymeric de Tapol
Second Sundays is a monthly series initiated by Q-O2. Each session a new guest is invited to share an insight into their own listening, playing and speaking about a selection of sound and music that is important to their thinking or practice. The sessions try to put value on listening to recorded music in a social setting as a space for discussion. The series takes place on the second Sunday of every month,. Each session is paired with a cocktail-of-the-month, as decided by the invited guest.
[read more]

post-residency presentation
28 February – 18h-19h – free
Rupert Enticknap
Rupert Enticknap presents a research project which uses musical melody as a lens to investigate the intersections of class, race, identity politics and the embodiment of histories present in ‘accent’ of spoken language. It will explore these issues in a postcolonial framework working with audio cassettes of interviews with his maternal grandmother who was born and raised in Colonial British India.
[read more]

workshop
5 March 14h-18h – 4€
Farida Amadou
Are you a musician with a connection to Molenbeek who is curious about improvisation? Are you interested in playing music together with others and would you like to get to know other musicians from the neighborhood in the context of a Molenbeek-based music festival? This workshop implies a concert on March 12 at Huis van Culturen Molenbeek, and is organised by Klarafestival and Bozar.
[more information and registration]

new book
Elena Biserna : Going Out – Walking, Listening, Soundmaking
Going Out explores the relationship between walking, listening, and soundmaking in the arts – from the first soundwalks and itinerant performances in the 1960s to today’s manifold ambulatory projects. The book consists of an extensive essay by Elena Biserna followed by an anthology of 51 historical and contemporary contributions in the form of documentation, essays, interviews, manifestos, scores, narratives and reflections.
[read more / order]

wanted: room
Our intern Marius Tarakdjioglou from the Fine Arts Academy in Grenoble is looking for a room between March and June 2023. If you are renting or subletting in that period, please contact Marius at

listen
QOOOOOOOOOO2 @ LYL Radio: Hildegard Westerkamp
This episode focusses on German Canadian composer Hildegard Westerkamp, featuring a new piece: “The Soundscape Speaks – Soundwalking Revisited”, commissioned by BEAST FEaST 2021 and presented at Q-O2’s Festival Oscillation ::: Public Address, on 30th of April 2022, at Decoratelier in Brussels.
[listen here]

release
Oscillation ::: Public Address
Q-O2 / umland editions is pleased to present 3 split releases of live recordings from our festival Oscillation ::: Public Address that took place in April and May this year. The recordings captured six of the many beautiful performances that made up our first return to a live public festival after two years of radio only. Relive the moment or hear what you missed over at the umland bandcamp page.
Issue 1: Enrico Malatesta & Attila Faravelli / Kate Carr
Issue 2: Aymeric de Tapol / BMB con.
Issue 3: Jasmine Guffond / Peter Kutin & Stan Maris
[Bandcamp]
[more info]

revisit
Oscillation ::: Public Address
You can now re-listen to some of the sets, talks, listening sessions and interviews from this year’s festival Oscillation ::: Public Address on our soundcloud:
::: Open Mic with Francesca Hawker and guests
::: Round Table with Elena Biserna, RYBN, David Helbich, Alisa Oleva, Bill Dietz
::: Fausto Caceres (Radio Shirley and Spinoza): Street Cries & the Wandering Song
::: Céline Gillain: How listening is conditioned by context (talk) 
::: Bill Dietz: My Ears, the Police (talk)
::: Elena Biserna interviewed by Margherita Brillada
::: Alisa Oleva interviewed by Margherita Brillada
::: Thomas Ankersmit interviewed by Margherita Brillada

still available + new
podcasts, books, releases, videos

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Binnenkort bij de Appel: Keynote 2023, boeklancering & meer

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Lumbung in Practice: Keynote gesprek met Reza Afisina & Iswanto Hartono (ruangrupa) en Tirdad Zolghadr, georganiseerd in samenwerking met de Rijksakademie van beeldende kunsten
15 februari van 17:00 tot 19:00 uur
Opgeven via

Het Keynote gesprek gaat over het werken met de praktijk van lumbung in curatorieel en artistiek werk. De lumbung is een praktijk waar ruangrupa al twintig jaar mee werkt. De praktijk is afkomstig uit Indonesië, en is ook een architecturaal model, gebaseerd op de collectieve distributie en het management van de rijst oogst. De lumbung staat ook voor de kosmologie en de relaties die worden geproduceerd door deze collectieve praktijk van het delen van (voedsel)bronnen. Tijdens documenta fifteen werd het een referentie voor de verschillende modellen van het delen van (hulp)bronnen die werden geproduceerd door de deelnemende collectieven en ecosystemen.

Het gesprek zal zich richten op ruangrupa’s praktijk van lumbung in Jakarta, tijdens documenta fifteen en daarna. We stellen vragen zoals: hoe kunnen we de lumbung uitbreiden als een model voor collectief curatorschap en de praktijk van kunst? Verandert de aard van curatorschap, op het moment dat het zich afspeelt op het niveau van een infrastructuur, waarbij het zowel instituut als tentoonstelling transformeert in een kunstwerk? Hoe kan een artistieke praktijk ook een curatoriele praktijk zijn, en andersom? Hoe kan dit leiden tot de ontwikkeling van alternatieve modellen van kunstproductie en -distributie? Tirdad Zolghadr gaat in gesprek met ruangrupa aan de hand van zijn ervaring van documenta fifteen, diens echo’s in Berlijn, en zijn eigen curatorieele werk; waarbij de discussie rond curatorieel auteurschap tijdens documenta fifteen opnieuw wordt bevraagd.

De Keynote wordt georganiseerd samen met de Rijksakademie van beeldende kunsten, waar ruangrupa is opgezet door Ade Darmawan in 2000, en waar Tirdad Zolghadr inmiddels al jarenlang adviseur is.

Let op: Iedereen is welkom om de Keynote bij te wonen, maar plekken zijn beperkt. Geef je alsjeblieft op via r

Drawing iswanto website

Lumbung in Practice. Harvest by Iswanto Hartono, 2021.

Shaping Solidarity in the Arts: Booklaunch, Conversation & Soup
Zaterdag 18 februari 2023 van 16:00 tot 20:00 uur
Opgeven via Solidariteit is uitgegroeid tot een van de meest gehoorde strijdkreten in de kunsten, waarmee kunstenaars en activisten zich aan elkaar verbinden in een strijd tegen sociaal en economisch onrecht, gewelddadigheid, klimaatrampen en andere maatschappelijke problemen. Waarom is solidariteit zo’n aantrekkelijk alternatief? Welke vorm van solidariteit laten zich gelden in de kunstpraktijk? Wie is solidair met wie, en waarom? Tijdens Shaping Solidarity in the Arts onderzoeken we de historische en theoretische dimensies van solidariteit in de kunst en verbinden deze aan perspectieven van kunstenaars in de praktijk. Gezamenlijk zullen we meer begrip en kennis opdoen over wat solidariteit in de kunst is, of zou kunnen zijn.

Dit evenement wordt georganiseerd in samenwerking met Valiz en Platform BK, en zal plaatsvinden bij de Appel. Sprekers en begeleiders zijn onder anderen: Eszter Szakács, Lara Khaldi, het collectief Mirror Soup Kitchen samen met kunstenaars-collectief Kukhnia, Rosa te Velde, Radia Alhara, Art Goss en anderen.

Let op: Iedereen is welkom voor Shaping Solidarity in the Arts, maar plekken zijn echter beperkt. Reserveer alsjeblieft een plekje via Art and Solidarity Reader is hier verkrijgbaar.

Art and Solidarity Reader Spread dpi

Spread uit de ‘Art & Solidarity Reader: Radical Actions, Politics and Friendships’ (edited door Katya García-Antón).


Solotentoonstelling: Inas Halabi
Vanaf 31 maart 2023
Gecentreerd rond het zichtbare en onzichtbare langzame geweld in het landschap, vormt deze tentoonstelling een vruchtbare grond om de vraag te stellen hoe geweld te representeren en te waarnemen in visueel beeld. Ook roept het de vraag op of we beeld wel kunnen vertrouwen. De werken gaan over verschillende regio’s die zijn vastgelopen in koloniaal geweld, waarbij wordt onthuld hoe het (geluids)landschap om ons heen uitdrukking geeft aan de dominante politieke macht, en aan de strijd en weerstand geleverd door gemeenschappen die eraan onderworpen zijn. De kunstenaar presenteert zowel bestaand werk als nieuwe kunstwerken. De nieuwe werken zijn deel van The Consortium Commissions, een initiatief van Mophradat. Meer informatie over de tentoonstelling is spoedig beschikbaar op de website van de Appel.

02

 WE HAVE ALWAYS KNOWN THE WIND’S DIRECTION (2019–2020) High-definition video, kleur, geluid, 11:57 min Met dank aan de kunstenaar.  

Tentoonstelling

Tiener Curatoren: “Als je me echt zou kennen…”
De Tiener Curatoren hebben het afgelopen halfjaar hard gewerkt aan de opzet van een nieuwe tentoonstelling, met de titel: “Als je me echt zou kennen…” Met deze tentoonstelling willen zij meer tijd en ruimte creeëren voor verhalen uit hun jeugd, opgroeiend met een bi-culturele achtergrond in Amsterdam. Samen met de door hen geselecteerde kunstenaars en kunstwerken willen ze vooroordelen doorbreken, en wederzijds begrip bijbrengen. Ayman, Beyda, Donovan, Hajar, Menna, Oumaima, Safae en Yahya zien ernaar uit binnenkort hun selectie kunstenaars bekend te maken, net als de openingsdatum en de inhoud van het publieke programma.

Het lichaam als leraar: Kunst- en educatieprogramma in de Kentalisschool
Deel II: met kunstenaar Nina Glockner
In maart 2023 starten we met een nieuw hoofdstuk in het doorlopende educatieprogramma Het lichaam als leraar, in samenwerking met Kentalis Signis, een school voor kinderen met een taalontwikkelingsstoornis. Samen met de leerkrachten en de kunstenaars gaan de leerlingen tijdens het programma op zoek naar nieuwe wegen om te communiceren, en te spelen, met elkaar in plaats van naast elkaar. In dit tweede deel van het kunst- en educatieprogramma worden de leerlingen begeleid door kunstenaar Nina Glockner. Haar performance praktijk richt zich op (machts)relaties tussen mensen, objecten, en acties in een gegeven ruimte. Haar werk draait om de creatie van een dialoog tussen de bouwstenen die de sociale speelruimte vormgeven.

HetlichaamalsleraarDSC

Deel I van het Educatieprogramma ‘Het lichaam als leraar’, met Kleintje Kunst en kunstenaars Cathalijne Smulders, Alexandra Loembé, Raoni Saleh en Teresa Costa (september 2022).

Overig nieuws
De tentoonstelling Saamhorigheid van Pope.L is nu te zien, en wordt verlengd tot 26 februari. Klik hier voor meer informatie.

Twee Open Calls: De Appel Curatorial Programme 2023 Mentoren

De Appel Arts Centre is op zoek naar twee Curatorial Programme 2023 Mentoren, ondersteund door Ammodo, voor het aankomende Curatorial Programme traject (januari t/m november 2023). De deadline om te solliciteren is 6 februari. Meer informatie over beide posities is hier te vinden. 
 
Enquête culturele activiteiten in Nieuw-West
Ben je een inwoner van dit stadsdeel? En zou je graag op de hoogte willen worden gehouden van het culturele aanbod in Nieuw-West? Neem dan de tijd om de enquête in te vullen die werd opgezet door het stadsdeel. Samen met culturele intellingen, waaronder de Appel, zijn ze bezig met de ontwikkeling van een nieuw platform om het culturele aanbod in Nieuw-West overzichtelijk te kunnen presenteren. De enquête is in het Nederlands, en kan hier worden ingevuld. 

 

de Appel
Schipluidenlaan 12
1062 HE Amsterdam

+31 (0)206255651
www.deappel.nl

STEUN de Appel

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Essentiële steun aan het Curatorial Programme wordt verleend door Stichting Hartwig en Ammodo

De Appel ondersteunt de kunstsector via De Zaak Nu en MOKER

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Alison Yip & Tiziana La Melia I confessions on sparkling hill I Opening Friday 3. February 6-9pm I D&TLG Zürich

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Damien & The Love Guru


graphic design invite by Atelier Brenda

Alison Yip & Tiziana La Melia
‘confessions on sparkling hill’

Opening Friday February 3rd 2023
6-9pm
Damien & The Love Guru 
Zürich
 

 

 

⏧

CURRENTLY

Jared Madere & Mathias Toubro
Floor Pal V
20. January – 1. April 2023
Damien & The Love Guru, Brussels

 

 

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Actualité des arts visuels | Février 2023 ✨

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Last days I On The Lookout I Brussels

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Last days I On The Lookout I Brussels ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌

Manon de Boer: opening tomorrow, 3 – 7 pm

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Manon de Boer and Latifa Laâbissi, Persona, 2022, HD video, color, sound, 4:3, 31’ (video still).

28/01 – 11/03
Manon de Boer
Passage for Persona
Opening tomorrow, 3 – 7 pm

Persona by Manon de Boer and Latifa Laâbissi turns a cinematic gaze on Écran Somnambule (2012), a performance by Laâbissi, that is in turn based on the film Mary Wigman tanzt (1930), an excerpt of her Hexentanz (1926). In the artists’ film, a physical experience of the disruptive power of the masked figure is conveyed in a circumscribing camera movement. For the exhibition at the gallery Manon de Boer created a second work, Passage for Persona, a site-specific installation in collaboration with wang consulting.

Manon de Boer and Latifa Laâbissi, Persona, 2022
Conception and design of the figure Nadia Lauro (2012); Cinematography Léo Lefèvre; Camera assistant Alexandre Cabanne; Grip Corentin Geisen; Light Thomas Bojan & Ludovic Rivière; Sound recording, editing & mixing Laszlo Umbreit; Editing Manon de Boer; Grading Paul Millot at Cobalt; Produced by Auguste Orts & Figure Project; Supported by Flanders Audiovisual Fund & arts center BUDA

On the occasion of the opening of her exhibition, the edition Cast by Manon de Boer, produced for Museum Dhondt-Dhaenens (Deurle, BE) and Kunstmuseum St. Gallen (CH) will be presented and available for purchase at the gallery.

The Newspaper no. 135 is now online.

Jan Mot
Petit Sablon / Kleine Zavel 10
1000 Brussels, Belgium
+32 2 514 10 10
www.janmot.com

Wednesday till Friday 2 – 6.30 pm
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and by appointment

Webshop: www.by-association.online 

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