Vernissages & Book launches

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Saint-Martin Bookshop
presents

Saturday March 30
From 5 to 8pm

DORIS BOERMAN
Plugs, Pores, Walls and Lures

Vernissage & Hair cut by Fab-Ken
​Exhibition till April 20

With the series of sculptures titled ‘Plugs, Pores, Walls and Lures’, visual artist Doris Boerman responds to the practice of self-design as a form of mass occupation, common identity and pseudo individuality in popular culture. With hair, earrings, scrunchies, wall plugs and gallery walls, the series talks about the feminine as a commercially constructed value, as well as the normative female body and its role in (art) history. This exhibition is supported by Netherland Embassy in Belgium.

Friday April 5
From 5 to 8pm

Gérard Berréby X Bruno Hellenbosch
 

Vitrine & Book signing
& Pasta al nero di China

Wednesday April 10
From 5 to 8pm

MANUEL WETSCHER
Richard
with Daisy Editions

Book launch & Video
Richard is an artist’s book by photographer and filmmaker Manuel Wetscher. It brings together a unique archive of photographs by his father Richard Jenewein, discovered years after he died of AIDS.

Thursday April 18, 5 to 7pm

JOHANNES ELEBAUT
Reno Riviera
Book launch & Prints

Wednesday April 24
From 5 to 8pm

AMIT LEBLANG
​Another Seder

Vernissage & Passover drink
​Exhibition till May 25

The exhibition “Another Seder” results from an artistic research that looks at the Passover holiday in the Jewish culture and the family rituals that are accustomed to happen during it.
The project deals with the intergenerational transmission of stories, presenting an installation of a living room; in this uncanny space, memories take form. Combining a video, an installation, etching prints, and paintings, and launching an artist’s book, “Another Haggadah,” the artist offers an alternative heritage. This project is supported by the VGC.

Don’t forget that our website is open 24/7. Our book collection is updated daily and everything is available online. We ship worldwide.

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Q-O2 news :: pipes, flutes, and bellows

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 workspace for experimental music and sound art

Pipes, flutes, and bellows

Spring is here and Q-O2 will offer you two post-residency presentation using the appropriate instruments for the season: various sounds, types, forms, and lengths of pipe-likes and flutes. Both our current residents are experimenting with this type of instrumentarium. So be sure to come and listen to Sholto Dobie on the 26th of March, and Hannah Todt on the 2nd of April. Further news is the complete program of the Oscillation Festival (ticket-sale is open!), and the print of a second edition of umland’s publication  Éliane Radigue – Intermediary Spaces / Espaces intermédiaires, which is again available at our space and via Les Presses du Réel.

Post-residency performance
26 March – 18h –  @ Q-O2 – free
Sholto Dobie

Sholto Dobie will present a short listening session of work-in-progress and a performance with self-constructed instruments. Sholto Dobie creates instruments with analogue technologies which draw on the functions and designs of folk and traditional wind instruments, such as bagpipes and organs. Their appearance several thousand years ago represent a technological shift in music, as humans extended the reach of their lungs, by creating bellows, bags and reservoirs that could sustain flutes and reeds more easily and for longer than human lungs. It is a drive that is echoed in more recent technological socio-musical shifts, such as electronic dance music. Dobie incorporates analogue electronics alongside handmade reed pipes, using basic prefabricated timer modules and industrial electric valves, to control air flow.
[read more]

Post-residency performance
2 April – 18h – @ Q-O2 – free
Hannah Todt

I wonder why the flute has holes is an ongoing project that explores the materiality of steel tubes and their sonic qualities by reinterpreting them as a polyphonic flute that is to be played by several people. The relationship between form, function and efficiency as well as the creation of associations are central questions in this process. The post-residency presentation will introduce the work through audio samples and a short live performance.
[read more]

Festival
30 April – 5 May – Brussels
Oscillation ::: Materia Forma

The 2024 festival Oscillation ::: Materia Forma is a reflection on form, format and performance. Six days of sound celebrations, featuring concerts, (in-situ) performances, talks, round table conversations, a walk, and a series of workshops, hosted by VK Vaartkapoen in Molenbeek, and complemented with outings to B.A. in Anderlecht and the Saint-Jean-Baptiste de Molenbeek church. The complete line-up and breakdown per day is now confirmed, and festival tickets are available here.

Featuring:
Ahnjili ZhuParris, Laura Mello, Michiko Ogawa & Lucy Railton, Evicshen, Bojana Cvejić, Gabriel Paiuk, Tim Ingold, Rim Irscheid, Leonie Persyn, Natasha Pirard, Lee Patterson & Pak Yan Lau, Ailbhe Nic Oireachtaigh, Nina Garcia/Mariachi, Liew Niyomkarn,, Enrico Malatesta, Margarida Garcia, Okkyung Lee, Jacqueline Nova, Ana María Romano G., Giulia Rae, Floris Vanhoof, Shamica Ruddock & Hannan Jones, Franziska Windisch, Valentina Vuksic, Ji Youn Kang, Sandar Tun Tun, Jana Rush, Emilie Škrijelj & Tom Malmendier, Nika Son, Tetsuya Umeda , Jonáš Gruska

Event
16 May – 19h – free upon registration – @ STUK Leuven
Showcase Emerging Sound: Anouk Kellner, Pavel Tchikov, Lawrence McGuire, Kaat Vanhaverbeke

Each year, STUK & Q-O2 present a showcase of new sound art in Belgium. Four promising sound artists were selected and put in the spotlights: Anouk Kellner, Pavel Tchikov, Lawrence McGuire & Kaat Vanhaverbeke. They get residency space, artistic feedback and present their work in a parcours during the Showcase Emerging Sound 2024. Register here for free.
[read more]

Book
Éliane Radigue – Intermediary Spaces / Espaces intermédiaires – Julia Eckhardt

Éliane Radigue (born 1932 in Paris) is considered one of the most innovative and influential contemporary composers. From her early electronic music through to her acoustic work of the last fifteen years, she unfolds an intensity which is at once subtle and monumental. Through her deep reflections on sound and listening, not only her music but also her working methods have come to shape a widely resonating set of new parameters for working with sound as musical material.This second extended edition of the book on composer Éliane Radigue adds a new chapter to the otherwise unchanged conversations which made the body of the first edition, published in 2019. The book is available at the Q-O2 workspace and via Les Presses du Réel. More information on the umland website.
[read more]

Still available + new
podcasts, books, releases, videos

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Save the date: Victor Ruiz Colomer, interview

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.

Victor Ruiz Colomer,

interview

Opening: March 30th, 2024 
12.00 – 2.00 p.m

The exhibition continues throughout June 7th.

fluent is pleased to present interview, a solo exhibition by Victor Ruiz Colomer. 

interview presents a new group of sculptures that affect the material structure and the somatic perception of the space. Triggering a centrifugal force, this series of perimetral works propose space as a cognitive slippage from where openings and access points, containment, desire and movement are reassembled into a more plastic reality.    

In recent years, Ruiz Colomer’s work has been preoccupied with spatial making, proposing systems and structures that experiment with their perceptual relations. In doing so, the materiality in the circulation of value, the invention of notative and scripting forms within pedagogical and self-managed dynamics, and energy consumption become recurrent aspects of his practice. Through them, he activates the potential of certain non-normative movements to affect different forms of oppression.

For this presentation, such structural or systemic approach is articulated from an interest in the genealogy of spaces where knowledge is produced and legitimated. From glasshouses as places of decontextualization and conservation, to shopping malls as triggers of desire, as well as world expositions acting as hinges across these environments, interview introduces forms of plastic opacity where the distribution and consumption of knowledge could drift.

Victor Ruiz Colomer lives and works in Barcelona. Recent work presentations include: asula  (as part of Hacer Historias V with c h o r o), loh te linvel at etHall with Ana Martínez Fernández and Basel Social Club with Cordova. He has participated in recent exhibitions at Albarrán Bourdais (Madrid, 2022), Dilalica (Barcelona, 2021), Centro Centro (Madrid, 2020), CAPC (Bordeaux, 2020) and Cordova (Barcelona, 2019).
In collaboration with Joe Highton he has presented projects at MANIFESTA 12 (Palermo, 2018), 6th Moscow Biennale of Young Art (Moscow, 2018), Endless Process at Muu Kaapeli (Helsinki, 2018) and The Next Mutation (Caixa Forum, Barcelona , 2021).
He has also developed experimental educational projects for Salmon (as a member of Cascades study group), SAC & La Fundació Joan Miró-(Barcelona 2019-2023) and Proteínas at fluent (Santander, 2022).

This exhibition has been co-produced in collaboration with Hangar, Barcelona as part of their 2023 production grants.

fluent
c / Luis Hoyos Sainz 2 (interior)
 39001, Santander, SP.
fluentfluent.org

 

Welkom op de opening van drie nieuwe expo’s

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Geen afbeeldingen? Bekijk de webversie

Welkom terug in Z33

 

We tellen af naar de paasvakantie. Dan openen drie nieuwe tentoonstellingen: Een sprong in het onbekende, Daiga Grantina & Riar Rizaldi. Opwarmen doen we alvast op zaterdagavond 30 maart en dat in goed muzikaal gezelschap. 

Openingsavond 30 maart

Feest mee

 

 

Drie nieuwe expo’s. Dat zijn genoeg redenen voor een feestje. Maxime Denuc zet de toon. Vorig jaar was zijn werk Nachthorn nog te horen tijdens de show van Chanel, nu steekt hij het in een nieuw jasje voor de tentoonstelling Een sprong in het onbekende. Verwacht je aan hypnotiserende elektronische muziek, met een orgel in de hoofdrol. Daarna neemt DJ Vers over. Hij heeft een oor voor obscure geluiden en verbijsterende clubdeuntjes: intrigerend, energiek of beide. Ontdek het vooral zelf die avond. 

Lees meer

Te gast op zondag 14.04

Kris Martin & Ensemble Currende

 

Een op het eerste zicht onooglijke werfradio krijgt een tweede leven in Z33. Op de klanken van Gregorio Allegri’s Miserere betreed je de expo Een sprong in het onbekende. Met dit kunstwerk van Kris Martin is de toon voor de expo en deze avond gezet. De Belgische kunstenaar en het Ensemble Currende dompelen je onder in een bijzondere muziek- en kunstgeschiedenis en het thema geloof.

 

Reserveer nu je ticket voor 14 april

Tip voor de paasvakantie

Spring mee in het onbekende (+8)

 

Geloof is moeilijk uit te leggen. Het is iets dat je kan voelen, maar niet kan vastnemen. Hoe vertaal je dit dan naar een beeld? Die zoektocht staat centraal in dit familieparcours. Net zoals kunstenaars baan je je een weg door het onbekende, met als enige kompas: jouw buikgevoel. Stel je zintuigen op scherp. Neem de werken in je op. Pen of teken jouw gevoelens bij een kunstwerk neer. 

 

Meer info

Z33 is een grensverleggende kunstinstelling in Hasselt, op het kruispunt van hedendaagse kunst, design en architectuur.

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Pharmakon Festival 23.03.2024 / 15:00

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Hey, hai, hoi,

We nodigen u graag uit voor het volgende:
Wir möchten Sie zu den folgenden Veranstaltungen einladen:
We would like to invite you to the following:
Nous vous invitons à participer aux événements suivants:

Pharmakon festival
23.03.2024  / 15:00

 
Kunstenaar Zoef Mashaldina, wie momenteel werkt en verblijft bij Greylight Projects, organiseert expositie ‘Pharmakon’. Op 23 maart is de opening met een feestelijk programma: ‘Pharmakon Festival’. Aansluitend is de expositie wekelijks geopend op donderdag t/m zondag van 28 maart tot en met 21 april.
 
Er is een aanvullend programma met publieksevenementen:

Pharmakon festival
23.03.2024 – 23.03.2024 / 15:00-.. : ..

Pharmakon #1 – video screening
29.03.2024 / 19.00-21:00
 
Pharmakon #2 – Talk I samplen
06.04.2024 / 13:00-15:00

 
Pharmakon #3 – Workshop
12.04.2024 / 19.00-21:00
 
21.04.2024 / 13:00-15:00
 

Houd hiervoor en voor meer updates de website in de gaten.
 

 
 


Greylight Projectsis a member of Very Contemporary,
the network of contemporary art venues in the Meuse-Rhine Euregion.

 
Greylight Projects is part of the cross border residencie

 
Greylight Projects is supported by the gemeente Heerlen
 
 
Greylight Projects is part of #TOKTOK,
platform for cultural initatives in Heerlen.
 
ateliers/ studio’s: Limaweg 3, 6415XD, Heerlen

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Yann Freichels: Dans l’Empire de l’Empereur Tomato Ketchup

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FR / EN / NL

Sonntag 24.03.2024, 15 Uhr
VERNISSAGE: Yann Freichels
DANS L’EMPIRE DE L’EMPEREUR TOMATO KETCHUP

Alle sind herzlich eingeladen zur Eröffnung diesen Sonntag, 24. März um 15 Uhr.

Yann Freichels ist einer der vielversprechendsten jungen Talente aus Ostbelgien, der mit dem Blick eines Malers auf die Gegenwart schaut und sich dabei der Malweisen seiner Vorgänger:innen bedient. Ironisch und mit viel Sprachwitz seziert er die deutsche Malereigeschichte des frühen 20. Jahrhunderts. Seine Vorbilder sind die Maler der Neuen Sachlichkeit, wie z.B. George Grosz oder Otto Dix. Anders als viele deutsche Maler:innen kann er sich diesen Künstlern jedoch ohne Ehrfurcht und Pathos nähern. Der Vorteil deutschsprachig aber eben nicht Deutsch zu sein wird bei ihm so deutlich, wie bei keinem anderen Maler seiner Generation. Mehr Informationen hier.

Neuer IKOB-Podcast: apropos #11
Garten sprengen mit Veronika Eberhart

In dieser Folge ‘apropos’ nehmen wir euch mit auf eine Reise nach Los Angeles und tauchen ein in die Welt des Films Garten sprengen (2022) von Veronika Eberhart. Die Künstlerin führt uns durch die verschiedenen Schauplätze und Zeitlichkeiten ihres Films: das legendäre Biltmore-Hotel, die Traumfabrik Hollywood damals und heute, und vor allem die Kompositionen Hanns Eislers, von denen ihr einige im Laufe der Sendung hören könnt. Hier geht’s zur Sendung auf Studio Néau.

KINDER ÜBERNEHMEN DAS IKOB
Junge Kunstfans gesucht – nur wenige Plätze frei!

Eine Gruppe junger Kunstfans kann im Mai 2024 einen Monat lang jeden Mittwochnachmittag im IKOB erfahren, was es bedeutet eine echte Kunstausstellung auf die Beine zu stellen. Im Sommer 2024 wird dann im gesamten Museum eine Ausstellung zu sehen sein, die von den Kindern entwickelt wurde und Kunstwerke aus dem Sammlungsschatz des Museums präsentiert. Weitere Informationen und Anmeldung hier.

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Rotenberg 12b
4700 Eupen
Belgien / Belgique / Belgium

Öffnungszeiten / Horaires d’ouverture / Opening hours 
Di – So / Mar – Dim / Tue – Sun
13.00 – 18.00

Führungen auf Anfrage / Visites guidées sur demande / Guided tours on demand: Pressedossiers auf Anfrage / Dossiers de presse sur demande / Press Files on demand:  Presse-Login

Art does not need a common language, it is international by itself.
www.verycontemporary.org
The Network of 11 art institutions of the Meuse-Rhine Euregion. Supported by Euregio Maas-Rhein

Mit der Unterstützung von / Avec le soutien de / With the support of

Copyright © 2024 IKOB – Museum für Zeitgenössische Kunst, All rights reserved.
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Today 19 March, 4pm–5pm: ABA’s Air Salon Radio with Dóra Benyó

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ABA

Air Berlin Alexanderplatz

invites you to

Tuesday, 19 March 2024
4pm–5pm | Air Salon 

How Many Linear Meters

Hosted by Dóra Benyó

 

For her project whilst at the residency, Dóra Benyó got in touch with the Stasi Archive to learn more about their policy. The interview is about access to the files and how the Stasi Archive handles a request. Besides that, they discuss the international network between the archives of the former Eastern Bloc countries. How does the accessibility of the archive, and thus the accessibility of history, affect society and individuals?

The interview was held on 11 March 2024 by Dóra Benyó with Dr. Karsten Jedlitschka, Head of Division at the Stasi Records Archive, and Stephanie Jost, responsible for the cooperation in the Secret Police Archives Network. Translation and support by Air Berlin Alexanderplatz.

Songs:
Ági és a fiúk – Veszélyes vonzerő
Illés – Nehéz Várni
A.E. Bizottság – Baab Schandau
Trabant – Esti kép
Kampec Dolores – Dzsungel
Sziámi – Elmaradott ország

 

Click here to listen

 

 

Broadcasted through Colaboradio via Freies Radio Berlin/Brandenburg (88,4 MHz in Berlin 90,7 MHz in Potsdam)

 

ABA Air Salons present the work of contemporary artists on the radio. Every third Tuesday of the month from 4–5pm on fr-bb Freies Radio – Berlin Brandenburg on CoLabRadio 88.4 MHz in Berlin, 90.7 MHz in Potsdam. You can listen at home on the radio or online. More here

 

Drawing by Dóra Benyó gouache on A4 paper.
From the series No Silence Before The Storm.

Kindly supported by Mondriaan Fund. 

Upcoming events:

Apr 23 | 4pm–6pm
Air Salon: LIVE radio show hosted by Dóra Benyó in collaboration with Office for Joint Administrative Intelligence. At Haus der Statistik. Please RSVP to 

 

Apr 27 | Uqbar, Schwedenstraße 16
Salon with Dóra Benyó, further details TBA

  

Currently in residence:

Damien Juillard | March–August 2024, Switzerland
Roman Aurelio Karrer | March–August 2024, Switzerland
Dóra Benyó | January–April 2024, Netherlands

 

ABA (Air Berlin Alexanderplatz) e.V. / Schöneberger Str. 13 / DE-10963 Berlin
https://airberlinalexanderplatz.de/
Team: Aleksander, Amanda, Paula

REMOVED FOOTER

Laatste week van het Housewarming-programma

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Beste allemaal,

We kijken enthousiast terug op wat we hebben geleerd van het Housewarming-programma van vorige week op de Appel’s nieuwe locatie; Ludovica Carbotta en Huib Haye van der Werf bespraken de nieuwe film Monowe van Ludovica Carbotta, ze spraken en speculeerden over hoe een stad met één burger eruit zou kunnen zien. Afgelopen vrijdag vertoonden we delen van de Collectief Eigendom webdocu en bespraken we woningcoops, gemeenschappelijke land trusts, en het verschuivende culturele paradigma richting de commons, met initiatiefnemer van het project Ivo Schmetz en leden en oprichters van verschillende coops: Natasha Hulst, Andrea Verdecchia en Marije Baalman. Afgelopen zaterdag namen we deel aan een collectieve performance en warming-up met Dimitris Chimonas, waar we manieren van collectieve ondersteuning leerden door middel van spellen, gevolgd door een vertoning van The Broken Pitcher, een intrigerende film over hoe het banksysteem in Cyprus en elders huisuitzettingen veroorzaakte. Na de vertoning faciliteerden Marina Christodoulidou en Natascha Sadr Haghighian een discussie over de huisvestingsonrechtvaardigheid in Nederland en spraken ze over het proces en de vragen die in de film naar voren kwamen, zoals de noodzaak om schulden kwijt te schelden.

Een aantal van deze projecten is online te bezoeken: Collectief Eigendom en The Broken Pitcher. Daarnaast verwelkomen we je graag voor onze laatste vier evenementen binnen dit programma.

Kopieren
Warm-up door Dimitris Chimonas voor de vertoning van The Broken Pitcher

De programma’s hebben een beperkte capaciteit. Je kunt reserveren voor onderstaande programma’s door te mailen naar

 
 

Woensdag 20 maart: Mourning Sociality door Raoni/Muzho Saleh en Caer Ascendiendo van Francisca Khamis Giacoman
The art of aztec mourning

Mourning Sociality
(in the honor of Professional Mourners around the world) by Raoni/Muzho Saleh
Mourning Sociality is een ceremonie gefaciliteerd door choreografe Raoni/ Muzho Saleh, die socialisatie centraal stelt door middel van de collectieve praktijk van rouw. Het is een 4 uur durend participatief evenement dat het collectief samenkomen eert door middel van kreunen en rouwen als een uiting van liefde voor het verlies. In deze ruimte staat het verdriet centraal dat gepaard gaat met het geweld van de koloniale psyche en structuren. De bedoeling van deze bijeenkomst is om collectief te oefenen in het liefhebben van ons gebroken hart zonder iets te hoeven repareren. In deze ruimte worden jammerende en klagende ritmes aangemoedigd door andere trillende stemmen zodat we niet hoeven te lijden in eenzaamheid en gevoelloosheid.

Caer Ascendiendo (Fall Ascending), 2022
by Francisca Khamis Giacoman with performers Sancha Meca Castro and Nara Gonçalves
Twee performers ontvouwen een object in antwoord op een reeks instructies. Binnen deze instructies ontvouwt zich een verhaal – het verhaal van de migratie van de familie van de kunstenaars van Palestina naar Chili, met de nadruk op de connectie met de textielindustrie, specifiek door de creatie van een parachute. De parachute werd gemaakt door de vader en broer van de kunstenaar en als pakket naar haar opgestuurd. De parachute blijft in de Appel tijdens het Housewarming programma.

Deze performance is onderdeel van Stressing Solidarity, een programma tussen Framer Framed, Kunsthal Gent, Amsterdam School of Cultural Analysis (UvA) en Disarming Design, om betekenisvolle betrokkenheid bij de Palestijnse strijd te bevorderen door middel van artistieke projecten en kritische infrastructuren. Meer informatie over de andere programma’s vind je hier.

Woensdag 20 maart:
13:00 – 13:30
Deuren open

13:30 – 17:30
Mourning Sociality, samenkomst door Raoni/Muzho Saleh
18:00 – 18:30
Caer Ascendiendo, performance door Francisca Khamis Giacoman
 
 

Donderdag 21 maart: Still in my quotidian, Lecture-performance door Siwar Kraytem met Betül Aksu, Alev Ersan en Hanieh Fatouraee
Still in my quotidian
De lecture-performance gaat over taal als een confronterend middel. Het stelt taal aan de orde in relatie tot kwesties van privileges, hiërarchie en precariteit, en reflecteert op meertaligheid en de samenleving en instrumenten voor sociale onderhandeling. Still in my quotidian is een soort housewarming voor een vreemdeling in Amsterdam, een langverwachte. Terwijl Siwar hun verblijfsvergunning krijgt om hier nog twee jaar te blijven, vragen ze zich af wat het betekent om in Amsterdam te blijven, ruimte te vinden en hun taal ruimte te laten opeisen.
Siwar ontmoette Alev, Betül en Hanieh op een scherm in 2023, als onderdeel van hun huidige deelname aan BAK’s Fellowship for Situated Practice. Kort daarna vormden ze een groep genaamd ‘Yaani’, geïnspireerd op het gemeenschappelijke woord in het Arabisch en Turks. Alev en Betül zullen samen met Siwar een performance geven over saamhorigheid, vervreemding en vertrouwdheid als onderdeel van hun voortdurende discussie over taal. De stem van Hanieh zal hen begeleiden door een afstandelijke maar toch nabije nabijheid.
N.B. De reis van Alev en Betül wordt ondersteund door BAK, Basis voor Actuele Kunst.

Donderdag 21 maart:
19:00- 19:30
Deuren open, dadels en iftar hapjes
19:30 – 20:15
Lecture-Performance Still in my Quotidian
door Siwar Kraytem met Betül Aksu, Alev Ersan en Hanieh Fatouraee
 
 

Vrijdag 22 maart: The Diver door Jumana Emil Abboud en Translating Ulysses van Aylin Kuryel en Fırat Yücel
Screenshot at

The Diver, 2004
Vertoning van Jumana Emil Abboud 6 min video, herhalend
Deze video vertelt het verhaal van een duiker die anoniem (onbekend geslacht, naam en nationaliteit) en op een eindeloze zoektocht is om ‘Heart’ te vinden. De plaatsen die de duiker bezoekt zijn ook naamloos en worden alleen “aarde, zee, lucht en sneeuw” genoemd. Het zijn niet-opgeëiste gebieden waar de duiker doorheen gaat op diens zoektocht naar ‘Heart’. Door het duikpak te gebruiken als de ultieme sluier, vermomming of als afweermechanisme, is de wereld van de Duiker (net als diens identiteit) enigszins dubbelzinnig, onbekend en niet opgeëist.

Translating Ulysses, 2023
regie Aylin Kuryel en Fırat Yücel, 71 min, Nederlands en Turks met Engelse ondertiteling
Kawa Nemir is als een wandelend woordenboek van de Koerdische taal. Telkens als hij een nieuw woord of een idioom hoort, noteert hij het, om het niet meer te vergeten. Hij beschouwt de Koerdische taal als zijn thuis en zwerft van de ene ballingschap naar de andere. Maar hoe zet je dit collectieve geheugen op papier? Met zijn enorme, oneindige reeks woorden, symbolen en antikoloniale weerklank wordt Ulysses van James Joyce een obsessie voor hem. Een vertaling die alle Koerdische woorden en uitdrukkingen zou bevatten die hij door de jaren heen had verzameld. Uitgeput door de politieke vervolgingen en het taalverbod ontvlucht hij Turkije en zoekt hij zijn toevlucht in het voormalige huis van Anne Frank in Amsterdam, dat nu dienstdoet als verblijf voor verbannen schrijvers. Zal het hem lukken de vertaling van Ulysses af te maken en te publiceren?

Vrijdag 22 maart:
10:00 – 16:00
The Diver
Vertoning van Jumana Emil Abboud 6 min video (herhalend)

18:00 – 19:15
Translating Ulysses
Filmvertoning van Aylin Kuryel en Fırat Yücel

19:30 – 20:30
Gesprek met Aylin Kuryel en Fırat Yücel
 
 

Zaterdag 22 maart: A Collision with the Past door Alina Lupu, Kraaienest Blijft door Wouter Stroet and Hotel Mokum door Yannesh Meijman
Collision with the past Alina Lupu

A Collision with the Past, 2021
Audio Essay (Engels) door Alina Lupu
Dit audio essay kwam tot stand op uitnodiging van de samenwerking tussen The Input Party en het Instituut voor Sociale Geschiedenis in Amsterdam (IISG). Tijdens het bezoek aan het IISG werd Alina gegrepen door foto’s van het kraakpand De Kalenderpanden. In opdracht van Ja Ja Ja Nee Nee Radio, als onderdeel van onze serie ‘Near Histories’ (samengesteld door Radna Rumping) begon zij aan een onderzoek dat meer dan een jaar zou duren. De Kalenderpanden zijn een voormalig kraakpand in Amsterdam-Oost. Het kraakpand was actief tussen 1996 en 2000 en werd na de ontruiming omgebouwd tot meerdere luxe lofts. Het essay maakt gebruik van archiefmateriaal dat de krakers uit die tijd beschikbaar stelden: een gedocumenteerde tijdlijn van zowel het kraken als de ontruiming. Het probeert ook aan te geven hoe de praktijk van het kraken is veranderd in de afgelopen decennia, sinds het kraakverbod van 2010, en laat zien hoe je twee decennia later nog steeds toegang kunt krijgen tot het Kalenderpandengebouw. Tijdens het samenstellen van het stuk, tussen november 2020 en november 2021, ervoer de kraakbeweging een opleving als huisvestingspraktijk in Amsterdam. De Kalenderpanden zijn gekoppeld aan het pas gekraakte Hotel Mokum, een pand aan de Spuistraat 59 en een aan de Ringdijk 8, beide gekraakt door de Anarcha Feminist Group Amsterdam.

Kraaienest Blijft, 2022
Film door Wouter Stroet, 5 min., Nederlands/Engels met Engelse ondertiteling
Door middel van fotogrammetrische beelden verkent Kraaiennest Blijft de structuren van een schijnbaar verlaten Grand Café in de Nederlandse stad Groningen. Het stuk assembleert verbrijzelde interieurs van – op het eerste gezicht – ongebruikte ruimtes. Fragmenten van een gesprek met voormalige dakloze studenten onthullen dat het pand in werkelijkheid verre van leeg staat en laten zien dat er een alternatief bestaat.

Hotel Mokum, 2023
Film door Yannesh Meijman, 30 min., Nederlands met Engelse ondertiteling
Hotel Mokum is een documentaire over een collectief dat op 16 oktober 2021 het verlaten Hotel Marnix in hartje Amsterdam kraakte. In zes weken tijd transformeerde het collectief het hotel in een thuis, een zelfverklaarde vrije ruimte en een oase in een stad die wordt gesmoord door hyper-gentrificatie. Op het hoogtepunt van zijn populariteit werd Hotel Mokum stopgezet onder het mom van brandveiligheid. Het verhaal van Hotel Mokum is geworteld in protest: tegen zowel de huisvestingscrisis en de kosten van levensonderhoud, als tegen de criminalisering van kraken in 2010 die leidde tot de ontruiming van meer dan 300 kraakpanden in Amsterdam alleen. De film combineert documentairebeelden, archiefmateriaal en gereconstrueerde scènes tot een complex en intiem portret van een hoopvol collectief en de stad die ze proberen terug te winnen.

Zaterdag 23 maart:
14:00- 18:00
A Collision with the Past, 2021
Audio Essay (herhalend) door Alina Lupu (Engels)

18:00
Vertoning van Kraaienest Blijft en Hotel Mokum (Nederlands en Engels)

18:45 – 19:45
Gesprek tussen Yannesh Meijman, Wouter Stroet en Alina Lupu (Engels)
 
 

Verzorgd door MailingLijst

Oscillation ::: Line-up complete + ticket sales open

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 workspace for experimental music and sound art

Festival
30 April – 5 May
Oscillation ::: Materia Forma

Oscillation news alert ::: the line-up of our yearly sonic celebrations is now complete!

The 2024 festival is a reflection on form, format and performance. Six days of sound celebrations, featuring concerts, (in-situ) performances, talks, round table conversations, a walk, and a series of workshops, hosted by VK Vaartkapoen in Molenbeek, and complemented with outings to B.A. in Anderlecht and the Saint-Jean-Baptiste de Molenbeek church. 

The complete line-up and breakdown per day, and our workshop program are now online. Be sure to discover both on our newly trilingual launched website, designed by the splendid atelier Haegeman Temmerman. And, not unimportantly: tickets (day tickets, festival passes and workshop places) are also available from now on.

Still available + new
podcasts, books, releases, videos

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OV36: “Form Follows Function”: Marcel Breuer >< Anneke Eussen — Opening Saturday March 16

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OV36
e1f6bcc8-8c86-4ba4-b0ad-306f7706d233.jpg “Form Follows Function”:
Marcel Breuer >< Anneke Eussen

Opening Saturday March 16, from 4pm to 7pm
Exhibition co-curated with Marc Hotermans
On view from March 16 to April 13, 2024.
 

OV Project is delighted to present Form Follows Function, its 36th project–a presentation of works by Anneke Eussen (b. 1978, Netherlands), and the titan of Modernist design, Hungarian-German architect Marcel Breuer (1902-1981).

The dialog presented in the exhibition unfolds firstly through the material considerations of each practitioner–communicating confrontations of forms, shapes, curves, and abutments of industrial yet sensuous connections. Subsequently evolving to address the temporal aspects evident in the juxtaposition, along vectors of sight, touch, posture and approach. The dialogics of lightness and strength frame the presentation. The artists’ respective deployments strategically facilitate a deterioration of the rationality that is part and parcel to industrial production–the subject of their meditations.

Grounded in early Modernist fascination with speed and progress, Marcel Breuer’s designs employ then-state-of-the-art techniques, resulting in modular, machine-like constructions entry into the domestic setting. His early works, designed and executed at the Bauhaus, typify the layering of industrial functionality atop of domestic usage–echoing fellow architect Frank Lloyd Wright’s 1908 quotation: “Form and function should be one, joined in spiritual union.”

Anneke Eussen’s sculptural constructions, converge on the wall with a sideways glance towards the Dadaist collage traditions. Working entirely with found materials, she searches for artifacts, here they are fragments of commercially produced glass. Discarded as having reached the terminus of their usefulness, they are resurrected as poetic objects of transcendence. The artist describes her practice as a cultivation of the found materials; an exploration of their narrative potential. She stops short of manipulating the silhouette of any given fragment in favor of subtler processes. Instead she relies on methods of arrangement, layering the pieces to formulate the pictureplane.

Breuer, while helming the woodshop at the Bauhaus, categorically disregarded the organic material. Inspired by his own bicycle, he famously ordered bent piping directly from the manufacturer to produce the ‘Wassily Chair’ (after Breuer’s instructor, Wassily Kandinsky), which resided in the lecturer’s lounge at the school. As if folding his disregard back on itself the chair went into production at Thonet–a company known to this day for popularizing bentwood furniture in the late 19th century. This momentum is echoed in the stance of his other chairs–the 301, 331 &c.–and the kinetic spring of the 1090 and 1093.

As much as Marcel Breuer’s bicycle propels us towards inevitably, the shattered contours of Eussen’s compositions glance retrospectively at traces, engaging with amorphous narratives—memories that cling like dust to a mirror. The works are deep reservoirs of energy expended, corroborating elusive histories: of light cutting through them, a multitude of contacts, from both humans and machines, a lens through which we view the world, together with a reflection of ourselves.

In each practice, objects dictate experience. They shape and link it to the wider world of functional design, through twists and turns towards the poetic, the personal, the transcendent. Harnessing energy, rendering coldness as warmth–the warmth of a body on a chair, the perspectival gaze into the abyss of the layers of history.

Marcel Breuer (b. 1902, Austria-Hungary, d. 1981, New York City) was a pioneering architect and designer of Modernism, particularly Brutalism and the International Style. In 1991, the New York Times regarded his chairs as some of the most important works of their kind produced in the 20th century. He was one of the earliest students of the Staatliches Bauhaus in Weimar Germany, where he was in charge of the carpentry workshop, and studied under painter Wassily Kandinsky (for whom his most famous chair is named). Breuer emigrated to the United States in 1937 (naturalized in 1944), becoming a faculty at Harvard’s Graduate School of Design, at the invitation of Bauhaus founder Walter Gropius. In the US he designed, among others, the IBM Research and Development Facility; the Whitney Museum of American Art (at 945 Madison Av.); the US Department of Housing and Urban Development; and St. John’s Abbey.

His archives are stewarded by the Syracuse University library, Syracuse, New York, and the Smithsonian Archives of American Art, Washington D.C, and New York City.

Anneke Eussen (b. 1978, Netherlands) is a contemporary artist living and working in Vaals, Netherlands. She graduated from the Academy of Maastricht, Netherlands, and completed a post-graduate residency at the Higher Institute of Fine Arts, Brussels. Her work has been the subject of solo exhibitions at Kunstverein Schwerin, Schwerin, DE; the Suermondt Ludwig Museum, Aachen, DE; Lauren Marinaro, New York, NY; Document, Chicago, IL; and Tatjana Pieters, Ghent, BE.

OV Project:
Rue Van Eyck, 57
B- 1050 Brussels
@: OV contemporary – office:
Rue Jean-Baptise Colyns, 72
B -1050 Brussels

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Opening hours :
Thu. to Sat. from 2 — 6 pm
or by appointment
 

 

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Newsletter March 2024

Posted on
 
 
 
 
 
Art fair
 
 
 
 
 
Art Brussels 2024

Hall 5

Stéphanie Baechler, Caroline Le Méhauté, Warre Mulder,
 
Nancy Moreno, Ara Méndez Murillo, Simona Mihaela Stoia
 
April, 25 – 28
 
 
Artist news
 
 
 
 
Clara Börmann

Das Gewicht einer Farbe

Solo show
 
Schwarz Contemporary, Berlin (DE)
 
March 15 – April 13, 2024
 
Opening March 14, 6-8 PM
 
 
 
 
 
 
Isabel Fredeus

Panta Raei – alles stroomt

Group show
 
Schalienstraat 2, Antwerpen (BE)
 
Opening March 22, 4-11 PM
 
Open every friday through sunday: 2-6 PM
 
 
 
 
Stéphanie Baechler

Have Faith

Solo show in dialogue with the collection of Musée d’art et d’histoire Fribourg MAHF
 
MAHF, Fribourg (CH)
 
September 1, 2023 – March 24, 2024
 
Finissage March 24, 5 PM in presence of the artist
 
 
 
 
 
Joke Hansen

Vloedlijn

Group exhibition 18 alumni visual arts PXL,
curated by Mieke Mels
 
PXL-MAD, Hasselt 
 
February 29 – March 29
 
 
 
 
 
 
 
Joke Hansen

Shank (2024)

Edition SMAK
 
Ex.: 10 + 2AP
 
Elevated print on birch plywood
 
Format: 38 x 30 cm
 
 
 
 
 
 
 
Joke Hansen
Tim Volckaert

Paranoia

Group exhibition, curated by Tamara Beheydt
 
Ter Dilft, Bornem  

February, 17 – April 7
 
Opening February 16, 7.30 – 9.30 PM
 
 
 
 
 
 
 
 
 
 
Hilde Overbergh
 
blad – steen – schaar

Duo exhibition with Gert Verhoeven
 
Emergent, Veurne (BE)  

February, 10 – April 21
 
 
 
 
 
Hilde Overbergh
 
DOKA
 
Group exhibition, curated by Geert Goiris
 
Museum M, Leuven (BE)  

December, 15, 2023 – January 5, 2025
 
 
 
 
 
Hilde Overbergh

inspired by Love

Belfius art collection

November 11, 2023 – June 22, 2024
 
Subscription required
 
 
 
 
 
Tim Volckaert

inspired by Love

Belfius art collection

November 11, 2023 – June 22, 2024
 
Subscription required
___________________________________________________________
          

Groot Park 2, 3360 Lovenjoel – www.whitehousegallery.be

Montez Press March News

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Montez Press News
March 2024

→ Pre-order The Ginny Suite by Stacy Skolinik
→ Interjection-010-03
→ Londoners, join us for the launch of Interjection 009
→ Meet Our New Assistant Editor 
→ MPR March Schedule

 

Pre-order the Stacy Skolnik’s debut novel The Ginny Suite 

Stacy Skolnik, co-founder and co-director of Montez Press Radio, affixes her recognisable voice to the page with debut novel The Ginny Suite – upcoming for May 2024. 

The Ginny Suite is a perfect hell of a book: a gossipy stylish mystery that’s both petty and profound. I love how its paranoias and insecurities tip lushly into plot: is the lyric condition of poetry a pathology? Is dissociation a radical response to the lived conditions of patriarchy, or is it patriarchy hacking your brain into submission? What if, instead of self-diagnosing through google, your search history was used to diagnose you, and form the basis of covert treatment? Anyone who’s ever suffered the malady of writing poems will recognise The Ginny Suite’s inability to stop picking these scabs. Its prose moves seamlessly from the lush to the blunt, awash with glitching pronouns, horny ennui, sci-fi intrigue and tender girlish digital fantasies—like if the author of Malina had a dormant Neopets account. I adored it.
— Daisy Lafarge, author of Lovebug

Stacy Skolnik is the author of the poetry collection mrsblueeyes123.com (2019), the chapbook Sparrows (2023), the workbook From the Punitive to the Ludic: Prompts for Writing Public Apologies (with Thomas Laprade, 2022), and the chapbook Rat Park (with Katie Della-Valle, 2018). 

→ Pre-order your copy of The Ginny Suite here
→ Read an excerpt from The Ginny Suite here

 

 

March Interjection: An Email From Sunday, Describing Saturday by Oisín Roberts

Oisín Roberts is a writer and artist from Derry, Ireland and living in London. His writing often recounts experiences in a literal, vernacular or epistolary way to get at something larger. He has read all over, incl. the Royal Vauxhall Tavern, AMP Gallery, San Mei Gallery, The Ivy House, Biblioteka library and on the air (Montez Press Radio and No Bounds FM). He set up and runs Think Big, Read Community Library, a lending library in Peckham, South East London.

→ Read Oisín’s writing here

 

Book Launch: Friday 22nd March at Reference Point, London

Join Montez Press in the launch of The Interjection Calendar 009 in London at Reference Point, 22nd of March at 7pm with live performances by Hasti, Kasra Jalilipour, Rosa-Johan Uddoh and Aliaskar Abarkas.

Is it hot? Does it look good? Are you proud to serve it? The writers and artists featured in this Calendar work and live at intersections of all kinds—geographies, practices, genders, cultures, canons, interests, specialisms—imagine the overlap in the venn diagram where cunty al-Khwarizmi stands louchely at the bar with Omar Khayyam in a latex dress, necking neon cocktails made with Smirnoff Ice as a mixer, and Rostam in Tom of Finland leather watching from the wall.   

– From the Editor’s Note by Hasti 

→  Grab your tickets here

 

Meet our new Assistant Editor, Elida Silvey.

Elida Silvey is a Mexican-American poet, writer and editor living in London, UK. Her self-published zines Home in Limbo, Southwest and Nothings explore cinematic poetry centered around those closest to her as an exploration of the effects desire, language and memory have on identity. She is currently the Poetry Editor at Sunstroke Magazine where she occasionally writes, writer for Hard of Hearing Magazine and a part of the Gobjaw Poetry Collective and the second iteration of Un Nuevo Sol. 

Find her at www.elidasilvey.com or

MPR March Schedule

Saturday 16th March Segue Reading Series live from Artists Space with Frances Stark and Richard Foreman.

Saturday 23rd March Segue Reading Series live from Artists Space with Dubravka Djuric and Fanny Howe. 

Monday 25th March live from The Korea Society with Megan Sungyoon, Soje, Eunice Lee, Stine An, Seo Jung Hak, and Ainee Jeong.

Tuesday 26th March back at 46 Canal Street with Creel Pone, Kir, Zoe Kase, Jeff Place, Smithsonian Folkways/Ralph Rinzler Folklife Archives, Ser Serpas, Ergot Records, Simon Denny, Dunkunsthalle

Wednesday 27th March live from Retro Bar in London with Lauren John Joseph, Lavinia Co-Op, Dixie, Estella Adeyeri, Kat Hudson, Josh Quinton and Joelle Taylor. Then live from Lincoln Center in NYC for Rena Anakwe’s “Lifting the Ground Up” featuring featuring Akeema-Zane, GENG, Jonathan González, and JWords.

Thursday 28th March with Ingo Niermann and Hanne Lippard, Eleanor Ivory Weber, and others.

Friday 29th March live in studio with Gryphon Rue, Jay Sanders, Albert Samreth, Stanley Schtinter, Nick Klein, Eliza Barry Callahan, Allie Wist, STEMLINES, Dayii, DORIS, Deuén, and Ezekiel Robinson. 

Saturday 30th March with D.O.T. Audio Arts, CUE, max Res, Emmanuel Olunkwa, Johanna Zwirner, Fugitive Materials, and Judith Arcana & the Janes. 

→ Listen at radio.montezpress.com
→ See this month’s schedule
→ Sign up as a Supporter and unlock the archive
→ Donate

With love,
MPR & Montez Press

 

 

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Join us for the opening film programme at NW

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opening film programme

 
 
 
 

 
From 22.3.2024
 
NW Cinema, photo Jonas Van Gent
 
 
presenting our new cinema
Join our opening programme!
 
 
 

We've been looking forward to it with you: NW's brand new cinema. This means new comfortable seats, but also a new, old-fashioned 35mm projector to show classics on analogue film.

We present our films in focus programmes. This 'focus' could be the current exhibition, a specific director, or a particular theme. Many of these 'focus films' will be framed with an introduction by the maker or an invited guest. This way, we not only show cinema in the broadest sense of the word, but also provide more depth.

We kick off during our opening weekend Club Ritual with our first focus Ritual Unions: four programmes composed in the theme of our opening exhibition Ritual in Transfigured Time by Counter Encounters. Alexis Blake is also coming to NW for a screening of Conditions of an ideal, followed by a Q&A. Not to be missed!

 

Tickets

 
 
 
 

 
Saturday 23.3.2024 14:00
 
Ana Mendieta, Creek, 1974
 
 
Ritual unions
Film Focus programme in 4 parts 
by Counter Encounters
 
 
 

During the opening weekend Club Ritual will kick off our revamped film operation. Our first 'film focus' engages with the works on display and the premise of the exhibition Ritual in Transfigured Time. Four programmes in one day, curated by the international research and curatorial collective Counter-Encounters (Onyeka Igwe, Laura Huertas Millan and Rachael Rakes). There will also be a lecture, screening and conversation with Brazilian artist Ana Pi…

 

Tickets

 
 
 
 

 
Sunday 24.3.2024, 14:00
 

Alexis Blake, Conditions of an Ideal, British Museum, Block Universe, 2016, Arronphoto

 
 
Conditions of an ideal
Screening and Q&A with Alexis Blake
 
 
 

Among the bleached marble sculptures of the Parthenon friezes in the British Museum, Alexis Blake examines the historical white Eurocentric and gender imperialistic representation of the idealized woman’s body. Conditions of an Ideal (2016) is a choreography in which structured improvisations navigate between democratic group movements and individual postures, between moments of tension and balance.

 

Tickets

 
 
 
 

 

From 05.4.2024

 

Stop Making Sense, Jonathan Demme

 
 

dance!

Films that revolve around dance, celebration and ritual.

 
 

April 24 marks exactly 40 years since the release of the legendary concert film Stop Making Sense. Featuring some of their best-loved hits and innovative stage set-ups, this film is a tribute to the Talking Heads' timeless craftsmanship and Demme's visionary direction. It is neither the only nor the last film in this focus programme.

 

Tickets

 
 
 
 

 

From 29.3.2024

 

Werner Herzog, Radical Dreamer

 
 

Herzog

An exploration of Werner Herzog's most striking and influential films

 
 

We dive deep into his unique style and themes, showing Grizzly Man analogue thanks to our new 35 mm projector. In addition to his films, we will of course programme introductions and a documentary on his life.

 

Tickets

 
 
 
 

 

From 05.4.2024

 

Here, Bas Devos, 2022

 
 

from here

A curated collection of contemporary and classic Belgian film.

 
 

One of this spring's most talked-about films 'from here' is undoubtedly Here, with which Bart Devos won the Encounters competition in Berlin. The film starts at 20:00 in the presence of the director.

 

Tickets

 
 
 
 

 

From 26.3.2024

 

The Zone of Interest, Jonathan Glazer

 
 

Arthouse cinema

Every Tuesday at 20:00

 
 

We continue our well appreciated tradition: a fine selection of arthouse films every Tuesday night. This month, we show the super relevant Oscar winner The Zone of Interest by Jonathan Glazer, and gems like Perfect Days by Wim Wenders and Past Lives by Celine Song…

 

Tickets

 
 
 
 

© 2024 Netwerk Aalst. All rights reserved.

 

NW, Open House for Contemporary Art and Film
Houtkaai 15, 9300 Aalst, Belgium
+32 (0) 53 70 97 73

 

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Edith Dekyndt at Palazzo Grassi

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Edith Dekyndt
at Teatrino di Palazzo Grassi

1280x720

Edith Dekyndt, Song to the Siren (still), 2022

The video “Song to the Siren” (2022) is on view at Palazzo Grassi
March 13 ⎼ 17, 2024
April 15 ⎼ 22, 2024

 

In the morning light of an autumn day in 2022, Edith Dekyndt filmed a young woman lying down near the Monument to the Partisan Woman, which sits in the waters of the Venice lagoon along the promenade leading to the Biennale Gardens. She holds a white cloth in her hand with which she wipes, cares for, cleans, repairs, caresses, and consoles the bronze statue depicting this woman from another time who is partially immersed in the lagoon, her hands tied, presumably close to her end, a fate suffered by so many partisan women during WWII, especially in Venice.

In this film presented in the Foyer of the Teatrino at Palazzo Grassi, Edith Dekyndt draws the viewer’s attention to our ability to preserve memories, with some measure of dread over their recurrence. The bronze statue, made in 1969 by the sculptor Augusto Murer, lies on a structure and a support created by Carlo Scarpa that sits in the water.

Song to the Siren forms part of a series of actions in which the same gesture is enacted at several public historical monuments to echo contemporary situations. The titles are always those of songs whose lyrics provide an open, timeless resonance. In this video, the title comes from Song to the Siren (1970) by Larry Beckett and Tim Buckley, which has been recorded by many artists, from This Mortal Coil to Robert Plant.

13 rue du Canal
1000 Brussels

+32 2 219 14 22

Newsletter Ludwig Forum Aachen

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Ludwig Forum

Ausgabe 13.03.2024

 

Artikelbild

Leonid Vojcechov,  Ende der Vorstellung / End of the Performance, 1987, Sammlung Ludwig, Leihgabe Peter und Irene Ludwig Stiftung © Ludwig Forum

Please scroll down for English Version

Kurzfristige Erinnerung: Eröffnung “Fragmente einer Wirklichkeit, die einmal war”

Zur Eröffnung der Sammlungspräsentation Fragmente einer Wirklichkeit, die einmal war. Begegnungen mit der Ukraine in der Sammlung Ludwig diesen Donnerstag, den 14.03.2024 ab 18 Uhr laden wir Sie, Ihre Familie und Freund*innen ganz herzlich ein.

Nach einem Ausstellungsrundgang mit der Kuratorin Galina Dekova um 18:00 Uhr im zweiten Obergeschoss, freuen wir uns, um 19:30 Uhr den in Berlin lebenden ukrainischen Künstler Yuri Leiderman zu einem Vortrag im Space des Ludwig Forums willkommen heißen zu dürfen.

Wir freuen uns auf Ihr Kommen!

Ihr
Ludwig Forum Aachen

Fragmente einer Wirklichkeit, die einmal war.
Begegnungen mit der Ukraine in der Sammlung Ludwig
15.03. – 01.09.2024

Eröffnung: Do, 14.03.2024, ab 18 Uhr
Ausstellungsrundgang mit Galina Dekova, 18:00 Uhr
Begrüßung: Eva Birkenstock, Heinrich Brötz 19:00 Uhr
Einführung: Galina Dekova

In der Brandung schlendern. Odeassas Untergrund-Kunst der 1980er Jahre
Vortrag von Yuri Leiderman
Do, 14.03. 2024, Space, 19:30 Uhr
In englischer Sprache

Mit Volodymyr Budnikov, Mykola Filatov, Sergey Geta, Evgeni Gordiets, Eduard Gorochovskij, Ilya Kabakov, Andrij Kocka, Yuri Leiderman und Andrey Silvestrov, Jurij Luckevič, Petro Markovič, Anatolij Mašarov, Daniel Mitljanskij, Vera Morozova, Halyna Neledva, Arkadij Petrov, Larisa Rezun-Zvezdočetova, Viktor Ryžich, Oleksandr Tyšler und Leonid Vojcechov

Das Ludwig Forum für Internationale Kunst beherbergt rund 1800 Malereien, Skulpturen und Grafiken aus der ehemaligen Sowjetunion sowie Mittel-, Ost- und Südosteuropa, die Irene und Peter Ludwig zwischen 1979 und 1996 gesammelt haben. Fragmente einer Wirklichkeit, die einmal war gibt den Auftakt zu einer Neusichtung, Neuverortung und Erforschung von Teilen dieser Sammlung, die in der Vergangenheit unter dem Schlagwort „Kunst aus der UdSSR“ inventarisiert wurden und über die es bis heute nur wenige Informationen gibt. Darüber hinaus sollen diese Arbeiten und künstlerischen Positionen entlang aktueller kunst- und kulturwissenschaftlicher Diskurse neu kontextualisiert und damit auch der westliche Blick auf die „osteuropäische Kunst“ kritisch hinterfragt werden. Diese erste Ausstellung des gleichnamigen Forschungsprojekts untersucht ein Konvolut künstlerischer Arbeiten, die auf unterschiedliche Weise mit der Ukraine verbunden sind. Sie versucht, unscharfe Kategorisierungen, Terminologien und Kontextualisierungen–seien es geografische, politische oder kunsthistorische–einer Revision zu unterziehen, um der Vielfalt und Komplexität einer nicht zuletzt von Spannungen und Gewalt geprägten Region gerecht zu werden.

Kuratiert von Galina Dekova

Die Ausstellung ist Teil des Programms “Forschungsvolontariat Kunstmuseen NRW” und wird gefördert durch das Ministerium für Kultur und Wissenschaft des Landes Nordrhein-Westfalen.

English Version

Reminder: Opening of “Fragments of a reality that once was”

We cordially invite you, your family, and friends to join us for the opening of the collection presentation Fragments of a reality that once was. Encounters with Ukraine in the Ludwig Collection this Thursday, March 14, 6pm!

After a curator’s tour with Galina Dekova at 6pm on the second floor of the museum, we are thrilled to welcome the Berlin-based Ukrainian artist Yuri Leiderman for a lecture in the Space of the Ludwig Forum at 7.30pm.

We look forward to welcoming you at the Ludwig Forum!

Yours
Ludwig Forum Aachen

Fragments of a reality that once was.
Encounters with Ukraine in the Ludwig Collection
15.03.-01.09.2024

Opening: Thu, 14.03.2024, from 6.00 pm
Exhibition tour with Galina Dekova: 6.00 pm
Welcome: Eva Birkenstock, Heinrich Brötz: 7.00 pm
Introduction: Galina Dekova

Hanging in the surf. Odessa’s underground art from the 1980s
Lecture by Yuri Leiderman
Thu, 14.03.2024, Space, 7.30pm

With Volodymyr Budnikov, Mykola Filatov, Sergey Geta, Evgeni Gordiets, Eduard Gorokhovsky, Ilya Kabakov, Andriy Kotska, Yuri Leiderman and Andrey Silvestrov, Yuriy Lutskevych, Petro Markovych, Anatoliy Masharov, Daniel Mitlyanskiy, Vera Morozova, Halyna Neledva, Arkadiy Petrov, Larisa Rezun-Zvezdochetova, Viktor Ryzhykh, Oleksandr Tyshler, and Leonid Voytsekhov

The Ludwig Forum for International Art is home to around 1,800 paintings, sculptures, and works of the graphic arts from the former Soviet Union and central, eastern, and southeastern Europe which Irene and Peter Ludwig collected between 1979 and 1996. Fragments of a reality that once was marks the launch of a re-examination, re-positioning, and new exploration of sections of this collection which in the past were inventoried under the category “Art from the USSR” and about which there is little information down to the present day. Moreover, the respective works and artistic positions will be re-contextualized in relationship to current art and cultural discourses, an approach facilitating a critical inquiry into the prevailing Western perspective on “Eastern European art.” This first exhibition of the research project of the same name considers a series of art works which are connected in various ways with Ukraine. The exhibition undertakes a revision, examining the vague and imprecise categorizations, terminologies, and contextualizing narratives–whether they be geographical, political, or art historical–with the aim to do justice to the diversity and complexity of a region most recently racked by tension and violence.

Curated by Galina Dekova

The exhibition is part of the program “Research Traineeship Art Museums NRW” and is supported by the Ministry of Culture and Science of North Rhine-Westphalia.

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Impressum

Ludwig Forum für Internationale Kunst
Jülicher Straße 97–109
52070 Aachen
Di bis So 10–17 Uhr, Do 10–20 Uhr
Tel. +49 (0) 241 1807 104/ Fax +49 (0) 241 1807 101
E-Mail: Redaktion:
Ludwig Forum Aachen
www.ludwigforum.de

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Ein Museum der Stadt Aachen

This week’s openings in Brussels

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This week’s openings in Brussels ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌
This week’s openings in Brussels
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Opening this week
Wednesday 13 Mar → Tuesday 19 Mar

Wed 13.03 — 16:00
Fondation CAB
These Circumstances

Thu 14.03 — 15:00
QG Gallery
Monochrome

Thu 14.03 — 17:00
Xavier Hufkens
Zhang Enli – 'A Traveler'

Thu 14.03 — 17:00
Mulier Mulier Gallery
Sculptures & works on paper

Thu 14.03 — 17:00
Galerie Montoro12
Luca Padroni – 'Wild World'

Thu 14.03 — 17:00
Bernier/Eliades
Martin Margiela

Thu 14.03 — 17:00
Galerie La Forest Divonne
Jean-Bernard Metais – 'Résonance'

Thu 14.03 — 17:00
Galerie Christophe Gaillard
Trucs Machins et Bidules (Nooks & Crannies)

Thu 14.03 — 18:00
NICC
Liliane Vertessen

Thu 14.03 — 18:00
Mercerie
Carcass

Thu 14.03 — 18:00
Baronian
Mitja Tušek – 'Trickle-down Economics'

Thu 14.03 — 18:00
Affiliate (Wiels)
Mostafa Saifi Rahmouni: The Only Way

Thu 14.03 — 18:30
Jewish Museum of Belgium
Passage : Textiles & Rituals

Thu 14.03 — 18:30
Jewish Museum of Belgium
Passage. Textiles & Rituals

Sat 16.03 — 16:00
Ballon Rouge
Lucie Mercier – 'I'm Just a Girl'

Sat 16.03 — 16:00
OV Project
0v 36 – Marcel Breuer >< Anneke Eussen

Sun 17.03 — 14:00
Galerie DYS
Alexandra Duprez



Opening next week
Wednesday 20 Mar → Tuesday 26 Mar

Thu 21.03 — 17:00
Michel Rein
Christian Hidaka – 'Godo'

Fri 22.03 — 17:00
Stems Gallery
Sans Titre : Gregory Defreyne; Arnaud Adami; Dune Varela; Brice Robert; Romain Bagouet; Oscar Lefebvre; Mona Cara; Raphael Bachir Osman

Fri 22.03 — 18:00
Botanique
Sculpture et Parasites Chapitre 2 / Ebouage et orpaillage

Fri 22.03 — 18:00
Botanique
Xavier Mary

Sat 23.03 — 14:00
Galerie La Patinoire Royale Bach
Hell’o

Sat 23.03 — 16:00
Galerie Martine Ehmer
Jef Aérosol – 'Au bord des mots '

Sat 23.03 — 18:00
Stems Gallery
Hilary Balu – Merveilleuse Obscurité @ Lempertz, Brussels

Sun 24.03 — 14:00
Lee Bauwens Gallery
Shin Meekyoung – 'Fragrance of History'

NECA and this newsletter are brought to you by la Fondation pour les Arts / Stichting voor de Kunsten. with the active support of visit.brussels.
Fondation pour les arts
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Tweede week van Housewarming: Activaties voor een nieuwe locatie

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We kijken terug op een bijzondere en verwarmende eerste week van ons Housewarming-programma op de nieuwe locatie van de Appel. Graag attenderen we u op de komende drie publieke programma’s deze week: op 14 maart een vertoning van Monowe en een gesprek met regisseur Ludovica Carbotta; op 15 maart een vertoning van de korte films Collectief Eigendom met een daarop volgend gesprek met initiator Ivo Schmetz en een paneldiscussie met Natasha Hulst, Andrea Verdecchia en Marije Baalman; op 16 maart een participatieve performance met Dimitris Chimonas, een vertoning van The Broken Pitcher en een gesprek tussen Marina Christodoulidou, Natascha Sadr Haghighian en Dimitris Chimonas.

Let op: een reservering is verplicht voor alle programma’s i.v.m. de beperkte capaciteit, u kunt een plek reserveren door te mailen naar

 
 

Monowe
Monowe
regie Ludovica Carbotta, 64 min. Italiaans met Engelse ondertiteling

In het gerechtsgebouw van Monowe, een stad bewoond door slechts één persoon, is een proces aan de gang waarin deze enige burger de beklaagde is, maar tegelijkertijd ook rechter, aanklager, advocaat, getuige en slachtoffer. Monowe is een denkbeeldige stad, een stadsmodel gecreëerd voor één individu. De vorm van de gebouwen en infrastructuur vertelt over de erfenis van een catastrofaal verleden en de mogelijkheid om in de toekomst te overleven. Monowe vertegenwoordigt de staat van isolatie van het hedendaagse individu, het resultaat van externe dynamieken en strategieën van zelfbescherming. De bewoonde ruimten zijn fysieke plaatsen, architecturen met specifieke functies: het huis, het museum, de wachttoren, het gerechtsgebouw, maar ook abstracte plaatsen, metaforen voor delen van het lichaam waarin de bewoner diens innerlijkheid confronteert. Het ontvouwen van de rechtszaken, geformuleerd zoals de inwoner zich herinnert ze gehoord of gezien te hebben, neemt ons mee door de verschillende stadia van diens bestaan in de stad Monowe.

Donderdag 14 maart
14:00 – 18:00
Herhaalde video-vertoning van Monowe door Ludovica Carbotta, 2024

18:30 – 19:30
Gesprek tussen Ludovica Carbotta en Huib Haye van der Werf

Project supported by Italian Council program (2022), promoted by the Directorate-General for Contemporary Creativity within the Italian Ministry of Culture
Logo MAMbo colori positivo
 
 

Collectief Eigendom
Webdocu still beeldmenu

Collectief Eigendom is een webdocumentaire over het gelijknamige onderwerp. Het project (een combinatie van video, audio, fotografie en tekst) portretteert mensen en organisaties die gebruik maken van een collectieve eigendomsconstructie voor onder andere huisvesting, vrije ruimten, landbouw, natuur, energie en zorg. Het is zowel een inspiratiedocument als een archief en een handleiding voor iedereen die geïnteresseerd is in het concept van collectief eigendom en de coöperatieve beweging.

Het panel zal na de vertoningen ingaan op de ingrediënten die volgens hen nodig zijn om een werkende coöperatie te laten slagen, evenals op de verschillende modellen van coöperaties en de verscheidene vormen van samenwerken (en samenleven).

Vrijdag 15 maart
14:00-18:30
Vertoningen van korte films voor Collectief Eigendom

18:30-19:00
Talk door Ivo schmetz over het Collectief Eigendom-project

19:00-20:30
Paneldiscussie over collectief eigendom met Natasha Hulst, Andrea Verdecchia en Marije Baalman
 
 

The Broken Pitcher
Peter Eramian Round Table The Broken Pitcher Photo Panayotis Mina

De film volgt de effecten van financialisering en bezuinigingen en behandelt een concreet geval: Een cruciale vergadering bij een bank, waarbij onderhandeld wordt over de uitwinning van een familiehuis in Larnaka, Cyprus in 2019. Geïnspireerd op Abbas Kiarostami’s film First Case, Second Case (1979, Iran), wordt de gefilmde heropvoering van de bankvergadering getoond aan mensen met verschillende achtergronden die de vraag wordt gesteld: “Wat moeten de bankmedewerkers volgens jou doen?”. De antwoorden omvatten perspectieven van mensen uit verschillende belangengroepen in Cyprus en daarbuiten, waaronder huisvestingsrechtenactivisten in Barcelona, Berlijn en Beiroet, personen die op vergelijkbare wijze door dit beleid worden getroffen, publieke figuren, advocaten, economen en kunstenaars. Onteigening is een van de bezuinigingsmaatregelen die de Trojka (de Europese Commissie, de Europese Centrale Bank en het Internationaal Monetair Fonds) de Cypriotische regering oplegde na de financiële crisis in 2012. The Broken Pitcher situeert de zaak in relatie tot de koloniale geschiedenis van financiën, schulden en eigendom en zoekt naar mogelijkheden om het script van de interactie ermee te veranderen.

Als inleiding op de vertoning van The Broken Pitcher nemen we deel aan een opwarmsessie om onszelf voor te bereiden op het aannemen van de rol van ‘spect-actors’. Deze door Augusto Boal geïntroduceerde term verwijst naar toeschouwers die actief omgaan met hun drang om de realiteit waarin ze leven te onderzoeken, analyseren en opnieuw vorm te geven. Deze sessie fungeert als een uitnodiging voor het publiek om over te stappen van passieve toeschouwers naar actieve deelnemers. Als onderdeel van de Appel’s housewarming, en omlijst door tools die gebruikt zijn voor The Broken Pitcher, wordt een serie participatieve spellen gefaciliteerd door kunstenaar en dramaturg Dimitris Chimonas.

Zaterdag 16 maart
14:30 – 15:00
Deuren open

15:00 – 16:00
Participatieve performance met Dimitris Chimonas

Pauze & introductie in de film/het project

16:30 – 17:30
The Broken Pitcher, filmvertoning

17:30 – 18:30
Gesprek met Marina Christodoulidou, Natascha Sadr Haghighian en Dimitris Chimonas
 
 

Verzorgd door MailingLijst

INC Newsletter

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Announcements Newsletter

Event calendar

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THE VOID T.V.  | TACTICAL VIDEO #2
GIRLSTREAM

March 14, 2024, 15:00 – 19:00

Tactical Video (T.V.) is a hybrid event and publication series by THE VOID, a practice-based research project of the INC.

This second broadcast will be about girly things: sad girls, silly girls, girlbrain, coquette, femcels, kawaii militarization, and girlbosses. Moderated by Chloë Arkenbout, featuring interviews and discussions with Mariana Fernández, Lisa Federmesser, Noura Tefeche, Jade Poolen, Mela Miekus, and Mita Medri on how THE GIRL has taken over the internet. Morgane Billuart, Boycott, Divestment, Sanctions (BDS), UKRAiNATV and dj Power Switch are also part of the program. 

Find the full program here.
And join the live stream here.

Afbeelding
Breaking the Meme: Critical Meme Reader III launch

May 17, 2024, 17:00 – 19:00

Join us for the launch of Critical Meme Reader III: Breaking the Meme, edited by Chloë Arkenbout and Idil Galip, on May 17th at Spui25. 

When you want to say something about memes, it is impossible to escape having to situate them. What usually happens is that meme makers and thinkers fall back on two definitions: Dawkins (1976), Shifman (2014). How can memes be defined beyond their work in a way that is better suited to our current time? Building on this work – yes of course – but in a way that leaves space for the meme to breathe. Honoring its transgressive everchanging nature, instead of limiting it into a static framework it never chose to be in in the first place. The goal of Critical Meme Reader III is to break its definition open with different visions, and to keep it open –  letting the meme choose for itself what it wants to stay, be and become. 

Program and registration: here. 

INC Telegram channel

We invite you to join our Telegram channel,  a place where we can connect through collaborative conversations, livestreams and the sharing of our latest publications such as books, zines, articles, videos, events and much more. Click here to subscribe.
 
INC Telegram Channel

New Publications
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Girlbrain: a Theory 
Jess Henderson
INC Longform

Read  HERE 
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Silly Girl Theory: Scrolling the Digital Playgrounds
Mela Miekus & Mitra Medri
INC Longform

Read  HERE 
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The Planalto Riots: Making and Unmaking a Failed Coup in Brazil
Edited by Lou Caffagni, Isabel Löfgren, Gizele Ma
Theory on Demand #51

Read  HERE 
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The Deep Mellow Valley
By Silvia Dal Dasso
INC Longform

Read and Order  HERE 
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Semiotics of the End: On Capitalism and the Apocalypse
By Alessandro Sbordoni
Network Notion #1

Read  HERE 
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Resisting Data Colonialism: A Practical Intervention
By The Tierra Común Network
Theory on Demand #50

Read  HERE 

​

 
You can currently order a free print copy of the following INC publications:

  • Semiotics of the End: On Capitalism and the Apocalypse, by Alessandro Sbordoni
  • Screentime Airtime Facetime: Practicing Hybridity in the Cultural Field, edited by Sepp Eckenhaussen, Senka Milutinović, and Carolina Valente Pinto
Order HERE 
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FROM THE INC BLOG
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Interinterface: Why Affective Interfaces are Spatial Machinery, and How They Normalize and Siscipline Queer Identities
​​​​​By Ivan Netkachev & Roman Solodkov

Read  HERE
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Copium Compendium: How Do You Cope in this Digital Age of Disaster?
By Geert Lovink

Read  HERE

Institute of Network Cultures
Networkcultures.org 

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INDISCIPLINE returns on 30 March! 📅

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INDISCIPLINE 2024

On Saturday 30 March, join us to celebrate INDISCIPLINE, the annual happening taking place in the unique location of the Grand Casino in Knokke-Heist, known for its rich art and film history. Discover the programme of this 4th edition, curated by WIELS, that continues to encourage new forms of perception, experience, and corporeality. 

Get your tickets and join us for a night of performances and experimental interventions at the seaside!

With: Ufuoma Essi, Gary Farrelly, Lenio Kaklea, Jonathan Franz, Margaux Schwarz, Michael Snow, Nafaq (Amina Abouelghar & Hanin Tarek) with Lander Gyselinck, Hagar Tenenbaum & Irina Jasnowski Pascual, Eleanor Ivory Weber, Étienne Bernard and Xavier Garcia Bardon.

Saturday 30_03_2024________________16:30-23:00
GRAND CASINO KNOKKE
In collaboration with: Knokke-Heist 
Curator: Pauline Hatzigeorgiou

DISCOVER THE PROGRAMME

HIGHLIGHTS

16:30_________________________FILM
MICHAEL SNOW: WAVELENGTH

This 4th edition kicks off with a screening of Michael Snow’s legendary film Wavelength (1967) in the Bonaparte theater room, the same location where it won the Grand Prix of the Fourth International EXPRMNTL Film Festival in 1967. Described as a metaphor for the “nervous system”, Wavelength is considered a masterful exploration of the nature of perception.
19:00_______________PERFORMANCE
LENIO KAKLEO – UNTITLED (FIGURES)

In the Magritte Room – another emblematic space of the Casino surrounded by hybrid characters from René Magritte’s frescoes – Paris-based Greek artist Lenio Kaklea presents a solo piece driven by a study of the sailor, crossing sources from painting, poetry, pop culture, and queer repertoires.

ONGOING_________PHOTO ARCHIVES
EXPRMNTL 5

In the hall, a series of photographs by Étienne Bernard of the 5th and final edition of the EXPRMNTL festival – organized in 1974 in the Knokke Casino – offers a glimpse into the history of experimental film and testify to the lively and contrasting atmosphere of this extraordinary event, where internationally renowned artists, local figures, filmmakers and film buffs came together.

20:45____________________THEATRE
MARGAUX SCHWARZ – CIVILITY

Later in the evening, former WIELS resident Margaux Schwarz hosts an imageless new play where the artist pursues her interest in the notion of backstage by foreseeing discreet or even invisible service and control devices. Spectators, comfortably seated in velvet chairs, will adopt the role of sound voyeurs, orienting themselves amidst this off-screen drama.
21:20______________DANCE & MUSIC
LANDER GYSELINCK & NAFAQ: EXTENDED FURTHER
 
To close the evening, Belgian drummer Lander Gyselinck joins the dance duo from Cairo Nafaq formed by Amina Abouelghar and Hanin Tarek. Together, they present an improvised adaptation of the dance piece Extending Further, conceived as a journey through the conflicting powers of connectedness and distance between the dancers’ moving bodies and the audience. 

PRACTICAL

Happening organised by WIELS at Grand Casino Knokke, Zeedijk-Albertstrand 509, 8300 Knokke-Heist

Food and drinks catered by WIELS’ Café.

Do you want to carpool back to Brussels or do you have extra seats in your car? Find out more here.

Staying over in Knokke-Heist? Find your accommodation here.

TICKETS: € 15 of € 10 (-26 years old)
 
BUY YOUR TICKETS
DISCOVER THE DETAILED PROGRAMME

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Brussels 1190
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newsletter /nieuwsbrief /Rundschreiben /bulletin d’information

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Hey, hai, hoi,

We nodigen u graag uit voor het volgende:
Wir möchten Sie zu den folgenden Veranstaltungen einladen:
We would like to invite you to the following:
Nous vous invitons à participer aux événements suivants:

Pharmakon festival
23.03.2024 – 23.03.2024 / 15:00-.. : ..

 
Kunstenaar Zoef Mashaldina, wie momenteel werkt en verblijft bij Greylight Projects, organiseert expositie ‘Pharmakon’. Op 23 maart is de opening met een feestelijk programma: ‘Pharmakon Festival’. Aansluitend is de expositie wekelijks geopend op donderdag t/m zondag van 28 maart tot en met 21 april.
 
Er is een aanvullend programma met publieksevenementen:

Pharmakon festival
23.03.2024 – 23.03.2024 / 15:00-.. : ..

Pharmakon #1 – video screening
29.03.2024 / 19.00-21:00
 
Pharmakon #2 – Talk I samplen
06.04.2024 / 13:00-15:00

 
Pharmakon #3 – Workshop
12.04.2024 / 19.00-21:00
 
21.04.2024 / 13:00-15:00
 

Houd hiervoor en voor meer updates de website in de gaten.
 
 

 
Posters & zines voor
Palestina
14.03.2024, 19:00

Greylight Projects organiseert een reeks bijeenkomsten, om samen onze aandacht te blijven richten op de voortdurende onderdrukking van Palestina. We maken ruimte om samen meer te leren over de huidige situatie en geschiedenis, maar hopen het bewustzijn ook verder te verspreiden.

We nodigen je graag uit om ons te komen helpen op donderdag 14 maart om 19:00 om materiaal voor te bereiden dat we verspreid kan worden. Je kunt kiezen om bijvoorbeeld magazines te vouwen, of posters-stencils uit te snijden. De magazines zijn informatief en kunnen na het vouwen ook meegenomen worden om te verspreiden. Voor inzet van de stencils maken we diezelfde avond afspraken over een moment om samen afdrukken te gaan maken in de omgeving. Alle materialen worden door ons ter beschikking gesteld. 

De inhoud van de magazines zullen we tijdens de avond ook samen doornemen en bespreken. Bijvoorbeeld de magazine; “BDS, what it is, why it matters” van Leila Abdul-Razzaq, over de boycott beweging tegen Israël. In een magazine als deze wordt beknopt uitgelegd wat het belang en de invloed is van breken met mechanismes die de Israëlische apartheid in stand houden.

More information: https://greylightprojects.org/posters-zines-voor-palestina/

 
open call:
research residency
Performing Landscapes 2024
deadline: 15-03.24

Description:  Open call for two residencies of three months (May-July 2024) in the context of the cross border performance festival Performing Landscapes that will occur the 7th of September in Liège (BE). The residency is a co-production by Greylight Projects, platform for art and culture in Heerlen (NL) and Art Au Centre, non-profit organization for contemporary art in Liège (BE).

The residency takes place in the framework of the performance art festival “Performing landscapes 2024” initiated by Very Contemporary, a network between different art spaces and museums in the border region of the Euregio-Meuse-Rhine. 

The residency invites artists to reflect on the particularities of the Euregio-Meuse-Rhine region and its landscapes, exploring new perspectives on the particular urban and rural territories in the border triangle. Responding to the various landscapes, their borders, their history and their possible futures

More information: https://greylightprojects.org/open-call-research-residency-performing-landscapes-2024/

 

 
 


Greylight Projectsis a member of Very Contemporary,
the network of contemporary art venues in the Meuse-Rhine Euregion.

 
Greylight Projects is part of the cross border residencie

 
Greylight Projects is supported by the gemeente Heerlen
 
 
Greylight Projects is part of #TOKTOK,
platform for cultural initatives in Heerlen.
 
ateliers/ studio’s: Limaweg 3, 6415XD, Heerlen

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Join us next week for the opening weekend Club Ritual: A Social Event Choreographed in the Manner of a Dance

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Opening Programme

22-24.3.2024
 

As spring begins, NW reopens with a communal gathering celebrating ritual as dance, transformation and dissent.

The entire weekend from 22 to 24 March is dedicated to old and new encounters, film focus programmes, workshops, listening moments, and kitchen stories.

Thanks to the partner programme, there’s much more to experience around Aalst as well. Admission is free, but please register for some of the listed activities.

22.3-26.5.2024

Maya Deren, Ritual in Transfigured Time, 1946, courtesy Light Cone (Paris) & the right-holder.

Ritual in Transfigured Time

Carlotta Bailly-Borg, Gaëlle Choisne, Maya Deren, Darius Dolatyari-Dolatdoust, Onyeka Igwe, (LA)HORDE, Ula Sickle and Bárbara Wagner & Benjamin de Burca

 

The new NW is inaugurated with the opening exhibition Ritual in Transfigured Time, named after the 1946 short film of the same name by Maya Deren (Kiev, 1917–New York, 1961). Deren, whose life was driven by a desire for freedom, was a guiding light for us in devising the exhibition and film programme, as well as the principles of our revitalised organisation: dialogue, collaboration, experiment and the breaking down of boundaries.

22.3-26.5.2024

Lucile Desamory, Untitledment, 2023, still

UNTITLEDMENT

Lucile Desamory

 

With the installation Untitledment, Lucile Desamory delves into the ongoing artistic question of emancipation and autonomy. The title alludes to the artist’s desire to create a terrain vague, a serene and fluid space delicately poised between emptiness and an autonomous zone. 

During Club Ritual—A Social Event Choreographed in the Manner of a Dance Carola Caggiano & Lucile Desamory will perform hits by Dalida, Mina, old polish cabaret songs and Schubert Lieder. With or without microphones they wander through these well-known melodies which serve as vessels for emotions. 

22.3-26.5.2024

Gathering of the Centre for Societal Renewal, 1974

INFO~ANGEL PRESENTs itself

The first in a series of presentations based on archival material chronicling Aalst’s progressive past and that of the wider Dender region.

 

In 1974, the town of Aalst’s Centrum voor Samenlevings Vernieuwing (‘Centre for Societal Renewal’) sprang to life. Back then, the centre, from which NW later emerged, hosted a wide range of organisations and voices with the goal of collectively thinking about society’s complexities and envisioning alternative future paths. At the heart of the centre was the Info~Angel group.

23.3.2024

Ana Mendieta, Creek, 1974

RITUAL UNIONS

Film Focus programme curated by Counter Encounters

 

Unfolding over the opening weekend of Ritual in Transfigured Time, research and curatorial collective Counter Encounters (Onyeka Igwe, Laura Huertas Millán, Rachael Rakes) present a set of programmes interacting in multiple modes with the works on view and the overall prompt for the exhibition. The four programmes include several film and video works from various eras, contexts, and in various styles. In addition, there will be a lecture-screening-discussion with Brazilian, Paris-based artist Ana Pi, whose performances and films are often deep engagements and dialogues with Deren’s work, but created in an entirely distinctive language, politics, and form.
 

22-24.3.2024

NW Kitchen, Photo Jonas Van Gent
 

During the renovation of NW, the emphasis was on creating a central space for cooking. The open kitchen is a shared space, linked to everything happening in the building and the community in and around NW. The open kitchen brings people together, each with their own story. 

 

From 26.3.2024

NW Cinema, photo Jonas Van Gent

ARTHOUSE CINEMA

Regular appointment at 20:00 on Tuesday,…

 

NW presents the latest and most remarkable arthouse cinema. Serving as the sole arthouse cinema in the Dender region, our cinema consistently offers thoughtfully co-curated lineup of films.

 

We open our doors amid a period of worldwide turmoil. Grappling with how to navigate world events lies at the heart of our programme. As an open space, you’re invited anytime, whether you have a question or simply want to chat.
 

© 2024 Netwerk Aalst. All rights reserved.

NW, Open Huis voor Hedendaagse Kunst en Film
Houtkaai 15, 9300 Aalst, België

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ABA March Newsletter

Posted on

ABA

Air Berlin Alexanderplatz

 

 

New residents at ABA

Roman Aurelio Karrer (he/him) is an in(ter)dependent graphic designer, researcher, and cultural worker. His interests encompass design and art education, collectivism, and critical theory, with a particular focus on publishing strategies. He engages in critical reflection on the ontology of (graphic) design, its integration into knowledge production, and the associated institutional critique. He seeks to question and transcend the boundaries of his discipline and to deepen/explore new roles and methods to actively weave theory into practice and vice versa.

The practice of ‘publishing’, and by extension the notion of ‘making public’, is a recurring theme in his research. Central to Roman’s explorations are concepts such as ‘designalism’ and ‘urgent publishing’, which emphasise the political potency of design and publishing. He is interested in thinking across scales – from the character to the page, to the object, to the shelf, to the library, the organisational structure, the editorial direction, and so on.

Being in Berlin will allow him to be closely connected to his local community, especially his friends and collaborators from the Floating University. It will enable him to further develop the Floating University Press, a vision that has existed since 2019 and has become a more concrete practice in the last year.

Originally from St.Gallen, Switzerland, Roman completed his Bachelor’s degree in Visual Communication and Graphic Design at ECAL in Lausanne and the University of Arts and Design, Karlsruhe (2016 – 2019), and the research-based Master’s program ‘CCC – Critical Curatorial Cybermedia’ at HEAD in Geneva (2020-2023). Since 2018, Roman has been involved in the ‘Floating University Berlin’, where he is an associate member. He has also selectively taught at the EPFL School of Architecture in Lausanne (2020-2023).

www.romankarrer.ch

Supported by Pro Helvetia

Damien Juillard (b. 1996, CH) lives and works in Basel, Switzerland. 

Reconfiguring and permeating reality in fleeting and non-linear ways, Juillard assembles material through various mediums such as photography, sculpture, drawing, print, painting, scent or text. His work reflect on how technologies filter sensations and challenges notions of distance, privacy, exposure, commodification and fragmentation. Melting digital and physical times and spaces, he explores the ephemeral and fragile nature of the human body, through its perceptions, feelings and desires. 

Juillard graduated from HEAD, Geneva and completed his masters at HGK Institut Kunst, Basel in 2021. Often presented as installations, objects, images or sculptures, his work has been shown at Kunsthalle Basel; Kunstverein Freiburg; Galerie für Gegenwartskunst, Freiburg; Kiefer Hablitzel Göhner Art Prize, 2023; Haus der Elektronischen Künste, Basel; Galerie Eva Presenhuber, Zürich; Kunsthaus Baselland; Reaktor 19, Zürich; Amore, Basel; Kunsthalle Palazzo, Liestal; LiveInYourHead, Geneva; Centre d’Art Contemporain, Geneva.

www.damienjuillard.com

Supported by Pro Helvetia

Upcoming

 

Please join us for the LAB at the ABA Office to meet the new ABA residents Damien Juillard and Roman Aurelio Karrer on 12 March, 6 pm at Friedrichstraße 23a, Berlin 10969.

LAB is a public venue for discussion and reflection of informal nature, where the resident artists present their practice and discuss their current research. The talk will be followed by drinks.

 

LAB
Tuesday 13 February, 6 pm
Friedrichstraße 23a, 10969 Berlin
 

ABA AIR Salons

19 March, 4pm–5pm 
Linear meters radioshow hosted by Dóra Benyó

23 April, 4pm–6pm
LIVE radioshow hosted by Dóra Benyó in collaboration with Office for Joint Administrative Intelligence
At Haus der Statistik

Please RSVP to  

Broadcasted through Colaboradio via Freies Radio Berlin/Brandenburg 88,4 MHz in Berlin 90,7 MHz in Potsdam or listen online here.

*Every third Tuesday of the month from 4-5pm you can listen to ABA’s Air Salon Radio produced by artists in residence, hosted by fr-bb Freie Radios – Berlin Brandenburg

For her project, current ABA resident Dóra Benyó is looking for stories from people who have asked to access their records at the Stasi Records Archive.

If it’s you or if you know someone who has, please drop a message directly to 

REMOVED FOOTER

ABA (Air Berlin Alexanderplatz) e.V. / Schöneberger Str. 13 / DE-10963 Berlin / https://airberlinalexanderplatz.de/
Team: Susanne, Aleksander, Amanda, Paula