Temps forts 2024

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NAK Benefiz Auktion 2023 – 2 Woche

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NAK ONLINE BENEFIZ AUKTION 2023 – WOCHE 2

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

3 WOCHEN, 3 BLOCKS, ONLINE ONLY:

www.neueraachenerkunstverein.auction

 

 

 

Der NAK Neuer Aachener Kunstverein lädt Sie abermals herzlich zur diesjährigen digitalen Benefiz Auktion ein. Die Auktion findet komplett online statt und ist bereits im Gange; aktuell befinden wir uns in der zweiten Versteigerungswoche, die Sonntag endet. Am kommenden Montag beginnt eine verkürzte, dritte und letzte Woche.

INFORMATION //

Woche 2: 11. bis 17. Dezember 2023
Woche 3: 18. bis 21. Dezember 2023

Ausstellung: 10. bis 17. Dezember 2023

Die Onlineauktion wird in drei wöchentlichen Blöcken veranstaltet, im Zeitraum zwischen dem 04. Dezember und 21. Dezember 2023. Auf diese drei Wochen werden die zu versteigernden Positionen gleichwertig verteilt.

Sollten Sie Fragen zur Auktion, den Werken oder Künstler_innen haben melden Sie sich gerne im NAK. Wenn Sie Probleme haben sich auf der Auktionswebseite zu registrieren oder sonstige Fragen zum Prozedere haben, wenden Sie sich ebenfalls gerne vorab an den NAK per Telefon oder E-Mail. Wir helfen Ihnen gerne weiter. Alle Einzelheiten finden Sie unter www.neueraachenerkunstverein.de nochmals online. Von dort aus gelangen Sie ebenfalls auf die Auktionsseite www.neueraachenerkunstverein.auction.

VORSCHAU //

Über die Instagram und Facebook Seiten des NAK werden weiterhin alle Arbeiten der teilnehmenden Künstler_innen im Detail vorgestellt.

AUSSTELLUNG //

Alle zu ersteigernden Arbeiten werden in einer Ausstellung vor Ort im Kunstverein präsentiert. Die Ausstellung ist noch täglich bis zum 17. Dezember von 14 bis 20 Uhr geöffnet, so dass Sie Werke vor dem Versteigern persönlich in Augenschein nehmen können. 

TEILNEHMENDE KÜNSTLER_INNEN WOCHE 2 //

Emma Adler, Neven Allgeier, Albrecht/Wilke, Eliza Ballesteros, Horst H. Baumann, Boris Becker, Johannes Bendzulla, Alisa Berger, Janine Böckelmann, Robert Crotla, Carolin Eidner, Philip Emde, Isabella Fürnkäs, Dominik Geis, Tahnee Godt, Harry Hachmeister + Jonas Monka, Simon Herkner, Marcel Hiller, Christof John, Ben Kaufmann, Klaus Kleine, Tina Kohlmann, Christian Kölbl, Hanna Körner, Wolfgang Kupczyk, Alwin Lay, Anna Ley, Lukas Liese, Tamara Lorenz, Xavier Mary, Conrad Müller, Anna Nero, Moritz Neuhoff, Nick Oberthaler, Murat Önen, Bea Otto, Bernd Ribbeck, Johanna Roderburg, Simon Röhlen KEF!, Laurentius Sauer, Ani Schulze, Mona Schulzek, Titania Seidel, Oliver Sieber / Katja Stuke, Vera Sous, Christian Theiss, Anna Virnich, Winfried Virnich, Karl von Monschau, Marta Vovk, Thomas Weidenhaupt, David Benedikt Wirth, Johannes Wohnseifer, Ester Zahel

 

Falls Sie den Newsletter nicht mehr erhalten möchten, senden Sie uns bitte eine E-Mail mit dem Betreff UNSUBSCRIBE.
_ _

NAK Neuer Aachener Kunstverein
Passstraße 29
52070 Aachen
0049 (0)241503255
www.neueraachenerkunstverein.de
www.instagram.com/neuer.aachener.kunstverein

 

 

Nieuwsbrief december: avondopening vrijdag 15 december 💘🎄 Mistletoe & glühwein

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Marres ‘s avonds open!

Deze vrijdag, 15 december, organiseert Marres een speciale date night. Bezoek de hartverwarmende tentoonstelling Goodbye to Love met een date, glühwein en misschien een kus onder de mistletoe? Tussen 17:00 en 21:00u is elk 2e kaartje gratis. Of je nu een internationale, platonische of queer date meeneemt: iedereen is welkom voor een winters avondje uit.

Marres, Huis voor Hedendaagse Cultuur is open op 2e kerstdag van 12:00 tot 17:00u. Marres Kitchen is geopend tussen 12:00-17:00u en 18:00-23:00u.
Fijne feestdagen!
 

Meer weten over de tentoonstelling Goodbye to Love?

Rooms

Marres, VIA ZUID, de Brakke Grond, Dansateliers en FASHIONCLASH presenteren het performance festival Rooms.

Op 27 & 28 januari 2024, vullen jonge makers en gevestigde talenten de kamers van Marres met performance, theater, beeldende kunst, dans, mode en muziek. Een weekend waarin fragiele jurken kleurrijk glas in lood tot leven brengen, waar de lichamen van dirigenten in levende partituren veranderen, manuscripten worden gedicteerd en een schoenenboer je meeneemt in absurdistische machtsverhoudingen.

Line up: 
buren
Merette van Hijfte & Pleuni Veen
Kinga Jaczewska
Mauricio Limon
David Maroto
Genevieve Murphy
Ika Schwander

27 & 28 januari 2024
13:00 – 18:00u
Locatie: Marres, Maastricht

Tickets zijn beperkt, bestel snel!

Open Call

Tijdens Rooms krijgen zes mensen de kans om een eigen handschreven boek te maken onder leiding van kunstenaar David Maroto. In een participatieve performance zal hij het originele, Engelstalige manuscript van zijn werk Not All of Me Will Die dicteren aan een groep deelnemers die het elk met de hand zullen noteren. Zo wordt de ‘orale novelle,’ die reflecteert op het geheugen, schrijven en het verlangen naar nageslacht, verspreid in unieke handschreven kopieën.

De performance zal plaatsvinden op zaterdag 27 januari van 10:00 tot 15:00u bij Marres.

Ben of ken je iemand die graag wil deelnemen? Stuur ons dan een mail met als onderwerp ‘David Maroto’ naar:  Vermeld hierin s.v.p. naam en contactgegevens. 

Meer info over Performance Festival Rooms

De Limburg Biënnale komt eraan!

In de zomer van 2024 organiseren Marres in Maastricht en Odapark in Venray de derde editie van de Limburg Biënnale: een veelzijdige groepstentoonstelling die alle soorten kunstenaars, professionals, amateurs en hobbyisten bij elkaar brengt. De feestelijke opening zal plaatsvinden op 29 juni 2024.

Save the date voor de Open Call: van 19 februari t/m 10 maart 2024 kunnen geïnteresseerden, jong en oud, gevestigd en onbekend, van individu tot collectief, zich met een maximum van drie kunstwerken inschrijven. Dit mag elk type kunstwerk zijn: schilderij, video, sculptuur, audio, performance etc. De jury van 19 professionele kunstenaars beoordeelt de inzendingen en selecteert de deelnemende kunstenaars, zonder te weten wie de maker is. Vervolgens richten de juryleden met hun selectie een ruimte in bij Marres of Odapark en tonen daarbij ook eigen werk.

Lees meer over de Limburg Biënnale 2024

Binnenkort: Arturo Kameya

In de lente van 2024 zal kunstenaar Arturo Kameya (Peru, 1984) het huis van Marres ombouwen tot een hotel waar de geesten van de mislukte staat Peru hun intrek hebben genomen. De gevel toont enorme schilderijen met moderne messianistische beelden. Binnen vinden bezoekers allerlei scènes, waaronder een betegeld badhuis dat zich voordoet als restaurant, een meerarmige bierfontein en een grote bovenkamer met drijvende vissen. Het interieur is een allegorie van de Peruaanse staat. Het weerspiegelt een schijnwereld waarin de waarheid minder belangrijk is dan wat uit pure noodzaak wordt opgeroepen. De kunstenaar maakt de tentoonstelling in samenwerking met Claudia Martínez Garay.

De multimediale werken van Kameya brengen een reeks visuele cultuurtalen samen en verbinden uiteenlopende verhalen, populaire mythen en historische gebeurtenissen. Zijn werk vermengt geschiedenis, mythologie en populaire cultuur om de dagelijkse strijd en tegenstrijdigheden van zijn geboorteland weer te geven.

Meer over de tentoonstelling van Arturo Kameya

Marres, Huis voor Hedendaagse Cultuur
Capucijnenstraat 98
6211 RT  Maastricht
043 327 02 07
www.marres.org | 

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Marres ontvangt structurele steun van het Ministerie van Onderwijs, Cultuur en Wetenschap, de Provincie Limburg en de Gemeente Maastricht.

Copyright © 2023 Marres, Alle rechten voorbehouden

WIELS Gift Ideas 🎁

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FR     EN     NL

Finding the right gift is an art in itself! Be inspired by our meticulously chosen selection of art books and WIELS goodies!

“GOEIEDAG BONJOUR” SWEATERS

As the temperature drops, brave the cold and promote bilingualism wherever you go with our new unisex sweaters in pink. They’re available in a wide range of sizes at our bookshop and online.

€ 42
ALSO FOR KETS…
 
Keep your kids warm too with a soft and comfy sweater available for children between 3 and 8 years old – the XS adult size will suit taller children!

€ 29
& BABIES!

The WIELS baby bodies are an original present for parents(-to-be) and make a perfect outfit for the first steps into the world of art.

€ 18
ORDER HERE

WIELS BRACELET 2024

Wear your love of contemporary art on your wrist with this two-tone leather bracelet with a subtle reference to the four-leg-letter E from the WIELS logo.

Not only does this unisex bracelet – the result of a collaboration with Delvaux – support the WIELS artistic programme, it also guarantees the wearer access to all WIELS exhibitions throughout 2024! With the new year just around the corner, it’s the perfect time to get your hands on it!

€ 390
ORDER THE BRACELET HERE & SUPPORT WIELS

WIELS GIFT VOUCHER

Spoil a friend or a loved one to a visit to our exhibitions and a wide array of art books, magazines or WIELS merch in our Bookshop with these sparkling vouchers.

€ 10 / € 20
BUY A GIFT VOUCHER

MORE ARTFUL-GIFTS!

Do you have fond memories of your visit to WIELS exhibitions? We have everything you need to delve deeper into the work of Francis Alÿs and Thea Djordjadze.

Francis Alÿs – The Nature of the Game (EN/NL)
This richly illustrated book contains ideas and sketches Francis Alÿs compiled in preparation for his Children’s Games series, one of his most imposing long-term projects shown at WIELS until January 7, 2024. 

€ 39

Francis Alÿs – A story of deception (NL)

Published on the occasion of Francis Alÿs’ previous exhibition at WIELS in 2010, this publication reflects on the poetical and allegorical approaches Alÿs uses to explore political subjects, such as contentious borders and economic crises.

€ 30

Thea Djordjadze – Se souvenir et témoigner
This catalogue unveils materials, archives, and writings from the artist, along with exhibition views that help to apprehend her sense of installation and composition.

€ 28
MORE BOOKSHOP TIPS

For more WIELS-curated catalogues, artist books, or zines, give our Bookshop a visit and find your art-loving friends and family the perfect gift.
VISIT THE WIELS BOOKSHOP

THE ESSENTIAL

Play it safe with a gift that is sure to please, and go for the museum pass! Not only do you get to visit WIELS as many times as you want, but you also get access to 220+ museums in Belgium.

TEMPORARY OFFER | Buy your museum pass after your visit to the Francis Alÿs exhibition at WIELS and get your exhibition ticket refunded!

€ 59 / 49 (OFFER)
ORDER THE MUSEUM PASS HERE

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This week’s openings in Brussels

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This week’s openings in Brussels ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌
This week’s openings in Brussels
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Opening this week
Wednesday 13 Dec → Tuesday 19 Dec

Thu 14.12 — 18:00
Cloud Seven – Frédéric de Goldschmidt Collection
Egregore's Echoes: Momentum for New Perspectives

Thu 14.12 — 18:00
Ballon Rouge
Helen Anna Flanagan – 'A Room with a View'

Fri 15.12 — 18:00
Botanique
Vaciller

Fri 15.12 — 18:00
Botanique
Eloïse Legas- 'Absences'

Fri 15.12 — 18:00
Botanique
Art Contest 2023

Sat 16.12 — 18:30
NICC
Eleanor Ivory Weber’s Delay Today with Alenka Zupančič – Jointly organized with Etablissement d'en face



Opening next week
Wednesday 20 Dec → Tuesday 26 Dec

NECA and this newsletter are brought to you by la Fondation pour les Arts / Stichting voor de Kunsten. with the active support of visit.brussels.
Fondation pour les arts
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Q-O2 news :: Onwards

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 workspace for experimental music and sound art

Onwards

3 more events and another release announcement all happening this year, along with a first workshop for 2024: there is no place for looking back on Q-O2’s year in this newsletter. The future is where we seem to be:

Christophe Albertijn is hosting his last open studio day this Wednesday (13 December): if you are interested in knowing more about his HUIS project, or having a direct exchange with him and share experiences, be welcome! On 20 December, he will present his HUIS label with a screening of 3 films: 2 of the actual recordings, and one using a HUIS release as a soundtrack. In addition, photos and documentation accompanying the buildings featured in HUIS will be shown. Don’t know what HUIS is? Be sure to check his brand new website.

Second Sundays (wait, it’s on the third Sunday again – do we need a name change, dear reader?) invites Xavier García Bardón for this month’s edition, Brussels’ greatest living resource on all things experimental and expanded cinema. He will present a listening session informed by years in the cinema, on a variety of different media.

The Het BlofluitAsiel CD will be released together with Meakusma, and available via our new umland website on December 15. It features a piece performed by pupils of the music academy of Jette/Brussels and organists from the music academy of the DG, department St. Vith, who were accompanied by instrument builder Lukas De Clerck, composer Angélica Castelló and music teachers Katelijne Lanneau and Matthias Verniers. This piece is accompanied by an electroacoustic piece by Angélica Castelló, drawing inspiration from the atmospheres cultivated during the work on Het BlokfluitAsiel

The first event announcement for 2024 is an Introduction to Modular Synthesis (using Automatonism) w/ Felisha Ledesma – be sure to register on time, places are limited, and the future is coming quickly.

And lastly, a 21 Tracks for the 21st Century playlist by Marnie Slater. Bonne année!

Second Sundays #45
17 December – 17h (doors 16h30) –  @ Q-O2 – free
Xavier García Bardón

For its forty fifty edition, Second Sundays invites Xavier García Bardón, Brussels’ greatest living resource on all things experimental and expanded cinema. He will present a listening session informed by years in the cinema, on a variety of different media. Xavier García Bardón is a researcher, teacher and curator based in Brussels.

Second Sundays is a monthly series initiated by Q-O2. Each session a new guest is invited to share an insight into their own listening, playing and speaking about a selection of sound and music that is important to their thinking or practice. The sessions try to put value on listening to recorded music in a social setting as a space for discussion. The series takes place on the second Sunday of every month. Each session is paired with a cocktail-of-the-month, as decided by the invited guest.

[read more]

Post-residency presentation
20 December – 18h-19h – free – @Q-O2
Christophe Albertijn

During the public presentation, Christophe Albertijn offers some notes on the HUIS label, followed by a screening of 3 films: 2 of the actual recordings, and one using a HUIS release as a soundtrack. In addition, photos and documentation accompanying the buildings featured in HUIS will be shown.

On 13 December, between 10h and 13h, there is a last chance to visit Christophe’s open studio and to speak to him more directly.
[read more]

Release
Het BlokfluitAsiel

Het BlokfluitAsiel is a collaboration between instrument builder Lukas De Clerck, composer Angélica Castelló and music teachers Katelijne Lanneau and Matthias Verniers. Their pupils (recorders from the music academy of Jette/Brussels and organists from the music academy of the DG, department St. Vith) performed the piece, invited to explore their own creative approaches to sound, improvisation, composition and performance. The musical piece was composed collectively, based on a concept by Angélica Castelló, aiming to establish an intense connection between Lukas De Clerck’s piece/machine AirBag/14Holes, the organ and recorders.

This piece is accompanied by an electroacoustic piece by Angélica Castelló, drawing inspiration from the atmospheres cultivated during the work on Het BlokfluitAsiel. The young artists involved in this project often likened the immense sound they collectively generated to that of a gentle monster.

The CD will be released together with Meakusma on December 15, and will be available via our umland website.

[read more]

Workshop
3 February – 14h-17h – €15/18 – @Q-O2
Introduction to Modular Synthesis (using Automatonism) w/ Felisha Ledesma

Join us for an introduction to modular synthesis using Automatonism, a free, open source program that uses Pure Data. Felisha will guide you through the basics of the software and modular synth terminology as well as explain a few different modular patches. No experience required, this workshop is for complete beginners. You will leave this workshop with practical examples and our worksheet so you can continue exploring on your own!

Workshop in English. Tickets via this link.
[read more]

Listen
21 Tracks for the 21st Century: Marnie Slater

GLEAN and Q-O2 join forces with 21 Tracks for the 21st Century, a series of playlists in which we ask our guests: what music does this century need? Each time, we invite one artist, thinker or musician to prepare a playlist of those sounds, songs and pieces of music that will best arm their listeners with the tools to approach what is left of this young century. 

This edition’s artist: Marnie Slater.

[read more]

Still available + new
podcasts, books, releases, videos

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ima publication fair this saturday!

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ima publication fair
16 december 2023, 12-5p
@ stand4 gallery
414 78th street, brooklyn ny 11209 | map

 

join us for a special one-day event at stand4 gallery in bay ridge, brooklyn!  ima’s publication fair, words in progress will take place on saturday, 16 december 2023 from 12noon through 5pm.

stand4 gallery is located in bay ridge brooklyn at: 414 78th street, brooklyn, new york.

in collaboration with artist, asuka ohsawa, ima will present a risograph poster and a bound artist book for each featuring the curricular committee’s guiding statement. ima and collaborating artists will have publications, editions and artwork available at this event.  several special events and happenings will also be featured throughout the day.
 

press release

featuring publications + works by

allison grant
asuka ohsawa
erin genia
isabelle cordero
john ros
kariann fuqua
natalia de campos
thiago szmrecsanyi

events

1p
reading by anastacia-reneé
 

anastacia-renee (she/they) is a queer writer, educator, interdisciplinary artist, speaker and podcaster. she is the author of (v.) (black ocean) and forget it (black radish) and, here in the (middle) of nowhere and sidenotes from the archivist forthcoming from amistad (an imprint of harpercollins). they were selected by nbc news as part of the list of “queer artist of color dominate 2021’s must see lgbtq art shows.” anastacia-renee was former seattle civic poet (2017-2019), hugo house poet-in-residence (2015-2017), arc artist fellow (2020) and jack straw curator (2020).

her work has been anthologized in: teaching black: the craft of teaching on black life and literature, home is where you queer your heart, furious flower seeding the future of african american poetry, afrofuturism, black comics, and superhero poetry, joy has a sound, spirited stone: lessons from kubota’s garden, and seismic: seattle city of literature. her work has appeared in, hobart, foglifter, auburn avenue, catapult, alta, torch, poetry northwest, a-line, cascadia magazine, hennepin review, ms. magazine and others. renee has received fellowships and residencies from cave canem, hedgebrook, vona, ragdale, mineral school, and the new orleans writers residency.

3-4p
curricular + pedagogical discussion
with natalia de campos, isabelle cordero, kariann fuqua + john ros
 

natalia de campos (she, her) is a multidisciplinary artist and activist from são paulo, brazil working in performance, video, sound, writing, interactive media, theater, and as an actor, theater director, producer, researcher, educator and translator. natalia has lived in new york since 1998. she has a ba in history from the university of são paulo, a professional license as an actor, and an mfa in performance & interactive media arts from brooklyn college, cuny. since 1999, natalia produces multidisciplinary performances with international collaborators, objects and solo works under the name of syncretic pleasures. her works have been shown primarily in new york city and in são paulo. some venues include: chashama 461 gallery, art in odd places: sense 2017; festival de música estranha (são paulo 2015); the living theater, 70th anniversary retrospective (sesc são paulo 2017); center for the humanities, graduate center, cuny (2019); el museo del barrio; dumbo arts festival; solivagant gallery (lower east side, 2016). she has taught portuguese for 20 years at schools and independently and was an assistant teacher at new york’s school of visual arts city as site program.
isabelle cordero (she, him) is currently making a few things at the school of the museum of fine arts in boston, ma. she’ll keep making more things to finish her bfa in interdisciplinary art with a minor in visual and material studies. isabelle works hard to maintain a stream of consciousness practice. the residues of his practice tend to morph and crystalize into many forms, including drawings, paintings, collages, performances, writings, and sounds. sometimes they don’t morph or crystalize into anything. either way, she reflects on temporality, the institutional game, and bridges between digital and physical social spaces.

kariann fuqua (she/her) is an abstract artist utilizing drawing, painting and collage. she received a bfa in painting from kansas state university and an mfa in painting from the university of illinois, urbana-champaign. her work has been widely exhibited in solo and group shows across the united states including jenkins-johnson gallery (san francisco, ca), governors island (new york, ny), hyde park art center (chicago, il), byron cohen gallery (kansas city, mo), manifest gallery and drawing center(cincinnati, oh), athens institute of contemporary art (athens, ga) and was awarded a public commission at mccormick place (chicago, il). she received a joan mitchell foundation full fellowship to the vermont studio center, an individual artist fellowship from the mississippi arts commission, and her work was published in new american paintings and the artist’s magazine. she currently lives and works in oxford, mississippi where she is an instructional assistant professor of art and director of museum studies at the university of mississippi.
john ros (they/them) is a queer, non-binary, multiform conceptual installation artist working in brooklyn, new york and new england. john earned an mfa from brooklyn college, city university of new york and a bfa from the state university of new york at binghamton.

john’s mixed media conceptual installations focus on ritual as performance, space/place, light, sound and time. john has exhibited internationally and their work can be found in collections throughout the world. they see teaching, curating and program development as extensions of their social practice which they have implemented in numerous projects over the last twenty-five years.

john is currently the director of studioELL, a space for radical education in studio art practice, which they founded in london, england in 2015. john is also the founding director and curator of intermission museum of art. in addition to being a professor at studioELL, john is a lecturer at the school of the museum of fine art at tufts university, parsons school of design, the new school, central connecticut state university and ct-state: quinebaug valley community college.

4p
sound playground performance by isabelle cordero

4.30p
performance by natalia de campos

new ima volume iii publications
 

ima committee for curricular thinking
in collaboration with asuka ohsawa
working statement artist book, 2023
letterpress embossed cover, digital print interior
edition of 20
3 x 4 in.
20 usd
ima committee for curricular thinking
in collaboration with asuka ohsawa
working statement poster, 2023
risograph
edition of 20
17 x 11 in.
10 usd

event special: 25 usd for the pair!

volume iii: work-in-progress
 

featured through 30 december 2023, work-in-progress is the third installment of projects at ima and represents the culmination of committee work and collaborative projects from ima’s volume iii programming. this journey commenced with the formation of the committee for curricular thinking in february 2023. the committee’s guiding document served as the compass for the collaborative efforts that led to the creation of this exhibition. it embodies an ongoing exploration of fine art education and its evolution. this exhibition reflects the fruitful outcome of thought-provoking discussions and collaborative endeavors with invited artists and educators.
 

view the exhibition

about ima

intermission museum of art (ima) was founded in 2020 by rose van mierlo and john ros as a response to the growing fractures within our cultural, social, environmental, economic, and political systems during times of crisis. ima serves as a unique space for critical thinkers to engage with these moments of friction, transforming them into meaningful sites of production and fostering dialogues that culminate in a public archive.
 

more information

copyright © 2023 intermission museum of art, all rights reserved.
you are receiving this email because you have either opted in via our website, or have been added because you have a connection to one of our founders, rose van mierlo or john ros.

intermission museum of art

43-01 22nd street #348

long island city, ny 11101

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Art Antwerp 2023: this week 14 – 17 December

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Welcome at booth C38
 Anton Cotteleer, Joke Hansen, Tim Volckaert, Clara Brörmann                                                & Charlotte Eta Mumm                                                                                 
                                                                                      
 

 
Anton Cotteleer
 
Unlimited (2023)
255 x 64 x 64 cm
textile, resin, wood, concrete, paint


Joke Hansen
 
Divergent (2023)
80 x 56 cm
oil and chrome spraypaint on wood

 

Tim Volckaert
 
Placement A, Replacement B (2022)
119 x 84 x 5 cm
oil on canvas (with artist frame)

 
Clara Brörmann
 
Körper aus Farbe (glas) (2023)
170 x 120 cm
oil, pigments, acrylics on canvas
 

 
 

Charlotte Eta Mumm
 
Where it dissolves, re 4 (2017)
61,5 x 41,5 cm
cathedral glass, dichroic glass, anti-reflective glass, paper, acrylic paint, lead
 
______________________________________

       
           
 
Groot Park 2, 3360 Lovenjoel – www.whitehousegallery.be 

Appel à contributions FACETTES n°10 –> Les intelligences

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Partez à la découverte du nouveau numéro de FACETTES & contribuez au numéro 10 !͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ 

[NGHE NEWSLETTER] Ouverture Mollusque

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Samedi nous incrusterons des She Shanties sur des cassettes en prévision de la pâleur de Noël.
Pendant ce temps-là vous pourrez vous faire mollusques et dormir un peu à même le sable – parquet, bercées par des voix de sirènes ou tritons de décembre. 


Ouverture Mollusque
Samedi 08/12 14h-18h

Copie de K7, gingembre chaud et embruns d'ambiance.


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—

NGHE – Médiathèque bricolée

rue des mariniers, 6
1080 Molenbeek St Jean

Opwarmen met jazz & pakkende pakjes 🎁

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Geen afbeeldingen? Bekijk de webversie

December in Z33 

Niet alleen nadert het einde van 2023 snel, ook de expo van Steve Robyns loopt af. Toch geeft vooruitkijken altijd meer vreugde dan terugkijken. Met boeiende gesprekken en muziek op 14 december. En voor de laatste shopping loodjes: vijf cadeautips. 
 

nocturne

Foto: Renaat Nijs

Donderdagavond 14 december zetten we onze deuren weer open vanaf 18u. De tentoonstellingen in een sfeervolle setting bezoeken? Check. Verwacht je daarnaast aan een lezing over kunst in de publieke ruimte en aan een gratis jazzconcert van het trio Profound Observer.

“Zet een jong jazztrio samen met een staatsman van de Belgische jazz en je krijgt een goed album, en een nog beter concert.”

De Standaard, 10.03.2023, over Profound Observer

Lees het avondprogramma en schrijf je in voor de lezing

shop

Pakkende pakjes

Geen zin om drukke winkelstraten te trotseren? We snappen het. Wandel onze shop vrij binnen en ontdek ambachtelijke producten en designitems die met veel passie werden gemaakt. Maar ook hippe schrijf- en papierwaren, boeken, speelgoed en veel meer. Als vriend van Z33 krijg je bovendien 10% korting op al je aankopen. 

Neem een kijkje in onze shop

Weg met keuzestress

Creatief met wasco’s

Deze vingerkrijtjes zijn speciaal ontworpen voor kleine kinderhanden. Sterk, stapelbaar en met een prachtig design!

Magische sjaals 

Abrakadabra. Maarten Inghels ontwierp samen met breigoedlabel  Wolvis vier magische sjaals. Hierin verwerkte hij toverspreuken uit middeleeuwse grimoires in olieverfschilderijen.
 

Z33 broche 

De ruitvormige bakstenen van onze voorgevel vormen de inspiratie voor deze broche van Huis Pauwels-Spaenjers.

Verkrijgbaar in verschillende kleuren.

Tassen van KuyckxMeers

De handgemaakte tassen van het designerduo KuyckxMeers zijn niet alleen tijdloos, maar ook zero waste.

Geef Z33 cadeau

Onbeperkte toegang tot de expo’s, voorinschrijvingen, korting in de shop? Overweeg dan om Z33 als cadeau te geven. 

Twijfel je nog steeds? Een cadeaubon voor Z33 is altijd een goed idee. 

Zorgeloos richting kerstvakantie

We zijn er even tussenuit op 25 december en 1 januari. Om ons op al die feesten voor te bereiden sluiten we onze deuren wat vroeger op 24 & 31 december, om 15u. Alle andere dagen staan onze deuren voor je open. 

Plan je bezoek

Z33 is een grensverleggende kunstinstelling in Hasselt, op het kruispunt van hedendaagse kunst, design en architectuur.

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Je ontvangt deze e-mail omdat je je daarvoor hebt aangemeld op onze website.

Our mailing address is:

Z33

Bonnefantenstraat 1

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Belgium

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Montez Press December News

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Montez Press News
December 2023

→ 50% SALE from 11th-17th December
→ Montez Press Radio End of Year Subscription Drive Telethon Marathon Holiday Party Performance and Auction Festival of Lights co-hosted by Nina + special guests, December 15th
→ Interjection-009-11_Pear Nuallak.pdf
→ Interjection-009-12_andriniki mattis.pdf
→ Montez at Press Play Fair & Storefront for Art & Architecture Sidewalk Sale

 

Sale from 11th-17th December 

Check out our website from Monday until the 17th of December to get 50% off all of our publications as part of our annual Winter Sale. Happy Holidays!

→ 50% SALE from 11th-17th December

Montez Press Radio End of Year Subscription Drive Telethon Marathon Holiday Party Performance and Auction Festival of Lights co-hosted by Nina, auctioneered by Yellow Tears, with performances from very special guests to remember forever

Join us on December 15th at Montez Press Radio’s 46 Canal Street studio. We’ll be celebrating the end of the year and our 2,500+ segment archive with a Subscription Drive co-hosted by Nina. Performers include Yellow Tears, Mykki Blanco, Dese Escobar, Alan Licht, Stefan Tcherepnin, Zach Philips, Callahan & Witscher, Eric Farber, Dissensus, Daniel DiMaggio, Sam Franklin, Lucy Lie, Nick Malkin, and Paul McMahon the Rock ‘n Roll Therapist. 

Cost of entry is one subscription to Montez Press Radio’s archive. It’s the perfect nondenominational holiday gift! Help us sustain Montez Press Radio! Help us pay artists! Help us!

Subscribe to our archive here to attend: https://radio.montezpress.com/#/support

7pm until the holiday spirit runs out.
Drinks free until the eggnog curdles, then BYOB. 

46 Canal Street, 2nd Fl. 
New York, NY 10002

If you can’t make it or if you’re already a Supporter, please consider making a tax-deductible donation below. 

→ Sign up as a Supporter and unlock the archive
→ Donate

 

November Interjection: ESEA FOLKS 4… by Pear Nuallak

Pear Nuallak was dug out from the side of a hill in late 20th century Croydon. They like writing and drawing stories. They are the author of Pearls From Their Mouth (2022, Hajar Press).

You can find Pear’s writing at the link below:

→ Interjection-009-11_Pear Nuallak.pdf

December Interjection: songboy by andriniki mattis

andriniki mattis was born in Crown Heights, Brooklyn. He has been awarded fellowships from Cave Canem, Poets House, and The Poetry Project. He received his M.A. in Creative Writing and Education from Goldsmiths University of London and a B.A. in Political and Poetic Resistance from Brooklyn College. His poems have appeared in wildness, Indiana Review, Wasafiri, and elsewhere. He is the author of Quiet Fires (Anamot Press 2023).

Read andriniki’s work at the link below:

→ Interjection-009-12_andriniki mattis.pdf

Book Fairs

Saturday December 9th & Sunday December 10th at Press Play Fair, live from Pioneer Works at 159 Pioneer Street in Brooklyn. Books downstairs, broadcast upstairs. 12-7pm each day. Stop by to buy our titles, or tune in at the link below to listen. Read more about the full program here.

If you miss us at Press Play, find us Sunday December 17th at Storefront for Art and Architecture’s Storefront Sidewalk Sale at 97 Kenmare Street in Manhattan.

→ Listen at radio.montezpress.com
→ See this month’s schedule
→ Sign up as a Supporter and unlock the archive
→ Donate

With love,

MPR & Montez Press

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Review with Elif Satanaya Özbay & Jazmina Figueroa

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ABA

Air Berlin Alexanderplatz

Invitation to
Review

15 December at 19:00–21:00
Uqbar, Schwedenstraße 16, 13357
with readings by
Elif Satanaya Özbay & Jazmina Figueroa

A review accounts for all facets of evaluation, critique, appreciation, study, and assessment. Decide on only after giving it a second or third, round-a-bout and lingering once-overs. After cursory perusal, one makes up one’s mind becoming something recast, refashioned, and/or redone. The subject, idea, or topic then undergoes a string of repeated examinations when it’s re-met with a situation, event, or change. This suggests a successive process, revisited and/or scrutinized multiple times, and in running order.

 

The review serves as a throughline connecting the readings presented by Elif and Jazmina at Uqbar’s project room on December 15, 2023. The presentation comprises fragments of unfinished, and/or complete ideas that are subject to review. Rising and slipping in form, rehash, or as articulated phrases, the readings presented are inspired by their recent individual developments in their works, exchanges, and research. The evening revolves around the con-textual, of marking and taking stock. A year in review, a life, lineage, canon, and series.

 

Jazmina Figueroa is a writer based in Berlin. Elif Satanaya Özbay is an Amsterdam-based artist working with text, performance, and sculpture. 

Supported by Mondriaan Funds

ABA RESIDENTS

Elif Satanaya Özbay is a Turkish-Circassian artist whose performance and research-based works revolve around diasporic nostalgia within the horror framework.

Özbay combines references to ancient Circassian myths, contemporary entertainment, and Turkish folklore to initiate autobiographical pieces. These pieces are then further interwoven with fictional elements through the use of mind maps. A certain striving for accessibility is an integral part of the work: most of her themes relate to the populations, that, after traumatic events—such as displacement and ethnic cleansing—live in the diaspora.

September 2023–December 2023

Read more

Supported by Mondriaan Funds

Julia Nusser lives and works in Switzerland. She has presented solo and in her duo practice Nusser Glazova installations, video works, and performances in institutions and spaces such as Centre d’art contemporain, Geneva; Kunsthalle Zürich; Kunsthalle Bern; Longtang, Zürich; le commun, Geneva; Wallstreet, Fribourg; Palazzina, Basel; Borgenheim Rosenhoff, Basel; Künstlerhaus Bregenz. With Nusser Glazova she was nominated for Prix Mobiliare and realized a public artwork that was commissioned by Kanton Zürich. Julia also worked as a co-curator in the art space Wynx Club in Zürich.

August 2023–February 2024

Read more

Supported by Pro Helvetia

Tereza Glazova, born in 1996 in Riga and now based in Zurich, does both solo work and collaborates with Julia Nusser in the duo Nusser Glazova. She employs the pseudonym Tereza Auslettland for her writings and engages in sound projects using aliases such as Mia Thermopolis and just a girl. She is the co-founder of the art space Wynx Club and the event label Forever Unblocked.

August 2023–February 2024

Read more
 

Supported by Pro Helvetia

OTHER NEWS

 

 Listen back to ABA Air Salon with Tereza Glazova

Downpour Reverie is a musical hug for heavy rain, with 20 fervent tracks handpicked by the artist to plunge you into the emotional spirit when the sky pours its heart out. Listen here

Every third Tuesday of the month from 4-5pm you can listen to ABA’s Air Salon Radio produced by artists in residence, hosted by fr-bb Freie Radios – Berlin Brandenburg 88,4 MHz in Berlin 90,7 MHz in Potsdam or listen online here.

REMOVED FOOTER

 

Finissage duo-exhibition Stéphanie Baechler – Charlotte Eta Mumm: 10 december 2 – 6 PM

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Last days of the exhibition ‘Espèces d’Espace’ & last chance to visit the venue in Lovenjoel because the gallery moves to Brussels, Avenue Charleroi, 54 opening in April 2024.
 

 
 
 

Stéphanie Baechler & Charlotte Eta Mumm


Espèces d’Espace

 
November 05 – December 10, 2023
Fri, Sat, Sun 2 – 6 PM

 
 
The title of the exhibition Espèces d’Espace refers to a book by Georges Perec (1974) ‘Prière d’insérer’, Espèces d’espaces Species of Spaces, 1974, in which he states ‘L’espace de notre vie n’est ni continu, ni homogène, ni isotrope. Mais sait-on présisément où il se brise, où il se courbe, où il se déconnecte et où il se rassemble?… Le problème n’est pas d’inventer l’espace, encore moins de le réinventer (trop de gens bien intentionnés sont là aujourd’hui pour penser notre environneent…), mais de l’interroger, ou, plus simplement encore, de le lire.’

Stéphanie Baechler (° 1983, Meyriez, CH) lives and works in Amsterdam and Switzerland. She has exhibited at MAHF, Fribourg, Kunsthalle Fri Art Fribourg, Centre d’art Pasquart Biel in Switzerland, Arti et Amicitiae Amsterdam and Modemuseum Antwerp. Her work is in public and private collections, including HEAD-Genva, Museum für Gestaltung Zürich and MAHF Fribourg. 
Baechler is interested in the interplay between craft and technology; the complex and often ambiguous relationship between handmade and machine-made results. Textile and clay are the main materials she uses in her sculptures and installations. Her work is characterized by a sensitive, intuitive and process-oriented approach to materials.

Charlotte Eta Mumm (°1980, DE) is exhibiting for the first time in our gallery. She lives and works in Amsterdam. Her works have been shown in Städtische Galerie Nordhorn (DE), Phoinix, Bratislava (SK), Museum Brot und Kunst Ulm (DE), Keramiekmuseum Princessehof, Leuwarden (DE), Arti et Amicitiae Amsterdam, Kunstenfestival Watou (BE), Sculpture Quadrennial, Riga (LV).
She works with a variety of materials and crosses the boundaries between painting, drawing, sculpture and situational settings. Her work moves between abstract and figurative, questioning the presence of things, inside/outside perspectives and the definition of space and surface. Conflicting perceptions and paradoxes are important aspects in her artistic work.They question the certainty of images and concepts.
_________________________________________________________
         

Groot Park 2, 3360 Lovenjoel – www.whitehousegallery.be

Art Antwerp 2023

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Save the date!

Art Antwerp, the contemporary art fair organised by Art Brussels, is set to return for its third edition from Thursday 14 to Sunday 17 December 2023 at Antwerp Expo. 

This year, the fair welcomes 72 participating galleries from 12 different countries. Among these 72 galleries is a mix of well-established galleries with over a decade of contributions to the art world, as well as young and exciting galleries. Featuring a strong programme, half of the galleries come from Belgium, of which 16 of these galleries are from Antwerp itself, while the other half, totaling 37 galleries, come from abroad, keeping the DNA of the fair international and most definitively strongly locally rooted. 

Launched during the COVID-19 pandemic in December 2021, Art Antwerp thrived last year for its second edition by welcoming nearly 12,000 visitors, establishing itself as a prominent fixture in the Belgian contemporary art calendar and has since been able to count on the support of main partners Delen Private Bank and Bank Van Breda. Antwerp’s rich artistic heritage and vibrant contemporary art scene make it an ideal host city for this emerging art fair. 

The fair distinguishes itself by providing a platform for contemporary art galleries to showcase a diverse selection of established and up-and-coming artists. Unlike larger art fairs, Art Antwerp offers an intimate atmosphere that fosters personal connections between collectors, art lovers and galleries, encouraging meaningful conversations. Art Antwerp is set to be an ambitious smaller-sized contemporary art fair and a major player in the city of Antwerp. 

TICKETS ART ANTWERP
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NAK Benefiz Auktion 2023 – Woche 1

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NAK ONLINE BENEFIZ AUKTION 2023

 

 

 

 

 

 

 

 

 

 

 

 

 

3 WOCHEN, 3 BLOCKS, ONLINE ONLY:

www.neueraachenerkunstverein.auction

 

 

Der NAK Neuer Aachener Kunstverein lädt Sie abermals herzlich zur diesjährigen digitalen Benefiz Auktion ein. Die Auktion findet komplett online statt und hat diesen Montag bereits mit der ersten Versteigerungswoche begonnen; zwei weitere Wochen werden folgen.

INFORMATION //

Woche 1: 04. bis 10. Dezember 2023
Woche 2: 11. bis 17. Dezember 2023
Woche 3: 18. bis 21. Dezember 2023

Eröffnung: 09. Dezember 2023, 19 Uhr
Ausstellung: 10. bis 17. Dezember 2023

Die Onlineauktion wird in drei wöchentlichen Blöcken veranstaltet, im Zeitraum zwischen dem 04. Dezember und 21. Dezember 2023. Auf diese drei Wochen werden die zu versteigernden Positionen gleichwertig verteilt.

Sollten Sie Fragen zur Auktion, den Werken oder Künstler_innen haben melden Sie sich gerne im NAK. Wenn Sie Probleme haben sich auf der Auktionswebseite zu registrieren oder sonstige Fragen zum Prozedere haben, wenden Sie sich ebenfalls gerne vorab an den NAK per Telefon oder E-Mail. Wir helfen Ihnen gerne weiter. Alle Einzelheiten finden Sie unter www.neueraachenerkunstverein.de nochmals online. Von dort aus gelangen Sie ebenfalls auf die Auktionsseite www.neueraachenerkunstverein.auction.

VORSCHAU //

Über die Instagram und Facebook Seiten des NAK werden vorab alle Arbeiten der teilnehmenden Künstler_innen im Detail vorgestellt.

AUSSTELLUNG //

Alle zu ersteigernden Arbeiten werden in einer Ausstellung vor Ort im Kunstverein präsentiert. Die Ausstellung eröffnet am 09. Dezember 2023 um 19 Uhr. Besichtigungen sind danach täglich bis zum 17. Dezember möglich; der NAK ist zu diesen Tagen von 14 bis 20 Uhr geöffnet.

FÜHRUNGEN //

Vom 11. bis zum 14. Dezember finden jeweils um 19 Uhr Führungen statt, in denen die Exponate und teilnehmenden Künstler_innen den Interessenten vorgestellt werden.

TEILNEHMENDE KÜNSTLER_INNEN //

Emma Adler, Neven Allgeier, Albrecht/Wilke, Michelle Alperin, Alrun Aßmus, Eliza Ballesteros, Horst H. Baumann, Arno Beck, Boris Becker, Rebekka Benzenberg, Johannes Bendzulla, Alisa Berger, Nils Bleibtreu, Janine Böckelmann, Eugenie Bongs-Beer, Max Brück, Robert Crotla, Zuzanna Czebatul, Sibylle Czichon, Keren Cytter, Ferdinand Dölberg, Matthias Dornfeld, Carolin Eidner, Philip Emde, Jonas Fahrenberger, Bertrand Fournier, Isabella Fürnkäs, Albrecht Fuchs, Dominik Geis, Alexander Gehring, Jan Gerngross, Jacob Gilg, Julien Gilliam, Tahnee Godt, Monika Grabuschnigg, Selma Gültoprak, Harry Hachmeister + Jonas Monka, Constantin Hartenstein, Adam Harrison, Ilka Helmig, Simon Herkner, Marcel Hiller, Benedikt Hipp, Jan Hoeft, Christian Holze, Olga Holzschuh, Jonas Höschl, Tobias Huschka, Paul Hutchinson, Christof John, Eleni Kamma, Andy Kassier, Ben Kaufmann, Christian Keinstar, Daniel Kiss, Klaus Kleine, Alfons Knogl, Tina Kohlmann, Christian Kölbl, Konstitutiv der Möglichkeiten, Jody Korbach, Hanna Körner, Hans W. Krämer, Sholem Krishtalka, Tom Król, Carolin Kryzecki, Wolfgang Kupczyk, Alwin Lay, Lukas Luzius Leichtle, Anna Ley, Christine Liebich, Lukas Liese, Tamara Lorenz, Arthur Löwen, Timur Lukas, Tammo Lünemann, Martin Maeller, Dylan Maquet, Stefan Marx, Xavier Mary, Josephine Meckseper, Oliver Meier, MÉLANGE Box Five (Lena Marie Emrich, Isabelle Fein, Jessica Gispert, Nicholas Grafia, Sylbee Kim, Markues, Ege Okal, David Ostrowski, Elif Saydam, Timo Seber, Stephanie Stein, Johannes Wohnseifer), Jonathan Monk, Conrad Müller, Thomas Musehold, Philipp Naujoks, Joe Neave, Anna Nero, Moritz Neuhoff, Nick Oberthaler, Murat Önen, Bea Otto, Nicolas Pelzer, Lena Anouk Philipp, Sabrina Podemski, Johanna Reich, Anys Reimann, Bernd Ribbeck, Johanna Roderburg, Antonia Rodrian, Simon Röhlen KEF!, Hedda Roman, Markus Saile, Laurentius Sauer, Morgaine Schäfer, Laura Schawelka, David Schiesser, Marius Schillak, Robert Schittko, Pablo Schlumberger, Natascha Schmitten, Berit Schneidereit, Franca Scholz, Ani Schulze, Ulrike Schulze, Mona Schulzek, Titania Seidel, Oliver Sieber / Katja Stuke, Vera Sous, Katharina Stadler, Lee Stevens, Sarah Szczesny, Lukas Thaler, Christian Theiss, TILO&TONI, Sophie Ullrich, Anna Virnich, Thomas Virnich, Winfried Virnich, Karl von Monschau, Marta Vovk, Valentin Wagner, Johannes Tassilo Walter, Nicholas Warburg, Thomas Weidenhaupt, Christoph Westermeier, Achim Franz Willems, David Benedikt Wirth, Johannes Wohnseifer, Ester Zahel, u.v.m.

 

Falls Sie den Newsletter nicht mehr erhalten möchten, senden Sie uns bitte eine E-Mail mit dem Betreff UNSUBSCRIBE.
_ _

NAK Neuer Aachener Kunstverein
Passstraße 29
52070 Aachen
0049 (0)241503255
www.neueraachenerkunstverein.de
www.instagram.com/neuer.aachener.kunstverein

 

 

This week’s openings in Brussels

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This week’s openings in Brussels ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌
This week’s openings in Brussels
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Opening this week
Wednesday 06 Dec → Tuesday 12 Dec

Wed 06.12 — 18:00
Wiels – Contemporary art centre
Andro Eradze – 'Heavy Centers'

Thu 07.12 — 18:00
Mercerie
WIP Collective – 'Perseverance Lab 1'

Fri 08.12 — 17:00
KIN
Thibaut Henz – 'Intervall'

Sat 09.12 — 16:00
Galeria Jaqueline Martins
Lydia Okumura

Sat 09.12 — 18:00
26 by Felix Frachon
Arnaud Rochard – ‘Impasse des Seigneurs’



Opening next week
Wednesday 13 Dec → Tuesday 19 Dec

Thu 14.12 — 18:00
Ballon Rouge
Helen Anna Flanagan

Thu 14.12 — 18:00
Cloud Seven – Frédéric de Goldschmidt Collection
Egregore's Echoes: Momentum for New Perspectives

Fri 15.12 — 18:00
Botanique
Vaciller

Fri 15.12 — 18:00
Botanique
Eloïse Legas- 'Absences'

Fri 15.12 — 18:00
Botanique
Art Contest 2023

Sat 16.12 — 18:30
NICC
Eleanor Ivory Weber’s Delay Today with Alenka Zupančič – Jointly organized with Etablissement d'en face

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Newsletter Ludwig Forum Aachen

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Ludwig Forum

Ausgabe 04.12.2023

 

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Eröffnungswochenende:  Ulrike Müller “Monument to My Paper Body”

Zur Eröffnung der Ausstellung Monument to My Paper Body von Ulrike Müller am Freitag, den 08.12.2023 um 19 Uhr laden wir Sie, Ihre Familie und Freund*innen ganz herzlich ein! Am Samstag, den 09.12.2023 um 11:30 Uhr sind Sie darüber hinaus willkommen an einer Matinée mit Gespräch mit der Künstlerin und Manuela Ammer (Kuratorin, mumok, Wien) teilzunehmen.

Ihr
Ludwig Forum Aachen

Ulrike Müller Monument to My Paper Body

Mit Arbeiten aus den Sammlungen u.a. von Carla Accardi, Laurie Anderson, Belkis Ayón, Lygia Clark, Nancy Graves, Alex Hay, Alfred Jensen, Bertram Jesdinsky, Jasper Johns, Imi Knoebel, Christopher Knowles, Svetlana Kopystiansky, Sol LeWitt, Lee Lozano, Rune Mields, Klaus Paier, Margit Palme, Judy Pfaff, Robert Rauschenberg, Dorothea Rockburne, Miriam Schapiro, Peter Young, Fahr El-Nissa Zeid

09.12.2023 ­– 09.06.2024, Wandmalerei 09.12.2023 – 09.12.2025
Eröffnung: Freitag, 08.12.2023, um 19 Uhr
Matinée mit Ulrike Müller und Manuela Ammer: Samstag, 09.12.2023, 11:30 Uhr

Für das Ausstellungsprojekt Monument to My Paper Body hat die in New York lebende Ulrike Müller eine ortsspezifische Wandmalerei auf den zwei vierzehn Meter hohen, gegenüberliegenden Wänden im Ludwig Forum Aachen konzipiert. Begleitet wird die Intervention von Collagen, Zeichnungen, Emaille-Bildern, Monotypien, und Textilien der Künstlerin, die im Dialog mit ausgewählten Arbeiten aus den am Ludwig Forum Aachen befindlichen Sammlungen präsentiert werden. Die Ausstellung greift die von Harald Kunde initiierte Double Wall Reihe (2004-2008) auf, bei der Künstler*innen im wechselnden Turnus eingeladen waren, die beiden monumentalen Wände des Museums künstlerisch zu aktivieren. Mit der Präsentation von Ulrike Müller wird die Reihe in erweiterter Form erneut zum festen Bestandteil des Ausstellungsprogramms am Ludwig Forum Aachen.

Monument to My Paper Body wird von einem Veranstaltungsprogramm und der Produktion einer Publikation begleitet.

Kuratiert von Eva Birkenstock
Kuratorische Assistenz: Mailin Haberland
Grafik Design: HIT

Mit großzügiger Unterstützung vom Ministerium für Kultur und Wissenschaft des Landes Nordrhein-Westfalen, Landschaftsverband Rheinland, BMKOES, Land Vorarlberg sowie Rueff Textil.

Opening Weekend: Ulrike Müller “Monument to My Paper Body”

We cordially invite you, your family, and friends to join us for the exhibition opening of Monument to My Paper Body by Ulrike Müller on Friday, December 8, 2023 at 7pm. Moreover, on Saturday, December 9, 2022 at 11:30am we welcome you to join a matinée with a conversation between the artist and Manuela Ammer (curator, mumok, Vienna).

Yours
Ludwig Forum Aachen

Ulrike Müller Monument to My Paper Body

With works from the collections by, among others, Carla Accardi, Laurie Anderson, Belkis Ayón, Lygia Clark, Nancy Graves, Alex Hay, Alfred Jensen, Bertram Jesdinsky, Jasper Johns, Imi Knoebel, Christopher Knowles, Svetlana Kopystiansky, Sol LeWitt, Lee Lozano, Rune Mields, Klaus Paier, Margit Palme, Judy Pfaff, Robert Rauschenberg, Dorothea Rockburne, Miriam Schapiro, Peter Young, Fahr El-Nissa Zeid

09.12.2023 – 09.06.2024, Mural 09.12.2023 – 09.12.2025
Opening: Friday, 08.12.2023, at 7pm
Matinée with Ulrike Müller and Manuela Ammer: Saturday, 09.12.2023, 11:30am

For the exhibition project Monument to My Paper Body, New York-based Ulrike Müller has conceived a site-specific mural on the two facing, fourteen-meter-high walls in the Ludwig Forum Aachen. This intervention is accompanied by collages, drawings, enamel paintings, monotypes, and textiles by the artist, which are presented in dialog with selected works from the collections at the Ludwig Forum Aachen. The exhibition picks up on the Double Wall series (2004-2008) initiated by Harald Kunde, in which artists were invited to artistically activate the two monumental walls of the museum on a rotating basis. Ulrike Müller’s presentation marks the return of the series, in an expanded form, as a fixture in the museum’s exhibition program.

Monument to My Paper Body will be accompanied by a program of events and the production of a publication.

Curated by Eva Birkenstock
Curatorial Assistance: Mailin Haberland
Graphic Design: HIT

The exhibition is generously supported by the Ministry of Culture and Science of North Rhine-Westphalia, Landschaftsverband Rheinland, BMKOES, Land Vorarlberg and Rueff Textil.

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Impressum

Ludwig Forum für Internationale Kunst
Jülicher Straße 97–109
52070 Aachen
Di bis So 10–17 Uhr, Do 10–20 Uhr
Tel. +49 (0) 241 1807 104/ Fax +49 (0) 241 1807 101
E-Mail: Redaktion:
Ludwig Forum Aachen
www.ludwigforum.de

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Ein Museum der Stadt Aachen

Cas-co NIEUWS: december

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Cas-co NIEUWS: december

DECEMBER

Foto: de banner ‘Perpetuum Broodbile‘ van de hand van kunstenaarsduo Jonas & Sarah werd ritueel ingewijd op 30 november als onderdeel van Fringe, het Off-programma van ‘New Horizons – Dieric Bouts’. © Jente Waerzeggers

ACTIVITEITEN

Fringe Festival

Het ‘Fringe’ luik van het stads­fes­ti­val ​‘New Horizons — Dieric Bouts’ is een per­for­man­ce- en ten­toon­stel­lings­par­cours waar nieu­we stem­men met grens­ver­leg­gend werk aan zet zijn. Nog één week kan je je verdiepen in de tentoonstelling ​‘Eat the Frog, Swallow the Ebb’ van artist-in-residence Francisco Correia. Aanpalend aan de presentatie kan je de installatie ​‘The Dinner’ door Domingo Collective en de screening ‘The Kitchen as seen from the Garden’ van Jonas&Sarah in Off the Grid bezoeken. Loop zeker ook verder naar maakleerplek voor een blik op hun monumentale werk ‘Perpetuum Broodbile‘ (zie boven). Op vrijdagen verwelkomt Kenzo Tokuoka geïnteresseerden in de 30CC-residentie dat dienst doet als lab voor zijn acro­ba­tisch onder­zoek rond ​‘Makaban’, een zelf­ont­wor­pen con­struc­tie met bam­boe­stok­ken. Op 9 december ronden we af met een feestelijk dagprogramma (zie onder).

09.12: Fringe Finissage

Ter gelegenheid van de finissage van Fringe heisen we – met tromgeroffel – een nieuwe vlag van Petticoat Government (15u00). Vervolgens sluiten residenten Domingo Collective en Francisco Correia hun presentaties in OTG af met respectievelijk een ‘listening session’ (16u00) en een artist talk (17u00). Kenzo voert een laatste performance op (18u00). Vanaf 20u00 is iedereen welkom in STUK voor het feestelijke avondprogramma en 4D Sound Bath van Veduta x Ocean of Sound.

Discursief programma

Op donderdag 7 december organiseert Cas-co het tweede deel van de tweedelige masterclass ‘Automatic Printmaking’, begeleid door kunstenaar Lise Van den Broucke. Tijdens deze sessie geeft M-resident Anna van der Ploeg toelichting bij de houtdruktechnieken die ze aanleerde tijdens een residentie in Japan. Vervolgens gaan de deelnemers aan de slag met eigen beeld, dat gelasercut en vervolgens handmatig gedrukt wordt. Schrijf je hier nog tot maandag in voor deel twee van masterclass.

Op 9 december verwelkomen we curator Antoinette Jattiot (van o.a. La Loge) voor een late lunch talk (14u00), voorafgegaan door studio visits. Zij zal ook meer vertellen over het collectief project ‘Petticoat Government’, waar zij deel van uitmaakt, en de vlag die meteen nadien ingewijd wordt (zie boven).

Extra Muros

Eveneens in het kader van het stadsfestival werd resident Joseph Thabang Palframan door de Stad Leuven uitgenodigd om een ​​opdracht uit te werken die antwoord geeft op de vraag ‘wat betekent gerechtigheid voor jou?’. Dezelfde vraag werd schilder Dieric Bouts 600 jaar geleden gesteld door de schepenen van Leuven en resulteerde in ‘De gerechtigheid van keizer Otto III’.  Palframan gooide de vraag open en nodigde zes kunstenaars – Aya Koné, Boran Verstraete, Collins Yirenkyi, Jente Waerzeggers, Lynn Havaux and Olivier Diels – uit om in groep te reflecteren over dit onderwerp. Het resultaat van dit traject, getiteld ‘Beyond the Vanishing Point’, is een publieksprogramma in het stadhuis van Leuven dat start op 14 december (vanaf 18u30) en eindigt met een tweedaagse presentatie op 13 en 14 januari.

Na de opening van ‘Beyond the Vanishing Point’ kan je doorzetten naar M Leuven, nog geen vijf minuten verderop. Hier opent de solo presentatie ‘let there be no fuss’ van Anna van der Ploeg, samen met de nieuwe collectiepresentatie ‘DOKA’. Van der Ploeg was in het voor­jaar van 2023 vijf maan­den te gast in de M‑residentie in Cas-co. Vanuit haar fascinatie voor menselijke interacties, dialogen en inscripties scrolde ze door de collectie van M Leuven, en bleef ze o.a. bij de opschriften van Bouts stilstaan. Op basis van dit onderzoek cre­ëerde Van der Ploeg een reeks nieu­we sculp­tu­ren waarin beeld­houw­kunst met schil­der­kunst gecombineerd wordt. 

NIEUWS

Open Call

Kunstenaar en op zoek naar een studio, omkadering en/of artist community in Leuven? In Studio Vaartstraat komen van­af januari weer ruimtes vrij. We zijn op zoek naar kunstenaars die er van­af januari aan de slag willen, en al doende inhaken op een programma en netwerk op maat van beeldende kunstenaars, designers, performers en hybride praktijken. De studio’s zijn geschikt voor individuele kunstenaars, duo’s of collectieven van alle leeftijden. Geïnteresseerd? Stuur je dos­sier in tot en met zondag 7 januari 2023.

Highlights

In deze rubriek werpen we een licht op de belangrijkste activiteiten en verdiensten van onze residenten.

Ateliers, residenties & omkadering voor kunstenaars

Vaartstraat 94
3000 Leuven

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Actualité des arts visuels | Décembre 2023

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Toutes les infos professionnelles des arts visuels de votre territoire des Hauts-de-France et de ses territoires transfrontaliers.͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ 

EDITION: Joëlle Dubois – Friend or Foe

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NEUE EDITION / NEW EDITION

 

 

 

 

 

 

 

 

 

 

 

 

 

JOËLLE DUBOIS – FRIEND OR FOE

 

 

 

Der NAK Neuer Aachener Kunstverein freut sich zum Jahresende die neue Edition von Joëlle Dubois präsentieren zu können. Friend or Foe ist ab sofort im NAK erhältlich. Die hochwertige Emaille ist rückseitig signiert und nummeriert, misst 25 x 25 cm und erscheint in einer Auflage von 30 + 5 AP.

Weitere Informationen zur Edition finden Sie hier: www.neueraachenerkunstverein.de/content/2023/jahresgaben/friend-or-foe/

Von Januar bis März 2023 zeigte der Kunstverein Joëlle Dubois mit der Ausstellung Future Nostalgia, zu der im Distanz Verlag der gleichnamige Katalog erschienen ist. Die Publikation ist ebenfalls vorrätig und kann gerne bestellt werden: http://www.neueraachenerkunstverein.de/content/2023/publikationen/future-nostalgia-2/

Ihre Bestellungen nimmt der NAK gerne per Telefon oder E-Mail entgegen. Die Edition ist vorrätig und kann noch vor Weihnachten pünktlich versandt werden.

—

NAK Neuer Aachener Kunstverein is pleased to present the new edition by Joëlle Dubois at the end of the year. Friend or Foe is now available at NAK. The high-quality enamel is signed and numbered on the reverse, measures 23 x 23 cm and is published in an edition of 30 + 5 AP.

Further information on the edition can be found here: http://www.neueraachenerkunstverein.de/content/2023/jahresgaben/friend-or-foe/?lang=en

From January to March 2023, the Kunstverein presented Joëlle Dubois with the exhibition Future Nostalgia, for which the catalog of the same name was published by Distanz Verlag. The publication is also available and can be ordered: http://www.neueraachenerkunstverein.de/content/2023/publikationen/future-nostalgia-2/

NAK will be happy to take your orders by phone or e-mail. The edition is in stock and can be dispatched on time before Christmas.

 

Falls Sie den Newsletter nicht mehr erhalten möchten, senden Sie uns bitte eine E-Mail mit dem Betreff UNSUBSCRIBE.
_ _

NAK Neuer Aachener Kunstverein
Passstraße 29
52070 Aachen
0049 (0)241503255
www.neueraachenerkunstverein.de
www.instagram.com/neuer.aachener.kunstverein

 

 

Openings December 23

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OPENINGS
Wednesday I 06.12.23 

Galerie La Forest Divonne
‘Bernadette Chéné à l’oeuvre’
Bernadette Chéné

Rue de l’Hôtel des Monnaies 66 Munthofstraat
1060 Brussels

Friday I 08.12.23 

KIN
‘Intervall – Photography’
Thibaut Henz

Rue Ravenstein 37 Ravensteinstraat
1000 Bruxelles

Thursday I 14.12.23 

Ballon Rouge
‘A Room with a View’
Helen Anna Flaganan

Place du Jardin aux Fleurs 2 Bloemenhofplein
1000 Brussels

Thursday I 21.12.23 

Xavier Hufkens
‘On TV: Video Works, 1993-2020’

Jonathan Horowitz

Online exhibition
 
 

SPECIAL EVENT
Saturday I 02.12.23 

Irène Laub Gallery
15:00
BOOK LAUNCH AND ARTIST TALK
Pedro A.H Paixão
With curators Nuno Faria and Sorana Munsya

Rue Van Eyck 29 Van Eyckstraat
1050 Brussels

STILL ONGOING

KIN
‘Swarm’
Zuza Golińska
To be seen until 10.12

Rue Ravenstein 37 Ravensteinstraat
1000 Bruxelles
Meessen De Clercq

‘Thinking about Things That Are Thinking’
Nicolás Lamas
To be seen until 16.12

Rue de l’Abbaye 2A Abdijstraat
1000 Brussels
Alice Gallery
‘Fortunate Errors of Politeness’
Rhys Lee
To be seen until 16.12

Rue du Pays de Liège 4 Land van Luikstraatje
1000 Brussels 
Belgian Gallery 
‘Joyeuse Impertinence’
Guillaume Bijl & Xavier Noiret-Thomé curated by Claude Lorent
To be seen until 16.12

Rue de Florence 39 Florencestraat
1050 Brussels 
Bernier / Eliades
‘Pivot’
Misheck Masamvu
To be seen until 16.12

Rue du Châtelain 46 Kasteleinsstraat
1050 Brussels 
Galerie Christophe Gaillard
Ursula Schultze-Bluhm
To be seen until 16.12

Quai du Commerce 50 Handelskaai
1000 Brussels
Galerie Christophe Gaillard
Stéphane Couturier
To be seen until 16.12

Quai du Commerce 50 Handelskaai
1000 Brussels
Galerie Nathalie Obadia
‘Shape the Echo and other works’
Jorge Queiroz
To be seen until 16.12

Rue Charles Decoster 8 Charles Decosterstraat 
1050 Brussels
Harlan Levey Projects
‘A Thousand Pictures of Nothing’
Emmanuel Van Der Auwera
To be seen until 16.12

Rue Isidoor Teirlinck 65 Isidoor Teirlinckstraat
1080 Brussels
Mulier Mulier Gallery
‘Lovely Limitations’
Emmanuel Maria Ikonomopoulou
To be seen until 16.12

Rue Saint-Georges 10 Sint-Jorisstraat
1050 Brussels
NINO MIER
‘Optical Affairs’
Antwan Horfee
To be seen until 16.12

Rue Ernest Allard 25 Ernest Allardstraat
1000 Brussels
 
NINO MIER
‘Some New Disorders’
Paco Pomet
To be seen until 16.12

Rue Ernest Allard 41 Ernest Allardstraat
1000 Brussels
 
rodolphe janssen
‘On the Fence’
David Adamo
To be seen until 16.12

Rue de Livourne 35 Livornostraat
1050 Brussels
rodolphe janssen
‘VIEUX JEUX… dessins/tekeningen/drawings’
Léon Wuidar
To be seen until 16.12

Rue de Livourne 35 Livornostraat
1050 Brussels
Stems Gallery
‘Gentle Giants’
Nick Doyle
To be seen until 16.12

Rue du Prince Albert 4 Prins Albertstraat
1050 Brussels 
 
Xavier Hufkens
‘DROWSE MURMURS’

Sterling Ruby
To be seen until 16.12

Rue Saint-Georges 6 Sint-Jorisstraat
1050 Brussels
 
 
EDJI Gallery
‘Silhouetted Love’
Killion Huang
To be seen until 21.12
Rue du Page 15 Edelknaapstraat
1050 Brussels
Michel Rein
‘Off the Wall’
Sébastien Pauwels
To be seen until 21.12
Rue Washington 51A Washingtonstraat
1050 Brussels
 
C L E A R I N G
‘Les animaux bleus & There are things at the heart of things’
Loïc Raguénès
To be seen until  22.12

Avenue Van Volxem 311 Van Volxemlan
1050 Brussels
dépendance
solo show
Graham Little
To be seen until 22.12

Rue du Marché aux porcs 4 Varkensmarkt
1000 Brussels
Galerie La Patinoire Royale
‘Autoportraits au quotidien’
Ken Ohara & Mélissa Shook
Curated by Julien Frydman
To be seen until 22.12

Rue Veydt 15 Veydtstraat
1060 Brussels
Gladstone Gallery
‘Capricci’
Salvo
To be seen until 22.12

Rue du Grand Cerf 12 Grotehertstraat
1000 Brussels 
 
Hopstreet Gallery
‘Same but Different’
Julie Cockburn
To be seen until 22.12
Rue Saint-Georges 109 Sint-Jorisstraat
1050 Brussels

 
Pierre Marie Giraud
Daisuke Iguchi
To be seen until 22.12

Rue de Praetere 7 De praeterestraat
1050 Brussels
 
Frédérick Mouraux Gallery
‘Deus ex Familia’
Philippe Pasqua
To be seen until 23.12
Chaussée de Waterloo 690 Waterloosesteenweg
1180 Brussels
 
Gallery Nosco
‘Thiar, Fountain of Youth’
Radu Oreian
To be seen until 23.12

Rue Lebeau 43 Lebeaustraat
1000 Brussels 
 
Irène Laub Gallery
‘Fire and Spirits’
Pedro A.H. Paixão
To be seen until 23.12

Rue Van Eyck 29 Van Eyckstraat
1050 Brussels 
 
Jan Mot
‘I Can’t See Regret in Here’
Mario Garcia Torres
To be seen until 23.12
Petit Sablon 10 Kleine Zavel
1000 Brussels
Sorry We’re Closed
Otis Jones
To be seen until 23.12
Rue des Minimes 39 Minimenstraat
1000 Brussels
TEMPLON
‘La Brûlure de l’Éveil’
Antoine Roegiers
To be seen until 23.12
Rue Veydt 13A Veydtstraat
1060 Brussels
Esther Verhaeghe Art Concepts
‘Cosmos’
Yuna Denis
To be seen until 12.01
Avenue Guillaume Macau 3 Guillaume Macaulaan
1050 Brussels
Galerie La Forest Divonne
‘Anatomie d’un Paysage’
Valérie Novello
To be seen until 13.01

Rue de l’Hôtel des Monnaies 66 Munthofstraat
1060 Brussels
Almine Rech
‘If there’s been a way to build it, There’ll be a way to destroy it, Things are not all that out of control. L’époque Totalitaire part one.’
Umar Rashid
To be seen until 13.01
Rue de l’Abbaye 20 Abdijstraat
1050 Brussels
Almine Rech
‘LOVECHILD’
The Wall : Ana Karkar
To be seen until 13.01
Rue de l’Abbaye 20 Abdijstraat
1050 Brussels
MARUANI MERCIER
‘Filling in the Pieces in Black’
Group show curated by June Sarpong
To be seen until 13.01
Avenue Louise 430 Louizalaan
1050 Brussels
Nosbaum Reding
‘Gravité’
Assan Smati
To be seen until 13.01
Rue de la Concorde 60 Eendrachtstraat
1050 Brussels
QG Gallery
‘Winter Group Show’
Bernd & Hilla Becher, Gunther Förg, Hamish Fulton, Giorgio Griffa, Peter Halley, Allan McCollum, Claudio Parmiggiani, A.R. Penck, Raymond Pettibon, François Ristori, Daan Van Golden, John Wesley, Stanley Whitney
To be seen until 13.01
Rue Saint-Georges 13 Sint-Jorisstraat
1050 Brussels
Galerie DYS
‘Brut 1er chapitre : Latitude’
Co-curated with Galerie Arthur Borgnis
To be seen until 14.01
Rue de l’Arbre Bénit 84 Gewijde-Boomstraat
1050 Brussels
Waldburger Wouters
‘Susketwiet Visions’
Filip Van Dingenen
To be seen until 20.01
Boulevard d’Anvers 49 Antwerpselaan
1000 Brussels
Damien & The Love Guru
‘Finally, a flat and rectangular surface is too handy to give up’
Elise Corpataux and Luigi Amato
To be seen until 26.01
Rue de Tamines 19 Taminesstraat
1060 Brussels
Baronian
‘WHO IS THE NARRATOR?’
Amish Fulton
To be seen until 27.01
Rue Isidore Verheyden 2 Isidore Verheydenstraat
1050 Brussels
Baronian
‘Notes.’
Boris Thiébaut
To be seen until 27.01
Rue de la Concorde 33 Eendrachtstraat
1050 Brussels
Galerie Greta Meert
‘Birdsong’
David Claerbout
To be seen until 03.02
Rue du Canal 13 Vaartstraat
1000 Brussels
Xavier Hufkens
‘Fired and Painted’
Lesley Vance & Ken Price
To be seen until 03.02
Rue Van Eyck 44 Van Eyckstraat
1050 Brussels
Mendes Wood DM
‘Cada cosa es Babel’
Mariana Castillo Deball
To be seen until 10.02
Rue des Sablons 13 Zavelstraat
1000 Brussels
LMNO
‘Lieux Empruntés’
Elise Guillaume & François Génot
To be seen until 17.02
Avenue Emile de Mot 17 Emile de Motlaan
1000 Brussels

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WIELS December Agenda

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NL     EN     FR

AGENDA

From our upcoming Nocturne programme to family-friendly guided tours, stay up to date with the various events happening at WIELS and be sure to mark these dates in your calendar!

03_12_2023__________14:00_15:30

FAMILY FUNDAY I Family guided tour

FR/NL
Free for children – included in the exhibition ticket for adults.

SIGN UP

06_12_2023__________18:00_21:00

NOCTURNE

→ Apéro Tour
→ Kets Tour
→ Look Who’s Talking
→ Documentary on Francis Alÿs
→ Happy Ticket

18:00 I APÉRO TOUR
A relaxed guided tour + cocktail of mocktail

Entrance ticket + €7

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18:00 I KETS TOUR
A special guided tour for the little ones (+3 years) 

Free for kids

19:00 I LOOK WHO’S TALKING: WIM WAELPUT

Guided tour of the ceiling of a courtyard by Thea Djordjadze. 

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Free with entrance ticket

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19:00 I DOCUMENTARY SCREENING
Francis Alÿs, as Long as I’m Walking,
Guido De Bruyn, VRT Canvas.

Free with entrance ticket.

HAPPY TICKET
Get a free drink in the renewed WIELS Café between 18:00 and 21:00 in exchange of your exhibition ticket.
READ THE NOCTURNE PROGRAMME

06_12_2023__________18:00_21:00

PROJECT ROOM OPENING I Residency
Andro Eradze – Heavy Centers

In the framework of europalia georgia
Free entry

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10_12_2023__________12:00_16:00

BOOK KILO SALE I Bookshop

The WIELS bookshop opens its stock for a book kilo sale. Good deals ahead! 

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17_12_2023__________14:00_15:30

FAMILY FUNDAY I Family guided tour

FR/NL
Free for children – included in the exhibition ticket for adults.

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OPENING HOURS

WIELS stays open during the holidays! 

Grab your final chance to visit our current exhibitions and delve into the work of Francis Alÿs and Thea Djordjadze. 

On the 24th and 31st December, WIELS exceptionally closes at 16:00.
 

GET YOUR TICKETS IN ADVANCE

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OV35: Anthony Discenza “Recrudescence” — Opening Saturday December 2

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Project 35
e1f6bcc8-8c86-4ba4-b0ad-306f7706d233.jpg Anthony Discenza – Recrudescence

Opening Saturday December 2, from 4pm to 7pm
Exhibition on from December 2, 2023 to February 3, 2024.
 

Anthony Discenza’s exhibition is a meditation on humanity's relationship to technology and the irrational undercurrents that inform its supposedly rational field. Discenza’s practice incorporates and entangles concepts, materials, and relations from a variety of arenas. He makes no distinctions between industrial technologies (fossil fuels) and social technologies (divination objects; spiritual practices; or in a larger sense, fiction, and reality), nor between the systems that produce an image (Artificial Intelligence) and the image itself as an aesthetic output (artwork). For Discenza, these systems, their outputs, and their effects all function as materials that can be treated recombinantly.

The exhibition’s title, Recrudescence, is a term describing the reactivation or reanimation of a dormant system or alternatively the recurrence of a disease condition in a biological organism. Represented on a graph, it is shown as a peak of activity following an extended period of quiescence. The reversal is a destabilization of baseline systemic normality, or an agitation of dormant conditions—an awakening, or a return of something long suppressed. Discenza’s use of “recrudescence” in the context of this exhibition indicates a series of simultaneous glances forwards and backwards. The glances—or perhaps visions—are anticipatory, yet also have already arrived. Like the spectral presences invoked in a séance, they are in the room with us—the viewers—now. 

Demonology—a practice defined as “the science of demons and their actions”—provides an organizational index for material themes and concepts addressed in the exhibition. Discenza posits a Faustian bargain in the harnessing of fossil fuels as the engine driving technological advancement. This relationship is not merely literary or metaphorical: reminding us that the sun is the ultimate source of carbon-based energy, Discenza proposes that all fossil fuel-based combustion represents a functional summoning up of solar energy sequestered by biological organisms living 300 million years ago.

These entanglements are staged throughout the exhibition with a spare but theatrical economy. Visible from the gallery’s exterior, a pair of saturated green curtains—recalling possibly those cloaking the eponymous Wizard of Oz—frames a small office table and chair. On the table, resting in a cell phone cradle, sits a tablet of hand-polished anthracite—a metamorphic variety of coal, known in the fossil fuel industry for its energy density and high carbon content. The tablet and its placement echoes simultaneously the profile of a personal touchscreen device, a mineralogical specimen, and the mirrors and crystals used for scrying—a subset of divinatory practice employed by many different cultures, and the origin of the term “black mirror.”

A small sculpture of a poodle cast from coal dust and resin—a souvenir from the American mining industry—serves as a direct reference to Goethe’s Faust, wherein the demon Mephistopheles, appearing as a poodle, brokers a deal with the protagonist; his eternal soul in exchange for knowledge he could not uncover through mortal studies. Within the matrix of the exhibition, such an exchange appears to be close at hand, either in the near future or the immediate past. It is ambiguous exactly where the exhibition is positioned in time: if we stand already at a precipice, or if the unleashing of malevolent forces has already occurred… on what side of “des Pudels Kern” are we?

Discenza extends the metaphor of an infernal summoning of nonhuman forces into our recent and rapidly expanding harnessing of generative and predictive AI tools. AI systems are frequently conceptualized in the language of the immaterial (the Cloud), but their existence relies on massive physical infrastructures—vast server farms consuming massive amounts of electricity (in much of the world, electricity still produced from burning coal). Some Engines (Vessels) consists of a pair of framed, gelatin silver prints, seemingly photographic images which have been produced by prompting the popular AI image generative model Midjourney to visualize computational process as early industrial infrastructure. The resulting diptych—reminiscent of Bernd and Hilla Becher’s images of industrial sites—depicts two nearly-identical versions of a peculiar industrial object, a sort of hybrid of blast furnace and alchemical vessel.

Along with environmental degradation and resource depletion, another key by-product of all the intensive computation required for AI systems is heat. A second wall-mounted diptych, consisting of a pair of industrial-scale heatsinks—machined metal blocks used for the dissipation of excess heat in an electronic system—serves to further amplify the thematic of an exchange of information mediated by thermodynamic expenditures. Extracted from an industrial site, the sculpture also stands in metonymically for the physical infrastructure of computation itself. Discenza rounds this out, including in the exhibition a single lit candle—one of humanity’s earliest and still-relied upon harnessings of combustion.

– Nate Hitchcock Lévy

– – –

Anthony Discenza (American, b. Brunswick, NY) is a multidisciplinary, conceptual artist, living and working in Western Massachusetts. His work employs various media including text, video, found objects, sculpture and sound. Through installations and public works he addresses ideas of artificiality, narratology and interactivity. His work has been the subject of solo exhibitions at the de Young Museum, San Francisco, CA; the Museum of Contemporary Art, Cleveland, OH; Objectif Exhibitions, Antwerp; and Et al. Gallery, San Francisco, CA.

His works have been included in exhibitions at the McNay Art Museum, San Antonio, TX; V-A-C Foundation, Venice, IT; Galleria d’Arte Moderna e Contemporanea, Bergamo, IT; Aspen Art Museum, Aspen, CO; University of Michigan Museum of Art, Ann Arbor, MI; ICA London, London, UK; and Ballroom Marfa, Marfa, TX.

In 2020, Discenza founded lower_cavity, an artist-run residency program and project space located in a former papermill in the Pioneer Valley of Western Massachusetts.

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Duo-exhibition Stéphanie Baechler – Charlotte Eta Mumm

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Last two weeks
 

 
 
 

Stéphanie Baechler & Charlotte Eta Mumm


Espèces d’Espace

 
November 05 – December 10, 2023
Fri, Sat, Sun 2 – 6 PM

 
 
The title of the exhibition Espèces d’Espace refers to a book by Georges Perec (1974) ‘Prière d’insérer’, Espèces d’espaces Species of Spaces, 1974, in which he states ‘L’espace de notre vie n’est ni continu, ni homogène, ni isotrope. Mais sait-on présisément où il se brise, où il se courbe, où il se déconnecte et où il se rassemble?… Le problème n’est pas d’inventer l’espace, encore moins de le réinventer (trop de gens bien intentionnés sont là aujourd’hui pour penser notre environneent…), mais de l’interroger, ou, plus simplement encore, de le lire.’

Stéphanie Baechler (° 1983, Meyriez, CH) lives and works in Amsterdam and Switzerland. She has exhibited at MAHF, Fribourg, Kunsthalle Fri Art Fribourg, Centre d’art Pasquart Biel in Switzerland, Arti et Amicitiae Amsterdam and Modemuseum Antwerp. Her work is in public and private collections, including HEAD-Genva, Museum für Gestaltung Zürich and MAHF Fribourg. 
Baechler is interested in the interplay between craft and technology; the complex and often ambiguous relationship between handmade and machine-made results. Textile and clay are the main materials she uses in her sculptures and installations. Her work is characterized by a sensitive, intuitive and process-oriented approach to materials.

Charlotte Eta Mumm (°1980, DE) is exhibiting for the first time in our gallery. She lives and works in Amsterdam. Her works have been shown in Städtische Galerie Nordhorn (DE), Phoinix, Bratislava (SK), Museum Brot und Kunst Ulm (DE), Keramiekmuseum Princessehof, Leuwarden (DE), Arti et Amicitiae Amsterdam, Kunstenfestival Watou (BE), Sculpture Quadrennial, Riga (LV).
She works with a variety of materials and crosses the boundaries between painting, drawing, sculpture and situational settings. Her work moves between abstract and figurative, questioning the presence of things, inside/outside perspectives and the definition of space and surface. Conflicting perceptions and paradoxes are important aspects in her artistic work.They question the certainty of images and concepts.
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Groot Park 2, 3360 Lovenjoel – www.whitehousegallery.be