Damien & The Love Guru

Emanuele Marcuccio

Sì o No

Opening reception
17. 18. 19. December 2020
Thursday  –  Saturday from 2 – 8 pm
and by appointment

Damien & The Love Guru hosted by CFA Live
Via Rossini 3
20121 Milan
Italy

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Covid measures will be in place during the opening days.
Please bring your own mask and keep your distance.

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The exhibition will be on view until 2. February 2021
Opening hours :
CFA Live
Tuesday – Friday
3 – 9 pm

ONLINE EVENTS

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Anne Boyer, Queer Correspondence, Anna Halprin and Sasha Litvintseva & Beny Wagner.

Opening: December 11th, 2020. 4.00 – 9.00p.m
Exhibition continues until February 19th.

fluent is pleased to present lengua(S), an exhibition that examines the logics and regimes of vulnerability. Spanning from its ideological foundations to its ecosystemic functioning, the show questions binary notions of sickness and health, hegemony and dissent, productivity and collapse as forms of structural contagion.

In dissecting how, the outlines of life and non–life are constructed, the exhibition is a proposition to expand our understanding of vulnerability from a bodily phenomenon into the realm of ecologies, desires, economies and communities: a living exchange between physical and immaterial transmissions. 

Through the work of four artists and thinkers, it sets out to explore contagious ecologies through human systems and more-than-human touching zones. Looking at immaterial compositions in ideology, science, politics and culture lengua(S) is an embodied critique about questions of radical interdependency demonstrating how our utterly specific experiences are inevitably collective.

In Anne Boyer’s The Undying, what the author describes as ‘the ideological regime of cancer’ is a deep exploration on the experience of illness as mediated by digital screens, weaving in ancient Roman dream diarists, corporate lies, the ecological costs of chemotherapy, and the many little murders of capitalism.

In the context of on-going uncertainty –a condition familiar to minority communities, though now made even more palpable to themselves and others by the arrival of Covid-19–, Queer Correspondence (a mail-art initiative) seeks to nurture the indeterminate spaces of possibility that are put forward by subcultural lives. The project was conceived by writer and Associate Curator at Cell Project Space, Eliel Jones, and commissioned and produced by Cell, with emergency funding from Arts Council England, to work with artists and writers whose original projects and/or exhibitions were postponed due to the impact of the pandemic. Over the past six months, over 800 subscribers worldwide have received monthly Queer Correspondence projects, including by: Alex Margo Arden & Caspar Heinemann; Beatriz Cortez & Kang Seung Lee; Ezra Green & Martin Hansen; rafa esparza; Gelare Khoshgozaran; David Lindert; and Atiéna. 

Anna Halprin is a choreographer, dancer and performance artist considered the mother of postmodern dance. At age 100 she continues to inspire through movement and has extended the boundaries of dance to addressing social issues, community building, fostering both physical and emotional healing, and connecting people to Earth. In the summer of 1966, in collaboration with her husband American landscape architect Lawrence Halprin, she began a series of experimental, cross-disciplinary workshops in northern California that offered a new approach to environmental awareness in relation to the body. Drawn from architecture, ecology, music, cinematography, graphics, choreography, and lighting, Experiments in Environment brought together artists, dancers, architects, and environmental designers in avant-garde environmental arts experiences.

Bilateria by Sasha Litvintseva and Beny Wagner employs the Klein Bottle as a form with which to inhabit the interstices between organisms and environments. The Klein bottle is a mathematical shape that, like the Möbius strip, merges interior and exterior, beginning and end. Here the form is simultaneously a leaky vessel and a projection surface for an array of found video material. Organisms and environments are mapped onto a single metabolic pathway where inside and outside continuously fold into each other in rhythmic pulsations.

Major work by David Lamelas in Antwerp threatened with demolition, we ask you for your support.
 
Quand le ciel bas et lourd (When the sky low and heavy) was realised for the exhibition America. Bride of the Sun: 500 Years Latin-America and the Low Countries at the KMSK (Royal Museum of Fine Arts) in Antwerp (1992). The work deals with the relation between nature and the industrial society as well as with colonisation and questions of oppression, struggle and censorship. Quand le ciel bas et lourd is an extremely rare example in Belgium of a public monument critically reflecting on the colonial past. It is also one of the most important works in David Lamelas’ oeuvre.

Due to the ongoing renovation of the KMSK involving a new access to the museum, plans had been developed to move it slightly to the corner of the park surrounding the museum. Unfortunately the Flemish government withdrew its initial proposal that was accepted by the artist and now no longer wants to rebuild the work. A letter by Lamelas asking Jan Jambon, Flemish Minister of Culture, to reconsider his decision has remained unanswered.

We are therefore launching a public campaign inviting everyone to co-sign the original letter which will be resent to the Minister of Culture on December 15 in the hope the work can be saved from destruction. 

More information is available here.

You can express your support directly on our website or by replying to this email before December 15.

Thank you.