Montez Press February News

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Montez Press News
February 2024

→ Oliver Reed by Hannah Regel: 2nd Edition with new introduction by Olivia Kan-Sperling
→ Interjection-010-01_Mayra A. Rodríguez Castro
→ Interjection-010-02_raphaëlle red
→ MPR February Schedule

Read and re-read the new edition of Oliver Reed by Hannah Regel

The second edition of Oliver Reed, published February 2024, includes a newly commissioned introduction by Olivia Kan-Sperling.

In Oliver Reed, growing-up happens naturally, clip clip clop, at the same time as it requires someone or something—line break or literal incision—to break you in. Oliver Reed is about how a pony body gets trained and a pony mind gets educated, over and over and over again. Time, in this book, loops more than it progresses: “Sorry attends her Birth” after “Sorry is a Girl, Grown Up.” I wish I’d read Oliver Reed at fourteen or eighteen; then again, I sort of feel like I did. This we already know: if looking at young girls never gets old, writing about them doesn’t, either.
— Olivia Kan-Sperling, editor at The Paris Review and author of Island Time

Hannah Regel has two published collections of poetry, When I Was Alive and Oliver Reed (both Montez Press, 2017 and 2020). Her debut novel, The Last Sane Woman, will be published in July 2024 by Verso. She lives in London and works as an editor at Book Works.

→ Purchase Oliver Reed direct from Montez

January Interjection: HEGEMON by Mayra A. Rodríguez Castro

Mayra A. Rodríguez Castro is a writer. She is the editor of Dream of Europe: selected seminars and interviews: 1984-1992, a collection of unpublished seminars and interviews by Audre Lorde (Kenning Editions, 2020). She is the recipient of the John F. Kennedy Institute Postdoctoral Fellowship (Freie Universität Berlin, 2018) and Anne Waldman Fellowship (Naropa University, 2019). Her words have been hosted by Dia Art Foundation, De Appel, Amant Foundation, The Brooklyn Rail, Social Text, Changes Press Review, and The Poetry Project among others.

→ Read Mayra’s Interjection here

February Interjection: (STANDING IN) THE WAY by raphaëlle red

raphaëlle red is a Berlin-based writer of fiction and experimental prose. raphaëlle’s debut novel, ADIKOU (Grasset, 2024 & Rowohlt, 2024) is a coming-of-age roadtrip that explores the complexities of Afrodiasporic heritage within a web of brutal, resistant and tender histories. Further writing in French, English and German has appeared in publications including Bella Triste, The Funambulist, L’Humanité, and gal-dem.

→ Read raphaëlle’s writing here

MPR February Schedule

Saturday 17th February live from Artists Space for the Segue Reading Series with Lonnie Holly and Lee Bains

Wednesday 21st February with Extra Extra, Martin Rombouts, Bradley Kronz, In Vitro, Celine, Suicide Moi (Julian Flavin, Isabelle Frances McGuire, Liz Vitlin), and Angel Money. 

Thursday 22nd February from London with How to Sleep Faster (Arcadia Missa), Michaela Cullen, okcandice, Babeworld, Rina Meta, The Funambulist Magazine and MVcoko, and then back in NY for Club Wonder with readings by Cristine Brache, Ted Dodson, Ben Fama, Maya Martinez, E.R. Pulgar, Chariot Wish and music from Kelpy Cathedral.

Friday 23rd February with Stanley Schtinter, Emmanuel Olunkwa, Joanne Zwirner, Are.na with Meg Miller, Sharon Neema, Michelle Santiago Cortes, Rigoberto Lara Guzmán, James Loop, Montana James Thomas, D.O.T. Audio Arts, Torn Hawk, Ivan Berko, Accdntl Dred, Schema 7, Bentley Anderson, Tenaya Nasser-Frederick, Tilghman Goldsborough, Lori-May Cruz Orillo, Zoe Brezsny, and Roxy Farman.

Saturday 24th February live from Artists Space for the Segue Reading Series with Alexandra Auder and Stephanie Lacava

Sunday 25th February with Storefront for Art and Architecture
 

→ Listen at radio.montezpress.com
→ See this month’s schedule
→ Sign up as a Supporter and unlock the archive
→ Donate

With love,

MPR & Montez Press

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ABA February

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ABA

Air Berlin Alexanderplatz

 

 

Upcoming SALONS

 

Come by for an open studio evening with the ABA resident Tereza Glazova. The evening will include a new video screening, unfinished work reveal & goodbye drinks.

Please RSVP via email here.

 

Open Studio with Tereza Glazova
Tuesday 13 February, 6 pm
Supported by Pro Helvetia

Visual by Aksels Bruks

Julia Nusser is inviting you to a fabulous birthday exhibition on 14 February. 

The show is brought together with a nod to the book 𝘗𝘢𝘶𝘭 𝘛𝘢𝘬𝘦𝘴 𝘵𝘩𝘦 𝘍𝘰𝘳𝘮 𝘰𝘧 𝘢 𝘔𝘰𝘳𝘵𝘢𝘭 𝘎𝘪𝘳𝘭 ( by Andrea Lawlor) where a shapeshifter named Paul can modify his bodily features to be more masc or fem presenting. In the story, Paul enters environments that are heavily binary-coded, from a female-only music festival to a gay leather club. Paul constantly feels included and excluded based on his appearance. His inner monologue is soaked with imposter syndrome and an inexhaustible desire of belonging. His fluidity in gender and sexuality leads him through a deep archive of queer struggle and pleasure.The artists showing and performing are friends who had a shoulder for Julia to cry on, took part in philosophising about further plans in life, and were visitors at the residency flat that has become so dear to her. 

With:
Julia Nusser, Aksels Bruks, Billie Bling, Alba Hiedras, Michelle Stutz, Tanita Carol, Luca Büchler, Irem Güngez 

Doors open at 18:00
Performances will begin at 19:00 and 19:30

It’s Julia’s birthday. Let’s celebrate together! P.S. – bring flowers! <3

 

 

Taking the Form of a Mortal Girl
Uqbar, Schwedenstraße 16, 13357 Berlin
Wednesday 14 February, 6 pm
Supported by Pro Helvetia and the Swiss Embasy in Germany

Whisper me this

There were some voice notes, or it might as well have been some whispers in the dark. I sleep light, so I wake up again at 3:35, and this is what I see: the white sound machine is red, and my oil diffuser is violet. The LED strip combines magenta (magenta doesn’t exist) and orange—y—a high pitch of a broken-down fridge from upstairs. Only I can hear it. Flashback to: He laughs while blasting the radio – speakers wonky about to explode my eardrums. I can whisper you this, and only this. 

 

Whisper me this
Elif Özbay Satanaya
Tuesday February 20, 4 pm–5 pm
 

Broadcasted through Colaboradio via Freies Radio Berlin/Brandenburg 88,4 MHz in Berlin 90,7 MHz in Potsdam or listen online here.

*Every third Tuesday of the month from 4-5pm you can listen to ABA’s Air Salon Radio produced by artists in residence, hosted by fr-bb Freie Radios – Berlin Brandenburg

For her project, current ABA resident Dóra Benyó is looking for stories from people who have asked to access their records at the Stasi Records Archive.

If it’s you or if you know someone who has, please drop a message directly to 

Current ABA Residents

Dóra Benyó
(January 2024–April 2024)

 

Dóra Benyó lives and works between The Hague and Brussels. Through painting, video and performance, Dóra draws on her own family history to address censorship and authority in Hungary during the Soviet era. She predominantly works with state archives related to her grandfather, held by the former secret service. From a personal quest for belonging, Hungarian born but grown up in the Netherlands, she searches for traces of dictatorship left in her family, and poses questions about how we relate to our histories and their (un)knowability.

Supported by Mondriaan Funds

Tereza Glazova 
(September 2023–March 2024) 

Tereza Glazova, born in 1996 in Riga and now based in Zurich, does both solo work and collaborates with Julia Nusser in the duo Nusser Glazova. She employs the pseudonym Tereza Auslettland for her writings and engages in sound projects using aliases such as Mia Thermopolis and just a girl. She is co-founder of the art space Wynx Club and the event label Forever Unblocked.

Supported by Pro Helvetia

Julia Nusser
(September 2023–March 2024)

 

Julia Nusser (b. 1991, DE) lives and works in Switzerland. She has presented solo and in her duo practice Nusser Glazova installations, video works, and performances in institutions and spaces such as Centre d’art contemporain, Geneva; Kunsthalle Zürich; Kunsthalle Bern; Longtang, Zürich; le commun, Geneva; Wallstreet, Fribourg; Palazzina, Basel; Borgenheim Rosenhoff, Basel; Künstlerhaus Bregenz. With Nusser Glazova she was nominated for Prix Mobiliare and realized a public artwork that was commissioned by Kanton Zürich. Julia also worked as a co-curator in the art space Wynx Club in Zürich. 

Supported by Pro Helvetia

REMOVED FOOTER

ABA (Air Berlin Alexanderplatz) e.V. / Schöneberger Str. 13 / DE-10963 Berlin / https://airberlinalexanderplatz.de/
Team: Susanne, Aleksander, Amanda, Paula

Newsletter Ludwig Forum Aachen

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Ludwig Forum

Ausgabe 13.02.2024

 

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Alex Baczyński-Jenkins, Us Swerve (2014), Palais de Tokyo, Paris, 2017. Foto: Atelier Diptik

Please scroll down for English Version

schrit_tmacher Festival im Ludwig Forum Aachen

Das Ludwig Forum Aachen freut sich, die Zusammenarbeit mit dem schrit_tmacher Festival fortzusetzen. Gleich an drei aufeinanderfolgenden Wochenenden finden Veranstaltungen im Ludwig Forum Aachen statt: Am Sa, 24.02. und So, 25.02.2024, jeweils 15-17 Uhr, wird der international gefeierte Choreograf Alex Baczyński-Jenkins seine Arbeit Us Swerve präsentieren. Darüber hinaus präsentiert die Tänzerin und Choreografin Yin Yuen am Sa, 09.03. und So, 10.03.2024, jeweils 15 Uhr ihre neue Solo-Performance Into Ash in der Mulde des Museums. Unter dem Titel GENERATION2 können am Fr, 01.03. und Sa, 02.03.2024 zudem auch Tanz- und Performance Workshops für Kinder, Jugendliche und junge Erwachsene im Space des Ludwig Forum Aachen besucht werden.

Wir freuen uns auf Ihr Kommen!

Ihr
Ludwig Forum Aachen

Alex Baczyński-Jenkins
Us Swerve
Sa, 24.02. und So, 25.02.2024, jeweils 15 – 17 Uhr

In Alex Baczyński-Jenkins Us Swerve (2014) kreisen Performer*innen auf Rollerblades umeinander, während sie Texte zum Thema „Begehren“ rezitieren, mischen und neu formulieren. Diese polyphone choreografische Partitur wird ständig durch ihre Bewegungen, Betonungen und Gestik variiert. Während sie kreisen, wird aus einem queeren Archiv von Zitaten von Literaten*innen wie Essex Hemphill, Eileen Myles und Langston Hughes geschöpft. Diese Ausdrücke von Begehren und ihre sinnliche Wiederholung setzen die Rollerbladers in Bewegung und schaffen ein Tableau, durch das sie sich bewegen.

In Zusammenarbeit mit und performt von Felipe Faria, Jake Sherwood, Karl Fagerlund Brekke. Studio-Direktion: Andrea Rodrigo; Studio Managment: Sarie Nijboer; Studio Consultant: Rui Silveira; Vertrieb: Something Great. Ursprünglich entwickelt mit und performt von Zacharia Fletcher, Jose Funnell, Imma Mess, Karl Fagerlund Brekkebut.

Museumseintritt. Freier Eintritt für Kinder und Jugendliche bis einschließlich 21 Jahre. Keine Anmeldung erforderlich.

Yin Yue Into Ash
Sa, 09.03. und So 10.03.2024, jeweils 15 Uhr

Yin Yue ist eine international anerkannte Tänzerin und Choreografin sowie die Gründerin und künstlerische Leiterin der YY Dance Company. Die Arbeiten der preisgekrönten chinesisch-amerikanischen Choreografin schöpfen aus ihrem sehr originellen Bewegungsvokabular FoCo Technique, einer Fusion aus traditionellen chinesischen und zeitgenössischen Tanzstilen. Neben der Arbeit mit YYDC hat Yue zahlreiche Auftragschoreografien für renommierte Kompanien wie Martha Graham Dance Company, Boston Ballet, Limon Dance Company, Balletto Teatro di Torino und viele weitere geschaffen.

Into Ash basiert auf ihrer Soloperformance im Rahmen der Ashlyn NY Fashion Show im Sommer 2023. Koproduziert von schrit_tmacher Festival / Ludwig Forum Aachen.

Museumseintritt. Freier Eintritt für Kinder und Jugendliche bis einschließlich 21 Jahre. Keine Anmeldung erforderlich.

GENERATION2. Junge Talente
Fr, 01.03.2024, 20 Uhr und Sa, 02.03.2024, 16 Uhr

schrit_tmacher präsentiert Tanz nicht nur für Erwachsene, sondern auch für Kinder, Jugendliche und junge Erwachsene: die Zuschauer*innen und Tänzer*innen der Zukunft. Unter dem Titel GENERATION2 geht es um die Erlebniswelt bzw. Lebenswelt dieser Zielgruppe. Teil des Programms sind Nachwuchschoreograf*innen, junge Talente auf der Bühne, der schrit_tmacher Familientag und Austauschformate.

60min (ohne Pause). VVK / AK: € 8,00.

English Version

schrit_tmacher Festival at Ludwig Forum Aachen

Ludwig Forum Aachen is pleased to continue its collaboration with the schrit_tmacher Festival over the course of three consecutive weekends: on Sat, 24.02.and Sun, 25.02.2024, 3-5 pm, the internationally acclaimed choreographer Alex Baczyński-Jenkins will present his work Us Swerve. Moreover, the dancer and choreographer Yin Yuen presents her new solo Into Ash on Sat, 09.03. and Sun, 10.03.2024, at 3 pm. In addition, dance and performance workshops for children, teenagers and young adults can also be attended under the title GENERATION2 on Fri, 01.03. and Sat, 02.03.2024 in the Space of the Ludwig Forum Aachen.

We look forward to welcoming you at the Ludwig Forum!

Yours
Ludwig Forum Aachen

Alex Baczyński-Jenkins
Us Swerve
Sat, Feb 24 and Sun, Feb 25, 2024, 3-5pm

In Alex Baczyński-Jenkins’s Us Swerve (2014), performers on rollerblades orbit one another while reciting, remixing, and reformulating fragments of poetry that meditate on the subject of desire. This polyphonic choreographic “score” is perpetually altered by the performers’ movements, attitudes, and affects. As the performers circulate, they begin to channel a queer archive of verses and inflections, including lines from writers such as Essex Hemphill, Eileen Myles, and Langston Hughes. These articulations of desire and the sensuality of repetition both set the rollerbladers in motion and create a tableau for them to move through.

In collaboration with and performed by Felipe Faria, Jake Sherwood, Karl Fagerlund Brekke. Studio director: Andrea Rodrigo; Studio manager: Sarie Nijboer; Management consultant: Rui Silveira; Distribution: Something Great. Originally developed in collaboration with and performed by Zacharia Fletcher, Joseph Funnel, Imma Mess, Karl Fagerlund Brekke

Museum admission only. No registration required.

Yin Yue Into Ash
Sat, March 9 and Sun March 10, 2024, 3pm each

Yin Yue is an internationally recognized performer, choreographer and the founder and artistic director of YY Dance Company (YYDC). The works of the award-winning Chinese-American dancer incorporate Yin’s signature FoCo Technique which represents a dynamic fusion of traditional Chinese dance and contemporary movement language.In addition to her work with YYDC, Yue has created numerous commissioned choreographies for renowned companies such as Martha Graham Dance Company, Boston Ballet, Limon Dance Company, Balletto Teatro di Torino and many more.

Into Ash is based on her solo performance as part of the Ashlyn NY Fashion Show in summer 2023. Co-produced by schrit_tmacher Festival / Ludwig Forum Aachen.

Museum admission only. No registration required.

GENERATION2. Young Talents.
Fri, March 1, 2024, 8pm and Sat, March 2, 2024, 4pm

schrit_tmacher presents dance not only for adults, but also for children, teenagers and young adults: the spectators and dancers of the future. Under the title GENERATION2, the focus of the program is on the living environment of this group. The program includes up-and-coming choreographers, young talents on stage, the schrit_tmacher family day as well as formats for exchange.

60min (no intermission). Box office: € 8,00.

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Ausstellungen

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Impressum

Ludwig Forum für Internationale Kunst
Jülicher Straße 97–109
52070 Aachen
Di bis So 10–17 Uhr, Do 10–20 Uhr
Tel. +49 (0) 241 1807 104/ Fax +49 (0) 241 1807 101
E-Mail: Redaktion:
Ludwig Forum Aachen
www.ludwigforum.de

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Ein Museum der Stadt Aachen

Newsletter February 2024

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Artist news
 
 
 
 
Stéphanie Baechler

Nomad Circle

In collaboration with SecondNature, curated by Giovanna Lisignoli with Elissa Lacoste
 
Former Hotel Eden, St. Moritz (CH)
 
February 22-25, 11 AM – 7PM
 
 
 
 
Stéphanie Baechler

Have Faith

Solo show in dialogue with the collection of Musée d’art et d’histoire Fribourg MAHF
 
MAHF, Fribourg (CH)
 
September 1, 2023 – March 24, 2024
 
 
 
 
 
Joke Hansen

Vloedlijn

Group exhibition 18 alumni visual arts PXL,
curated by Mieke Mels
 
PXL-MAD, Hasselt 
 
February 29 – March 29
 
 
 
 
 
 
 
Joke Hansen
Tim Volckaert

Paranoia

Group exhibition, curated by Tamara Beheydt
 
Ter Dilft, Bornem  

February, 17 – April 7
 
Opening February 16, 7.30 – 9.30 PM
 
 
 
 
 
 
 
 
 
 
Tim Volckaert

inspired by Love

Belfius art collection

November 11, 2023 – June 22, 2024
 
Subscription required
___________________________________________________________
          

Groot Park 2, 3360 Lovenjoel – www.whitehousegallery.be

Invitation You hunter You ‘the dresscode’

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You hunter You The dresscode

 

A cape to share.

Two capes were made from the cloth that was on the table at last year’s dinner.
One will be send out.
The other one will stay at the farm waiting for her other to come back from her travel.

Do you want to be part of The dresscode?
Walk with her through your area as she walks with you.

Please send us an email before March 1 2024.
We will prepare the cape for her journey, define her route and let you know,
when she will be yours.

We expect her to travel during spring, summer, autumn and winter…
We kindly ask you to send us a souvenir of your area.
It may come in any form, shape, language.

Please notice that your souvenir will be the start of another episode.

Put your cape on, we are going outside.

listen here to the audio invitation

REMOVED FOOTER

~ The dresscode is an invitation by Sara ten Westenend and Giene Steenman.
This phase of You hunter You takes place on various locations, your very own ‘areas’.
The cape will be used to activate walks.
Open to all. ~

Deadline open call: March 1, 2024
If you want to participate, please email :  more info : nadine.be

The ritual – A vocal exercise led by oracle in the former stable, the greenhouse and the field of the farm
The area – A performative dinner in the farmhouse dining room
The dresscode – A cape send out to different people in various places. 

Affiliate: A new space in the city centre · Presentation by Lore D Selys · New residents

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NL     EN     FR

A new space in the city centre

WIELS is thrilled to announce the opening of affiliate, a new space for alumni of the WIELS Residency Programme to present their work, as well as other formats and events, fostering dialogue with the city. 

Located near the old city centre of Brussels, affiliate provides fluctuation between different practices, approaches and collaborations.

Celebrate the opening of this new space this Thursday 8 February with a presentation by Lore D Selys.

OPEN: Thursday > Saturday, 14:00-18:00  
LOCATION:  Rue du Jardin des Olives 3 Olivetenhof, 1000 Brussels

LEARN MORE ABOUT AFFILIATE

Opening

Lore D Selys
with Jamaal Al Maalak
Beauty Angel x Olive Garden 

From 9 February until 2 March, Lore D Selys is the first former WIELS resident to present a new body of work in affiliate. 

OPENING: THU 08_02_2024, 18:00-21:00
PRESENTATION: 09_02-02_03_2024, 14:00-18:00 (Open Thursday > Saturday)
LOCATION: Rue du Jardin des Olives 3 Olivetenhof, 1000 Brussels
FREE

READ MORE

Welcome to the new residents 

WIELS is pleased to welcome a new group of residents in its building. Each year, up to 18 artists participate in the international WIELS Residency Programme, to develop their work and their professional practice. Explore the profiles of our new residents on our website: 

DISCOVER THEIR WORK

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WIELS

Avenue Van Volxemlaan 354

Brussels 1190

Belgium

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Q-O2 News :: Oscillation ::: Materia Forma 30/04 – 05/05

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 workspace for experimental music and sound art

Festival
30 April – 5 May
Oscillation ::: Materia Forma

New Oscillation edition, new format ::: after online, nomadic and sedentary editions, we’re in for six days of sound celebrations. The marathon edition? Those who have been following us for some time know that this range is not a try-out for the Q-O2 crew. Those concerned about physical effects, sleep deprivation, and sonic saturation? Don’t worry, the evenings will be intense, but, concise.

This year’s edition is hosted by VK Vaartkapoen in Molenbeek, complemented with outings to B.A. in Anderlecht and the Saint-Jean-Baptiste de Molenbeek-Saint-Jean Church. The six days feature concerts, (in-situ) performances, a conference, round table conversations, walks, and a series of workshops. The complete line-up and breakdown per day will go online soon, as will the ticket sale for seperate days. Festival passes are already available here.

This year, we reflect on form, format and performance. The self-evidence of an active performance linked to music has been altered with the ubiquity of electronic instruments and forms of amplification, which has also resulted in a larger variety of concert formats. Yet, absence of activity on stage does not equate to an absence of performance: objects might take that role, everyday events can be framed to perform themselves, sounds may exist as forms in themselves. Degrees of reality morph, appear, and disappear.

Featuring:

Ahnjili Zhuparris, Ana María Romano G., Bojana Czević, Enrico Malatesta, Floris Vanhoof, Franziska Windisch, Giulia Rae, Jana Rush, Jaqueline Nova, Ji Youn Kang, Jonáš Gruska, Laura Mello, Lea Bertucci, Lee Patterson & Pak Yan Lau, Liew Niyomkarn, Margarida Garcia, Michiko Ogawa & Lucy Railton, Nika Son, Nina Garcia/Mariachi, Rim Irscheid, Sandar Tun Tun, Shamica Ruddock & Hannan Jones, Tetsuya Umeda, Tom Malmendier & Emilie Škrijelj, Valentina Vuksic, and Victoria Shen.

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VERNISSAGE: Max Eilbacher / Phillip Sollmann – Kalkül der Form

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MAX EILBACHER / PHILLIP SOLLMANN

KALKÜL DER FORM

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Eröffnung: 17. Februar 2024, 19 Uhr
Laufzeit: 18. Februar – 24. März 2024

 

 

 

Der NAK Neuer Aachener Kunstverein freut sich die Ausstellung Kalkül der Form der beiden Künstler und Musiker Max Eilbacher und Phillip Sollmann zu präsentieren. Die Ausstellung wird am 17. Februar 2024 mit einer Performance der beiden initiiert; die Präsentation ist anschließend bis zum 24. März im Kunstverein erfahrbar.

Kalkül der Form besteht aus zwei korrespondierenden Kompositionen, die als long durational pieces gleichzeitig erklingen und sich als immersive Installation über die beiden Ausstellungsräume des Kunstvereins erstrecken. Mit ihrem neuen, gemeinsam entwickelten System gelingt es Eilbacher und Sollmann, völlig neue klangliche und kompositorische Entdeckungen zu machen, die unbekanntes Terrain erschließen und als immersives Klangerlebnis einzigartig sind. 

Max Eilbacher (*1991 in Baltimore, USA) ist ein Klangkünstler, der sich mit Kompositionen, musikalischen Performances, konzeptionellen Systemen, Wahrnehmungs-Choreografien, Installationen und theoretischen Skulpturen auseinandersetzt.

Phillip Sollmann (*1974 in Kassel) beschäftigt sich in seinen Arbeiten mit zahlreichen Klangebenen. Er studierte elektroakustische Musik an der Universität für Musik und darstellende Kunst in Wien. Unter dem Projektnamen Efdemin produziert er seit Ende der 1990er Jahre elektronische Musik und ist Resident-DJ im Berliner Club Berghain. Unter seinem richtigen Namen arbeitet er als Klangkünstler und Komponist.

 


Falls Sie den Newsletter nicht mehr erhalten möchten, senden Sie uns bitte eine E-Mail mit dem Betreff UNSUBSCRIBE.
_ _

NAK Neuer Aachener Kunstverein
Passstraße 29
52070 Aachen
0049 (0)241503255
www.neueraachenerkunstverein.de
www.instagram.com/neuer.aachener.kunstverein

 

 

 

This week’s openings in Brussels

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This week’s openings in Brussels ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌
This week’s openings in Brussels
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Opening this week
Wednesday 07 Feb → Tuesday 13 Feb

Wed 07.02 — 18:00
La Verrière
Koenraad Dedobbeleer – 'Emi e dames messeur'

Thu 08.02 — 17:00
Jan Mot
Mike Kelley, Sharon Lockhart, Silke Otto-Knapp

Thu 08.02 — 17:00
Galeria Jaqueline Martins
Jan de Maesschalck

Thu 08.02 — 17:00
Galeria Jaqueline Martins
They may germinate in unexpected places

Thu 08.02 — 18:00
Moonens Foundation
Raz de Marais : Marie Van de Walle, Kamille Viviane, Tom Valckenaere Nicolas Valckenaere, Éléonore Scardoni, Maxime Delalande

Thu 08.02 — 18:00
Baronian
Eric Duyckaerts (works)

Thu 08.02 — 18:00
Baronian
Group Show

Thu 08.02 — 18:00
Affiliate (Wiels)
Lore D Selys (Affiliate Presentation)

Thu 08.02 — 18:00
n0dine
Various Artists – 'afarTight'



Opening next week
Wednesday 14 Feb → Tuesday 20 Feb

Wed 14.02 — 19:00
NICC
Cleo Totti and Jivan Van der Eynde

Thu 15.02 — 17:00
Xavier Hufkens
Sherrie Levine

Thu 15.02 — 18:00
Alice Gallery
Steve Dehoux – ‘Aimé’

Fri 16.02 — 18:00
Damien & The Love Guru
Agatha Wara – 'The voyage of Puny Buny'

Sat 17.02 — 15:00
Briefing Room
Always trouble with the underclass

NECA and this newsletter are brought to you by la Fondation pour les Arts / Stichting voor de Kunsten. with the active support of visit.brussels.
Fondation pour les arts
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Laatste kans om de tentoonstellingen te bezoeken

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Z33 agenda

Z33 als klaslokaal, tot 09.02

“Hier voelt het minder verplicht. Op school moet je leren, hier wil je leren.”

Bron: 4de-jaars filosofie van Van Veldeke

Lees het Radio 2-artikel over ons scholenproject

Praat mee

Over kunst als leeromgeving
08.02 om 19u

Finissage This Is Us
18.02 om 15u

 

Tentoonstellingen

NIEUW: Vr 02.02 tot zo 18.02
Studio Technogeographies

Tot 18.02
This Is Us
Jef Geys maakt school
Classroom
 

Bekijk het volledige programma

Krokustip

Met kinderen

Z33 bezoeken is een beetje reizen. Je komt op plekken en ziet dingen die je nooit eerder zag. Ontdek de tentoonstellingen lopend, huppelend, springend of dansend. Aan jou de keuze.

Tijdens de krokusvakantie kan je ons familieparcours een laatste keer volgen. Mis het niet.
 

Meer informatie

Shop

Doe je voordeel met Museumpas

5% korting 

Vanaf 9 februari geniet je met je Museumpas van 5% korting in onze shop. Wil je hier ook je voordeel uit halen? De Museumpas is verkrijgbaar aan ons onthaal.

Bekijk de openingsuren

Z33 is een grensverleggende kunstinstelling in Hasselt op het kruispunt van hedendaagse kunst, design en architectuur. 

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Cas-co NIEUWS: februari

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Cas-co NIEUWS: februari

FEBRUARI

Foto: installatiezicht van de solo presentatie ‘Eat the Frog, Swallow the Ebb‘ door Francisco Correia © Jente Waerzeggers

ACTIVITEITEN

Op 15 februari ontvangt Cas-co curator Brenda Guesnet (IKOB Eupen, Open M ’24) voor een lunchlezing en studiobezoeken. Brenda Guesnet woont in Brussel en werkt in Eupen en Brussel. Tijdens de lezing om 12.00 uur zal zij uitgebreid ingaan op haar praktijk en projecten. Daarna kunt u bij ons terecht voor een goed gesprek en een democratisch geprijsde lunch.

RESIDENTEN

Ateliers

Februari belooft veel beweging in de ateliers. Jonas Beerts verhuist van maakleerplek naar Studio Vaartstraat, waar hij binnenkort vervoegd wordt door de andere helft van het kunstenaarsduo Jonas & Sarah, nl. Sarah Lauwers. Daarnaast verwelkomen we de nieuwe praktijken van Lieselotte Vloeberghs en Lucy Andrews. In de volgende nieuwsbrief meer, daarover!

Off the Grid

De nieuwe residenten van Off the Grid is van start. We stellen u, met genoegen, voor aan: solo resident Oya, collectief Bebe Books en curator Alicja Melzacka. Voor de agenda: op 7 maart trappen we het seizoen samen in gang met een open studio en de inauguratie van een nieuwe vlag (door Bebe). 26 april markeert de start van het presentatieprogramma, waarbij het kunstenaarsboek een bijzondere plek zal innemen.

30CC

Ook in de 30CC-Residentie gonst het met nieuw leven. In februari ontvangen we Fabian Krestel, Collectief Curieux, Margot Janssens en het playwrighting festival Shakespeare is Dead. Vandaag, vrijdag 2 februari, om 18u00 organiseert Fabian Krestel een try-out in kader van zijn onderzoeksproject The Labyrinth, dat de relatie tussen proces en product verkent. 

HIGHLIGHTS

Onder deze rubriek zet Cas-co projecten en tentoonstelligen van onze residenten in de schijnwerper. Deze maand met een focus op de deelname van onze residenten aan Art Rotterdam en Art au Centre (Luik).

Ateliers, residenties & omkadering voor kunstenaars

Vaartstraat 94
3000 Leuven

[nadine] February 2024

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[n0dine] Gloria Tours by Various Artists
19/01 – 11/02/2024 expo

[EN] Gloria Tours is an exhibition with newly produced work by Various Artists, which originates while travelling the land borders of Portugal and Spain.

[NL] Gloria Tours is een tentoonstelling met nieuw geproduceerd werk van Various Artists, dat ontstaat tijdens het reizen langs de grenzen in Portugal en Spanje.

[FR] L’expositions Gloria Tours réunit les nouvelles pièces de Various Artists dont l’origine se situe lors d’un voyage le long des frontières de l’Espagne et du Portugal.

Finissage on Thursday 08/02 18:00 – 21:00
Exhibition 19/01 – 11/02, Mon > Fri 10:00 – 18:00 & by appointment

n0dine, rue de Laeken(se)straat 105, 1000 Brussels
more info: nadine.be
image by Various Artists / co-curated by Marilyn Grimmer

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[n0dine] The Making of by Shelbatra Jashari & Italo Tavares
01/03 – 24/03/2024 expo

[EN] In The Making of – multidisciplinary artist and filmmaker Shelbatra Jashiri elaborates on the creation process of her short film shemortelle (2023). 
For the exhibition, she invited Italo Tavares (colourgrader of shemortelle). Both of them work with the filmmedium in Brussels. In the exhibition, they conceive the urban landscape of their adopted city as a canvas for their own vision and path at separate times of their careers and work.

[NL] In The Making of – gaat multidisciplinair kunstenaar en filmmaker Shelbatra Jashiri dieper in op het creatieproces van haar kortfilm shemortelle (2023).
Ze richt de tentoonstelling in samen met Italo Tavares (die de colourgrading deed voor shemortelle). Ze werken allebei met het filmmedium in Brussel. In de tentoonstelling beschouwen ze het stedelijke landschap van hun adoptiestad als canvas voor hun eigen visie en pad op verschillende momenten in hun carrière en werk.

[FR] Dans The Making of – l’artiste multidisciplinaire et cinéaste Shelbatra Jashari plonge dans le processus de création de son court métrage shemortelle (2023).
Elle invite Italo Tavares (étalonneur pour shemortelle) à la rejoindre pour cette exposition. Travaillant les deux le film comme medium à Bruxelles, iels conçoivent le paysage urbain de leur ville d’adoption comme une toile pour leur propre vision et parcours, à des moments différents de leur carrière. 

Vernissage on Thursday 29/02 18:00 – 21:00
Exhibition 01/03 – 14/03, Mon > Fri 10:00 – 18:00 & by appointment

n0dine, rue de Laeken(se)straat 105, 1000 Brussels
more info: nadine.be
image by Shelbatra Jashari & Italo Tavares

[extra muros] Do You Want A Happy Ending?
Jolien Naeyaert & Kim Snauwaert at ‘Beyond the Black Box’
01/02 – 04/02/2024 installation/performance

De Brakke Grond, Amsterdam
more info: brakkegrond.nl

[extra muros] Waar is de skier? Où est le Skieur? 
ILPALINESTO / Francesca Chiacchio & Georges Le Gonidec at ‘Dimanche à la Maison’
04/02/2024 – ongoing performance with kids

Maison des Cultures et de la Cohésion Sociale, Molenbeek
more info: lamaison1080hethuis.be

nadine is supported by:
Vlaamse Gemeenschap
Vlaamse Gemeenschapscommissie van het Brussels Hoofdstedelijk Gewest
Mobiel Brussel van het Brussels Hoofdstedelijk Gewest

Contact: 
dinA / Nieuwbrug 3 Rue du Pont Neuf / Brussel 1000 Bruxelles

Evénements autour de notre exposition, cycle de cours Marcel Broodthaers, stage pour enfants

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Février 2024   
 

À travers huit pratiques singulières et expérimentales de la photographie, l’exposition Matière critique, Explorations photographiques propose une plongée dans de véritables formes de résistance face à un monde dominé par le numérique. À découvrir du mardi au samedi entre 11h et 18h jusqu’au 23.03 !

En savoir plus →

Autour de l’exposition

Cycle de cours – Marcel Broodthaers : une traversée

À l’occasion du centenaire de la naissance de Marcel Broodthaers, Margaux Van Uytvanck, assistante-doctorante en histoire de l’art à l’ULB, propose depuis le 30 janvier dans ce cycle de cours de parcourir la carrière et l’œuvre multidisciplinaire de Broodthaers.

En pratique
Dates (séances 2, 3 et 4/4) : 06.02 – 13.02 – 20.02 
Horaire : 18:30 → 20:00
Séance : 8€ / Gratuités : infos ici

Je m’inscris →

Stage pour enfants – Carnaval

Animé par Romain Cavallin et Martin Galone
4 → 8 mars – 09:00-16:00 (garderie : 8:30 → 17:00)

Pour cet atelier, Romain Cavallin et Martin Galone, membres du collectif La Nombreuse, initieront les enfants à la technique de la photographie à travers l’univers du photosensible. Les enfants auront l’occasion de découvrir un procédé photographique naturel datant de 1842, basé sur la photo-décoloration des pigments végétaux : l’anthotype. Ces ateliers permettront de laisser libre part à leur créativité puisqu’iels pourront expérimenter l’apparition de nouvelles formes détourées ainsi que des compositions par le biais de photogrammes ou de collages. 

En savoir plus →
Inscrire son enfant →

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Avec le soutien de la Fédération Wallonie-Bruxelles, de la Commission communautaire française et de la Région de Bruxelles-Capitale. 

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Q-O2 news :: Second Sundays erratum

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 workspace for experimental music and sound art

Erratum Second Sundays – February 4th

Setting the record straight: the next Second Sundays with Vito Ricci and Lise Vachon will take place now Sunday, on 4 February.

Second Sundays #47
4 February – 17h (doors 16h30) –  @ Q-O2 – free
Vito Ricci & Lise Vachon

For its 47th edition, Second Sundays hosts New York based composer Vito Ricci and experimental vocalist Lise Vachon, as part of their EU tour. Second Sundays is a monthly series initiated by Q-O2. Each session a new guest is invited to share an insight into their own listening, playing and speaking about a selection of sound and music that is important to their thinking or practice. The sessions try to put value on listening to recorded music in a social setting as a space for discussion. The series takes place on the second Sunday of every month. Each session is paired with a cocktail-of-the-month, as decided by the invited guest.

[read more]

Still available + new
podcasts, books, releases, videos

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Openings February 2024

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OPENINGS
Thursday I 01.02.24

Pierre Marie Giraud
‘FLOWERS’
Jos Devriendt 
To be seen until 02.03

Rue de Praetere 7 De Praeterestraat
1050 Brussels
Xavier Hufkens
‘Close Encounters: Paintings and Drawings’
Leon Kossoff
To be seen until 30.03

Rue Saint-Georges 6 Sint-Jorisstraat
1050 Brussels 
 

Friday I 02.02.24

Waldburger Wouters

‘Parallel Visions’
Alcides Pereira dos Santos, Cyprien Tokoudagba, Stjepan Vrbanec and Anna Zemánková 
To be seen until 24.02

Rue Ernest Allart 18 Ernest Allardstraat
1000 Brussels

Saturday I 03.02.24

dépendance
‘THROWING BODIES AT THE PROBLEM’
Will Benedict
To be seen until 23.03
Rue du Marché aux Porcs 4-8 Varkensmarkt
1000 Brussels
Galerie La Patinoire Royale Bach
‘Early Works’
Lita Albuquerque
To be seen until 30.03
Rue Veydt 15 Veydtstraat
1060 Brussels
Galerie La Patinoire Royale Bach
‘La réalité n’a pas besoin de moi’
Renaud Auguste-Dormeuil
To be seen until 30.03
Rue Veydt 15 Veydtstraat
1060 Brussels
Waldburger Wouters

Alcides Pereira dos Santos
To be seen until 24.02

Boulevard d’Anvers 49 Antwerpselaan
1000 Brussels

Thursday I 08.02.24

Baronian
‘Eric Duyckaerts (works)’
Eric Duyckaerts
To be seen until 02.03
Rue de la Concorde 33 Eendrachtstraat
1050 Brussels
Baronian
Group Show
To be seen until 02.03
Rue Isidore Verheyden 2 Isidore Verheydenstraat
1050 Brussels
Esther Verhaeghe Art Concepts
‘A Tapestry of Shared Journeys’
Jessica Hilltout, Virginie Samyn
To be seen until 28.03
Avenue Guillaume Macau 3 Guillaume Macaulaan
1050 Brussels
Jan Mot
‘Mike Kelley, Sharon Lockhart, Silke Otto-Knapp’
Mike Kelley, Sharon Lockhart, Silke Otto-Knapp
To be seen until 23.03
Petit Sablon 10 Kleine Zavel
1000 Brussels
Galeria Jaqueline Martins

‘Palpitations’
Jan de Maesschalck
To be seen until 16.03

Rue aux Laines 14 Wolstraat
1000 Brussels
Galeria Jaqueline Martins

‘They may germinate in unexpected places’
Students from the HISK: Fabiola Burgos Labra, Hamed Dehqan, Jivan van der Ende, Paola Siri Renard, Yue Yuan
To be seen until 16.03

Rue aux Laines 14 Wolstraat
1000 Brussels
 
 

Thursday I 15.02.24

Xavier Hufkens
Sherrie Levine
To be seen until 06.04

Rue Van Eyck 44 Van Eyckstraat
1050 Brussels 
 

Friday I 16.02.24

Damien & The Love Guru
‘The Voyage of Puny Buny’
Agatha Wara 
To be seen until 13.04

Rue de Tamines 19 Taminesstraat
1060 Brussels

Wednesday I 21.02.24

EDJI Gallery
‘Sanctuaries’
Kayoon Anderson, Nicolas Coleman, Ileana Magoda, Grace Tobin and Ping Zheng
To be seen until 23.03

Rue du Page 15 Edelknaapstraat
1050 Brussels 
 

Thursday I 22.02.24

rodolphe janssen
‘Giants‘
Group show
To be seen until 30.03

Rue de Livourne 35 Livornostraat
1050 Brussels
rodolphe janssen
‘Magic Market‘
Tom Poelmans
To be seen until 30.03

Rue de Livourne 32 Livornostraat
1050 Brussels

Saturday I 24.02.24

Mendes Wood DM
Leah Ke Yi Zheng
To be seen until 13.04
Rue des Sablons 13 Zavelstraat
1000 Brussels
Mendes Wood DM
‘The Mail Man’
Osama Al Rayyan
To be seen until 13.04
Rue des Sablons 13 Zavelstraat
1000 Brussels

Thursday I 29.02.24

Galerie Greta Meert
‘Hotels’
Magali Reus
To be seen until 28.04

Rue du Canal 13 Vaartstraat
1000 Brussels
Galerie Greta Meert
‘Leap Second’
Mitsuko Miwa
To be seen until 28.04
Rue du Canal 13 Vaartstraat
1000 Brussels
Meessen
‘Fleur de peau’
Xie Lei
To be seen until 13.04
Rue de l’Abbaye 2A Abdijstraat
1000 Brussels
LMNO
‘Fragments / Fractions / Pieces / Photons’
Pep Vidal
To be seen until 06.04
Avenue Emile de Mot 17 Emile de Motlaan
1000 Brussels

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This week’s openings in Brussels

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This week’s openings in Brussels ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌
This week’s openings in Brussels
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Opening this week
Wednesday 31 Jan → Tuesday 06 Feb

Thu 01.02 — 17:00
Xavier Hufkens
Leon Kossoff – 'Close Encounters: Paintings and Drawings'

Thu 01.02 — 18:00
Wiels – Contemporary art centre
Jef Geys – You don’t see what you think you see

Thu 01.02 — 18:00
Wiels – Contemporary art centre
Oscar Murillo – Masses

Fri 02.02 — 16:00
MIMA the Millennium Iconoclast Museum of Art
Popcorn

Fri 02.02 — 17:00
Wouters Gallery Sablon
Alcides Pereira dos Santos, Cyprien Tokoudagba, Stjepan Vrbanec, Anna Zemánková

Sat 03.02 — 14:00
La Patinoire Royale | Galerie Valérie Bach
Renaud Auguste-Dormeuil – 'La réalité n'a pas besoin de moi'

Sat 03.02 — 14:00
La Patinoire Royale | Galerie Valérie Bach
Lita Albuquerque : Early Works

Sat 03.02 — 17:00
Wouters Gallery
Alcides Pereira dos Santos (1932-2007)

Sat 03.02 — 17:00
dépendance
Will Benedict – 'Throwing bodies at the problem'

Sat 03.02 — 18:00
Eté 78
Mountaincutters & Arnaud Vasseux – 'Intuitions Musculaires'



Opening next week
Wednesday 07 Feb → Tuesday 13 Feb

Wed 07.02 — 18:00
La Verrière
Koenraad Dedobbeleer – 'Emi e dames messeur'

Thu 08.02 — 17:00
Jan Mot
Mike Kelley, Sharon Lockhart, Silke Otto-Knapp

Thu 08.02 — 17:00
Galeria Jaqueline Martins
Jan de Maesschalck

Thu 08.02 — 18:00
Moonens Foundation
Raz de Marais : Marie Van de Walle, Kamille Viviane, Tom Valckenaere Nicolas Valckenaere, Éléonore Scardoni, Maxime Delalande

Thu 08.02 — 18:00
Baronian
Eric Duyckaerts (works)

Thu 08.02 — 18:00
Baronian
Group Show

Thu 08.02 — 18:00
Affiliate (Wiels)
Lore D Selys (Affiliate Presentation)

Thu 08.02 — 18:00
n0dine
Various Artists – 'afarTight'

NECA and this newsletter are brought to you by la Fondation pour les Arts / Stichting voor de Kunsten. with the active support of visit.brussels.
Fondation pour les arts
Not interested anymore? Unsubscribe from this newsletter

Q-O2 news :: A quartet

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 workspace for experimental music and sound art

A quartet

Right after a packed Semaine du Son we are here to serve sound enthusiasts again for the coming weeks: a quartet of new activities, below:

On Friday, it is already Loup Uberto’s residency presentation. He will perform some short pieces he worked on during his residency, featuring live performances with Soledad Zarka, Vin de Sprite (Antoine Loyer/Donatien Toma Ndani Djemelas), fellow resident Violeta López López and Anna & Guerrino Bellotto. On Sunday, for its 47th edition, Second Sundays hosts New York based composers and experimental vocalists Vito Ricci & Lise Vachon as part of their EU tour. Violeta López López’ residency presentation follows: shes has been working on an artistic research on the possibilities of language beyond its established limits and its capacity to generate new perceptual realities. A workshop completes the quartet: Christophe Albertijn will introduce you, in one day, into the art of audio mastering.

Post-residency concert
2 Febrruary – 18h – free – @Q-O2
Loup Uberto

Loup Uberto plays some short pieces of what he has been working on during his residency, featuring live performances with: Soledad Zarka (dance performance for masks, gestures, feedbacks and Italian work songs), Vin de Sprite (Antoine Loyer: vocals, guitar / Donatien Toma Ndani Djemelas: vocals, organ) Violeta López López (duo for oboe and voice by Jean Guyot, Liège composer from the 16th century) and Anna & Guerrino Bellotto (collection of notes written in Piedicavallo, Italian Piedmont, from 1990 to 2002). And maybe: Piedmontese peasant songs for solo violin and voice, listening to sound pieces recorded during the residency, with Lise Barkas, Lukas de Clerck, Guillaume Maupin, Violeta López López and disc-jockeying and little party… who knows!

[read more]

Second Sundays #47
14 January – 17h (doors 16h30) –  @ Q-O2 – free
Vito Ricci & Lise Vachon

For its 47th edition, Second Sundays hosts New York based composer Vito Ricci and experimental vocalist Lise Vachon, as part of their EU tour. Second Sundays is a monthly series initiated by Q-O2. Each session a new guest is invited to share an insight into their own listening, playing and speaking about a selection of sound and music that is important to their thinking or practice. The sessions try to put value on listening to recorded music in a social setting as a space for discussion. The series takes place on the second Sunday of every month. Each session is paired with a cocktail-of-the-month, as decided by the invited guest.

[read more]

Post-residency performance
15 Febrruary – 18h – free – @Q-O2
Violeta López López

To execute the word is an artistic research on the possibilities of language beyond its established limits and its capacity to generate new perceptual realities. To execute the word is to kill it, in the sense of detaching it from its conventional meaning, and at the same time, to put it into action, as happens with programming language.
This performance is a talk (without talking) about the “physics of the mental”, an exploration of the inner reality of words when they refer only to themselves, to their physicality related to sound, movement and light. Language singing its own prosody, objects pronouncing their own definition, the written world leaving its whispering trace, the body of words being touched and played. A glimpse into the parallels between physics and language and the intertwined behaviour of particles and words. Language as score, instrument and performer at the same time.

[read more]

Workshop
2 March – 11h-18h – €16/20 – @Q-O2
Audio Mastering with Christophe Albertijn

In this workshop, artist, musician, sound-wizard and initiator of the HUIS Label Christophe Albertijn, will introduce you into the art of mastering. In one day you will be guided through the general terminologies and history of mastering techniques. You will set up your own mastering session and work with a series of open-source plugins. The objective is to listen, evaluate and discuss different approaches.
For this workshop you need prior basic knowledge with audio software and plugins. You will work with accessible open-source plugins and software. Register here.

[read more]

Release
Het BlokfluitAsiel

Het BlokfluitAsiel is a collaboration between instrument builder Lukas De Clerck, composer Angélica Castelló and music teachers Katelijne Lanneau and Matthias Verniers. Their pupils (recorders from the music academy of Jette/Brussels and organists from the music academy of the DG, department St. Vith) performed the piece, invited to explore their own creative approaches to sound, improvisation, composition and performance. The musical piece was composed collectively, based on a concept by Angélica Castelló, aiming to establish an intense connection between Lukas De Clerck’s piece/machine AirBag/14Holes, the organ and recorders.

This piece is accompanied by an electroacoustic piece by Angélica Castelló, drawing inspiration from the atmospheres cultivated during the work on Het BlokfluitAsiel. The young artists involved in this project often likened the immense sound they collectively generated to that of a gentle monster.

The CD was be released together with Meakusma on December 15, and is available via our umland website.

[read more]

Listen
21 Tracks for the 21st Century: Marnie Slater

GLEAN and Q-O2 join forces with 21 Tracks for the 21st Century, a series of playlists in which we ask our guests: what music does this century need? Each time, we invite one artist, thinker or musician to prepare a playlist of those sounds, songs and pieces of music that will best arm their listeners with the tools to approach what is left of this young century. 

This edition’s artist: Marnie Slater.

[read more]

Still available + new
podcasts, books, releases, videos

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Newsletter Ludwig Forum Aachen

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Ludwig Forum

Ausgabe 29.01.2024

 

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FORUM LITERATUR: “Der Übergriff” mit Ursula Krechel

Nach dem Auftakt der Reihe FORUM LITERATUR mit Marlene Streeruwitz in der vergangenen Woche, freuen wir uns sehr, Sie am Donnerstag, den 01.02.2024, 19 Uhr zu einer Lesung der in der Eifel aufgewachsenen Autorin Ursula Krechel begrüßen zu dürfen. Zu diesem Anlass wird die Autorin aus ihrer 2022 neuaufgelegten, ursprünglich 2001 publizierten Erzählung Der Übergriff lesen und anschließend mit Eva Birkenstock (Direktorin, Ludwig Forum Aachen) und Hermann Müller (Freier Literaturkurator, Berlin) ins Gespräch gehen.

Neben den zahlreichen Aktivitäten des Museums in den Bereichen Performance, Tanz, Musik und Film wird mit dem FORUM LITERATUR eine explizit literarische Konstante in das Programm des Ludwig Forum Aachen eingeführt. Als integraler Bestandteil der Programmatik des Hauses sind in regelmäßigen Abständen internationale Autor*innen eingeladen, ihre Texte im Rahmen von Lesungen, Performances, Workshops, Diskussionen und Gesprächen einem breiten Publikum vorzustellen. Die 2024 Ausgabe des FORUM LITERATUR, die von Januar bis Dezember im Ludwig Forum Aachen stattfindet, wurde gemeinsam von Eva Birkenstock und Hermann Müller konzipiert und großzügig von der Kunststiftung NRW unterstützt.

Wir freuen uns auf Ihr Kommen!

Ihr
Ludwig Forum Aachen

Donnerstag, 1. Februar 2024, 19 Uhr
FORUM LITERATUR: Der Übergriff
Lesung mit Ursula Krechel

Einführung und Gespräch: Eva Birkenstock (Direktorin, Ludwig Forum Aachen) und Hermann Müller (Freier Literaturkurator, Berlin)

„Eine Frau beginnt zu reden. Dabei sind ihre Lippen schon ganz spröde, so oft ist ihr über den Mund gefahren worden. Aber wie entkommt sie dieser Einschüchterung? Indem sie den Mund nur noch öffnet, um zu essen, zu küssen und zu staunen? Andererseits: Gibt nicht gerade das Schweigen der Stimme Raum, die ihr den Mund verbietet? Zu oft ist geschwiegen worden, auch damals, als das ganze Haus hörte, wie die Nachbarmädchen geschlagen wurden. Hat man die eigene Sprache verlernt, weil alle verlernt haben hinzuhören? Wie der Reporter, der nicht mehr hinhört, wenn er vom Krieg berichtet, so fest hat er jede Verzweiflung im Griff.“

Ursula Krechel liest aus der 2001 entstandenen Erzählung Der Übergriff. Die Lesung wird mit dem vom SWR 2004 produzierten Hörspiel Meine Stimme ist mit den Fischen geschwommen kombiniert, das nach Motiven in Ursula Krechels Erzählung entstanden ist. Die Schauspielerin Angela Winkler ist die Protagonistin

Eintritt: 10 Euro / 7 Euro (Preis inkl. MwSt, zzgl. VVK-Gebühren)
AK und VVK im Museum und über Reservix (https://www.reservix.de/)                                        

Ursula Krechel, geboren 1947 in Trier, studierte Germanistik, Theaterwissenschaft und Kunstgeschichte. Lehrtätigkeit an verschiedenen Universitäten. Erste Lyrikveröffentlichungen 1977, danach erschienen Gedichtbände, Prosa, Hörspiele und Essays. 2009 erhielt Ursula Krechel den „Joseph-Breitbach-Preis”, 2012 wurde sie für ihren Roman Landgericht mit dem Deutschen Buchpreis ausgezeichnet. Ursula Krechel ist Mitglied der Deutschen Akademie für Sprache und Dichtung, der Akademie der Künste Berlin und der Akademie der Wissenschaften und der Literatur Mainz. Sie lebt in Berlin. Zu ihren letzten Veröffentlichungen gehören Beileibe und zumute, Gedichte, 2021, Gehen. Träumen. Sehen. Unter Bäumen, Essays, 2022 sowie die Neuauflage der Erzählung Der Übergriff, 2022.

Weitere Veranstaltungen:

Donnerstag, 25. April 2024, 19 Uhr
FORUM LITERATUR: Daddy Issues
Lesung mit Dino Pešut

Donnerstag, 6. Juni 2024, 19 Uhr
FORUM LITERATUR: Karl May
Lesung mit Enis Maci und Mazlum Vergiz

Im Jahr 2024 wird die Buchhandlung Backhaus im Rahmen einer Kooperation mit dem FORUM LITERATUR Büchertische für die Leseabende der Reihe einrichten. 

English Version

Artikelbild

Ursula Krechel. Foto: Heike Steinweg

FORUM LITERATUR: “Der Übergriff” with Ursula Krechel

After last week’s launch of the series FORUM LITERATUR with Marlene Streeruwitz, we are now looking forward to introduce Ursula Krechel to a broad audience, an author who grew up in the nearby Eifel. On Thursday, February 1, 2024, 7pm she will read from her novel Der Übergriff [The Assault], followed by a conversation with Eva Birkenstock (Director, Ludwig Forum Aachen) and Hermann Müller (Freelance Curator for Literature, Berlin).

In addition to the museum’s numerous activities in the fields of performance, dance, music and film, the FORUM LITERATUR introduces an explicitly literary constant to the program of the Ludwig Forum Aachen. From now on, international authors are invited in regular intervals to share their work with a broad public in the context of readings, performances, workshops, and conversations. The 2024 edition of the FORUM LITERATUR takes place from January to December 2024. It was conceived in close dialogue between Eva Birkenstock and Hermann Müller and is generously supported by the Kunststiftung NRW.

We are looking forward to seeing you at the Ludwig Forum!

Yours
Ludwig Forum Aachen

Thursday, February 1, 2024, 7pm
FORUM LITERATUR: Der Übergriff
Reading with Ursula Krechel

Introduction and Conversation: Eva Birkenstock (Director, Ludwig Forum Aachen) and Hermann Müller (Freelance Curator for Literature, Berlin)

“A woman starts speaking. Her lips are quite dry and cracked—that’s how often she’s been cut off. But how does she get away from this intimidation? By opening her mouth only to eat, kiss and marvel? Then again: isn’t it precisely silence that gives the voice the space that shuts it up? People have kept silent too often—including back then, when the entire house heard how the girls next door were beaten. Have we unlearned our own language because everyone has forgotten how to listen? Like a reporter who no longer listens when he reports on the war—he has any distress that tightly under control.”

Ursula Krechel will read from her story Der Übergriff [“The Assault”], written in 2002 and reissued by the publisher Verlag Jung und Jung in 2022. The reading will be combined with the radio drama Meine Stimme ist mit den Fischen geschwommen [“My voice swam with the fish”], produced by SWR in 2004, which was developed based on motifs in Ursula Krechel’s story. The actress Angela Winkler will play the protagonist.

Admission: 10 Euro / 7 Euro (incl. VAT, plus pre-sale charge)
Box office in the museum and via Reservix (https://www.reservix.de/)

Ursula Krechel, born in Trier in 1947, studied German philology, theatre studies, and art history. Teaching positions at various universities. First publications of poetry in 1977; followed by poetry collections, prose, radio dramas and essays. Ursula Krechel received the “Joseph Breitbach Preis” in 2009; in 2012, she was awarded the German Book Prize for her novel Landgericht [State Justice]. Ursula Krechel is a member of the German Academy for Language and Literature, the Academy of Arts, Berlin and the Academy of Sciences and Literature, Mainz. She lives in Berlin. Her most recent publications include Beileibe und zumute, poems, 2021; Gehen. Träumen. Sehen. Unter Bäumen, essays, 2022; and the reissue of the story Der Übergriff, 2022.

Further events:

Thursday, April 25, 2024, 7pm
FORUM LITERATUR: Daddy Issues
Reading with Dino Pešut

Thursday, June 6, 2024, 7pm
FORUM LITERATUR: Karl May
Reading with Enis Maci and Mazlum Vergiz

In 2024, the Aachen-based Backhaus book store will set up book tables for the events as part of a cooperation with FORUM LITERATUR.

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Ausstellungen

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Kunstvermittlung

mehr

 
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Was kommt?

mehr

 

Impressum

Ludwig Forum für Internationale Kunst
Jülicher Straße 97–109
52070 Aachen
Di bis So 10–17 Uhr, Do 10–20 Uhr
Tel. +49 (0) 241 1807 104/ Fax +49 (0) 241 1807 101
E-Mail: Redaktion:
Ludwig Forum Aachen
www.ludwigforum.de

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Get ready, WIELS’ February agenda is here! 📅

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FR     EN     NL

AGENDA

Starting next week, WIELS is excited to unveil two new exhibitions by Jef Geys and Oscar Murillo. Gain a deeper understanding of them through a series of guided tours led by our guides and curators from WIELS and the art world.

Stay in the loop with what’s happening at WIELS and mark these February dates in your calendar!

THU 01_02_2024__________18:00-22:00

OPENING I Jef Geys & Oscar Murillo 

18:00 I Doors & WIELS’ Café open 
20:00-23:00 I Susobrino DJ set
21:30 I Last entry to the exhibitions
FULL PROGRAMME

SUN 04_02_2024__________14:00-15:30

FAMILY FUNDAY I Family guided tour

FR/NL
Free for children – included in the entry ticket for adults

SIGN UP

WED 07_02_2024__________12:30-15:30

TEACHERS’ DAY

FR/NL
For teachers
Free entry

MORE INFO

WED 07_02_2024______18:00-21:00

NOCTURNE:

→ Apéro Tour
→ Kets Tour
→ Look Who’s Talking
→ WIELS’ Café open

18:00 I APÉRO TOUR

Relaxed guided tour and a drink at the WIELS’ Café.

FR/NL/EN
Entry ticket + €7

Sign up
18:00 I KETS TOUR

Bring your Kets for a kids-friendly tour while you attend our Apéro Tour.

FR/NL
Free for kids
From age 3

Sign up
19:00 I LOOK WHO’S TALKING: Helena Kritis

Guided tour of Oscar Murillo – Masses 

NL
Free with entry ticket

Sign up

FULL PROGRAMME

THU 08_02_2024__________18:00-21:00

AFFILIATE OPENING I RESIDENCY I
Presentation by Lore D Selys

Free entry
Presentation: 09.02-24.02.2024
Thursday > Saturday, 14:00-18:00 
New location: Rue du Jardin des Olives 3 Olivetenhof, Brussels
LEARN MORE

SAT 10_02_2024__________11:30-12:30

LOOK WHO’S TALKING: Dirk Snauwaert
Guided tour of Jef Geys – You don’t see what you think you see 

NL/EN

Free with entry ticket

SIGN UP

THU 15_02_2024__________18:00-20:00

BOOK LAUNCH: ZERO DIESE EXISTE – ART, MATHEMATIQUES, INESTHETIQUE

EN/FR
Free access
Upon registration
SIGN UP

THU 15_02_2024__________19:00-20:00

LOOK WHO’S TALKING: María Inés Rodríguez
Guided tour of Oscar Murillo – Masses 

FR
Free with entry ticket

SIGN UP

SUN 18_02_2024__________14:00-15:30

FAMILY FUNDAY I Family guided tour

FR/NL
Free for children or with an entry ticket

SIGN UP

MON 19_02_2024__________10:00-18:00
 

SYMPOSIUM: KUNST-WET // ARTS-LOI

FR/NL
Free
Upon registration

SIGN UP

THU 22_02_2024__________19:00-20:00

LOOK WHO’S TALKING: Charlotte Friling
Guided tour of Jef Geys – You don’t see what you think you see 

FR/EN
Free with entry ticket

SIGN UP

THU 22_02_2024__________19:00-20:00

LOOK WHO’S TALKING: Emma Enderby
Guided tour of Oscar Murillo – Masses

EN
Free with entry ticket

SIGN UP

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This week’s openings in Brussels

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This week’s openings in Brussels ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌
This week’s openings in Brussels
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Opening this week
Wednesday 24 Jan → Tuesday 30 Jan

Thu 25.01 — 17:00
dépendance
View

Thu 25.01 — 17:00
BEIGE
Paul Czerlitzki – 'Not That Red'

Thu 25.01 — 17:30
Hangar
Generations of Resilience – 22 Ukrainian photographers

Thu 25.01 — 18:00
Mathilde Hatzenberger Gallery
Jean Claude Wouters – 'Portraits'

Thu 25.01 — 18:00
ISELP
Matière critique : Edith Bories, Lara Gasparotto, Liesbet Grupping, Lucas Leffler, Hélène Petite, Dries Segers, Thomas Vandenberghe, Laure Winants

Fri 26.01 —
Galerie Felix Frachon
Nyaba L Ouedraogo – 'Fragment de corps'

Fri 26.01 — 17:00
Galerie Eric Mouchet
Judith Blum-Reddy – 'Everything Is not Ok'

Fri 26.01 — 17:00
Galerie Eric Mouchet
Oliver Westerbarkey – 'When the world hits your eye'

Fri 26.01 — 18:00
Mathilde Hatzenberger
Olivia Barisano – 'Enceinte'

Fri 26.01 — 18:00
Gladstone Gallery
Shahryar Nashat – 'It’s Not Up to You'

Fri 26.01 — 19:00
Nino Mier Gallery
Nicolas Shake – 'California Son'

Fri 26.01 — 19:00
Nino Mier Gallery
Hubert Schmalix – 'Please, No Questions.'

Sat 27.01 —
Fondation CAB
Meryem Bayram – 'Fourfold autonomous scenography'

Sat 27.01 — 17:00
Modesti Perdriolle Gallery
Antonio Da Ros – 'Suspended Colors'

Sun 28.01 — 17:00
argos centre for audiovisuals arts
Lecture-performance with Gernot Wieland



Opening next week
Wednesday 31 Jan → Tuesday 06 Feb

Thu 01.02 — 17:00
Xavier Hufkens
Leon Kossoff – 'Close Encounters: Paintings and Drawings'

Thu 01.02 — 18:00
Wiels – Contemporary art centre
Jef Geys – You don’t see what you think you see

Thu 01.02 — 18:00
Wiels – Contemporary art centre
Oscar Murillo – Masses

Fri 02.02 — 16:00
MIMA the Millennium Iconoclast Museum of Art
Popcorn

Fri 02.02 — 17:00
Wouters Gallery Sablon
Alcides Pereira dos Santos, Cyprien Tokoudagba, Stjepan Vrbanec, Anna Zemánková

Sat 03.02 — 14:00
La Patinoire Royale | Galerie Valérie Bach
Renaud Auguste-Dormeuil – 'La réalité n'a pas besoin de moi'

Sat 03.02 — 14:00
La Patinoire Royale | Galerie Valérie Bach
Lita Albuquerque : Early Works

Sat 03.02 — 17:00
Wouters Gallery
Alcides Pereira dos Santos (1932-2007)

Sat 03.02 — 17:00
dépendance
Will Benedict

Sat 03.02 — 18:00
Eté 78
Mountaincutters & Arnaud Vasseux – 'Intuitions Musculaires'

NECA and this newsletter are brought to you by la Fondation pour les Arts / Stichting voor de Kunsten. with the active support of visit.brussels.
Fondation pour les arts
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[NGHE NEWSLETTER] Médiatheque Sunrise – Concerts ce vendredi 26/01 à Super fourchette + Ouverture tranquille ce samedi 27/01 14h-20h

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Vendredi 26/01
Lancé de disque  Dark Mott Flyf (encore un) + Che Vuoi

à Super Fourchette, Zwaluwenstraat 3, 1000 Brussel, België

18h Ouverture des portes + cuisine

21h Che Vuoi

22h Mott Flyf

10 euros

Samedi 27/01

Ouverture tranquille à Nghe 14h – 20h


—
NGHE – Médiathèque bricolée

rue des mariniers, 6
1080 Molenbeek St Jean

Newsletter Ludwig Forum Aachen

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Ludwig Forum

Ausgabe 24.01.2024

 

Artikelbild

Please scroll down for English Version

Kurzfristige Erinnerung: FORUM LITERATUR mit Marlene Streeruwitz

Wir freuen uns, Sie über eine neue Veranstaltungsreihe am Ludwig Forum Aachen zu informieren, dem FORUM LITERATUR. Neben den zahlreichen Aktivitäten des Museums in den Bereichen Performance, Tanz, Musik und Film wird mit dem FORUM LITERATUR eine explizit literarische Konstante in das Programm des Ludwig Forum Aachen eingeführt. Als integraler Bestandteil der Programmatik des Hauses werden von nun an in regelmäßigen Abständen internationale Autor*innen eingeladen, ihre Texte im Rahmen von Lesungen, Performances, Workshops, Diskussionen und Gesprächen einem breiten Publikum vorzustellen. Die erste Ausgabe des FORUM LITERATUR, die von Januar bis Dezember 2024 im Ludwig Forum Aachen stattfindet, wurde gemeinsam von Eva Birkenstock (Direktorin, Ludwig Forum Aachen) und Hermann Müller (Freier Literaturkurator, Berlin) konzipiert und großzügig von der Kunststiftung NRW unterstützt.

Den Auftakt der neuen, langfristig angelegten Reihe macht die in Wien lebende Autorin Marlene Streeruwitz, die den Aachener*innen nicht zuletzt aufgrund des 2002 an Sie vergebenen Hasenclever-Preis bekannt ist. Wir freuen uns sehr, dass sie zu diesem Anlass am Donnerstag, den 25.01.2024 um 19 Uhr unter dem Titel Die Schmerzmacherin. aus dem gleichnamigen Roman sowie gemeinsam mit der Schauspielerin Melanie Kretschmann einen Dialog aus dem 2023 erschienen Band Tage im Mai. lesen wird. Im Anschluss der Lesung findet ein Gespräch zwischen der Autorin, Eva Birkenstock und Hermann Müller statt. Am Folgetag, Freitag, den 26.01.2024 um 18 Uhr bietet Marlene Streeruwitz darüber hinaus einen Workshop zum Thema Grundrechte lesen im Ludwig Forum an.

Wir freuen uns auf Ihr Kommen!

Ihr
Ludwig Forum Aachen

Donnerstag, 25. Januar 2024, 19 Uhr
FORUM LITERATUR: Die Schmerzmacherin.
Lesung mit Marlene Streeruwitz und Melanie Kretschmann (Schauspiel Köln)

Begrüßung: Eva Birkenstock, Axel Schneider (Walter-Hasenclever-Gesellschaft, Aachen)
Einführung und Gespräch: Eva Birkenstock und Hermann Müller (Freier Literaturkurator, Berlin)

“Die Lesung aus Die Schmerzmacherin. soll den Nachweis erbringen, dass Literatur das Medium ist, das die Komplexität unserer Leben in der Welt beinhalten kann. So können die Leser*innen Erfahrungen sammeln, die sie aber nicht haben müssen und diese erlesenen Erfahrungen wieder gegen die eigenen halten können. Die Lesung des zweiten Dialogs von Mutter und Tochter [aus dem Roman Tage im Mai.] wiederum wird zeigen, wie schwierig es ist, Liebe zu sprechen und wie wir einander mehr durch Auslassungen unsere Gefühle bekanntgeben. Dieser Dialog zeigt aber auch, wie Lieben dann doch gelingen kann, wie wir aber angehalten sind, diese Formen des Liebens minder zu achten.” (Marlene Streeruwitz)

Eintritt: 10 Euro / 7 Euro
AK und VVK an der Museumskasse

Freitag, 26. Januar, 18 Uhr
FORUM LITERATUR: Grundrechte lesen
Workshop und Diskussion mit Marlene Streeruwitz

„Gerade in Zeiten der Parolen und Spruchbänder ist die Frage wichtig, wer wie woher spricht. Es geht um Alltagstexte und wie da in aller Selbstverständlichkeit Würde gegeben oder meist genommen wird. Wie können wir empathisch sprechen und uns dem ekpathischen Sprechen der Öffentlichkeit entgegenstellen.” (Marlene Streeruwitz)

Eintritt: 5 Euro / 3 Euro
Der öffentliche Workshop findet in deutscher Sprache statt, weitere Vorkenntnisse sind nicht erforderlich. Um Anmeldung wird gebeten:

Reminder: FORUM LITERATUR with Marlene Streeruwitz

We are pleased to announce a new event series at the Ludwig Forum Aachen, the FORUM LITERATUR. In addition to the museum’s numerous activities in the fields of performance, dance, music and film, the FORUM LITERATUR introduces an explicitly literary constant to the program of the Ludwig Forum Aachen. From now on, international authors are invited in regular intervals to share their work with a broad public in the context of readings, performances, workshops, and conversations. The first edition of the FORUM LITERATUR takes place at the Ludwig Forum Aachen from January to December 2024. It was conceived in close dialogue between Eva Birkenstock (Director, Ludwig Forum Aachen) and Hermann Müller (Literary Curator, Berlin) and is generously supported by the Kunststiftung NRW.

The new series will be launched with the Vienna-based author Marlene Streeruwitz, known in Aachen not least since winning the renowned Hasenclever prize in 2002. On Thursday, January 25, 2024, 7 pm, she will be reading from her novel Die Schmerzmacherin. (2011) and present a dialogue from Tage im Mai. (2023) together with actress Melanie Kretschmann. The reading will be followed by a discussion between the author, Eva Birkenstock, and Hermann Müller. On the following day, Friday, January 26, 2024, 6 pm, Marlene Streeruwitz invites to the workshop Grundrechte lesen [Reading Basic Rights] at Ludwig Forum.

We look forward to welcoming you at the Ludwig Forum Aachen!

Yours
Ludwig Forum Aachen

Thursday, January 25, 7pm
FORUM LITERATUR: Die Schmerzmacherin.
Reading with Marlene Streeruwitz and Melanie Kretschmann (Schauspiel Köln)

Welcome: Eva Birkenstock, Axel Schneider (Walter-Hasenclever-Gesellschaft, Aachen)
Introduction and Conversation: Eva Birkenstock and Hermann Müller (Independent Literature Curator, Berlin)

“The reading from Die Schmerzmacherin. is intended to verify that literature is the medium that can encompass the complexity of our lives in the world. By reading, readers can gather experiences which they need not experience themselves, and can hold these select experiences up against their own. The reading of the second dialogue between the mother and daughter [from Tage im Mai.], in turn, will show how difficult it is to speak about love, and how we disclose our feelings to each other more by leaving things out. This dialogue also shows, however, how loving can succeed, but how we are urged to pay less heed to these forms of loving.” (Marlene Streeruwitz)

Admission: 10 Euro / 7 Euro
Box office in the museum

Friday, January 26, 6pm
FORUM LITERATUR: Grundrechte lesen
Workshop and Discussion with Marlene Streeruwitz

“Particularly in times of slogans and banners, the question of who is speaking how from where is important. It is about everyday texts and how, as a matter of course, dignity is bestowed—or usually taken away. How we can speak empathically and stand up to the ecpathic speaking of the public.” (Marlene Streeruwitz)

Admission: 5 Euro / 3 Euro
Further events:

Thursday, February 1, 2024, 7pm
FORUM LITERATUR: Der Übergriff
Reading with Ursula Krechel

Thursday, April 25, 2024, 7pm
FORUM LITERATUR: Daddy Issues
Reading with Dino Pešut

Thursday, June 6, 2024, 7pm
FORUM LITERATUR: Karl May
Reading with Enis Maci and Mazlum Vergiz

In 2024, the Aachen-based Backhaus book store will set up book tables for the events as part of a cooperation with FORUM LITERATUR.

Artikelbild

Ausstellungen

mehr

 
Artikelbild

Kunstvermittlung

mehr

 
Artikelbild

Was kommt?

mehr

 

Impressum

Ludwig Forum für Internationale Kunst
Jülicher Straße 97–109
52070 Aachen
Di bis So 10–17 Uhr, Do 10–20 Uhr
Tel. +49 (0) 241 1807 104/ Fax +49 (0) 241 1807 101
E-Mail: Redaktion:
Ludwig Forum Aachen
www.ludwigforum.de

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Events – Save the dates

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Saint-Martin Bookshop

Events for this NEW YEAR 
& till spring

As you can imagine, we will probably add a few dates to invite last-minute guests for book launches or shows, or we might just pimp our bookshop, and book a night, for an improvised party.
So keep in touch!
 

Saturday Feb 3
From 5 to 8pm

RAPHAËL LECOQUIERRE
Unbirthday

Vernissage & book signing
​Exhibition till March 2nd

Mist escapes from a stranded black box. The sound of waves devours the surfaces of our memory and covers its vestiges. 

Raphaël Lecoquierre’s work is protean: his frescoes cover archetypes of our collective history. They put into perspective the notion of sampling, so dear to the artist. By mixing pigments from the colored surfaces of vernacular analog photographs he gleans with Venetian stucco, Raphaël Lecoquierre charges his pictorial compositions with a singular memory.

Summer laughter, family meals and birthday celebrations blend, merge and blur into an abstract substratum that gives rise to a minimal memorial motif. At once unique and universal, precious and counterfeit, poetic and psychedelic, Raphaël Lecoquierre’s work questions the material of the work as well as the symbolic dimension of the image.
​More info
 

Saturday Feb 17
From 5 to 7pm 

MICHEL TOMBROFF
Zéro Dièse Existe. Art, Mathématiques, Inesthétique
​
Book signing

Tombroff takes us on a journey between art, mathematics and infinity. He draws on the work of philosopher Alain Badiou, on the concept of inaesthetics, a novel approach that challenges the conventional notion of aesthetics universal nature of art’s truths.
More info
 
Monday Feb 19
All day event @WIELS

ARTS LOI//
KUNST WET
Platform for law and contemporary art​ 

Under the coordination of Sandrine Carneroli, lawyer, a day of conferences and discussions devoted to law and contemporary art. Conceived as a way of increasing (re)knowledge of artists and artistic productions, and is intended to be educational, inspirational and optimistic. More info
 
Saturday March 10
From 4 to 8pm

PASCALE RISBOURG
Ten Years of Creations

Tea Time Vernissage
​Exhibition from March 6 till March 27

Ten years of creation – Pascale Risbourg presents a retrospective of her creations since her arrival in Brussels in 2013. It is in Brussels that Pascale explores new creative territories. She has developed a line of unique wallpapers, tackled the world of ceramics, explored augmented reality, and designed carpets, lighting, and more. This exhibition traces the freedom of expression that Brussels has given her.

 

Saturday March 30
From 5 to 8pm

DORIS BOERMAN
​Plugs, Pores, Walls & Lures

Vernissage & Book signing
​Exhibition till April 20

W​ith the series of sculptures titled ‘Plugs, Pores, Walls and Lures’, visual artist Doris Boerman responds to the practice of self-design as a form of mass occupation, common identity and pseudo individuality in popular culture. With hair, earrings, scrunchies, wall plugs and gallery walls, the series talks about the feminine as a commercially constructed value, as well as the normative female body and its role in (art) history. With the support of the Ambassade van het Koninkrijk der Nederlanden in Brussels.

 

Wednesday April 24
From 5 to 8pm

AMIT LEBLANG
​Another Seder

Vernissage & Passover drink
​Exhibition till May 25

The exhibition “Another Seder” results from an artistic research that looks at the Passover holiday in the Jewish culture and the family rituals that are accustomed to happen during it.
The project deals with the intergenerational transmission of stories, presenting an installation of a living room; in this uncanny space, memories take form. Combining a video, an installation, etching prints, and paintings, and launching an artist’s book, “Another Haggadah,” the artist offers an alternative heritage. This project is supported by the VGC.

 

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OV35: Anthony Discenza — Recrudescence, extended until February 23

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Project 35
e1f6bcc8-8c86-4ba4-b0ad-306f7706d233.jpg Anthony Discenza – Recrudescence

>>> Show extended until Friday February 23rd, 2024.
 

Anthony Discenza’s installation is a meditation on humanity's relationship to technology and the irrational undercurrents that inform its supposedly rational operations. The project incorporates and entangles concepts, materials, and relations drawn from a broad range of contexts, weaving linkages between industrial technologies, divinatory and spiritual practices, geologic timescales, thermodynamics, pop culture, and computation (in the form of generative AI). For Discenza, these systems, their outputs, and their effects all function as materials that can be treated recombinantly.

The exhibition’s title, “Recrudescence”, is a term describing the reactivation or reanimation of a dormant system; in organic biology, it refers to the reemergence of disease. Represented on a graph, it appears as a peak of activity following an extended period of quiescence. The deviation from a baseline state can be seen as an awakening, a return of something long suppressed. In the context of this exhibition, it suggests a series of simultaneous glances forwards and backwards. The glances—or perhaps visions—are anticipatory, yet also have already arrived. Like the demonic presences invoked in an occult ritual gone awry, they are already here in the room with us. 

This motif of an infernal summoning (with its associations of heat and combustion) provides an organizational index for material themes addressed in the exhibition: Discenza casts humanity’s use of fossil fuels in the terms of both a classic Faustian transaction and a kind of haunting. This proposition is not merely literary or metaphorical; in a very direct sense, all fossil fuel-based combustion represents a release of solar energy harnessed by biological organisms living over 300 million years ago to pull carbon from the atmosphere. That vast reservoir of energy, locked up for eons in chains of complex hydrocarbons, has been consumed at breakneck speed over the past 200 years of industrial development, allowing technological advancement to accelerate exponentially—at the cost of re-releasing that ancient carbon into the atmosphere.

Discenza teases out these associative threads with theatrical economy. Visible from the gallery’s exterior, a pair of green velvet curtains—recalling those concealing the ordinary human behind the façade of the omnipotent Wizard of Oz—frames a small desk and office chair. On the desk, resting in a cell phone cradle, sits a tablet of hand-polished anthracite—a metamorphic variety of coal, known in the fossil fuel industry for its energy density and high carbon content. The tablet and its placement echoes simultaneously the profile of a personal touchscreen device, a mineralogical specimen, and the polished mirrors used for scrying—a subset of divinatory practice employed by many different cultures.

Discenza extends his network of associative linkages into the arena of computation—in particular, the rapidly expanding use of generative and predictive AI models. These systems are frequently described in language that invokes natural or immaterial forces (the Cloud), but their existence relies on extensive physical infrastructures—vast server farms consuming massive amounts of electricity (in much of the world, electricity that is still produced from fossil fuels—roughly 40% of the electricity powering the internet is derived from coal sources). “Some Engines (Vessels)” consists of a pair of framed gelatin silver prints which have been produced by prompting the AI image generative model Midjourney to visualize complex computational processes as early industrial infrastructure. In response, the model output images of structures resembling a hybrid of blast furnace and alchemical vessel.

Another major waste product of the intensive computation necessary for AI models, social media platforms, cryptocurrency, etcetera is excess heat, which server farms and data centers require extensive systems to manage. A second wall-mounted diptych, consisting of a pair of salvaged industrial-scale heatsinks—machined metal blocks used for the dissipation of heat—functions as a metonym for the physical infrastructure and thermodynamic costs of computation. Meanwhile, on the other side of the wall, Discenza presents a single burning candle—an example of humanity’s earliest and still-relied upon harnessing of combustion.

Discenza closes the circuit of the exhibition with a small sculpture of a poodle cast from coal dust and resin, a souvenir from the heyday of America’s mining industry. In Goethe’s Faust, the demon Mephistopheles first appears as a black poodle before proposing his infamous bargain: Faust’s eternal soul in exchange for magical knowledge it would otherwise take many lifetimes to acquire. Within the matrix of the exhibition, such an exchange appears to be close at hand, though whether this moment lies in the near future or immediate past is ambiguous—on which side of Mephistopheles’ bargain do we stand?

– N. Hitchcock Lévy

– – –

Anthony Discenza (American, b. Brunswick, NJ) is a multidisciplinary, conceptual artist, living and working in Western Massachusetts. His work employs various media including text, video, found objects, sculpture and sound. Through installations and public works he addresses ideas of artificiality, narratology and interactivity. His work has been the subject of solo exhibitions at the de Young Museum, San Francisco, CA; the Museum of Contemporary Art, Cleveland, OH; Objectif Exhibitions, Antwerp; and Et al. Gallery, San Francisco, CA.

His works have been included in exhibitions at the McNay Art Museum, San Antonio, TX; V-A-C Foundation, Venice, IT; Galleria d’Arte Moderna e Contemporanea, Bergamo, IT; Aspen Art Museum, Aspen, CO; University of Michigan Museum of Art, Ann Arbor, MI; ICA London, London, UK; and Ballroom Marfa, Marfa, TX.

In 2020, Discenza founded lower_cavity, an artist-run residency program and project space located in a former papermill in the Pioneer Valley of Western Massachusetts.

OV Project:
Rue Van Eyck, 57
B- 1050 Brussels
@: OV contemporary – office:
Rue Jean-Baptise Colyns, 72
B -1050 Brussels

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Opening hours :
Thu. to Sat. from 2 — 6 pm
or by appointment
 

Image:
Familiar, 2023, cast coal dust and resin souvenir 

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