Volgende week: de Appel Kiosk op de Dappermarkt door Espacio Estamos Bien

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Volgende week: de Appel Kiosk op de Dappermarkt door Espacio Estamos Bien

Volgende week vindt de tweede iteratie van de Appel’s experimentele Kiosk plaats op de Dappermarkt in Amsterdam-Oost. Deze keer zal Espacio Estamos Bien, in samenwerking met Lorenzo García-Andrade, een ruimte creëren voor alternatieve uitwisseling, gericht op niet-monetaire economieën, gastvrijheid, de schenk-traditie van de potlatch en coöperatieve waarden. De kraam, DOOS ¡No hacemos moneda falsa!, zal worden gevuld met objecten in dozen die zijn gestuurd door vrienden en samenwerkingspartners van over de hele wereld. Voorwerpen en kunst-miscellanea zullen worden uitgewisseld met behulp van creatieve ruilmethoden zoals gunsten, brieven, wensen of andere voorwerpen. Doe mee aan deze correspondentie door de dozen te vullen met voorwerpen en gedachten, waarna we de dozen terugsturen naar de afzenders.

Houd onze Instagram-pagina in de gaten, want ‘s ochtends vroeg posten we waar en wanneer de Kiosk op de markt zal staan, en geven we meer informatie over de afsluitende bijeenkomst.

Op zaterdag 7 december vindt er een slotmoment plaats in het buurthuis en vrijwinkel Afvalpaleis aan de Dapperstraat.

De kunstenaars en de Appel bedanken NieuwLand voor de logistieke ondersteuning.

 
 
Doos
Grafisch ontwerp door Juan Sebastian Rosillo
 
 
Meer over de Appel Kiosk
Geïnspireerd door onze vrienden in de lumbung, die nog steeds een lumbung kiosk runnen, en andere initiatieven van kunstenaars om hun collectieven in stand te houden en deel te nemen aan kleine economieën, heeft de Appel een experimentele kiosk gelanceerd in samenwerking met kunstenaars Metti/Waèl el Allouche (die de kiosk afgelopen oktober hebben gehost) en Espacio Estamos Bien voor 2024. De kunstenaars hebben hun eigen kramen, en daarmee hun eigen economieën ontwikkeld.

Espacio Estamos Bien (EEB) is een kunstcoöperatie* gevestigd in Amsterdam die bijeenkomsten, publicaties en tentoonstellingen organiseert. EEB begon met het idee van een nieuwe ruimte in Amsterdam – niet per se een fysieke – die een affectieve en ondersteunende context zou kunnen bieden. Een ruimte voor hen die niet thuishoren in het institutionele circuit. Een ruimte die altijd verandert, altijd in beweging is, maar altijd bereikbaar is. EEB initieert gesprekken en faciliteert ontmoetingen. EEB is opgericht door Mariana Jurado Rico en Francisca Khamis Giacoman.

*Een coöperatie is een autonome vereniging van personen, vrijwillig verenigd om een democratische organisatie te vormen waarvan de administratie en het beheer moeten worden uitgevoerd op een manier die door de leden is overeengekomen.

 
 

Verzorgd door MailingLijst

This weekend at Greylight Projects-> Open studios and more /en meer /und mehr /et plus

Greylight Projects - platform for art & culture

 

Hey, hai, hoi,
We nodigen u graag uit voor het volgende:
Wir möchten Sie zu den folgenden Veranstaltungen einladen:
We would like to invite you to the following:
Nous vous invitons à participer aux événements suivants:



Greylight Projects is supported by the gemeente Heerlen
 
 

Greylight Projectsis a member of Very Contemporary,
the network of contemporary art venues in the Meuse-Rhine Euregion.

 
Greylight Projects is part of the cross border residencie

 
Greylight Projects is part of #TOKTOK,
platform for cultural initatives in Heerlen.
 
ateliers/ studio’s: Limaweg 3, 6415XD, Heerlen

Your Christmas gifts at Fondation CAB

Your Christmas gifts at Fondation CAB ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌

This week’s openings in Brussels

This week’s openings in Brussels

Opening this week
Wednesday 27 Nov → Tuesday 03 Dec



Opening next week
Wednesday 04 Dec → Tuesday 10 Dec

Thu 05.12 — 17:00

VERNISSAGE: NAK Benefiz Auktion 2024

NAK ONLINE BENEFIZ AUKTION 2024

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

3 WOCHEN, 3 BLOCKS, ONLINE ONLY:

www.neueraachenerkunstverein.auction

 

 

 

Der NAK Neuer Aachener Kunstverein lädt Sie herzlich zur diesjährigen NAK Benefiz Auktion ein. Die Auktion findet komplett online statt, alle Werke können aber zeitgleich im NAK in einer Ausstellung besichtigt werden. Der Kunstverein führt seine Auktion unter der Schirmherrschaft von Prof. Henrik Hanstein (Kunsthaus Lempertz, Köln) und im Namen der teilnehmenden Künstler_innen durch.

AUKTION //

www.neueraachenerkunstverein.auction

INFORMATION //

Woche 1: 02. bis 08. Dezember 2024
Woche 2: 09. bis 15. Dezember 2024
Woche 3: 16. bis 22. Dezember 2024

Eröffnung: 30. November 2024, 19 Uhr
Ausstellung: 02. bis 22. Dezember 2024

Die Onlineauktion beginnt am Montag, den 02. Dezember und endet am Sonntag, den 22. Dezember 2024. Die Auktion wird in drei wöchentlichen Blocks veranstaltet, auf sich die zu versteigernden Positionen verteilen.

Um an der Auktion teilzunehmen und Gebote abzugeben, registrieren Sie sich bitte vorab auf der Auktionswebseite und bestätigen Sie bitte anschließend Ihre Registrierung per Klick auf den Link in Ihrer Bestätigungsemail.

Sollten Sie Fragen zur Auktion, den Werken oder Künstler_innen haben melden Sie sich gerne im NAK. Wenn Sie Probleme haben sich auf der Auktionswebseite zu registrieren oder sonstige Fragen zum Prozedere haben, wenden Sie sich ebenfalls gerne vorab an den NAK per Telefon oder E-Mail. Wir helfen Ihnen gerne weiter. Alle Einzelheiten finden Sie unter www.neueraachenerkunstverein.de nochmals online. Von dort aus gelangen Sie ebenfalls auf die Auktionsseite www.neueraachenerkunstverein.auction.

VORSCHAU //

Über die Instagram und Facebook Seiten des NAK werden vorab alle Arbeiten der teilnehmenden Künstler_innen vorgestellt.

AUSSTELLUNG + GET-TOGETHER //

Weiterhin werden alle zu ersteigernden Arbeiten in einer Ausstellung vor Ort im Kunstverein präsentiert. Die Ausstellung eröffnet am 30. November 2024 ab 19 Uhr im NAK. Die Arbeiten können bis zum 22. Dezember täglich (außer montags) von 14 bis 18 Uhr im Kunstverein besichtigt werden. Am Dienstag, den 03., 10. und 17. Dezember hat der NAK darüber hinaus bis 22 Uhr geöffnet; hier bietet das Team beratend Führungen durch die Ausstellung an und stellt sich Ihren Fragen zu Werken und Künstler_innen.

TEILNEHMENDE KÜNSTLER_INNEN //

Albrecht/Wilke, Neven Allgeier, Michelle Alperin, Nicl Barbro, Julie Batteux, Arno Beck, Boris Becker, David Belise, Rebekka Benzenberg, Alisa Berger, BERGERNISSEN, Tim Berresheim, Eugene Bongs-Beer, Lars Breuer, Clara Brörmann, Max Brück, Lisa Busche, Cihan Cakmak, Keren Cytter, Zuzanna Czebatul, Sibylle Czichon, Plamen Dejanoff, Ferdinand Dölberg, Thomas Dozol, Hannah Dunkelberg, Hedwig Eberle, Carolin Eidner, Philip Emde, Jonas Fahrenberger, Anett Frontzek, Albrecht Fuchs, Jonah Gebka, Alexander Gehring, Dominik Geis, Jan Gerngross, Jakob Gilg, Tanhee Godt, Monika Grabuschnigg, Selma Gültroprak, Constantin Hartenstein, Hedda Roman, Ilka Helmig, Cornelia Herfurtner, Simon Herkner, Isabelle Heske, Marcel Hiller, Benedikt Hipp, Jan Hoeft, Caroline Hofman, Christian Holze, Olga Holzschuh, Yoni Hong, Zoe Hopf, Jonas Höschl, Tobias Huschka, Andrea Ihl, Justyna Janetzek, Christof John, Eleni Kamma, Andy Kassier, Ben Kaufmann, Christian Keinstar, Bianca Kennedy, Daniel Kiss, Klaus Kleine, Alfons Knogl, Tina Kohlmann, Christian Kölbl, Konstitutiv der Möglichkeiten, Jody Korbach, Hanna Körner, Hans W. Krämer, Tom Król, Caroline Kryzecki, Wolfgang Kupczyk, Alwin Lay, Mischa Leinkauf, Anna Ley, Christine Liebich, Lukas Liese, Janis Löhrer, Tamara Lorenz, Arthur Löwen, Timur Lukas, Tammo Lünemann, Martin Maeller, Dylan Maquet, Stefan Marx, Oliver Meier, Gerold Miller, Jonathan Monk, Roy Mordechay, Conrad Müller, Philipp Naujoks, Joe Neave, Anna Nero, Moritz Neuhoff, Nick Oberthaler, Bea Otto, Nicolas Pelzer, Gudrun Petersen, Zara Pfeifer, Lena Anouk Philipp, Sabrina Podemski, Soff, Johanna Reich, Anys Reimann, Bernd Ribbeck, Simon Risi, Johanna Roderburg, Antonia Rodrian, Natalia Rolón, Markus Saile, Dean Sameshima, Laurentius Sauer, Daniel Schaal, Morgaine Schäfer, Laura Schawelka, David Schiesser, Marius Schillak, Robert Schittko, Pablo Schlumberger, Natascha Schmitten, Berit Schneidereit, Ani Schulze, Ulrike Schulze, Mona Schulzek, Moreno Schweikle, Paul Schwer, Pola Sieverding, Vera Sous, Casey Spooner, Katharina Stadler, Michael Stipe, Sophia Süßmilch, Sarah Szczesny, Lukas Thaler, Christian Theiss, Sophie Ullrich, Thomas Virnich, Kurt von Bley, Lola von der Gracht, Karl von Monschau, Marta Vovk, Finn Wagner, Johannes Tassilo Walter, Nicholas Warburg, Thomas Weidenhaupt, Mathias Weinfurter, Christoph Westermeier, Achim Franz Willems, David Benedikt Wirth, Johannes Wohnseifer, Ester Zahel, Mio Zając

 

Falls Sie den Newsletter nicht mehr erhalten möchten, senden Sie uns bitte eine E-Mail mit dem Betreff UNSUBSCRIBE.
_ _

NAK Neuer Aachener Kunstverein
Passstraße 29
52070 Aachen
0049 (0)241503255
www.neueraachenerkunstverein.de
www.instagram.com/neuer.aachener.kunstverein

 

Derniers jours & finissage de l’expo 𝘚𝑖𝘭𝑒𝘯𝑐𝘪𝑜, conférence & appels à candidatures

Cliquez ici pour voir ce mail dans votre navigateur

Derniers événements de 2024
 

Derniers jours et finissage de l’expo Silencio

Pour clore Silencio, Olivia Hernaïz vous invite le samedi 30.11 dès 15h à une ultime visite guidée de son exposition en compagnie du curateur Laurent Courtens et d’Ilse Roosens, curatrice au Mu.ZEE d’Ostende.

Cette visite sera suivie d’une lecture chorale à 16h. Les cousines d’Olivia Hernaïz sont invitées à lire, dans différents espaces de l’exposition, des témoignages d’enfants espagnol·es adopté·es ou logé·es dans des familles belges suite à leur fuite du pays, ravagé par la guerre civile et menacé par la victoire franquiste. Les témoignages collectés en néerlandais, en français et en espagnol seront lus dans ces trois langues.

Réserver sa place pour le finissage →

L’exposition est accessible les mardi 26, mercredi 27, jeudi 28, vendredi 29 et samedi 30.11 entre 11h et 18h. Au plaisir de vous accueillir ! 

Hors Réserve : Sans titre par Walter Swennen  Conférence par Delphine Florence

27.11 18:30 → 20:00

Lors de cette nouvelle édition de “Hors Réserve”, l’historienne de l’art et conférencière Delphine Florence présente et commente l’oeuvre Sans Titre de Walter Swennen, peintre belge incontournable de la scène contemporaine né en 1946. Pour l’occasion, le tableau fera la navette depuis le Musée d’Ixelles.

Infos et inscriptions →

Appel de dossiers – Colloque sur l’art & le vivant

Deadline : 13.12.24

Chercheur·euses actif·ves en Belgique ou à l’étranger, vous souhaitez contribuer à une réflexion sur les liens pluridisciplinaires qui unissent la culture artistique contemporaine et le vivant depuis 1960 ? Proposez une communication synthétisant une investigation récente sur le sujet en vue d’un colloque qui aura lieu les 8 et 9 mai 2025 !

L’appel complet (PDF) →

Appel à candidatures – À vos marques !

Deadline : 31.12.24

Le programme d’accompagnement des élèves du secondaire artistique  « À vos marques ! » a pour but de préparer des élèves de 6ème secondaire à intégrer une école supérieure des arts, via des ateliers gratuits deux mercredis par mois. La prochaine session démarre en janvier 2025 !

L’appel complet (PDF) →

Poursuite du cycle de cours L’art de tourner le dos par Rosanna Gangemi

03.12 – 10.12 | 14:00→16:00

Rosanna Gangemi, philosophe et critique d’art, poursuit son cycle de cours. Au menu des deux dernières séances: 

03.12 : Des avant-gardes du début du 20ᵉ siècle jusqu’à nos jours

10.12 : Les dos tournés dans l’art vidéo, le cinéma, le théâtre, la mode…

En savoir plus →

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ABA Newsletter

ABA

Air Berlin Alexanderplatz

 

Upcoming

 

IN VAIN – An Anthology as a Form of Resistance
Onur H. Karaoğlu

Friedrichstraße 23a | 27 November, 19:30
+ FRIZZ Gallery | 29 November–5 December

Photo credit: Zeynep Fırat

Onur H. Karaoğlu’s In Vain is a video installation that takes its name from the ashik (poet) Mahzuni Şerif’s song, Boşu Boşuna (In Vain).

One of the qualities of an ashik poet is that they travel from town to town singing and spreading reflections to live by. During this work, the audience is invited to write and experience the role of a poet. Our journey is guided by the narration of four characters: a storyteller, an ancient sea, an oceanographer from the middle ages, and a poet from the last century. All of the stories intersect on marine mucilage that has covered the Marmara Sea as a result of the climate crisis in 2021. The ramifications of this abundance of mucilage are catastrophic. 

By bringing together four characters/stories from Istanbul: a long-disappeared sea, an oceanographer from the middle ages, a poet from the last century and a young writer from contemporary times, In Vain creates a space to investigate the passing of time, and how to make meaning in the face of crisis. 
 

 

Wednesday, 27 November at 19:30
Friedrichstraße 23A, 10969, Berlin

Presentation of the participatory performance version of In Vain with the addition of a fifth character, a young writer from contemporary times.

Due to limited space, reservations are required for this free event.
To reserve your spot, please email  The performance will be held in English.

29 November–5 December
Frizz Gallery, Friedrichstraße 23A, 10969, Berlin

 

uqbar

Ruins of Belarus
Uladzimir Hramovich

 

9–28 November

The exhibition Ruins of Belarus will be on view until 28 November, 12:00–18:00 and we invite you take part in the exhibition public program.

PUBLIC PROGRAM

Wednesday, 27 November at 18:00
Lecture From War to War: Illustration and Militarization of Visual Space in Belarus

Antiwarcoalition.art in cooperation with ABA invite you to the public lecture by artist Uladzimir Hramovich. A history of Belarusian book illustration and visuality from the postwar period through the 2000s. From the Soviet soldier to the tank from War Gaming, how Soviet education mutated and became the forerunner of the new wartime in the region.

Uladzimir Hramovich graduated from the Gymnasium-College of Arts named I. O. Akhremchik in Minsk, Belarus (2009) and the graphics arts department of the Belarusian State Academy of Arts in Minsk, Belarus (2015). He is a member of the Problem Collective since 2016 and works with installation, graphics and video.

The lecture will be held in English as a part of the Bridges of Solidarity public program.

 

 

Thursday, 28 November at 17:00
Exhibition tour in German with Uladzimir Hramovich & Katharina von Hagenow

 

To find out more about the project, visit our website.

 

Currently in Residence

Eloise Sweetman
 

Eloise is Rotterdam-based curator originally from Western Australia. Her curatorial practice is guided by a philosophy of “lingering”—a deliberate, slow engagement with art that unfolds over time and space. This method is influenced by philosopher Byung-Chul Han’s concept of “de-distancing,” which refers to the process of getting closer to one’s surroundings and creating a sense of intimacy. In her exhibitions, Eloise seeks to create space for artists and audiences alike to engage deeply with the works on display, allowing meaning to remain open and fluid.

 

Sweetman’s curatorial projects have included collaborations with internationally renowned artists such as Apichatpong Weerasethakul, Etel Adnan, Felix Gonzalez-Torres, and many others. In 2021, she co-edited Curatorial Feelings with Jo-ey Tang, a collection of texts on curating and collaboration. She is also the co-founder and co-director of Shimmer, a curatorial studio in Rotterdam that operates with a “studio-like mentality,” emphasizing participation and experimentation in contemporary art. In addition to her independent projects, Eloise teaches and lectures at institutions such as the Gerrit Rietveld Academie, Van Eyck Academie, and University of Amsterdam. Her podcast, I Hope This Message Finds You Well, co-hosted with Kris Dittel, offers candid discussions on curating, featuring insights from colleagues across the world

 

Residency period: Sep–Dec 2024
Supported by Mondriaan Funds.

 

Lysann König
 

Lysann König (*1986 Zwickau) lives and works in Basel as an artist, musician and curator. She is part of the KASKO-Team since 2021, a project space for contemporary art, performance and mediation in Basel, and co-founder of ∑ SUMME, a networking platform and biennale event for artist-run-spaces and projectspaces in Basel. Since her bachelor‘s degree in 2012 at the Institut Kunst in Basel, she has been part of various collectives, including Dr. Kuckucks Labrador and who writes his_tory?

Her main media are video and performance. König‘s work is based on post-capitalist critique and the search for new ways of artistic and social collaboration. Her works are mostly created through teamwork with people from different disciplines. The idea of remix culture is deeply rooted in her practice. The roles that König takes on in her works are as changeable as the media she uses – be it video, performance, installation or music.

 

Residency period: Sep 2024–Feb 2025
Supported by Pro Helvetia.

 

Onur H. Karaoğlu

Onur H. Karaoğlu produces works in performance, video and theatre. Since 2010, his original and adapted writing and directing pieces have been commissioned and presented by festivals and institutions such as Wiener Festwochen, Dancing On The Edge, Media Art Xplarotion and Volksbühne. His performance and video works were showcased at Bahar (Sharjah Biennial 2017), SPOT, Operation Room and Protocinema. He is one of the founding members of Studio 4 Istanbul, producing theatre, film works and performance space KÖŞE in Yeldeğirmeni, which later became an international performance festival. Between 2014 and 2019, he was the director of Orhan Pamuk’s Museum of Innocence in Istanbul. Karaoğlu teaches classes on performance at Boğaziçi and Koç University. He holds a BA in Sociology from Boğaziçi University and an MFA in Theater Directing from Columbia University in The City Of New York.

 

Residency period: Oct – Nov 2024
Supported by STRÜKTÜR

 

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Fondation CAB Brussels I Workshop for kids

Fondation CAB Brussels I Workshop for kids ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌

Newsletter Ludwig Forum Aachen

Ludwig Forum

Ausgabe 26.11.2024

 

Eleonore de Montesquiou, Eksperiment Katya (Filmstill), 2020. Courtesy the artist.

Eleonore de Montesquiou, Eksperiment Katya (Filmstill), 2020. Courtesy the artist.

Please scroll down for English Version

Einladung: Vortrag von Dr. Klara Kemp-Welch (Kunsthistorikerin, London)

Anlässlich unserer aktuellen Ausstellung Fragmente einer Wirklichkeit, die einmal war. Begegnungen mit der Ukraine in der Sammlung Ludwig, laden wir Sie herzlich zu einem Vortrag der Kunsthistorikerin Dr. Klara Kemp-Welch am Donnerstag, den 28.11.2024 um 19 Uhr in das Ludwig Forum Aachen ein. Mit Free Movement? Migration und Mobilität in Osteuropa durch die Linse der zeitgenössischen Kunst stellt Kemp-Welch ihre jüngsten Forschungen zu zeitgenössischen Künstler*innen vor, die sich mit Fragen der Migration und Mobilität im osteuropäischen Kontext beschäftigen. 

Wir freuen uns auf Ihr Kommen!

Ihr
Ludwig Forum Aachen

Donnerstag, 28. November 2024, 19 Uhr
Free Movement? Migration und Mobilität in Osteuropa durch die Linse der zeitgenössischen Kunst
Vortrag von Dr. Klara Kemp-Welch, Kunsthistorikerin, Courtauld Institute of Art, London
Ort: Space, Ludwig Forum Aachen

Begrüßung: Holger Otten, Kurator, Ludwig Forum Aachen
Moderation: Galina Dekova, Forschungsvolontärin, Ludwig Forum Aachen und Kuratorin der Ausstellung Fragmente einer Wirklichkeit, die einmal war
Die Veranstaltung findet in englischer Sprache statt.

In ihrem Vortrag Free Movement? Migration und Mobilität in Osteuropa durch die Linse der zeitgenössischen Kunst stellt Dr. Klara Kemp-Welch ihre neuen Forschungen zu zeitgenössischen Künstler*innen vor, die sich mit Fragen der Migration und Mobilität — vor allem mit den Themen Arbeitsmobilität, Minderheitenerfahrung und Grenzpolitik — im osteuropäischen Kontext beschäftigen. Kemp-Welch argumentiert, dass Künstler*innen in einer einzigartigen Position sind, um die Komplexität der freien Mobilität zu untersuchen und kritische Einblicke in Osteuropa als soziale, wirtschaftliche und politische Frontlinie zu geben.

Dr. Klara Kemp-Welch ist Kunsthistorikerin und beschäftigt sich am Courtauld Institute of Art in London mit moderner und zeitgenössischer Kunst aus Osteuropa. Sie ist die Autorin von Antipolitics in Central European Art. Reticence as Dissidence under Post-Totalitarian Rule 1956-1989 (IB Tauris, 2014), Networking the Bloc. Experimental Art in Eastern Europe 1965-1981 (MIT Press, 2019) und zusammen mit Beata Hock und Jonathan Owen Mitherausgeberin von A Reader in East-Central European Modernism 1918-1956 (Courtauld Books Online, 2019). Derzeit arbeitet sie an einer Monografie über Migration und Mobilität in Osteuropa, betrachtet durch die Linse der zeitgenössischen Kunst.

Weitere Veranstaltungen im Ludwig Forum Aachen

Dienstag, 10. Dezember 2024, 18 Uhr
Zeigekunst: KuratorInnen als Zauberlehrlinge. Wie man hinsieht durch Wegsehen, wie man beginnt aufs Ende hin, wie man auf das zeigt, was nicht gezeigt wird
Vortrag von Bazon Brock
In Kooperation mit der RWTH Aachen

Sonntag, 15. Dezember 2024, 17 Uhr
Threnody for the KhoiSan
Konzert mit Garth Erasmus (Stimme, Alto Sax), Carina Khorkhordina (Trompete), Ruth May (Violine), Peter Thiessen (Cello), Stefan Schneider (Elektronik)

Führungen im Ludwig Forum Aachen

Donnerstag, 28. November 2024, 18 Uhr
Rune Mields / Gegenverkehr – mit Miriam Schmidt (kuratorische Assistentin)

Donnerstag, 5. Dezember 2024, 18 Uhr
Terrestrische Perspektiven – mit Lisa Oord (Kuratorin der Ausstellung)

English Version

Invitation: Lecture by Dr. Klara Kemp-Welch (art historian, London)

On the occasion of our current exhibition Fragments of a Reality That Once Was. Encounters with Ukraine in the Ludwig Collection, we cordially invite you to a lecture by art historian Dr. Klara Kemp-Welch on Thursday, November 28, 2024 at 7pm at Ludwig Forum Aachen. With Free Movement? Migration and Mobility in Eastern Europe through the Lens of Contemporary Art, Kemp-Welch will present her latest research on contemporary artists who work on questions relating to migration and mobility in the Eastern European context.

We are looking forward to seeing you at the Ludwig Forum!

Yours
Ludwig Forum Aachen

Thursday, November 28, 2024, 7pm
Free Movement? Migration and Mobility in Eastern Europe through the Lens of Contemporary Art
Lecture by Dr. Klara Kemp-Welch, art historian, Courtauld Institute of Art, London
Venue: Space, Ludwig Forum Aachen

Welcome: Holger Otten, curator, Ludwig Forum Aachen
Moderation: Galina Dekova, research trainee, Ludwig Forum Aachen and curator of the exhibition Fragments of a Reality That Once Was
The event will be held in English

In her lecture Free Movement? Migration and Mobility in Eastern Europe through the lens of contemporary art, Dr. Klara Kemp-Welch introduces her new research on contemporary artists who work on questions relating to migration and mobility in the East European context. It will be structured around the themes of labour mobility, minority experience, and border politics. Kemp-Welch will argue that artists are uniquely placed to examine the lived complexities of free movement and to offer critical insights into Eastern Europe as a social, economic and political frontline.

Dr. Klara Kemp-Welch is an art historian who works on modern and contemporary art from Eastern Europe at the Courtauld Institute of Art in London. She is the author of Antipolitics in Central European Art. Reticence as Dissidence under Post-Totalitarian Rule 1956-1989 (IB Tauris, 2014), Networking the Bloc. Experimental Art in Eastern Europe 1965-1981 (MIT Press, 2019) and co-editor of A Reader in East-Central European Modernism 1918-1956 together with Beata Hock and Jonathan Owen (Courtauld Books Online, 2019). She is currently completing a monograph on migration and mobility in Eastern Europe, as seen through the lens of contemporary art.

Further events at Ludwig Forum Aachen

Tuesday, December 10, 2024, 6pm
Zeigekunst: KuratorInnen als Zauberlehrlinge. Wie man hinsieht durch Wegsehen, wie man beginnt aufs Ende hin, wie man auf das zeigt, was nicht gezeigt wird
Lecture by Bazon Brock
In coopertion with RWTH Aachen

Sunday, December 15, 2024, 5pm
Threnody for the KhoiSan
Concert with Garth Erasmus (vioce, alto sax), Carina Khorkhordina (trumpet), Ruth May (violin), Peter Thiessen (cello), Stefan Schneider (electronics)

Guided tours at Ludwig Forum Aachen

Thursday, November 28, 2024, 6pm
Rune Mields / Gegenverkehr – with Miriam Schmidt (curatorial assistant)

Thursday, December 5, 2024, 6pm
Terrestrial Perspectives – with Lisa Oord (curator of the exhibition)

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52070 Aachen
Di bis So 10–17 Uhr, Do 10–20 Uhr
Tel. +49 (0) 241 1807 104/ Fax +49 (0) 241 1807 101
E-Mail: Redaktion:
Ludwig Forum Aachen
www.ludwigforum.de

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[NGHE NEWSLETTER] Mediathèque SMS en retard : MERDEZUTH

On ouvre les derniers mercredi du mois vous saviez?
(du coup on ouvre pas le dernier samedi du mois tya compris :))
IMG20241125220445.jpg
14h-20h
ce mercredi 27 novembre
pour célébrer la sortie du disque de Merdézuth
vers 18h avec Attila Tralala et la Distropie
tchuss les twitos!
*$$$$*

ah ouais et tu sais quoi, j ai chopé une cassette a 15balles. jsuis passé à Argos, -tu vois toi? non bah y'a un bookshop avec des livres trop stylé bien cher et y' avais une cassette, a 15 balles, jl ai achètée, j'étais curieuse, pas encore écoutée mais elle a l'air trop stylée! ça s'appelle “Le vaisseau de la vézère”. ah ouais mais toi tu m'a offert une cassette POISSON, bien stylé, ils me disent que blablabla en amour – ils font pas plus précis? parce que quand même… non mais la pochette est élégante, le poisson s'enroule… “romantique en diable, un don de fuite étonnant, pas très stable”. j'ai pas écouté la face B, on va se l'écouter.

t'as vu ce qu'il y a écrit sur la pochette? “Santé : prenez vos pieds en main”
mais jsuis un poisson, j'en ai pas!

NGHE – Médiathèque bricolée

rue des mariniers, 6
1080 Molenbeek St Jean

🔔🔔 Laatste kans om de Japanse zentuin van Anna Godzina te bezoeken🔔🔔

Geen afbeeldingen? Bekijk de webversie

Z33 agenda

Laatste week Earthscapes
nog tot 01.12

“Voor haar eerste solo-expo maakt Anna Godzina een riviervallei in Moldavië en een Japanse zentuin hoorbaar door de sculpturen te laten rinkelen, tikken en zwaaien.”

De Standaard, 19/10/2024

Koop een ticket

Detail van de maand: Swirls of Tenderness van Amber Andrews

De Vaas

Pandora was zo slecht nog niet. Je kent ongetwijfeld haar doos, waaruit ze alle rampen die ons teisteren liet ontsnappen. Andrews brengt hier een mildere versie van dat verhaal. Want wat als die doos geen doos was, maar een vaas die per ongeluk omviel? Dan was Pandora misschien degene die ze nog net op tijd weer rechtzette, voordat de laatste vloek eruit stroomde.

Lees meer of doorblader de brochure online

Meer op de agenda

do 12.12, 18 – 22 u 
Avondopening

do 13.02, 20 u
Filmconcert met Miaux: Carnival of Souls

zo 23.02, 14.30 – 16.30 u 
Zondaggasten #5: De kunst van het etaleren

naar de agenda

Cadeau voor jezelf of anderen

Word vriend van Z33

Fan van ons huis en liefhebber van kunst, design en architectuur? Vrienden van Z33 genieten van exclusieve previews en kortingen in onze shop, maar sinds dit jaar ook van kortingen bij andere musea! Als kers op de taart ontvang je een limited edition kaars geïnspireerd op het werk van Amber Andrews.

Meer info

Z33 is een grensverleggende kunstinstelling in Hasselt op het kruispunt van hedendaagse kunst, design en architectuur. 

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Currently on view: Koen van den Broek and Peter Joseph

We are delighted to present two remarkable exhibitions that celebrate the depth and versatility of painting.
 
The first showcases the work of Belgian artist Koen van den Broek, whose poetic interpretation of urban landscapes offers a fresh perspective on the interplay between architecture and abstraction.
The second pays tribute to the British artist Peter Joseph (1929–2020), renowned for his masterful use of light, colour, and space, which inspires a sense of timeless contemplation.

Koen van den Broek 
Ribbons
Online preview available here

Koen van den Broek’s exhibition marks a pivotal evolution in his practice, introducing new series that delve into innovative approaches to his themes. His canvases transform into landscapes in their own right, reimagining segments of (road) codes as aesthetic forms, blurring the boundaries between abstraction and representation.

Peter Joseph
Border Paintings
eafezfezrgrgertgeOnline preview available here

Peter Joseph’s exhibition centres on his iconic Border Paintings, works that explore the delicate balance between formal simplicity and emotional resonance. In these canvases, he meticulously examines the subtle interplay between a central rectangle and its surrounding frame, creating compositions of striking clarity and depth.  

Q-O2 news :: A Metonymy?


 workspace for experimental music and sound art

A Metonymy?

Is a metonymy the right word to describe this newsletter? One word opening a set of entities, possibilities and concepts? We wouldn’t know. But, we do know that in this newsletter, an amalgam of releases, a workshop, performances, a radio piece and a listening session is waiting for you.
Celeste Betancur and Joana Chicau have been our online tekhnē residents for the last two months, and their residency culminates in both a workshop and a performance, in which they will present Algorithmic Artscape, a work-in-progress web platform for creative programming.
In turn, the Chilean resident who is currently physically present in our sound attic, SRTN aka Sebastián Ramón Tapia Núñez will host an online radio broadcast, a Second Sundays listening session and will also present a new radio piece which he has composed during his residency.
And lastly: our annual festival is now more than half a year behind us, so it’s high time to warm ourselves with the memories once more. Below, you’ll find 8 live recordings from Oscillation ::: Materia Forma.

Oscillation ::: Materia Forma releases

Q-O2 / umland editions is pleased to present 4 split releases of live recordings from our festival Oscillation ::: Materia Forma that took place in April and May this year. Relive the moment or hear what you missed – warm and profound memories, they are:

Issue 1: Lee Patterson & Pak Yan Lau / Evicshen
Issue 2: Nika Son / Ailbhe Nic Oireachtaigh
Issue 3: Ana María Romano G. / Hannan Jones & Shamica Ruddock
Issue 4: Okkyung Lee / Giulia Rae

Workshop
30 November – 16h-18h30 –  @ Q-O2 – €10/12 registration required
Algorithmic Artscape: using a work-in-progress web platform for creative programming – Workshop with Celeste Betancur

This workshop will introduce Algorithmic Artscape, a work-in-progress web-platform which contains two components: a set of programming languages and tools for live coding audio and visuals, including a machine learning model; and a set of scores to inspire artistic creation either by making use of the tools above or external tools such as video and audio recording, writing, dance, photography.
The workshop aspires to introduce participants to the platform while creating an environment for exchanging tricks, techniques, and knowledge. Participants will create code sketches and scores, which can be translated into sound, images, or videos and can be exhibited in the online gallery space. Furthermore, they will be invited to join the presentation later that day.

[more info]

Performance
30 November – 20h – @ Q-O2 – free
Celeste Betancur, Joana Chicau

Celeste Betancur and Joana Chicau will present Algorithmic Artscape, a work-in-progress web-platform for creative coding and expression. Algorithmic Artscape platform has been developed as part of a residency program tekhnē in collaboration with TRAFO in Poland.
Algorithmic Artscape is built around a set of programming languages and tools for live coding audio and visuals, including a machine learning model. In addition, the platform hosts a set of scores to inspire artistic creation either by making use of the tools available in the platform or external ones.
The presentation will include a demo by the artists and workshop participants, and a showcase of contributions by various artists to the Algorithmic Artscape online gallery.
[more info]

Radio transmission
6 December 20h &  7 December 22h – online radio broadcast
Jornada Ruido / Manifestation Bruit – SRTN

Organized by Rata Sorda Rec + A.R.E. (Asociación de Radios Experimentales), Jornada Ruido is an activity that was born in 2019 in Valparaiso with the main objective of bringing together and disseminating diverse sound practices related to experimental music. Through this instance, the aim is to support and contribute to the dissemination of artists who reflect through sonority, exceeding the commercial logic of musical distribution.
A bridge will be created between Brussels (BE) and Limache (CL) with live concerts from both venues, transmitted on the radio on two consecutive days. The concerts in Brussels will be broadcast from Q-O2, with live-sets by current artist-in residence and a number of invited Brussels based musicians. The event is happening on air, tune in from anywhere via https://chercanradio.org.
[more info]

Second Sundays #55
8 December – 17h (doors 16h30) –  @ Q-O2 – free
SRTN

For the 55th pre-Christmas edition of Second Sundays our current artist-in-residence SRTN aka Sebastián Ramón Tapia Núñez will present a selection from the Rata Sorda Rec archive, featuring tracks from different artists from Valparaíso in Chile. The session will explore their sound works through live recordings spanning 2014 to 2024, promising an hour of experimental sounds, time travelling, and more.
Rata Sorda Rec’s archive is dedicated to storing and disseminating live recordings of concerts linked to sound experimentation, mainly performed in Valparaíso. More info at      ratasordarec.cl. Cocktail of the month: Pisco Sour.
[more info]

Post-residency presentation
12 December – 18h –  @ Q-O2 – free
Sebastián Ramón Tapia Núñez aka SRTN

SRTN aka Sebastián Ramón Tapia Núñez will present Sabotaje 0, a new radio piece which he has composed during his residency. The piece will be presented as a live sound performance. Sabotaje 0 is a radiophonic composition that delves into the 1981 sabotage of the Viña del Mar Festival—a political act carried out by the Frente Cero collective against the Chilean military dictatorship. A relevant milestone in the resistance against the military regime, but widely unknown.
[more info]

Still available + new
podcasts, books, releases, videos

Q-O2 is funded by the Flemish Community, VGC Brussels, and the European Union.

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NOVEMBER at Fondation CAB Brussels I Open Studio – Workshop kids

NOVEMBER at Fondation CAB Brussels I Open Studio – Workshop kids ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌

Newsletter Ludwig Forum Aachen

Ludwig Forum

Ausgabe 22.11.2024

 

Artikelbild

© Tim Ingold

Please scroll down for English Version

Einladung: Montagabendgespräch – Vortrag von Tim Ingold (Anthropologe, Aberdeen)

Am Montag, den 25.11.2024 laden wir Sie um 19.30 Uhr in Kooperation mit der RWTH Aachen zu einem Vortrag des Anthropologen Tim Ingold (emeritierter Professor für Sozialanthropologie, Universität Aberdeen) in das Ludwig Forum Aachen ein. Die Veranstaltung findet im Rahmen der Reihe Montagabendgespräche der Fakultät für Architektur statt, die seit mehr als vierzig Jahren einen Höhepunkt im universitären Leben in Aachen bilden. Die diesjährigen Gespräche und Vorträge setzen sich vor allem mit der Anthropologie und ihren Schnittstellen zur Architektur auseinander.

Wir freuen uns auf Ihr Kommen!

Ihr
Ludwig Forum Aachen

Montag, 25. November 2024, 19.30 Uhr
Aachener Montagabendgespräch 
Vortrag von Tim Ingold (Anthropologe, Aberdeen)
Eine Veranstaltung in Kooperation mit der RWTH Aachen
Ort: Mulde, Ludwig Forum Aachen

Im Zentrum der diesjährigen Montagabendgespräche steht die Anthropologie. Als Wissenschaft vom Menschen fragt die Anthropologie nach den Möglichkeiten und Grenzen des Menschseins; nach den physischen, kulturellen und sozialen Bedingungen menschlicher Existenz. Weitere Informationen und Termine der Montagabendgespräche finden Sie auf der Webseite der Architekturfakultät der RWTH Aachen.

Der Vortrag findet in englischer Sprache statt. Eintritt frei.

Timothy Ingold ist emeritierter Professor für Sozialanthropologie an der Universität Aberdeen. Er promovierte 1976 mit einer Arbeit über die Skolt-Saami im Nordosten Finnlands. Er lehrte an der Universität Helsinki (1973-74) und anschließend an der Universität Manchester, wo er 1990 Professor und 1995 Max Gluckman Professor für Sozialanthropologie wurde. 1999 wechselte er an die Universität Aberdeen. In seiner Arbeit konzentriert sich Prof. Ingold auf Mensch-Tier-Beziehungen wie auch auf die Grenzbereiche zwischen Anthropologie, Archäologie und Kunst. Im Gegensatz zur traditionellen Methode der empirischen Beobachtung zeichnet sich seine Forschung durch einen partizipatorischen Ansatz aus, bei dem der Akt des „Machens“ im Vordergrund steht. Der Mensch ist in seinen Forschungen nicht nur stiller Beobachter, sondern „selbst in Bewegung“.

Weitere Veranstaltungen im Ludwig Forum Aachen

Donnerstag, 28. November 2024, 19 Uhr
Free Movement? Migration und Mobilität in Osteuropa durch die Linse der zeitgenössischen Kunst
Vortrag von Dr. Klara Kemp-Welch, Kunsthistorikerin Courtauld Institute of Art, London

Dienstag, 10. Dezember 2024, 18 Uhr
Zeigekunst: KuratorInnen als Zauberlehrlinge. Wie man hinsieht durch Wegsehen, wie man beginnt aufs Ende hin, wie man auf das zeigt, was nicht gezeigt wird
Vortrag von Bazon Brock

Sonntag, 15. Dezember 2024, 17 Uhr
Threnody for the KhoiSan
Konzert mit Garth Erasmus (Stimme, Alto Sax, Bogen), Carina Khorkhordina (Trompete), Ruth May (Violine), Peter Thiessen (Cello), Stefan Schneider (Elektronik)

Führungen im Ludwig Forum Aachen

Donnerstag, 28. November 2024, 18 Uhr
Rune Mields / Gegenverkehr – mit Miriam Schmidt (kuratorische Assistentin)

Donnerstag, 5. Dezember 2024, 18 Uhr
Terrestrische Perspektiven – mit Lisa Oord (Kuratorin der Ausstellung)

Donnerstag, 12. Dezember 2024, 18 Uhr
Rune Mields / Gegenverkehr – mit Eva Birkenstock (Direktorin)

English Version

Invitation: ‘Monday Evening Talk’ –  Lecture with Tim Ingold (Anthropologist, Aberdeen)

On Monday, November 25, 2024, we cordially invite you to a lecture by anthropologist Tim Ingold (Emeritus Professor of Social Anthropology, University of Aberdeen) at Ludwig Forum Aachen at 7.30pm. The event is taking place as part of the Monday Evening Talks’, organized by the Faculty of Architecture at RWTH Aachen. For more than forty years, the Monday Evening Talks’ have been a highlight of university life in Aachen. This year’s talks and lectures will focus on anthropology and its interfaces with architecture.

We are looking forward to seeing you at Ludwig Forum!

Yours
Ludwig Forum Aachen

Monday, November 25, 2024, 7.30pm
‘Monday Evening Talk’ 
Lecture with Tim Ingold (Anthropologist, Aberdeen)
In cooperation with RWTH Aachen

Venue: Mulde, Ludwig Forum Aachen

Anthropology is at the centre of this year’s ‘Monday Evening Talks’. As the science of humans, anthropology enquires into the possibilities and limits of being human; into the physical, cultural and social conditions of human existence. For further information on the ‘Monday Evening Talks’ series, please refer to the website of the Faculty of Architecture at RWTH Aachen University.

The lecture will be held in English. Free admission.

Timothy Ingold is Emeritus Professor of Social Anthropology at the University of Aberdeen. He obtained his doctorate in 1976 with a study of the Skolt-Saami of north-eastern Finland. He taught at the University of Helsinki (1973-74) and then at the University of Manchester, where he was appointed Professor in 1990 and Max Gluckman Professor of Social Anthropology in 1995. In 1999 he moved to the University of Aberdeen. Professor Ingold’s work focuses on the human-animal relationship and the intersections of anthropology, archaeology and art. In contrast to the traditional method of empirical observation, his research is characterised by a participatory approach that emphasises the act of ‘making’. In his research, man is not just a silent observer, but “himself in motion“.

Further events at Ludwig Forum Aachen

Thursday, November 28, 2024, 7pm
Free Movement? Migration and Mobility in Eastern Europe through the lens of contemporary art
Lecture by Dr. Klara Kemp-Welch, art historian Courtauld Institute of Art, London

Tuesday, December 10, 2024, 6pm
Zeigekunst: KuratorInnen als Zauberlehrlinge. Wie man hinsieht durch Wegsehen, wie man beginnt aufs Ende hin, wie man auf das zeigt, was nicht gezeigt wird
Lecture by Bazon Brock

Sunday, December 15, 2024, 5pm
Threnody for the KhoiSan
Concert with Garth Erasmus (voice, alto sax, bow), Carina Khorkhordina (trumpet), Ruth May (violin), Peter Thiessen (cello), Stefan Schneider (electronics)

Guided tours at Ludwig Forum Aachen

Thursday, November 28, 2024, 6pm
Rune Mields / Gegenverkehr – with Miriam Schmidt (curatorial assistant)

Thursday, December 5, 2024, 6pm
Terrestrial Perspectives – with Lisa Oord (curator of the exhibition)

Thursday, December 12, 2024, 6pm
Rune Mields / Gegenverkehr – with Eva Birkenstock (director)

All guided tours will be held in German.

Artikelbild

Ausstellungen

mehr

 

Artikelbild

Kunstvermittlung

mehr

 

Artikelbild

Was kommt?

mehr

 

Impressum

Ludwig Forum für Internationale Kunst
Jülicher Straße 97–109
52070 Aachen
Di bis So 10–17 Uhr, Do 10–20 Uhr
Tel. +49 (0) 241 1807 104/ Fax +49 (0) 241 1807 101
E-Mail: Redaktion:
Ludwig Forum Aachen
www.ludwigforum.de

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Greylight Projects - platform for art & culture

 

Hey, hai, hoi,
We nodigen u graag uit voor het volgende:
Wir möchten Sie zu den folgenden Veranstaltungen einladen:
We would like to invite you to the following:
Nous vous invitons à participer aux événements suivants:



Greylight Projects is supported by the gemeente Heerlen
 
 

Greylight Projectsis a member of Very Contemporary,
the network of contemporary art venues in the Meuse-Rhine Euregion.

 
Greylight Projects is part of the cross border residencie

 
Greylight Projects is part of #TOKTOK,
platform for cultural initatives in Heerlen.
 
ateliers/ studio’s: Limaweg 3, 6415XD, Heerlen

Uitnodiging: My Garden’s Boundaries Are the Horizon

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My Garden’s Boundaries Are the Horizon – Uitnodiging voor de tentoonstellingsopening op vrijdag 6 december, 17:00-20:00 uur

Howz Joosh detail
Hoowz-e Joosh fontein Fin Garden Kashan, Iran. Foto door Arefeh Riahi.

Je bent van harte uitgenodigd voor de tentoonstellingsopening van My Garden’s Boundaries Are the Horizon op vrijdag 6 december, tussen 17:00 en 20:00 uur!

To See the Inability to See — een collectief dat in 2019 werd gevormd in de Appel Archief — staat bekend om hun collectief geschreven teksten en hun performatieve lezingen van een serie tijdelijk gemaakte driehoekige boeken. In 2022 en 2023 ontwikkelden ze een opvouwbaar multidirectioneel boek/object genaamd My Garden’s Boundaries Are the Horizon: A Porous Reader to Unguard the Garden. Deze publicatie heeft sculpturale en performatieve kwaliteiten, benadrukt de relatie tussen lichamen en boeken en lokt collectiviteit uit in schrijven, lezen en denken. Het is ontwikkeld in nauwe samenwerking met de ontwerper, Elisabeth Klement, die deelnam aan hun collectieve proces door het boek parallel aan de ontwikkeling van de inhoud te ontwerpen. Het boek/object heeft zich nu ontvouwd tot de tentoonstelling My Garden’s Boundaries Are the Horizon — een repertoire van objecten, gebaren en gebeurtenissen die de inhoud uitbreiden naar de ruimte en lichamen, zoals die van lezers, bezoekers en kunstwerken. Dit ontvouwen vindt plaats op een flexibel beeldscherm dat ook een selectie werken bevat, waardoor de publicatie, de kunstwerken en de artefacten verweven worden tot een onderling verbonden constellatie van fysieke en ruimtelijke ervaringen.

Het collectieve schrijven van To See the Inability to See komt voort uit een poging om ruimtes te openen, grenzen in twijfel te trekken en nieuwe verbanden te leggen tussen objecten en verhalen. In My Garden’s Boundaries Are the Horizon onderzoeken de kunstenaars de machtsstructuren die samenhangen met conventionele vormen van archiveren en verzamelen. Ze zien dit archiveren als een gemoedstoestand die we allemaal dagelijks ervaren: vasthouden aan ‘het bekende’ en ons verzetten tegen verandering, ‘het onbekende’, of het niet te plaatsen. Voor deze publicatie vertrok het collectief vanuit (fictieve) verhalen rond traditionele Iraanse gebouwen, zoals de Perzische tuin genaamd Fin Garden in Kashan, en in het bijzonder een achthoekige vestibule genaamd de hashti. De door vrouwen geleide opstand in Iran in 2022 dreef het collectief tot briefwisselingen, die van grote invloed bleken te zijn op de inhoud van het boek.

De tentoonstelling omvat verschillende hoofdstukken, te zien op verschillende plekken in de Appel. Een daarvan bestaat uit kunstwerken van de individuele leden van het collectief die parallel aan het schrijfproces zijn ontwikkeld. Een tweede domein omvat historische objecten uit persoonlijke collecties die gerelateerd zijn aan de inhoud van de publicatie. Een derde domein bestaat uit werken van andere kunstenaars waarnaar verwezen wordt in het boek. Een vierde richting legt verbanden tussen de inhoud van My Garden’s Boundaries Are the Horizon en de Appel’s Archief, omdat vanuit dit archief het collectief voor het eerst begon te schrijven over zichtbaarheid en onzichtbaarheid, insluiting en uitsluiting in archiveringspraktijken. De titel is een citaat van Derek Jarman, verwijzend naar zijn tuin zonder omheiningen in Dungeness.

In de tentoonstelling is werk te zien van Arefeh Riahi, Martín La Roche Contreras, Maartje Fliervoet, Kader Attia, Kasra Jalilipour en Seba Calfuqueo, evenals een selectie historische objecten.

Tijdens de tentoonstelling is er een publieksprogramma met film- en videoscreenings van Derek Jarman, Kasra Jalilipour, Marcela Moraga en meer, en performatieve lezingen met het dash (-) collective, Constanza Mendoza, Giles Bailey, Lara Khaldi en Francisca Khamis Giacoman. De vertoningen zijn georganiseerd in samenwerking met Kriterion.

Voor meer informatie over de kunstwerken en de kunstenaars, zie onze website.

 
 

Publiek programma

○ Vrijdag 6 december, 17:00-20:00 uur: Openingsevenement

○ Woensdag 11 december: Lezing van en gesprek over My Garden’s Boundaries Are the Horizon door dash (-) collective

○ Zondag 12 januari: Filmvertoning in Filmtheater Kriterion: Films TBA

○ Vrijdag 24 januari: Lezing van en gesprek over My Garden’s Boundaries Are the Horizon door Constanza Mendoza en Giles Bailey

○ Vrijdag 7 februari: Performatieve lezing door To See the Inability to See

○ Vrijdag 21 februari: Lezing en gesprek met Lara Khaldi en Francisca Khamis

○ Zondag 9 maart: Filmvertoning in Filmtheater Kriterion: The Garden (1990) + korte film

○ Zaterdag 22 maart: Afsluitend evenement: performatieve lezing door To See the Inability to See

Aanvangstijden en meer informatie over hoe deel te nemen aan de evenementen worden binnenkort hier gepubliceerd.

 
 
Dit project is mede mogelijk gemaakt door: Cultuurfonds, AFK, TextielLab, Mondriaan Fonds.

De kunstenaars en de Appel bedanken: Bronwen Jones (voor haar advies en hulp bij de afwerking van Spilleages), Nicholas Martin en NYU Fales Library & Special Collections (voor de ondersteuning bij het onderzoek naar David Wojnarowicz’s Magic Box), Josilda da Conceição en Mertens Frames (voor hun hulp bij de productie van Legitimate Pavilion), Mohammad Reza Riahi (voor het genereus uitlenen van stukken uit zijn collectie), Marco van der Bilt (voor de productie van Multi-fold-object), Henriëtte Schaeffers.

 
 

Verzorgd door MailingLijst

📚 DRUK Book Fair at Paradiso Amsterdam

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D R U K   2 0 2 4 !

Come find us this Sunday 24 November at DRUK 2024 book fair at Paradiso Amsterdam!

Doors open at 12:00 until 16:00

We are very excited and honoured to be amongst all these great publishers. The annual book fair hosts more than 100 Dutch and Belgian exhibitors and has talks throughout the day. 

Don’t miss it and get your tickets (€3,5) on the Paradiso website! 
 

GET YOUR TICKETS

Buy our latest issue “Reverberant Ecologies” NOW

Subscribe to Kunstlicht today!

 

You can support Kunstlicht by taking a subscription, which is only €30 per year. To subscribe, go here or send an email to

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NOVEMBER at Fondation CAB Brussels I Open Studio – Workshop kids

NOVEMBER at Fondation CAB Brussels I Open Studio – Workshop kids ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌

Save The Date: Koen van den Broek and Peter Joseph

We are pleased to invite you to the opening of Koen van den Broek and Peter Joseph's exhibitions. 

Vernissage on Thursday, November 21
6 ⏤ 8pm

Koen van den Broek

Ribbons

November 21, 2024
⏤ February 15, 2025

Koen van den Broek, Color Curtain, 2023, traffic paint and tar on canvas

Galerie Greta Meert proudly presents Ribbons, a striking new exhibition by Belgian artist Koen van den Broek, marking a bold transformation in his artistic journey. Known for his unique interplay of abstraction and realism in urban landscapes, van den Broek redefines his practice by merging the canvas and the road. Employing materials used in road marking, he crafts works that challenge the boundaries between representation and autonomy, flatness and depth. Discover this pivotal evolution in contemporary painting, where the canvas becomes a road and art takes a fresh, tactile direction.

Peter Joseph

Border Paintings

November 21, 2024
⏤ February 15, 2024

Peter Joseph, Light Green with Dark Violet (June, 1990), acrylic on cotton duck

In the serene world of Peter Joseph’s minimalist masterpieces, color, light, and balance converge. Known for his signature “painting-within-a-painting” compositions, Joseph uses glowing, earthy tones to create meditative spaces that invite introspection. His works, blending the precision of minimalism with the softness of natural light, transform the canvas into portals of quiet contemplation; subdued elegance meets a lyrical, ethereal depth.

Tomorrow finissage Céline Vahsen, Lola Daels & Anna van der Ploeg

 
 
Matter of Fact

Finissage November 21, 1-6 PM
 
 
 

Céline Vahsen, Lola Daels, Anna van der Ploeg

___________________________________________________________________________
 
 
Céline Vahsen (°1987, Malmédy) lives and works in Brussels. She studied visual arts in Brussels, Lucerne, and Hamburg, and completed her Master in the textile department of ENSAV La Cambre in Brussels in 2013. She has been artist-in-residence at WIELS Contemporary Art Centre, iMAL – Art Center for Digital Cultures & Technology, the Boghossian Foundation, ZSenne ArtLab, Fondation CAB in Brussels, and at the Frans Masereel Centrum in Kasterlee, Belgium. In 2019, she participated in the Académie des Savoir-Faire at the Fondation d’entreprise Hermès in Paris, France. Her work has been shown internationally at venues such as the 21st Century Museum of Contemporary Art in Kanazawa, Japan, E.A. Shared Space in Tbilisi, Georgia, Marres House for Contemporary Culture in Maastricht, The Netherlands, New York Textile Month in the United States and nationally at IKOB Museum of Contemporary Art in Eupen, Le Delta in Namur, and in Brussels, Pilar, Ccinq, among others.
She makes self-created canvas with hand-woven and naturally colored threads, based on several traditions in geographically dispersed regions. Her compositions and use of color create an instant visual feeling, with intriguing details and multidimensionality.
  
Lola Daels (°1990, Jette) lives and works in Brussels. She gained her master’s degree in visual arts from the Luca School of Arts, Brussels, in 2014. Her work has previously been shown in group exhibitions at Bozar (BE), Extracity Kunsthal (BE), Art Sonje Center Seoul (KR) and Kunsthal Aarhus (DK), amongst others.  Daels is currently in residency at the Academia Belgica in Rome (IT) and completed residencies at M Museum (BE), EKWC (NL), Kooshk Residency (IR), AAIR Antwerpen (BE), Cité Internationale des Arts (FR), and Fondation CAB (BE), among various others.
She mainly creates sculptures and site-specific installations in which she questions ecological issues and the notion of ‘authenticity’. Her research currently focuses on oldfashioned imitation techniques, which she reinvents and tries to make sustainable.
 
Anna van der Ploeg (°1992, Cape Town) lives and works in Brussels. She studied visual arts at the Michaelis School of Fine Arts, University of Cape Town, and completed her master’s degree at KASK in 2022, where she was awarded the Leu de Legaat Award for Fine Arts.
She has been artist in residence at M Leuven (BE), SAFFCA, La Cambre (BE), Reservoir Projects (ZA), MI_Lab (JP), Vice-Versa (IN), David Krut Projects (ZA) and Atelier le Grand Village (FR). She has held solo exhibitions in Cape Town, Johannesburg, New York, Brussels and Melbourne, and participated in numerous group shows internationally.
She works primarily with the media of painting, sculpture and printmaking. In this exhibition, she shows her typical wood carvings in plywood, referring to human interactions, inscription and how they relate to prescribed roles, scripts and dialogues.
 
Each of these three Brussels-based artists’ work possesses a tension between the material, durable object and the intangible. Objects anchor human
existence but remain entagled in broader, more ephemeral processes. In this show, the physical is a door, but ideas walk you through it. Tactile, technical, precise – this is the threshold.

___________________________________________________________________________

 
         

Ch. de Charleroi, 54 1060 Brussels – www.whitehousegallery.be

This week’s openings in Brussels

This week’s openings in Brussels

Opening this week
Wednesday 20 Nov → Tuesday 26 Nov

Fri 22.11 — 18:00

Fri 22.11 — 18:00



Opening next week
Wednesday 27 Nov → Tuesday 03 Dec

Public Program Winter 2024

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Online versie

 
 Stedelijk Klein Miriam Cahn zaaloverzicht nieuwsbrief  Museum SMA header goed
 
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Upcoming: Stéphanie Baechler & Joke Hansen

 
 
Vernissage Saturday November 30, 4-7 PM
 

 

Stéphanie Baechler

Zeros + Ones

 
November 30 – January 16
 
December 21, 4 PM: Book presentation & reading Forget me not  Stéphanie Baechler and Rudy Guedj 

 

Joke Hansen

WIDE SHOTS

 
November 30 – January 16

_____________________________________________________________________________
 
Stéphanie Baechler (°1983, Meyriez, CH) lives and works in Amsterdam and Bern, in Switzerland. She has exhibited at MAHF, Fribourg, Chamber Gallery New York, Kunsthalle Fri Art Fribourg, Kunsthaus Centre d’art Pasquart Biel, Sankt Gallen in Switzerland, Arti et Amicitiae in Amsterdam and Mode Museum Antwerpen, among others. Her works are in public and private collections such as HEAD Geneva, Museum für Gestaltung Zürich and MAHF Fribourg.
This is the first exhibition of her work in the gallery in Brussels. Baechler is interested in the interplay between craft and technology; the complex and often ambiguous relationship between handmade and machine-made results. Textile and clay are the main materials she uses in her sculptures and installations. Her work is characterised by a sensitive, intuitive and process-oriented approach to materials. During the past summer months, she showed an impressive installation at the Tröckneturm (drying tower) in Sankt Gallen, Switzerland. She also created a book – historically documented – for this event, together with publisher Rudy Guedj of Building Fictions. The works in this exhibition are inspired by and build on this installation.
 
Joke Hansen (b 1979, Bilzen, BE) lives in Bilzen and works in Hasselt. Her work has been exhibited at Kunsthalle Recklinghausen in Germany, Z33 in Hasselt and SMAK in Ghent, among others.
This is the first show of her work in the gallery in Brussels. Hansen plays with strange shapes and cut-outs in her wooden panels and ‘shaped canvases’. Sometimes she also paints these shapes on a photograph of a landscape. They imply an extra dimension, a portal to another world or the next level. Each new work clashes with a delicate balance between resolving unpleasant compositional tensions and finding just enough interesting friction. She herself often describes the dancing holes, tubes and tunnels in her works as escape routes. For a year now, she has also been making sculptures that hang on the wall. The elements spaced out in her larger works are assembled and balled into sculptural volumes, which play equally with layers and perspective; less from an essential reduction and more from a mass; not in paint, but in a third dimension. Neither finding nor stacking these elements is done strategically. Everything is intuitive and spontaneous.

_____________________________________________________________________________
         

Ch. de Charleroi, 54 1060 Brussels – www.whitehousegallery.be

Montez Press November News

Montez Press News
November 2024

→ Free tickets to Prepositions launch on 12/07/24
→ Interjection-010-11
→ Meet Nina Kuttler
→ MPR November Schedule

Prepositions by Timmy Simonds & Aaron Lehman: Book Launch

Montez Press is pleased to invite you to the launch of Prepositions, an artist book by Timmy Simonds and Aaron Lehman, on Saturday 7th December from 6:30pm at The Performing Garage, NYC. The night will feature readings from artists and writers Timmy Simonds, Aaron Lehman, Ona Lindquist, Bethany Ides, Thom Donovan, Malcolm Peacock, and Assembly, and will also be broadcast live on MPR.

Prepositions enacts a distinction between what language says and what it does. A catalogue of exercises, interviews, essays and creative explorations, this workbook-compendium invites the reader to investigate how we practise empathy, understanding, and contact, by learning and teaching all at once. Building on the archive of Montez Press Radio show Tongue and Cheek, and featuring work from Assembly, CAConrad, Thom Donovan, Joseph Grigely, Bethany Ides, Thomas Laprade, Shaun Leonardo, Ona Lindquist, Ben Morgan-Cleveland, and Malcolm Peacock, Prepositions asks us what active and embodied participation really means, not just in teaching, but across a whole life.

→ Preorder your copy here
→ Book your free tickets to the launch on Saturday December 7th 
→ Listen to Timmy & Aaron on The Brooklyn Rail’s NSE Podcast on Thursday November 14th, 1pm EST

November Interjection: THIS MANIFESTO IS A PROJECTION  – Yi Wei

Yi Wei is a writer unconditionally supportive of Palestinian resistance and liberation. Her work has been awarded or placed for the Frontier OPEN, the Lois Morrell Poetry Prize, the Adrienne Rich Award for Poetry, the Sappho Prize for Women Poets, Best of the Net, the Lorraine Williams Poetry Prize, and the Writer in the Public Schools fellowship at NYU. She is currently editing at Asian American Writers’ Workshop.

→ Read Yi’s writing here

Meet Nina Kuttler, Pfeil Magazine’s Guest Editor 

As we finalise the next issue of Pfeil with a surprise cover, we’d like to introduce the guest editor for the 18th edition, Nina Kuttler. 

Nina Kuttler is a visual artist, reader, writer, co-curator of the Upstream concert series in Hamburg and part of the words & music duo CILIA. Her video works, radio plays and texts deal with the history of science, surface tension, cleaning rags, fossils, horoscopes, celestial bodies, labour, pilots, astronomers, flying objects, fictions, speculations and their connections. In a multi-media approach her work probes cultural and scientific (hi)stories, asking who gets to cultivate, tell and be part of them and for whom they are told.

See more of Nina’s work here

Wednesday 20th November at 11am with Charlotte Krafft, Frieder Haller, Mark von Schlegell, Texte zum Nachdenken, Pleasure Systems’ Christmas Spectacular, Michelle Lhooq, Bryony Dawson, Mathilde Heuliez, Jonathan Lubasch, George Macbeth, Giulia Ottavia Frattini, Kristina Stallvik, Extra Extra, and Judith Vrancken, followed at 7pm by “Super Saiyan Feminism,” a lecture by Maya Ben David. This lecture is in collaboration with Random Man Editions and concludes our year-long residency at Canal Projects, “A Word Misheard is a Thing Remade.”

Thursday 21st November at 6:30pm, live from CUNY Grad Centre with World Poetry Books featuring translators Madhu Kaza, Hamid Roslan, and Elisa Taber. 

Saturday 23rd November at 9pm CST live from Mexico City’s LUZY with Standard Operating Procedure, Sonya & Figura.03, Attention Whores, DJ Dulces Sueños, and Méjico. 

Listen at radio.montezpress.com
→ Keep an eye on this month’s schedule
→ Sign up as a Supporter and unlock the archive
→ Donate

With love,
MPR & Montez Press

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