This week’s openings in Brussels

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This week’s openings in Brussels ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌
This week’s openings in Brussels
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Opening this week
Wednesday 07 Feb → Tuesday 13 Feb

Wed 07.02 — 18:00
La Verrière
Koenraad Dedobbeleer – 'Emi e dames messeur'

Thu 08.02 — 17:00
Jan Mot
Mike Kelley, Sharon Lockhart, Silke Otto-Knapp

Thu 08.02 — 17:00
Galeria Jaqueline Martins
Jan de Maesschalck

Thu 08.02 — 17:00
Galeria Jaqueline Martins
They may germinate in unexpected places

Thu 08.02 — 18:00
Moonens Foundation
Raz de Marais : Marie Van de Walle, Kamille Viviane, Tom Valckenaere Nicolas Valckenaere, Éléonore Scardoni, Maxime Delalande

Thu 08.02 — 18:00
Baronian
Eric Duyckaerts (works)

Thu 08.02 — 18:00
Baronian
Group Show

Thu 08.02 — 18:00
Affiliate (Wiels)
Lore D Selys (Affiliate Presentation)

Thu 08.02 — 18:00
n0dine
Various Artists – 'afarTight'



Opening next week
Wednesday 14 Feb → Tuesday 20 Feb

Wed 14.02 — 19:00
NICC
Cleo Totti and Jivan Van der Eynde

Thu 15.02 — 17:00
Xavier Hufkens
Sherrie Levine

Thu 15.02 — 18:00
Alice Gallery
Steve Dehoux – ‘Aimé’

Fri 16.02 — 18:00
Damien & The Love Guru
Agatha Wara – 'The voyage of Puny Buny'

Sat 17.02 — 15:00
Briefing Room
Always trouble with the underclass

NECA and this newsletter are brought to you by la Fondation pour les Arts / Stichting voor de Kunsten. with the active support of visit.brussels.
Fondation pour les arts
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Laatste kans om de tentoonstellingen te bezoeken

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Z33 agenda

Z33 als klaslokaal, tot 09.02

“Hier voelt het minder verplicht. Op school moet je leren, hier wil je leren.”

Bron: 4de-jaars filosofie van Van Veldeke

Lees het Radio 2-artikel over ons scholenproject

Praat mee

Over kunst als leeromgeving
08.02 om 19u

Finissage This Is Us
18.02 om 15u

 

Tentoonstellingen

NIEUW: Vr 02.02 tot zo 18.02
Studio Technogeographies

Tot 18.02
This Is Us
Jef Geys maakt school
Classroom
 

Bekijk het volledige programma

Krokustip

Met kinderen

Z33 bezoeken is een beetje reizen. Je komt op plekken en ziet dingen die je nooit eerder zag. Ontdek de tentoonstellingen lopend, huppelend, springend of dansend. Aan jou de keuze.

Tijdens de krokusvakantie kan je ons familieparcours een laatste keer volgen. Mis het niet.
 

Meer informatie

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Vanaf 9 februari geniet je met je Museumpas van 5% korting in onze shop. Wil je hier ook je voordeel uit halen? De Museumpas is verkrijgbaar aan ons onthaal.

Bekijk de openingsuren

Z33 is een grensverleggende kunstinstelling in Hasselt op het kruispunt van hedendaagse kunst, design en architectuur. 

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Cas-co NIEUWS: februari

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Cas-co NIEUWS: februari

FEBRUARI

Foto: installatiezicht van de solo presentatie ‘Eat the Frog, Swallow the Ebb‘ door Francisco Correia © Jente Waerzeggers

ACTIVITEITEN

Op 15 februari ontvangt Cas-co curator Brenda Guesnet (IKOB Eupen, Open M ’24) voor een lunchlezing en studiobezoeken. Brenda Guesnet woont in Brussel en werkt in Eupen en Brussel. Tijdens de lezing om 12.00 uur zal zij uitgebreid ingaan op haar praktijk en projecten. Daarna kunt u bij ons terecht voor een goed gesprek en een democratisch geprijsde lunch.

RESIDENTEN

Ateliers

Februari belooft veel beweging in de ateliers. Jonas Beerts verhuist van maakleerplek naar Studio Vaartstraat, waar hij binnenkort vervoegd wordt door de andere helft van het kunstenaarsduo Jonas & Sarah, nl. Sarah Lauwers. Daarnaast verwelkomen we de nieuwe praktijken van Lieselotte Vloeberghs en Lucy Andrews. In de volgende nieuwsbrief meer, daarover!

Off the Grid

De nieuwe residenten van Off the Grid is van start. We stellen u, met genoegen, voor aan: solo resident Oya, collectief Bebe Books en curator Alicja Melzacka. Voor de agenda: op 7 maart trappen we het seizoen samen in gang met een open studio en de inauguratie van een nieuwe vlag (door Bebe). 26 april markeert de start van het presentatieprogramma, waarbij het kunstenaarsboek een bijzondere plek zal innemen.

30CC

Ook in de 30CC-Residentie gonst het met nieuw leven. In februari ontvangen we Fabian Krestel, Collectief Curieux, Margot Janssens en het playwrighting festival Shakespeare is Dead. Vandaag, vrijdag 2 februari, om 18u00 organiseert Fabian Krestel een try-out in kader van zijn onderzoeksproject The Labyrinth, dat de relatie tussen proces en product verkent. 

HIGHLIGHTS

Onder deze rubriek zet Cas-co projecten en tentoonstelligen van onze residenten in de schijnwerper. Deze maand met een focus op de deelname van onze residenten aan Art Rotterdam en Art au Centre (Luik).

Ateliers, residenties & omkadering voor kunstenaars

Vaartstraat 94
3000 Leuven

[nadine] February 2024

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[n0dine] Gloria Tours by Various Artists
19/01 – 11/02/2024 expo

[EN] Gloria Tours is an exhibition with newly produced work by Various Artists, which originates while travelling the land borders of Portugal and Spain.

[NL] Gloria Tours is een tentoonstelling met nieuw geproduceerd werk van Various Artists, dat ontstaat tijdens het reizen langs de grenzen in Portugal en Spanje.

[FR] L’expositions Gloria Tours réunit les nouvelles pièces de Various Artists dont l’origine se situe lors d’un voyage le long des frontières de l’Espagne et du Portugal.

Finissage on Thursday 08/02 18:00 – 21:00
Exhibition 19/01 – 11/02, Mon > Fri 10:00 – 18:00 & by appointment

n0dine, rue de Laeken(se)straat 105, 1000 Brussels
more info: nadine.be
image by Various Artists / co-curated by Marilyn Grimmer

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[n0dine] The Making of by Shelbatra Jashari & Italo Tavares
01/03 – 24/03/2024 expo

[EN] In The Making of – multidisciplinary artist and filmmaker Shelbatra Jashiri elaborates on the creation process of her short film shemortelle (2023). 
For the exhibition, she invited Italo Tavares (colourgrader of shemortelle). Both of them work with the filmmedium in Brussels. In the exhibition, they conceive the urban landscape of their adopted city as a canvas for their own vision and path at separate times of their careers and work.

[NL] In The Making of – gaat multidisciplinair kunstenaar en filmmaker Shelbatra Jashiri dieper in op het creatieproces van haar kortfilm shemortelle (2023).
Ze richt de tentoonstelling in samen met Italo Tavares (die de colourgrading deed voor shemortelle). Ze werken allebei met het filmmedium in Brussel. In de tentoonstelling beschouwen ze het stedelijke landschap van hun adoptiestad als canvas voor hun eigen visie en pad op verschillende momenten in hun carrière en werk.

[FR] Dans The Making of – l’artiste multidisciplinaire et cinéaste Shelbatra Jashari plonge dans le processus de création de son court métrage shemortelle (2023).
Elle invite Italo Tavares (étalonneur pour shemortelle) à la rejoindre pour cette exposition. Travaillant les deux le film comme medium à Bruxelles, iels conçoivent le paysage urbain de leur ville d’adoption comme une toile pour leur propre vision et parcours, à des moments différents de leur carrière. 

Vernissage on Thursday 29/02 18:00 – 21:00
Exhibition 01/03 – 14/03, Mon > Fri 10:00 – 18:00 & by appointment

n0dine, rue de Laeken(se)straat 105, 1000 Brussels
more info: nadine.be
image by Shelbatra Jashari & Italo Tavares

[extra muros] Do You Want A Happy Ending?
Jolien Naeyaert & Kim Snauwaert at ‘Beyond the Black Box’
01/02 – 04/02/2024 installation/performance

De Brakke Grond, Amsterdam
more info: brakkegrond.nl

[extra muros] Waar is de skier? Où est le Skieur? 
ILPALINESTO / Francesca Chiacchio & Georges Le Gonidec at ‘Dimanche à la Maison’
04/02/2024 – ongoing performance with kids

Maison des Cultures et de la Cohésion Sociale, Molenbeek
more info: lamaison1080hethuis.be

nadine is supported by:
Vlaamse Gemeenschap
Vlaamse Gemeenschapscommissie van het Brussels Hoofdstedelijk Gewest
Mobiel Brussel van het Brussels Hoofdstedelijk Gewest

Contact: 
dinA / Nieuwbrug 3 Rue du Pont Neuf / Brussel 1000 Bruxelles

Evénements autour de notre exposition, cycle de cours Marcel Broodthaers, stage pour enfants

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Février 2024   
 

À travers huit pratiques singulières et expérimentales de la photographie, l’exposition Matière critique, Explorations photographiques propose une plongée dans de véritables formes de résistance face à un monde dominé par le numérique. À découvrir du mardi au samedi entre 11h et 18h jusqu’au 23.03 !

En savoir plus →

Autour de l’exposition

Cycle de cours – Marcel Broodthaers : une traversée

À l’occasion du centenaire de la naissance de Marcel Broodthaers, Margaux Van Uytvanck, assistante-doctorante en histoire de l’art à l’ULB, propose depuis le 30 janvier dans ce cycle de cours de parcourir la carrière et l’œuvre multidisciplinaire de Broodthaers.

En pratique
Dates (séances 2, 3 et 4/4) : 06.02 – 13.02 – 20.02 
Horaire : 18:30 → 20:00
Séance : 8€ / Gratuités : infos ici

Je m’inscris →

Stage pour enfants – Carnaval

Animé par Romain Cavallin et Martin Galone
4 → 8 mars – 09:00-16:00 (garderie : 8:30 → 17:00)

Pour cet atelier, Romain Cavallin et Martin Galone, membres du collectif La Nombreuse, initieront les enfants à la technique de la photographie à travers l’univers du photosensible. Les enfants auront l’occasion de découvrir un procédé photographique naturel datant de 1842, basé sur la photo-décoloration des pigments végétaux : l’anthotype. Ces ateliers permettront de laisser libre part à leur créativité puisqu’iels pourront expérimenter l’apparition de nouvelles formes détourées ainsi que des compositions par le biais de photogrammes ou de collages. 

En savoir plus →
Inscrire son enfant →

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Q-O2 news :: Second Sundays erratum

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 workspace for experimental music and sound art

Erratum Second Sundays – February 4th

Setting the record straight: the next Second Sundays with Vito Ricci and Lise Vachon will take place now Sunday, on 4 February.

Second Sundays #47
4 February – 17h (doors 16h30) –  @ Q-O2 – free
Vito Ricci & Lise Vachon

For its 47th edition, Second Sundays hosts New York based composer Vito Ricci and experimental vocalist Lise Vachon, as part of their EU tour. Second Sundays is a monthly series initiated by Q-O2. Each session a new guest is invited to share an insight into their own listening, playing and speaking about a selection of sound and music that is important to their thinking or practice. The sessions try to put value on listening to recorded music in a social setting as a space for discussion. The series takes place on the second Sunday of every month. Each session is paired with a cocktail-of-the-month, as decided by the invited guest.

[read more]

Still available + new
podcasts, books, releases, videos

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Openings February 2024

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OPENINGS
Thursday I 01.02.24

Pierre Marie Giraud
‘FLOWERS’
Jos Devriendt 
To be seen until 02.03

Rue de Praetere 7 De Praeterestraat
1050 Brussels
Xavier Hufkens
‘Close Encounters: Paintings and Drawings’
Leon Kossoff
To be seen until 30.03

Rue Saint-Georges 6 Sint-Jorisstraat
1050 Brussels 
 

Friday I 02.02.24

Waldburger Wouters

‘Parallel Visions’
Alcides Pereira dos Santos, Cyprien Tokoudagba, Stjepan Vrbanec and Anna Zemánková 
To be seen until 24.02

Rue Ernest Allart 18 Ernest Allardstraat
1000 Brussels

Saturday I 03.02.24

dépendance
‘THROWING BODIES AT THE PROBLEM’
Will Benedict
To be seen until 23.03
Rue du Marché aux Porcs 4-8 Varkensmarkt
1000 Brussels
Galerie La Patinoire Royale Bach
‘Early Works’
Lita Albuquerque
To be seen until 30.03
Rue Veydt 15 Veydtstraat
1060 Brussels
Galerie La Patinoire Royale Bach
‘La réalité n’a pas besoin de moi’
Renaud Auguste-Dormeuil
To be seen until 30.03
Rue Veydt 15 Veydtstraat
1060 Brussels
Waldburger Wouters

Alcides Pereira dos Santos
To be seen until 24.02

Boulevard d’Anvers 49 Antwerpselaan
1000 Brussels

Thursday I 08.02.24

Baronian
‘Eric Duyckaerts (works)’
Eric Duyckaerts
To be seen until 02.03
Rue de la Concorde 33 Eendrachtstraat
1050 Brussels
Baronian
Group Show
To be seen until 02.03
Rue Isidore Verheyden 2 Isidore Verheydenstraat
1050 Brussels
Esther Verhaeghe Art Concepts
‘A Tapestry of Shared Journeys’
Jessica Hilltout, Virginie Samyn
To be seen until 28.03
Avenue Guillaume Macau 3 Guillaume Macaulaan
1050 Brussels
Jan Mot
‘Mike Kelley, Sharon Lockhart, Silke Otto-Knapp’
Mike Kelley, Sharon Lockhart, Silke Otto-Knapp
To be seen until 23.03
Petit Sablon 10 Kleine Zavel
1000 Brussels
Galeria Jaqueline Martins

‘Palpitations’
Jan de Maesschalck
To be seen until 16.03

Rue aux Laines 14 Wolstraat
1000 Brussels
Galeria Jaqueline Martins

‘They may germinate in unexpected places’
Students from the HISK: Fabiola Burgos Labra, Hamed Dehqan, Jivan van der Ende, Paola Siri Renard, Yue Yuan
To be seen until 16.03

Rue aux Laines 14 Wolstraat
1000 Brussels
 
 

Thursday I 15.02.24

Xavier Hufkens
Sherrie Levine
To be seen until 06.04

Rue Van Eyck 44 Van Eyckstraat
1050 Brussels 
 

Friday I 16.02.24

Damien & The Love Guru
‘The Voyage of Puny Buny’
Agatha Wara 
To be seen until 13.04

Rue de Tamines 19 Taminesstraat
1060 Brussels

Wednesday I 21.02.24

EDJI Gallery
‘Sanctuaries’
Kayoon Anderson, Nicolas Coleman, Ileana Magoda, Grace Tobin and Ping Zheng
To be seen until 23.03

Rue du Page 15 Edelknaapstraat
1050 Brussels 
 

Thursday I 22.02.24

rodolphe janssen
‘Giants‘
Group show
To be seen until 30.03

Rue de Livourne 35 Livornostraat
1050 Brussels
rodolphe janssen
‘Magic Market‘
Tom Poelmans
To be seen until 30.03

Rue de Livourne 32 Livornostraat
1050 Brussels

Saturday I 24.02.24

Mendes Wood DM
Leah Ke Yi Zheng
To be seen until 13.04
Rue des Sablons 13 Zavelstraat
1000 Brussels
Mendes Wood DM
‘The Mail Man’
Osama Al Rayyan
To be seen until 13.04
Rue des Sablons 13 Zavelstraat
1000 Brussels

Thursday I 29.02.24

Galerie Greta Meert
‘Hotels’
Magali Reus
To be seen until 28.04

Rue du Canal 13 Vaartstraat
1000 Brussels
Galerie Greta Meert
‘Leap Second’
Mitsuko Miwa
To be seen until 28.04
Rue du Canal 13 Vaartstraat
1000 Brussels
Meessen
‘Fleur de peau’
Xie Lei
To be seen until 13.04
Rue de l’Abbaye 2A Abdijstraat
1000 Brussels
LMNO
‘Fragments / Fractions / Pieces / Photons’
Pep Vidal
To be seen until 06.04
Avenue Emile de Mot 17 Emile de Motlaan
1000 Brussels

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This week’s openings in Brussels

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This week’s openings in Brussels ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌
This week’s openings in Brussels
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Opening this week
Wednesday 31 Jan → Tuesday 06 Feb

Thu 01.02 — 17:00
Xavier Hufkens
Leon Kossoff – 'Close Encounters: Paintings and Drawings'

Thu 01.02 — 18:00
Wiels – Contemporary art centre
Jef Geys – You don’t see what you think you see

Thu 01.02 — 18:00
Wiels – Contemporary art centre
Oscar Murillo – Masses

Fri 02.02 — 16:00
MIMA the Millennium Iconoclast Museum of Art
Popcorn

Fri 02.02 — 17:00
Wouters Gallery Sablon
Alcides Pereira dos Santos, Cyprien Tokoudagba, Stjepan Vrbanec, Anna Zemánková

Sat 03.02 — 14:00
La Patinoire Royale | Galerie Valérie Bach
Renaud Auguste-Dormeuil – 'La réalité n'a pas besoin de moi'

Sat 03.02 — 14:00
La Patinoire Royale | Galerie Valérie Bach
Lita Albuquerque : Early Works

Sat 03.02 — 17:00
Wouters Gallery
Alcides Pereira dos Santos (1932-2007)

Sat 03.02 — 17:00
dépendance
Will Benedict – 'Throwing bodies at the problem'

Sat 03.02 — 18:00
Eté 78
Mountaincutters & Arnaud Vasseux – 'Intuitions Musculaires'



Opening next week
Wednesday 07 Feb → Tuesday 13 Feb

Wed 07.02 — 18:00
La Verrière
Koenraad Dedobbeleer – 'Emi e dames messeur'

Thu 08.02 — 17:00
Jan Mot
Mike Kelley, Sharon Lockhart, Silke Otto-Knapp

Thu 08.02 — 17:00
Galeria Jaqueline Martins
Jan de Maesschalck

Thu 08.02 — 18:00
Moonens Foundation
Raz de Marais : Marie Van de Walle, Kamille Viviane, Tom Valckenaere Nicolas Valckenaere, Éléonore Scardoni, Maxime Delalande

Thu 08.02 — 18:00
Baronian
Eric Duyckaerts (works)

Thu 08.02 — 18:00
Baronian
Group Show

Thu 08.02 — 18:00
Affiliate (Wiels)
Lore D Selys (Affiliate Presentation)

Thu 08.02 — 18:00
n0dine
Various Artists – 'afarTight'

NECA and this newsletter are brought to you by la Fondation pour les Arts / Stichting voor de Kunsten. with the active support of visit.brussels.
Fondation pour les arts
Not interested anymore? Unsubscribe from this newsletter

Q-O2 news :: A quartet

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 workspace for experimental music and sound art

A quartet

Right after a packed Semaine du Son we are here to serve sound enthusiasts again for the coming weeks: a quartet of new activities, below:

On Friday, it is already Loup Uberto’s residency presentation. He will perform some short pieces he worked on during his residency, featuring live performances with Soledad Zarka, Vin de Sprite (Antoine Loyer/Donatien Toma Ndani Djemelas), fellow resident Violeta López López and Anna & Guerrino Bellotto. On Sunday, for its 47th edition, Second Sundays hosts New York based composers and experimental vocalists Vito Ricci & Lise Vachon as part of their EU tour. Violeta López López’ residency presentation follows: shes has been working on an artistic research on the possibilities of language beyond its established limits and its capacity to generate new perceptual realities. A workshop completes the quartet: Christophe Albertijn will introduce you, in one day, into the art of audio mastering.

Post-residency concert
2 Febrruary – 18h – free – @Q-O2
Loup Uberto

Loup Uberto plays some short pieces of what he has been working on during his residency, featuring live performances with: Soledad Zarka (dance performance for masks, gestures, feedbacks and Italian work songs), Vin de Sprite (Antoine Loyer: vocals, guitar / Donatien Toma Ndani Djemelas: vocals, organ) Violeta López López (duo for oboe and voice by Jean Guyot, Liège composer from the 16th century) and Anna & Guerrino Bellotto (collection of notes written in Piedicavallo, Italian Piedmont, from 1990 to 2002). And maybe: Piedmontese peasant songs for solo violin and voice, listening to sound pieces recorded during the residency, with Lise Barkas, Lukas de Clerck, Guillaume Maupin, Violeta López López and disc-jockeying and little party… who knows!

[read more]

Second Sundays #47
14 January – 17h (doors 16h30) –  @ Q-O2 – free
Vito Ricci & Lise Vachon

For its 47th edition, Second Sundays hosts New York based composer Vito Ricci and experimental vocalist Lise Vachon, as part of their EU tour. Second Sundays is a monthly series initiated by Q-O2. Each session a new guest is invited to share an insight into their own listening, playing and speaking about a selection of sound and music that is important to their thinking or practice. The sessions try to put value on listening to recorded music in a social setting as a space for discussion. The series takes place on the second Sunday of every month. Each session is paired with a cocktail-of-the-month, as decided by the invited guest.

[read more]

Post-residency performance
15 Febrruary – 18h – free – @Q-O2
Violeta López López

To execute the word is an artistic research on the possibilities of language beyond its established limits and its capacity to generate new perceptual realities. To execute the word is to kill it, in the sense of detaching it from its conventional meaning, and at the same time, to put it into action, as happens with programming language.
This performance is a talk (without talking) about the “physics of the mental”, an exploration of the inner reality of words when they refer only to themselves, to their physicality related to sound, movement and light. Language singing its own prosody, objects pronouncing their own definition, the written world leaving its whispering trace, the body of words being touched and played. A glimpse into the parallels between physics and language and the intertwined behaviour of particles and words. Language as score, instrument and performer at the same time.

[read more]

Workshop
2 March – 11h-18h – €16/20 – @Q-O2
Audio Mastering with Christophe Albertijn

In this workshop, artist, musician, sound-wizard and initiator of the HUIS Label Christophe Albertijn, will introduce you into the art of mastering. In one day you will be guided through the general terminologies and history of mastering techniques. You will set up your own mastering session and work with a series of open-source plugins. The objective is to listen, evaluate and discuss different approaches.
For this workshop you need prior basic knowledge with audio software and plugins. You will work with accessible open-source plugins and software. Register here.

[read more]

Release
Het BlokfluitAsiel

Het BlokfluitAsiel is a collaboration between instrument builder Lukas De Clerck, composer Angélica Castelló and music teachers Katelijne Lanneau and Matthias Verniers. Their pupils (recorders from the music academy of Jette/Brussels and organists from the music academy of the DG, department St. Vith) performed the piece, invited to explore their own creative approaches to sound, improvisation, composition and performance. The musical piece was composed collectively, based on a concept by Angélica Castelló, aiming to establish an intense connection between Lukas De Clerck’s piece/machine AirBag/14Holes, the organ and recorders.

This piece is accompanied by an electroacoustic piece by Angélica Castelló, drawing inspiration from the atmospheres cultivated during the work on Het BlokfluitAsiel. The young artists involved in this project often likened the immense sound they collectively generated to that of a gentle monster.

The CD was be released together with Meakusma on December 15, and is available via our umland website.

[read more]

Listen
21 Tracks for the 21st Century: Marnie Slater

GLEAN and Q-O2 join forces with 21 Tracks for the 21st Century, a series of playlists in which we ask our guests: what music does this century need? Each time, we invite one artist, thinker or musician to prepare a playlist of those sounds, songs and pieces of music that will best arm their listeners with the tools to approach what is left of this young century. 

This edition’s artist: Marnie Slater.

[read more]

Still available + new
podcasts, books, releases, videos

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Newsletter Ludwig Forum Aachen

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Ludwig Forum

Ausgabe 29.01.2024

 

Artikelbild

Please scroll down for English Version

FORUM LITERATUR: “Der Übergriff” mit Ursula Krechel

Nach dem Auftakt der Reihe FORUM LITERATUR mit Marlene Streeruwitz in der vergangenen Woche, freuen wir uns sehr, Sie am Donnerstag, den 01.02.2024, 19 Uhr zu einer Lesung der in der Eifel aufgewachsenen Autorin Ursula Krechel begrüßen zu dürfen. Zu diesem Anlass wird die Autorin aus ihrer 2022 neuaufgelegten, ursprünglich 2001 publizierten Erzählung Der Übergriff lesen und anschließend mit Eva Birkenstock (Direktorin, Ludwig Forum Aachen) und Hermann Müller (Freier Literaturkurator, Berlin) ins Gespräch gehen.

Neben den zahlreichen Aktivitäten des Museums in den Bereichen Performance, Tanz, Musik und Film wird mit dem FORUM LITERATUR eine explizit literarische Konstante in das Programm des Ludwig Forum Aachen eingeführt. Als integraler Bestandteil der Programmatik des Hauses sind in regelmäßigen Abständen internationale Autor*innen eingeladen, ihre Texte im Rahmen von Lesungen, Performances, Workshops, Diskussionen und Gesprächen einem breiten Publikum vorzustellen. Die 2024 Ausgabe des FORUM LITERATUR, die von Januar bis Dezember im Ludwig Forum Aachen stattfindet, wurde gemeinsam von Eva Birkenstock und Hermann Müller konzipiert und großzügig von der Kunststiftung NRW unterstützt.

Wir freuen uns auf Ihr Kommen!

Ihr
Ludwig Forum Aachen

Donnerstag, 1. Februar 2024, 19 Uhr
FORUM LITERATUR: Der Übergriff
Lesung mit Ursula Krechel

Einführung und Gespräch: Eva Birkenstock (Direktorin, Ludwig Forum Aachen) und Hermann Müller (Freier Literaturkurator, Berlin)

„Eine Frau beginnt zu reden. Dabei sind ihre Lippen schon ganz spröde, so oft ist ihr über den Mund gefahren worden. Aber wie entkommt sie dieser Einschüchterung? Indem sie den Mund nur noch öffnet, um zu essen, zu küssen und zu staunen? Andererseits: Gibt nicht gerade das Schweigen der Stimme Raum, die ihr den Mund verbietet? Zu oft ist geschwiegen worden, auch damals, als das ganze Haus hörte, wie die Nachbarmädchen geschlagen wurden. Hat man die eigene Sprache verlernt, weil alle verlernt haben hinzuhören? Wie der Reporter, der nicht mehr hinhört, wenn er vom Krieg berichtet, so fest hat er jede Verzweiflung im Griff.“

Ursula Krechel liest aus der 2001 entstandenen Erzählung Der Übergriff. Die Lesung wird mit dem vom SWR 2004 produzierten Hörspiel Meine Stimme ist mit den Fischen geschwommen kombiniert, das nach Motiven in Ursula Krechels Erzählung entstanden ist. Die Schauspielerin Angela Winkler ist die Protagonistin

Eintritt: 10 Euro / 7 Euro (Preis inkl. MwSt, zzgl. VVK-Gebühren)
AK und VVK im Museum und über Reservix (https://www.reservix.de/)                                        

Ursula Krechel, geboren 1947 in Trier, studierte Germanistik, Theaterwissenschaft und Kunstgeschichte. Lehrtätigkeit an verschiedenen Universitäten. Erste Lyrikveröffentlichungen 1977, danach erschienen Gedichtbände, Prosa, Hörspiele und Essays. 2009 erhielt Ursula Krechel den „Joseph-Breitbach-Preis”, 2012 wurde sie für ihren Roman Landgericht mit dem Deutschen Buchpreis ausgezeichnet. Ursula Krechel ist Mitglied der Deutschen Akademie für Sprache und Dichtung, der Akademie der Künste Berlin und der Akademie der Wissenschaften und der Literatur Mainz. Sie lebt in Berlin. Zu ihren letzten Veröffentlichungen gehören Beileibe und zumute, Gedichte, 2021, Gehen. Träumen. Sehen. Unter Bäumen, Essays, 2022 sowie die Neuauflage der Erzählung Der Übergriff, 2022.

Weitere Veranstaltungen:

Donnerstag, 25. April 2024, 19 Uhr
FORUM LITERATUR: Daddy Issues
Lesung mit Dino Pešut

Donnerstag, 6. Juni 2024, 19 Uhr
FORUM LITERATUR: Karl May
Lesung mit Enis Maci und Mazlum Vergiz

Im Jahr 2024 wird die Buchhandlung Backhaus im Rahmen einer Kooperation mit dem FORUM LITERATUR Büchertische für die Leseabende der Reihe einrichten. 

English Version

Artikelbild

Ursula Krechel. Foto: Heike Steinweg

FORUM LITERATUR: “Der Übergriff” with Ursula Krechel

After last week’s launch of the series FORUM LITERATUR with Marlene Streeruwitz, we are now looking forward to introduce Ursula Krechel to a broad audience, an author who grew up in the nearby Eifel. On Thursday, February 1, 2024, 7pm she will read from her novel Der Übergriff [The Assault], followed by a conversation with Eva Birkenstock (Director, Ludwig Forum Aachen) and Hermann Müller (Freelance Curator for Literature, Berlin).

In addition to the museum’s numerous activities in the fields of performance, dance, music and film, the FORUM LITERATUR introduces an explicitly literary constant to the program of the Ludwig Forum Aachen. From now on, international authors are invited in regular intervals to share their work with a broad public in the context of readings, performances, workshops, and conversations. The 2024 edition of the FORUM LITERATUR takes place from January to December 2024. It was conceived in close dialogue between Eva Birkenstock and Hermann Müller and is generously supported by the Kunststiftung NRW.

We are looking forward to seeing you at the Ludwig Forum!

Yours
Ludwig Forum Aachen

Thursday, February 1, 2024, 7pm
FORUM LITERATUR: Der Übergriff
Reading with Ursula Krechel

Introduction and Conversation: Eva Birkenstock (Director, Ludwig Forum Aachen) and Hermann Müller (Freelance Curator for Literature, Berlin)

“A woman starts speaking. Her lips are quite dry and cracked—that’s how often she’s been cut off. But how does she get away from this intimidation? By opening her mouth only to eat, kiss and marvel? Then again: isn’t it precisely silence that gives the voice the space that shuts it up? People have kept silent too often—including back then, when the entire house heard how the girls next door were beaten. Have we unlearned our own language because everyone has forgotten how to listen? Like a reporter who no longer listens when he reports on the war—he has any distress that tightly under control.”

Ursula Krechel will read from her story Der Übergriff [“The Assault”], written in 2002 and reissued by the publisher Verlag Jung und Jung in 2022. The reading will be combined with the radio drama Meine Stimme ist mit den Fischen geschwommen [“My voice swam with the fish”], produced by SWR in 2004, which was developed based on motifs in Ursula Krechel’s story. The actress Angela Winkler will play the protagonist.

Admission: 10 Euro / 7 Euro (incl. VAT, plus pre-sale charge)
Box office in the museum and via Reservix (https://www.reservix.de/)

Ursula Krechel, born in Trier in 1947, studied German philology, theatre studies, and art history. Teaching positions at various universities. First publications of poetry in 1977; followed by poetry collections, prose, radio dramas and essays. Ursula Krechel received the “Joseph Breitbach Preis” in 2009; in 2012, she was awarded the German Book Prize for her novel Landgericht [State Justice]. Ursula Krechel is a member of the German Academy for Language and Literature, the Academy of Arts, Berlin and the Academy of Sciences and Literature, Mainz. She lives in Berlin. Her most recent publications include Beileibe und zumute, poems, 2021; Gehen. Träumen. Sehen. Unter Bäumen, essays, 2022; and the reissue of the story Der Übergriff, 2022.

Further events:

Thursday, April 25, 2024, 7pm
FORUM LITERATUR: Daddy Issues
Reading with Dino Pešut

Thursday, June 6, 2024, 7pm
FORUM LITERATUR: Karl May
Reading with Enis Maci and Mazlum Vergiz

In 2024, the Aachen-based Backhaus book store will set up book tables for the events as part of a cooperation with FORUM LITERATUR.

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Ludwig Forum für Internationale Kunst
Jülicher Straße 97–109
52070 Aachen
Di bis So 10–17 Uhr, Do 10–20 Uhr
Tel. +49 (0) 241 1807 104/ Fax +49 (0) 241 1807 101
E-Mail: Redaktion:
Ludwig Forum Aachen
www.ludwigforum.de

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Ein Museum der Stadt Aachen

Get ready, WIELS’ February agenda is here! 📅

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FR     EN     NL

AGENDA

Starting next week, WIELS is excited to unveil two new exhibitions by Jef Geys and Oscar Murillo. Gain a deeper understanding of them through a series of guided tours led by our guides and curators from WIELS and the art world.

Stay in the loop with what’s happening at WIELS and mark these February dates in your calendar!

THU 01_02_2024__________18:00-22:00

OPENING I Jef Geys & Oscar Murillo 

18:00 I Doors & WIELS’ Café open 
20:00-23:00 I Susobrino DJ set
21:30 I Last entry to the exhibitions
FULL PROGRAMME

SUN 04_02_2024__________14:00-15:30

FAMILY FUNDAY I Family guided tour

FR/NL
Free for children – included in the entry ticket for adults

SIGN UP

WED 07_02_2024__________12:30-15:30

TEACHERS’ DAY

FR/NL
For teachers
Free entry

MORE INFO

WED 07_02_2024______18:00-21:00

NOCTURNE:

→ Apéro Tour
→ Kets Tour
→ Look Who’s Talking
→ WIELS’ Café open

18:00 I APÉRO TOUR

Relaxed guided tour and a drink at the WIELS’ Café.

FR/NL/EN
Entry ticket + €7

Sign up
18:00 I KETS TOUR

Bring your Kets for a kids-friendly tour while you attend our Apéro Tour.

FR/NL
Free for kids
From age 3

Sign up
19:00 I LOOK WHO’S TALKING: Helena Kritis

Guided tour of Oscar Murillo – Masses 

NL
Free with entry ticket

Sign up

FULL PROGRAMME

THU 08_02_2024__________18:00-21:00

AFFILIATE OPENING I RESIDENCY I
Presentation by Lore D Selys

Free entry
Presentation: 09.02-24.02.2024
Thursday > Saturday, 14:00-18:00 
New location: Rue du Jardin des Olives 3 Olivetenhof, Brussels
LEARN MORE

SAT 10_02_2024__________11:30-12:30

LOOK WHO’S TALKING: Dirk Snauwaert
Guided tour of Jef Geys – You don’t see what you think you see 

NL/EN

Free with entry ticket

SIGN UP

THU 15_02_2024__________18:00-20:00

BOOK LAUNCH: ZERO DIESE EXISTE – ART, MATHEMATIQUES, INESTHETIQUE

EN/FR
Free access
Upon registration
SIGN UP

THU 15_02_2024__________19:00-20:00

LOOK WHO’S TALKING: María Inés Rodríguez
Guided tour of Oscar Murillo – Masses 

FR
Free with entry ticket

SIGN UP

SUN 18_02_2024__________14:00-15:30

FAMILY FUNDAY I Family guided tour

FR/NL
Free for children or with an entry ticket

SIGN UP

MON 19_02_2024__________10:00-18:00
 

SYMPOSIUM: KUNST-WET // ARTS-LOI

FR/NL
Free
Upon registration

SIGN UP

THU 22_02_2024__________19:00-20:00

LOOK WHO’S TALKING: Charlotte Friling
Guided tour of Jef Geys – You don’t see what you think you see 

FR/EN
Free with entry ticket

SIGN UP

THU 22_02_2024__________19:00-20:00

LOOK WHO’S TALKING: Emma Enderby
Guided tour of Oscar Murillo – Masses

EN
Free with entry ticket

SIGN UP

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This week’s openings in Brussels

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This week’s openings in Brussels ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌
This week’s openings in Brussels
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Opening this week
Wednesday 24 Jan → Tuesday 30 Jan

Thu 25.01 — 17:00
dépendance
View

Thu 25.01 — 17:00
BEIGE
Paul Czerlitzki – 'Not That Red'

Thu 25.01 — 17:30
Hangar
Generations of Resilience – 22 Ukrainian photographers

Thu 25.01 — 18:00
Mathilde Hatzenberger Gallery
Jean Claude Wouters – 'Portraits'

Thu 25.01 — 18:00
ISELP
Matière critique : Edith Bories, Lara Gasparotto, Liesbet Grupping, Lucas Leffler, Hélène Petite, Dries Segers, Thomas Vandenberghe, Laure Winants

Fri 26.01 —
Galerie Felix Frachon
Nyaba L Ouedraogo – 'Fragment de corps'

Fri 26.01 — 17:00
Galerie Eric Mouchet
Judith Blum-Reddy – 'Everything Is not Ok'

Fri 26.01 — 17:00
Galerie Eric Mouchet
Oliver Westerbarkey – 'When the world hits your eye'

Fri 26.01 — 18:00
Mathilde Hatzenberger
Olivia Barisano – 'Enceinte'

Fri 26.01 — 18:00
Gladstone Gallery
Shahryar Nashat – 'It’s Not Up to You'

Fri 26.01 — 19:00
Nino Mier Gallery
Nicolas Shake – 'California Son'

Fri 26.01 — 19:00
Nino Mier Gallery
Hubert Schmalix – 'Please, No Questions.'

Sat 27.01 —
Fondation CAB
Meryem Bayram – 'Fourfold autonomous scenography'

Sat 27.01 — 17:00
Modesti Perdriolle Gallery
Antonio Da Ros – 'Suspended Colors'

Sun 28.01 — 17:00
argos centre for audiovisuals arts
Lecture-performance with Gernot Wieland



Opening next week
Wednesday 31 Jan → Tuesday 06 Feb

Thu 01.02 — 17:00
Xavier Hufkens
Leon Kossoff – 'Close Encounters: Paintings and Drawings'

Thu 01.02 — 18:00
Wiels – Contemporary art centre
Jef Geys – You don’t see what you think you see

Thu 01.02 — 18:00
Wiels – Contemporary art centre
Oscar Murillo – Masses

Fri 02.02 — 16:00
MIMA the Millennium Iconoclast Museum of Art
Popcorn

Fri 02.02 — 17:00
Wouters Gallery Sablon
Alcides Pereira dos Santos, Cyprien Tokoudagba, Stjepan Vrbanec, Anna Zemánková

Sat 03.02 — 14:00
La Patinoire Royale | Galerie Valérie Bach
Renaud Auguste-Dormeuil – 'La réalité n'a pas besoin de moi'

Sat 03.02 — 14:00
La Patinoire Royale | Galerie Valérie Bach
Lita Albuquerque : Early Works

Sat 03.02 — 17:00
Wouters Gallery
Alcides Pereira dos Santos (1932-2007)

Sat 03.02 — 17:00
dépendance
Will Benedict

Sat 03.02 — 18:00
Eté 78
Mountaincutters & Arnaud Vasseux – 'Intuitions Musculaires'

NECA and this newsletter are brought to you by la Fondation pour les Arts / Stichting voor de Kunsten. with the active support of visit.brussels.
Fondation pour les arts
Not interested anymore? Unsubscribe from this newsletter

[NGHE NEWSLETTER] Médiatheque Sunrise – Concerts ce vendredi 26/01 à Super fourchette + Ouverture tranquille ce samedi 27/01 14h-20h

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Vendredi 26/01
Lancé de disque  Dark Mott Flyf (encore un) + Che Vuoi

à Super Fourchette, Zwaluwenstraat 3, 1000 Brussel, België

18h Ouverture des portes + cuisine

21h Che Vuoi

22h Mott Flyf

10 euros

Samedi 27/01

Ouverture tranquille à Nghe 14h – 20h


—
NGHE – Médiathèque bricolée

rue des mariniers, 6
1080 Molenbeek St Jean

Newsletter Ludwig Forum Aachen

Posted on

Ludwig Forum

Ausgabe 24.01.2024

 

Artikelbild

Please scroll down for English Version

Kurzfristige Erinnerung: FORUM LITERATUR mit Marlene Streeruwitz

Wir freuen uns, Sie über eine neue Veranstaltungsreihe am Ludwig Forum Aachen zu informieren, dem FORUM LITERATUR. Neben den zahlreichen Aktivitäten des Museums in den Bereichen Performance, Tanz, Musik und Film wird mit dem FORUM LITERATUR eine explizit literarische Konstante in das Programm des Ludwig Forum Aachen eingeführt. Als integraler Bestandteil der Programmatik des Hauses werden von nun an in regelmäßigen Abständen internationale Autor*innen eingeladen, ihre Texte im Rahmen von Lesungen, Performances, Workshops, Diskussionen und Gesprächen einem breiten Publikum vorzustellen. Die erste Ausgabe des FORUM LITERATUR, die von Januar bis Dezember 2024 im Ludwig Forum Aachen stattfindet, wurde gemeinsam von Eva Birkenstock (Direktorin, Ludwig Forum Aachen) und Hermann Müller (Freier Literaturkurator, Berlin) konzipiert und großzügig von der Kunststiftung NRW unterstützt.

Den Auftakt der neuen, langfristig angelegten Reihe macht die in Wien lebende Autorin Marlene Streeruwitz, die den Aachener*innen nicht zuletzt aufgrund des 2002 an Sie vergebenen Hasenclever-Preis bekannt ist. Wir freuen uns sehr, dass sie zu diesem Anlass am Donnerstag, den 25.01.2024 um 19 Uhr unter dem Titel Die Schmerzmacherin. aus dem gleichnamigen Roman sowie gemeinsam mit der Schauspielerin Melanie Kretschmann einen Dialog aus dem 2023 erschienen Band Tage im Mai. lesen wird. Im Anschluss der Lesung findet ein Gespräch zwischen der Autorin, Eva Birkenstock und Hermann Müller statt. Am Folgetag, Freitag, den 26.01.2024 um 18 Uhr bietet Marlene Streeruwitz darüber hinaus einen Workshop zum Thema Grundrechte lesen im Ludwig Forum an.

Wir freuen uns auf Ihr Kommen!

Ihr
Ludwig Forum Aachen

Donnerstag, 25. Januar 2024, 19 Uhr
FORUM LITERATUR: Die Schmerzmacherin.
Lesung mit Marlene Streeruwitz und Melanie Kretschmann (Schauspiel Köln)

Begrüßung: Eva Birkenstock, Axel Schneider (Walter-Hasenclever-Gesellschaft, Aachen)
Einführung und Gespräch: Eva Birkenstock und Hermann Müller (Freier Literaturkurator, Berlin)

“Die Lesung aus Die Schmerzmacherin. soll den Nachweis erbringen, dass Literatur das Medium ist, das die Komplexität unserer Leben in der Welt beinhalten kann. So können die Leser*innen Erfahrungen sammeln, die sie aber nicht haben müssen und diese erlesenen Erfahrungen wieder gegen die eigenen halten können. Die Lesung des zweiten Dialogs von Mutter und Tochter [aus dem Roman Tage im Mai.] wiederum wird zeigen, wie schwierig es ist, Liebe zu sprechen und wie wir einander mehr durch Auslassungen unsere Gefühle bekanntgeben. Dieser Dialog zeigt aber auch, wie Lieben dann doch gelingen kann, wie wir aber angehalten sind, diese Formen des Liebens minder zu achten.” (Marlene Streeruwitz)

Eintritt: 10 Euro / 7 Euro
AK und VVK an der Museumskasse

Freitag, 26. Januar, 18 Uhr
FORUM LITERATUR: Grundrechte lesen
Workshop und Diskussion mit Marlene Streeruwitz

„Gerade in Zeiten der Parolen und Spruchbänder ist die Frage wichtig, wer wie woher spricht. Es geht um Alltagstexte und wie da in aller Selbstverständlichkeit Würde gegeben oder meist genommen wird. Wie können wir empathisch sprechen und uns dem ekpathischen Sprechen der Öffentlichkeit entgegenstellen.” (Marlene Streeruwitz)

Eintritt: 5 Euro / 3 Euro
Der öffentliche Workshop findet in deutscher Sprache statt, weitere Vorkenntnisse sind nicht erforderlich. Um Anmeldung wird gebeten:

Reminder: FORUM LITERATUR with Marlene Streeruwitz

We are pleased to announce a new event series at the Ludwig Forum Aachen, the FORUM LITERATUR. In addition to the museum’s numerous activities in the fields of performance, dance, music and film, the FORUM LITERATUR introduces an explicitly literary constant to the program of the Ludwig Forum Aachen. From now on, international authors are invited in regular intervals to share their work with a broad public in the context of readings, performances, workshops, and conversations. The first edition of the FORUM LITERATUR takes place at the Ludwig Forum Aachen from January to December 2024. It was conceived in close dialogue between Eva Birkenstock (Director, Ludwig Forum Aachen) and Hermann Müller (Literary Curator, Berlin) and is generously supported by the Kunststiftung NRW.

The new series will be launched with the Vienna-based author Marlene Streeruwitz, known in Aachen not least since winning the renowned Hasenclever prize in 2002. On Thursday, January 25, 2024, 7 pm, she will be reading from her novel Die Schmerzmacherin. (2011) and present a dialogue from Tage im Mai. (2023) together with actress Melanie Kretschmann. The reading will be followed by a discussion between the author, Eva Birkenstock, and Hermann Müller. On the following day, Friday, January 26, 2024, 6 pm, Marlene Streeruwitz invites to the workshop Grundrechte lesen [Reading Basic Rights] at Ludwig Forum.

We look forward to welcoming you at the Ludwig Forum Aachen!

Yours
Ludwig Forum Aachen

Thursday, January 25, 7pm
FORUM LITERATUR: Die Schmerzmacherin.
Reading with Marlene Streeruwitz and Melanie Kretschmann (Schauspiel Köln)

Welcome: Eva Birkenstock, Axel Schneider (Walter-Hasenclever-Gesellschaft, Aachen)
Introduction and Conversation: Eva Birkenstock and Hermann Müller (Independent Literature Curator, Berlin)

“The reading from Die Schmerzmacherin. is intended to verify that literature is the medium that can encompass the complexity of our lives in the world. By reading, readers can gather experiences which they need not experience themselves, and can hold these select experiences up against their own. The reading of the second dialogue between the mother and daughter [from Tage im Mai.], in turn, will show how difficult it is to speak about love, and how we disclose our feelings to each other more by leaving things out. This dialogue also shows, however, how loving can succeed, but how we are urged to pay less heed to these forms of loving.” (Marlene Streeruwitz)

Admission: 10 Euro / 7 Euro
Box office in the museum

Friday, January 26, 6pm
FORUM LITERATUR: Grundrechte lesen
Workshop and Discussion with Marlene Streeruwitz

“Particularly in times of slogans and banners, the question of who is speaking how from where is important. It is about everyday texts and how, as a matter of course, dignity is bestowed—or usually taken away. How we can speak empathically and stand up to the ecpathic speaking of the public.” (Marlene Streeruwitz)

Admission: 5 Euro / 3 Euro
Further events:

Thursday, February 1, 2024, 7pm
FORUM LITERATUR: Der Übergriff
Reading with Ursula Krechel

Thursday, April 25, 2024, 7pm
FORUM LITERATUR: Daddy Issues
Reading with Dino Pešut

Thursday, June 6, 2024, 7pm
FORUM LITERATUR: Karl May
Reading with Enis Maci and Mazlum Vergiz

In 2024, the Aachen-based Backhaus book store will set up book tables for the events as part of a cooperation with FORUM LITERATUR.

Artikelbild

Ausstellungen

mehr

 
Artikelbild

Kunstvermittlung

mehr

 
Artikelbild

Was kommt?

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Impressum

Ludwig Forum für Internationale Kunst
Jülicher Straße 97–109
52070 Aachen
Di bis So 10–17 Uhr, Do 10–20 Uhr
Tel. +49 (0) 241 1807 104/ Fax +49 (0) 241 1807 101
E-Mail: Redaktion:
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www.ludwigforum.de

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Events – Save the dates

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Saint-Martin Bookshop

Events for this NEW YEAR 
& till spring

As you can imagine, we will probably add a few dates to invite last-minute guests for book launches or shows, or we might just pimp our bookshop, and book a night, for an improvised party.
So keep in touch!
 

Saturday Feb 3
From 5 to 8pm

RAPHAËL LECOQUIERRE
Unbirthday

Vernissage & book signing
​Exhibition till March 2nd

Mist escapes from a stranded black box. The sound of waves devours the surfaces of our memory and covers its vestiges. 

Raphaël Lecoquierre’s work is protean: his frescoes cover archetypes of our collective history. They put into perspective the notion of sampling, so dear to the artist. By mixing pigments from the colored surfaces of vernacular analog photographs he gleans with Venetian stucco, Raphaël Lecoquierre charges his pictorial compositions with a singular memory.

Summer laughter, family meals and birthday celebrations blend, merge and blur into an abstract substratum that gives rise to a minimal memorial motif. At once unique and universal, precious and counterfeit, poetic and psychedelic, Raphaël Lecoquierre’s work questions the material of the work as well as the symbolic dimension of the image.
​More info
 

Saturday Feb 17
From 5 to 7pm 

MICHEL TOMBROFF
Zéro Dièse Existe. Art, Mathématiques, Inesthétique
​
Book signing

Tombroff takes us on a journey between art, mathematics and infinity. He draws on the work of philosopher Alain Badiou, on the concept of inaesthetics, a novel approach that challenges the conventional notion of aesthetics universal nature of art’s truths.
More info
 
Monday Feb 19
All day event @WIELS

ARTS LOI//
KUNST WET
Platform for law and contemporary art​ 

Under the coordination of Sandrine Carneroli, lawyer, a day of conferences and discussions devoted to law and contemporary art. Conceived as a way of increasing (re)knowledge of artists and artistic productions, and is intended to be educational, inspirational and optimistic. More info
 
Saturday March 10
From 4 to 8pm

PASCALE RISBOURG
Ten Years of Creations

Tea Time Vernissage
​Exhibition from March 6 till March 27

Ten years of creation – Pascale Risbourg presents a retrospective of her creations since her arrival in Brussels in 2013. It is in Brussels that Pascale explores new creative territories. She has developed a line of unique wallpapers, tackled the world of ceramics, explored augmented reality, and designed carpets, lighting, and more. This exhibition traces the freedom of expression that Brussels has given her.

 

Saturday March 30
From 5 to 8pm

DORIS BOERMAN
​Plugs, Pores, Walls & Lures

Vernissage & Book signing
​Exhibition till April 20

W​ith the series of sculptures titled ‘Plugs, Pores, Walls and Lures’, visual artist Doris Boerman responds to the practice of self-design as a form of mass occupation, common identity and pseudo individuality in popular culture. With hair, earrings, scrunchies, wall plugs and gallery walls, the series talks about the feminine as a commercially constructed value, as well as the normative female body and its role in (art) history. With the support of the Ambassade van het Koninkrijk der Nederlanden in Brussels.

 

Wednesday April 24
From 5 to 8pm

AMIT LEBLANG
​Another Seder

Vernissage & Passover drink
​Exhibition till May 25

The exhibition “Another Seder” results from an artistic research that looks at the Passover holiday in the Jewish culture and the family rituals that are accustomed to happen during it.
The project deals with the intergenerational transmission of stories, presenting an installation of a living room; in this uncanny space, memories take form. Combining a video, an installation, etching prints, and paintings, and launching an artist’s book, “Another Haggadah,” the artist offers an alternative heritage. This project is supported by the VGC.

 

Don’t forget that our website is open 24/7. Our book collection is updated daily and everything is available online. We ship worldwide.

Follow us on Instagram, we post daily our last books, some cool images from our bookshop and from our great visitors.

 

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OV35: Anthony Discenza — Recrudescence, extended until February 23

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Project 35
e1f6bcc8-8c86-4ba4-b0ad-306f7706d233.jpg Anthony Discenza – Recrudescence

>>> Show extended until Friday February 23rd, 2024.
 

Anthony Discenza’s installation is a meditation on humanity's relationship to technology and the irrational undercurrents that inform its supposedly rational operations. The project incorporates and entangles concepts, materials, and relations drawn from a broad range of contexts, weaving linkages between industrial technologies, divinatory and spiritual practices, geologic timescales, thermodynamics, pop culture, and computation (in the form of generative AI). For Discenza, these systems, their outputs, and their effects all function as materials that can be treated recombinantly.

The exhibition’s title, “Recrudescence”, is a term describing the reactivation or reanimation of a dormant system; in organic biology, it refers to the reemergence of disease. Represented on a graph, it appears as a peak of activity following an extended period of quiescence. The deviation from a baseline state can be seen as an awakening, a return of something long suppressed. In the context of this exhibition, it suggests a series of simultaneous glances forwards and backwards. The glances—or perhaps visions—are anticipatory, yet also have already arrived. Like the demonic presences invoked in an occult ritual gone awry, they are already here in the room with us. 

This motif of an infernal summoning (with its associations of heat and combustion) provides an organizational index for material themes addressed in the exhibition: Discenza casts humanity’s use of fossil fuels in the terms of both a classic Faustian transaction and a kind of haunting. This proposition is not merely literary or metaphorical; in a very direct sense, all fossil fuel-based combustion represents a release of solar energy harnessed by biological organisms living over 300 million years ago to pull carbon from the atmosphere. That vast reservoir of energy, locked up for eons in chains of complex hydrocarbons, has been consumed at breakneck speed over the past 200 years of industrial development, allowing technological advancement to accelerate exponentially—at the cost of re-releasing that ancient carbon into the atmosphere.

Discenza teases out these associative threads with theatrical economy. Visible from the gallery’s exterior, a pair of green velvet curtains—recalling those concealing the ordinary human behind the façade of the omnipotent Wizard of Oz—frames a small desk and office chair. On the desk, resting in a cell phone cradle, sits a tablet of hand-polished anthracite—a metamorphic variety of coal, known in the fossil fuel industry for its energy density and high carbon content. The tablet and its placement echoes simultaneously the profile of a personal touchscreen device, a mineralogical specimen, and the polished mirrors used for scrying—a subset of divinatory practice employed by many different cultures.

Discenza extends his network of associative linkages into the arena of computation—in particular, the rapidly expanding use of generative and predictive AI models. These systems are frequently described in language that invokes natural or immaterial forces (the Cloud), but their existence relies on extensive physical infrastructures—vast server farms consuming massive amounts of electricity (in much of the world, electricity that is still produced from fossil fuels—roughly 40% of the electricity powering the internet is derived from coal sources). “Some Engines (Vessels)” consists of a pair of framed gelatin silver prints which have been produced by prompting the AI image generative model Midjourney to visualize complex computational processes as early industrial infrastructure. In response, the model output images of structures resembling a hybrid of blast furnace and alchemical vessel.

Another major waste product of the intensive computation necessary for AI models, social media platforms, cryptocurrency, etcetera is excess heat, which server farms and data centers require extensive systems to manage. A second wall-mounted diptych, consisting of a pair of salvaged industrial-scale heatsinks—machined metal blocks used for the dissipation of heat—functions as a metonym for the physical infrastructure and thermodynamic costs of computation. Meanwhile, on the other side of the wall, Discenza presents a single burning candle—an example of humanity’s earliest and still-relied upon harnessing of combustion.

Discenza closes the circuit of the exhibition with a small sculpture of a poodle cast from coal dust and resin, a souvenir from the heyday of America’s mining industry. In Goethe’s Faust, the demon Mephistopheles first appears as a black poodle before proposing his infamous bargain: Faust’s eternal soul in exchange for magical knowledge it would otherwise take many lifetimes to acquire. Within the matrix of the exhibition, such an exchange appears to be close at hand, though whether this moment lies in the near future or immediate past is ambiguous—on which side of Mephistopheles’ bargain do we stand?

– N. Hitchcock Lévy

– – –

Anthony Discenza (American, b. Brunswick, NJ) is a multidisciplinary, conceptual artist, living and working in Western Massachusetts. His work employs various media including text, video, found objects, sculpture and sound. Through installations and public works he addresses ideas of artificiality, narratology and interactivity. His work has been the subject of solo exhibitions at the de Young Museum, San Francisco, CA; the Museum of Contemporary Art, Cleveland, OH; Objectif Exhibitions, Antwerp; and Et al. Gallery, San Francisco, CA.

His works have been included in exhibitions at the McNay Art Museum, San Antonio, TX; V-A-C Foundation, Venice, IT; Galleria d’Arte Moderna e Contemporanea, Bergamo, IT; Aspen Art Museum, Aspen, CO; University of Michigan Museum of Art, Ann Arbor, MI; ICA London, London, UK; and Ballroom Marfa, Marfa, TX.

In 2020, Discenza founded lower_cavity, an artist-run residency program and project space located in a former papermill in the Pioneer Valley of Western Massachusetts.

OV Project:
Rue Van Eyck, 57
B- 1050 Brussels
@: OV contemporary – office:
Rue Jean-Baptise Colyns, 72
B -1050 Brussels

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Opening hours :
Thu. to Sat. from 2 — 6 pm
or by appointment
 

Image:
Familiar, 2023, cast coal dust and resin souvenir 

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Einladung/Invitation: Filmprogramm Garten sprengen

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FR / EN / NL

Sonntag 04.02.2024

LOS ANGELES PLAYS ITSELF (2004) & KUHLE WAMPE (1932) & DRIVE (2011)
Filmprogramm zur Ausstellung Garten sprengen

Drive, Nicolas Winding Refn, 2011

Begleitend zu Veronika Eberharts Ausstellung Garten sprengen präsentiert das IKOB zum Open Art Sunday am Sonntag 4. Februar ein dreiteiliges Kinoprogramm: Los Angeles Plays Itself (2004), Kuhle Wampe (1932) und Drive (2011). Das Programm bündelt zentrale Themen in Veronika Eberharts Film Garten sprengen: Zensur, Architektur, die Rolle von Musik im Film, und nicht zuletzt die Stadt Los Angeles.

Der Eintritt ist frei, alle sind herzlich eingeladen. Besucher:innen können an einer, an beiden oder an allen drei Filmvorstellungen teilnehmen und können nach Belieben kommen und gehen.

PROGRAMM

13:00: Los Angeles Plays Itself (Reg. Thom Andersen, 2004, Laufzeit 170 Minuten)

16:00: Kuhle Wampe oder: Wem gehört die Welt? (Reg. Slatan Dudow, 1932, Laufzeit 74 Minuten)

17:30: Drive (Reg. Nicolas Winding Refn, 2011, Laufzeit 100 Minuten)

Mehr Informationen hier.

Bis 10.03.2024
Veronika Eberhart
GARTEN SPRENGEN

Veronika Eberhart, Garten Sprengen, 2023. Filmstill. Courtesy of the artist

Veronika Eberhart (*1982, Bad Radkersburg, AT) präsentiert ihren neuesten Film Garten sprengen (2022) zusammen mit einer neuen Reihe von skulpturalen und fotografischen Arbeiten, die als Ausgangspunkt die Biografie des Komponisten Hanns Eislers (1898 – 1962) haben. Eberharts Suche nach vergrabenen Meinungsebenen treibt ihre Untersuchung einer Gesellschaftshistorie anhand der Massenwirkung von Film und Musik an, indem sie verschiedene Zeitlichkeiten vermischt. Die Ausstellung wurde in Zusammenarbeit mit Phileas – The Austrian Office for Contemporary Art produziert und von dem Kulturministerium Österreich und dem Österreichischen Kulturforum Brüssel unterstützt.

Mehr Informationen hier.

Bis 10.03.2024
Tanja Mosblech & Andrea Radermacher-Mennicken
HYPERBILD

Ausstellungsansicht, Tanja Mosblech & Andrea Radermacher-Mennicken: HYPERBILD, 2023. Foto: Lola Pertsowsky

HYPERBILD ist das Ergebnis einer dreijährigen künstlerischen Zusammenarbeit zwischen Tanja Mosblech (*1970, Köln, DE) und Andrea Radermacher-Mennicken (*1964, Eupen, BE) von 2020 bis 2023 als Künstlerinnen Ostbelgiens. Die Ausstellung basiert auf dem gegenseitigen Austausch von Wörtern, Ideen und Materialien und hinterfragt, wie wir im digitalen Zeitalter Verbindungen zwischen Bildern herstellen. Sie zeigt dazu eine Vielzahl von Medien, darunter Gemälde, Skulpturen sowie Installationen.

Neuer IKOB-Podcast! In dieser Folge ‘apropos’ ist IKOB-Direktor Frank-Thorsten Moll im Gespräch mit dem Künstler Roman Lang. Zentral ist dabei das Thema Remix, als Konzept und Methodologie: wie richtet Lang seine Kunst nach dem Prinzip des Remixens aus? Welche musikalischen und visuellen Einflüsse sind ihm besonders wichtig? Und ist das Remixen nicht eigentlich die Grundlage für jede Gegenwartskunst?

Jetzt reinhören auf Studio Néau.

Neu im Shop! Le Bulletin N°14

Henrike Naumann Westalgie
Merle Vorwald Dauergloss
Tom Bogaert Vendelzwaaier – Flaggenwerfer
Anlässlich ihrer Ausstellung lud Henrike Naumann zwei befreundete Künstler:innen ein, ebenfalls eine Ausstellung zu realisieren. Als Ergebnis ihrer Kooperation entstand dieses Bulletin mit Texten der Künstler:innen. Erhältlich online und im Museum.

Dieses Jahr ist IKOB-Kuratorin Brenda Guesnet die Gastkuratorin für Open M im Museum M in Leuven. Open M bietet Künstler:innen die Möglichkeit, ihre Arbeiten im Museum auszustellen. Alle Künstler:innen mit einer Verbindung zu Flämisch-Brabant können sich bewerben. Das diesjährige Thema der Ausstellung ist “sichtbar/unsichtbar”.

Die Ausschreibung läuft noch bis zum 4. Februar – mehr Informationen hier.

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Rotenberg 12b
4700 Eupen
Belgien / Belgique / Belgium

Öffnungszeiten / Horaires d’ouverture / Opening hours 
Di – So / Mar – Dim / Tue – Sun
13.00 – 18.00

Führungen auf Anfrage / Visites guidées sur demande / Guided tours on demand: Pressedossiers auf Anfrage / Dossiers de presse sur demande / Press Files on demand:  Presse-Login

Art does not need a common language, it is international by itself.
www.verycontemporary.org
The Network of 11 art institutions of the Meuse-Rhine Euregion. Supported by Euregio Maas-Rhein

Mit der Unterstützung von / Avec le soutien de / With the support of

Copyright © 2024 IKOB – Museum für Zeitgenössische Kunst, All rights reserved.
Sie haben diese E-Mail erhalten, weil Sie sich für den IKOB-Newsletter angemeldet haben. / Vous avez reçu cet email parce que vous vous êtes inscrit à la newsletter de l’IKOB. / You have received this email because you registered to the IKOB newsletter.

Our mailing address is:

IKOB – Museum für Zeitgenössische Kunst

Rotenberg 12b

Eupen 4700

Belgium

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Actus artistes – auteur•rice•s

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Newsletter Ludwig Forum Aachen

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Ludwig Forum

Ausgabe 19.01.2024

 

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FORUM LITERATUR: Lesung und Workshop mit Marlene Streeruwitz

Wir freuen uns, Sie über eine neue Veranstaltungsreihe am Ludwig Forum Aachen zu informieren, dem FORUM LITERATUR. Neben den zahlreichen Aktivitäten des Museums in den Bereichen Performance, Tanz, Musik und Film wird mit dem FORUM LITERATUR eine explizit literarische Konstante in das Programm des Ludwig Forum Aachen eingeführt. Als integraler Bestandteil der Programmatik des Hauses werden von nun an in regelmäßigen Abständen internationale Autor*innen eingeladen, ihre Texte im Rahmen von Lesungen, Performances, Workshops, Diskussionen und Gesprächen einem breiten Publikum vorzustellen. Die erste Ausgabe des FORUM LITERATUR, die von Januar bis Dezember 2024 im Ludwig Forum Aachen stattfindet, wurde gemeinsam von Eva Birkenstock (Direktorin, Ludwig Forum Aachen) und Hermann Müller (Freier Literaturkurator, Berlin) konzipiert und großzügig von der Kunststiftung NRW unterstützt.

Den Auftakt der neuen, langfristig angelegten Reihe macht die in Wien lebende Autorin Marlene Streeruwitz, die den Aachener*innen nicht zuletzt aufgrund des 2002 an Sie vergebenen Hasenclever-Preis bekannt ist. Wir freuen uns sehr, dass sie zu diesem Anlass am Donnerstag, den 25.01.2024 um 19 Uhr unter dem Titel Die Schmerzmacherin. aus dem gleichnamigen Roman sowie gemeinsam mit der Schauspielerin Melanie Kretschmann einen Dialog aus dem 2023 erschienen Band Tage im Mai. lesen wird. Im Anschluss der Lesung findet ein Gespräch zwischen der Autorin, Eva Birkenstock und Hermann Müller statt. Am Folgetag, Freitag, den 26.01.2024 um 18 Uhr bietet Marlene Streeruwitz darüber hinaus einen Workshop zum Thema Grundrechte lesen im Ludwig Forum an.

Wir freuen uns auf Ihr Kommen!

Ihr
Ludwig Forum Aachen

Donnerstag, 25. Januar 2024, 19 Uhr
FORUM LITERATUR: Die Schmerzmacherin.
Lesung mit Marlene Streeruwitz und Melanie Kretschmann (Schauspiel Köln)

Begrüßung: Eva Birkenstock, Axel Schneider (Walter-Hasenclever-Gesellschaft, Aachen)
Einführung und Gespräch: Eva Birkenstock und Hermann Müller (Freier Literaturkurator, Berlin)

“Die Lesung aus Die Schmerzmacherin. soll den Nachweis erbringen, dass Literatur das Medium ist, das die Komplexität unserer Leben in der Welt beinhalten kann. So können die Leser*innen Erfahrungen sammeln, die sie aber nicht haben müssen und diese erlesenen Erfahrungen wieder gegen die eigenen halten können. Die Lesung des zweiten Dialogs von Mutter und Tochter [aus dem Roman Tage im Mai.] wiederum wird zeigen, wie schwierig es ist, Liebe zu sprechen und wie wir einander mehr durch Auslassungen unsere Gefühle bekanntgeben. Dieser Dialog zeigt aber auch, wie Lieben dann doch gelingen kann, wie wir aber angehalten sind, diese Formen des Liebens minder zu achten.” (Marlene Streeruwitz)

Eintritt: 10 Euro / 7 Euro
AK und VVK an der Museumskasse

Freitag, 26. Januar, 18 Uhr
FORUM LITERATUR: Grundrechte lesen
Workshop und Diskussion mit Marlene Streeruwitz

„Gerade in Zeiten der Parolen und Spruchbänder ist die Frage wichtig, wer wie woher spricht. Es geht um Alltagstexte und wie da in aller Selbstverständlichkeit Würde gegeben oder meist genommen wird. Wie können wir empathisch sprechen und uns dem ekpathischen Sprechen der Öffentlichkeit entgegenstellen.” (Marlene Streeruwitz)

Eintritt: 5 Euro / 3 Euro
Der öffentliche Workshop findet in deutscher Sprache statt, weitere Vorkenntnisse sind nicht erforderlich. Um Anmeldung wird gebeten: Weitere Veranstaltungen:

Donnerstag, 01. Februar 2024, 19 Uhr
FORUM LITERATUR: Der Übergriff
Lesung mit Ursula Krechel

Donnerstag, 25. April 2024, 19 Uhr
FORUM LITERATUR: Daddy Issues
Lesung mit Dino Pešut

Donnerstag, 6. Juni 2024, 19 Uhr
FORUM LITERATUR: Karl May
Lesung mit Enis Maci und Mazlum Vergiz

Im Jahr 2024 wird die Buchhandlung Backhaus im Rahmen einer Kooperation mit dem FORUM LITERATUR Büchertische für die Leseabende der Reihe einrichten.

English Version

FORUM LITERATUR: Reading and Workshop with Marlene Streeruwitz

We are pleased to announce a new event series at the Ludwig Forum Aachen, the FORUM LITERATUR. In addition to the museum’s numerous activities in the fields of performance, dance, music and film, the FORUM LITERATUR introduces an explicitly literary constant to the program of the Ludwig Forum Aachen. From now on, international authors are invited in regular intervals to share their work with a broad public in the context of readings, performances, workshops, and conversations. The first edition of the FORUM LITERATUR takes place at the Ludwig Forum Aachen from January to December 2024. It was conceived in close dialogue between Eva Birkenstock (Director, Ludwig Forum Aachen) and Hermann Müller (Literary Curator, Berlin) and is generously supported by the Kunststiftung NRW.

The new series will be launched with the Vienna-based author Marlene Streeruwitz, known in Aachen not least since winning the renowned Hasenclever prize in 2002. On Thursday, January 25, 2024, 7 pm, she will be reading from her novel Die Schmerzmacherin. (2011) and present a dialogue from Tage im Mai. (2023) together with actress Melanie Kretschmann. The reading will be followed by a discussion between the author, Eva Birkenstock, and Hermann Müller. On the following day, Friday, January 26, 2024, 6 pm, Marlene Streeruwitz invites to the workshop Grundrechte lesen [Reading Basic Rights] at Ludwig Forum.

We look forward to welcoming you at the Ludwig Forum Aachen!

Yours
Ludwig Forum Aachen

Thursday, January 25, 7pm
FORUM LITERATUR: Die Schmerzmacherin.
Reading with Marlene Streeruwitz and Melanie Kretschmann (Schauspiel Köln)

Welcome: Eva Birkenstock, Axel Schneider (Walter-Hasenclever-Gesellschaft, Aachen)
Introduction and Conversation: Eva Birkenstock and Hermann Müller (Independent Literature Curator, Berlin)

“The reading from Die Schmerzmacherin. is intended to verify that literature is the medium that can encompass the complexity of our lives in the world. By reading, readers can gather experiences which they need not experience themselves, and can hold these select experiences up against their own. The reading of the second dialogue between the mother and daughter [from Tage im Mai.], in turn, will show how difficult it is to speak about love, and how we disclose our feelings to each other more by leaving things out. This dialogue also shows, however, how loving can succeed, but how we are urged to pay less heed to these forms of loving.” (Marlene Streeruwitz)

Admission: 10 Euro / 7 Euro
Box office in the museum

Friday, January 26, 6pm
FORUM LITERATUR: Grundrechte lesen
Workshop and Discussion with Marlene Streeruwitz

“Particularly in times of slogans and banners, the question of who is speaking how from where is important. It is about everyday texts and how, as a matter of course, dignity is bestowed—or usually taken away. How we can speak empathically and stand up to the ecpathic speaking of the public.” (Marlene Streeruwitz)

Admission: 5 Euro / 3 Euro
Further events:

Thursday, February 1, 2024, 7pm
FORUM LITERATUR: Der Übergriff
Reading with Ursula Krechel

Thursday, April 25, 2024, 7pm
FORUM LITERATUR: Daddy Issues
Reading with Dino Pešut

Thursday, June 6, 2024, 7pm
FORUM LITERATUR: Karl May
Reading with Enis Maci and Mazlum Vergiz 

In 2024, the Aachen-based Backhaus book store will set up book tables for the events as part of a cooperation with FORUM LITERATUR.

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Ludwig Forum für Internationale Kunst
Jülicher Straße 97–109
52070 Aachen
Di bis So 10–17 Uhr, Do 10–20 Uhr
Tel. +49 (0) 241 1807 104/ Fax +49 (0) 241 1807 101
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LAUNCH 20-01-24: Between the Standing and the Inclined

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L A U N C H 
T H I S   S A T U R D A Y 

Image from the issue: Maja Bekan and Angela Serino, “Between the Standing and the Inclined”, Visual Dialogue, 2023.

Between the Standing and the Inclined:
Structures Supporting Change
Kunstlicht vol. 44 (2023), no. 4  
Guest Editors: Angela Serino and Maja Bekan

ARE YOU JOINING US THIS WEEKEND? ✨

First Launch:
20 January 2024, 3-5 pm at Casco Art Institute, Utrecht
with contributions by Toni Kritzer and Patricia H. McMeans.

Coming up on this Saturday January 20, 2024 is the first launch event of Kunstlicht Vol. 44, N. 4: BETWEEN THE STANDING AND THE INCLINED: STRUCTURES SUPPORTING CHANGE. Each event will feature different contributors from the issue.

What is the inclined? Why support structures? And how can these help us speak about change—(because yes, we still want many things around us to be different)?

Support is generally intended as something that holds up or serves as a foundation, provides a basis for the existence or subsistence of someone or something, keeps from yielding, and gives comfort. In this issue, we have used support to speak of all that sustains and thus shapes an art practice, what allows someone to stand as an artist and art professional today in the absence of or despite certain systems, in the cracks of objective material constraints, turning them into opportunities for collective actions and self-empowerment.

Contributions by Manuela Zammit and Alina Lupu, Patricia H. McMeans, Eleonore Pano-Zavaroni and Kathrin Wolkowicz, Multiple Choice, Irena Borić, Mari Kalabegashvili, Gunndís Ýr Finnbogadóttir, Yasmine Ostendorf-Rodriguez, Toni Kritzer.

Buy “Between the Standing and the Inclined”

Image: Excerpt from Toni Kritzer’s ‘LANDSCAPE METHODOLOGIES’. 

Subscribe to Kunstlicht today!

 

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Eröffnung: NAK JAHRESGABEN 1992 – 2024

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NAK JAHRESGABEN 1992 – 2024

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Eröffnung: 20. Januar 2024, 19 Uhr
Laufzeit: 21. Januar – 04. Februar 2024

 

 

 

Im Rahmen der Ausstellungspräsentation Jahresgaben 1992 – 2024 zeigt der NAK Neuer Aachener Kunstverein eine Auswahl der spannendsten Jahresgaben aus den letzten 30 Jahren.

Alle vorgestellten Jahresgaben sind im Neuen Aachener Kunstverein käuflich zu erwerben. Wie immer gelten reduzierte Preise für Mitglieder des Kunstvereins. Darüber hinaus bietet der NAK Kataloge aus den letzten Jahren zum Kauf an. 

Künstler_innenliste der gezeigten Editionen:

Joachim Bandau, Natalie Czech, Plamen Dejanoff, Simon Denny, Joëlle Dubois, Thomas Dozol, Lars Eidinger, Karl Otto Götz, Petra Herzog, Jan Hoeft, Franka Hörnschemeyer, Eleni Kamma, Jody Korbach, Mischa Kuball, Peter Lacroix, Timur Lukas, Kris Martin, Stefan Marx, Rita McBride, Lucy McKenzie, Jonathan Monk, Martin Pfeifle, Georg Rippon, Timo Seber, Kathrin Sonntag, Michael Stevenson, Nora Turato, Annemie van Kerckhoven, Lena Willikens & Sarah Szczesny, Johannes Wohnseifer, u.v.m.


Falls Sie den Newsletter nicht mehr erhalten möchten, senden Sie uns bitte eine E-Mail mit dem Betreff UNSUBSCRIBE.
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NAK Neuer Aachener Kunstverein
Passstraße 29
52070 Aachen
0049 (0)241503255
www.neueraachenerkunstverein.de
www.instagram.com/neuer.aachener.kunstverein

 

 

 

Book Launch ⏤ Stedelijk (Amsterdam)

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Book Presentation 
at Stedelijk Museum Amsterdam

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Magali Reus, Settings (Side Sleepers), 2021

A Collectible Publication on Magali Reus' Thinking of Objecthood
 
Renowned for her particular take on what contemporary sculpture can be and express, Magali Reus draws on a vast range of formal influences and references, from the domestic to the industrial, the functional to the decorative, creating works that evolve as a fascinating accumulation and layering of visual details.
 
Designed by Irma Boom, one of the most prestigious graphic designers active today, this artist’s book offers a unique approach to art making through the unveiling of the sources, visual imagery, and connections that gave birth to the realization of three emblematic series by Magali Reus: “Dearest,” 2018; “Empty Every Night,” 2019; and “Settings,” 2019–2021. Conceived as a space where the viewer can take their time to get a closer, more intimate connection to her work, the publication alternates views of the works, close–up details, and various materials—from a 3D technical rendering and production calculations to mock ups, samples, and research photography. Sharing her production, process, and research archive, Reus allows the reader to decipher the circulation of motifs from one medium to another, her specific take on the ideas of hierarchy, representation, and systems of production, and how she explores the tensions between nature, technology, and the impact of postindustrial human activity. The book gives full credit to her ongoing thinking on objecthood and how the objects and forms she creates take on a strange, disobedient agency. Made of three separate volumes, featuring different paper and taped together, this collectible publication is itself a powerful object.
 
Three contributions by art critic and curator Anthony Huberman (“Leather and Logistics”), writer and art historian Philomena Epps (“The Other Hour”), and artist and writer Sean Burns (“A Love Affair”) analyze the artist’s practice through art historical and literary perspectives.

PRACTICAL INFORMATION

Time: 15h – 17h
Location: Zadelhoff Café, first floor of the Stedelijk Museum Amsterdam

There will be time to flip through or read the publication while having a drink. Drinks will be hosted by Galerie Fons Welters and Galerie Greta Meert. 

Important: A valid museum entrance ticket or annual card is required for acces to the Zadelhoff Café.

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13 rue du Canal
1000 Brussels

+32 2 219 14 22

Detanico/Lain, finalistes du prix Marcel Duchamp 2024

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