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Montez Press December News

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Montez Press News
December 2024

→ Take part in our sale
→ Prepositions launch on 07/12
→ Interjection-010-12
→ Preorder Pfeil #18 – Body here
→ Get your tickets to MPR After Hours

Montez Press Holiday Sale 

Montez Press is having a Holiday Sale, 50% off selected items. All US orders must be placed before Friday 6th December to arrive for the Holiday Season and all UK/EU orders must be placed by the 18th December. 

→ Take part in our sale here 

Prepositions by Timmy Simonds & Aaron Lehman: Book Launch

Montez Press is pleased to invite you to the launch of Prepositions, an artist book by Timmy Simonds and Aaron Lehman, on Saturday 7th December from 6:30pm at The Performing Garage, NYC. The night will feature readings from artists and writers Timmy Simonds, Aaron Lehman, Ona Lindquist, Bethany Ides, Thom Donovan, Malcolm Peacock, and Assembly, and will also be broadcast live on MPR.

Prepositions enacts a distinction between what language says and what it does. A catalogue of exercises, interviews, essays and creative explorations, this workbook-compendium invites the reader to investigate how we practise empathy, understanding, and contact, by learning and teaching all at once. Building on the archive of Montez Press Radio show Tongue and Cheek, and featuring work from Assembly, CAConrad, Thom Donovan, Joseph Grigely, Bethany Ides, Thomas Laprade, Shaun Leonardo, Ona Lindquist, Ben Morgan-Cleveland, and Malcolm Peacock, Prepositions asks us what active and embodied participation really means, not just in teaching, but across a whole life.

→ Book your free tickets to the launch on Saturday December 7th 

December Interjection: Four Poems  – Cheryl Clarke

Poet, critic, and activist Cheryl Clarke was born in Washington, DC. She earned her BA from Howard University and her MA and PhD from Rutgers University. Clarke recently published Archive of Style: New and Selected Poems (2024) and is the author of five collections of poetry: Narratives: Poems in the Tradition of Black Women (1983), Living as a Lesbian (1986), Humid Pitch (1989), Experimental Love (1993), and By My Precise Haircut (2016), which won a Hilary Tham Capital Competition. She wrote the critical study “After Mecca”: Women Poets and the Black Arts Movement (2005), and a volume collecting her poetry and prose was published as The Days of Good Looks: Prose and Poetry of Cheryl Clarke, 1980–2005 (2006).

Clarke served as editor for Conditions, an influential journal of lesbian feminist literature. Many of Clarke’s most influential essays, including “Lesbianism: an Act of Resistance” and “The Failure to Transform: Homophobia in the Black Community,” first appeared in landmark publications such as This Bridge Called My Back: Writings by Radical Women of Color (1981) and Home Girls: A Black Feminist Anthology (1983).

All of Clarke’s writings advocate for queer communities of color, paying attention to the social implications of language and labels and the possibilities of art and activism to stage resistance to dominant culture.

Clarke was an influential administrator and teacher at Rutgers for more than 40 years. She founded the Office of Diverse Community Affairs and Lesbian-Gay Concerns, which became the Office of Social Justice Education and LGBT Communities, and retired as the Livingstone Dean of Students in 2013. For her service to LGBTQ communities, Clarke received a David Kessler Award. She currently lives in Hobart, New York, where she owns and operates Blenheim Hill Books with her partner, Barbara J. Balliet.

→ Read Cheryl’s writing here

Pre-orders available for the next issue of Pfeil Magazine #18 – Body

From its anatomy and autonomy to its death and diet, this issue focuses on the motif Body and all its meanings, direct and indirect, for instance as in relation to human and non-human bearers of bodies, its inhabitants like bacteria and organs, its social, medical and juridical conditions, its intoxications, chemical processes, traumas, transitions, well-being, replacements, weaknesses, and its opposites.

Featuring contributions by Adam Dickinson, Andrea .va Győri, A.L. Steiner, Alexandra Ivanciu, Barak Zemer, Bernhard Willhelm, Clara Lena Langenbach, Cl.mentine Bedos, Constance DeJong, Daisy Hildyard, Fanny

Howe, Hanne Loreck, Hasti, Holly Hunter, Ingrid J.ger, Jannis Marwitz, Jess Arndt, Johannes Kuczera, Jolanta Nowaczyk, Henriette Maier, Mag Gabbert, Maja Smrekar, Manuel Vason, R.I.P. Germain, Rebekka Endler, and Sonja Yakovleva.

Edited by Anja Dietmann and Nina Kuttler. 

→ Preorder Pfeil #18 – Body here

London! Join MPR After Hours for our last party of the year at Ormside Projects on 19th December from 7pm.   

Featuring performances from Vivienne Griffin & Zach Toppin, angelicaa, Chanel Vegas, Jeanie and The White Boys with DJ Sets from Tom Rasmussen and closing out the night with Mander.  

Free tickets are available, however, please consider purchasing a pay what you can ticket to support MPR and the artists we work with. 

→ Get your tickets to MPR After Hours 

→ Listen at radio.montezpress.com
→ Keep an eye on this month’s schedule
→ Sign up as a Supporter and unlock the archive
→ Donate

With love,
MPR & Montez Press

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NAK ONLINE BENEFIZ AUKTION 2024 – WOCHE 1

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NAK ONLINE BENEFIZ AUKTION 2024 – WOCHE 1

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

3 WOCHEN, 3 BLOCKS, ONLINE ONLY:

www.neueraachenerkunstverein.auction

 

 

 

Der NAK Neuer Aachener Kunstverein lädt Sie herzlich zur diesjährigen NAK Benefiz Auktion ein. Die Auktion findet komplett online statt, aktuell befinden wir uns in der ersten Versteigerungswoche, die am kommenden Sonntag endet. Alle Werke können zeitgleich im NAK in einer Ausstellung besichtigt werden. Am heutigen Dienstag, den 03. Dezember ist der NAK darüber hinaus bis 22 Uhr geöffnet. Wir laden zum Get-Together mit Glühwein in den Kunstverein ein und stellen Ihnen gerne einzelne Auktionsarbeiten und Positionen im persönlichen Gespräch vor.

AUKTION //

Unter www.neueraachenerkunstverein.auction gelangen Sie zur Auktion. Um alle Arbeiten der teilnehmenden Künstler_innen auf der Auktionsseite zu sehen benutzen Sie bitte die Reiter ‘Aktuelle Auktion’ bzw. ‘Alle Auktionen’. Achtung, bitte nutzen Sie die Navigation unten rechts mit den Seitenzahlen bzw. Pfeilen, um weitere spannende Auktionsartikel zu entdecken. Pro Seite werden Ihnen derzeit bis zu 10 Artikel angezeigt, die erste Woche der Auktion umfasst insgesamt 55 Artikel.

INFORMATION //

Woche 1: 02. bis 08. Dezember 2024
Woche 2: 09. bis 15. Dezember 2024
Woche 3: 16. bis 22. Dezember 2024

Ausstellung: 02. bis 22. Dezember 2024

Die Onlineauktion begann bereits gestern, am Montag, den 02. Dezember und endet am Sonntag, den 22. Dezember 2024. Die Auktion wird in drei wöchentlichen Blocks veranstaltet, auf sich die zu versteigernden Positionen verteilen.

Um an der Auktion teilzunehmen und Gebote abzugeben, registrieren Sie sich bitte vorab auf der Auktionswebseite und bestätigen Sie bitte anschließend Ihre Registrierung per Klick auf den Link in Ihrer Bestätigungsemail. Sollten Sie Fragen zur Auktion, den Werken oder Künstler_innen haben melden Sie sich gerne im NAK. Wenn Sie Probleme haben sich auf der Auktionswebseite zu registrieren oder sonstige Fragen zum Prozedere haben, wenden Sie sich ebenfalls gerne vorab an den NAK per Telefon oder E-Mail. Wir helfen Ihnen gerne weiter. Falls Sie Probleme mit dem Login haben sollte, fordern Sie mit Ihrer Emailadresse unter https://neueraachenerkunstverein.auction/mein-konto/lost-password/ die Zurücksetzung des Passwortes an und versuchen Sie es dann erneut.

Alle Einzelheiten finden Sie unter www.neueraachenerkunstverein.de nochmals online. Von dort aus gelangen Sie ebenfalls auf die Auktionsseite www.neueraachenerkunstverein.auction.

VORSCHAU //

Über die Instagram und Facebook Seiten des NAK werden vorab alle Arbeiten der teilnehmenden Künstler_innen vorgestellt.

AUSSTELLUNG + GET-TOGETHER //

Weiterhin werden alle zu ersteigernden Arbeiten in einer Ausstellung vor Ort im Kunstverein präsentiert. Die Arbeiten können bis zum 22. Dezember täglich (außer montags) von 14 bis 18 Uhr im Kunstverein besichtigt werden. Am Dienstag, den 03., 10. und 17. Dezember hat der NAK darüber hinaus bis 22 Uhr geöffnet; hier bietet das Team beratend Führungen durch die Ausstellung an und stellt sich Ihren Fragen zu Werken und Künstler_innen.

TEILNEHMENDE KÜNSTLER_INNEN WOCHE 1 //

Albrecht/Wilke, Michelle Alperin, Nicl Barbro, Julie Batteux, Horst H. Baumann, Alisa Berger, Eugene Bongs-Beer, Lars Breuer, Max Brück, Lisa Busche, Cihan Çakmak, Keren Cytter, Sibylle Czichon, Hedwig Eberle, Anett Frontzek, Alexander Gehring, Jakob Gilg, Selma Gültroprak, Cornelia Herfurtner, Simon Herkner, Benedikt Hipp, Jan Hoeft, Olga Holzschuh, Yoni Hong, Tobias Huschka, Justyna Janetzek, Eleni Kamma, Christian Keinstar, Bianca Kennedy, Daniel Kiss, Klaus Kleine, Tina Kohlmann, Hanna Körner, Wolfgang Kupczyk, Alwin Lay, Anna Ley, Timur Lukas, Joe Neave, Nicolas Pelzer, Johanna Reich, Simon Risi, Markus Saile, David Schiesser, Moreno Schweikle, Christian Theiss, Marta Vovk, Nicholas Warburg, Ester Zahel

Falls Sie den Newsletter nicht mehr erhalten möchten, senden Sie uns bitte eine E-Mail mit dem Betreff UNSUBSCRIBE.
_ _

NAK Neuer Aachener Kunstverein
Passstraße 29
52070 Aachen
0049 (0)241503255
www.neueraachenerkunstverein.de
www.instagram.com/neuer.aachener.kunstverein

 

 

Genesis, Group Show, opening Saturday December 7 from 2 to 6 pm

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OV 39
e1f6bcc8-8c86-4ba4-b0ad-306f7706d233.jpgGenesis:
Constantin Brâncuși, Stief Desmet, Ken Domon, Mario Garcia Torres, Takahashi Kaishu, Goro Kakei, Richard Nonas, Virginia Overton, Teresa Solar, Luca Vanello, Franz West, Jirō Yonezawa…

Opening Saturday December 7, from 2 to 6pm
Exhibition on until February 22, 2025.
 

“Genesis,” a group exhibition featuring works exploring the space of energetic transference as artistic conception reaches out towards the gesture. Here the gestures of creation are often typified by singular movements, suspensions and distillations. The exhibition locates the impetus of artistic production between its “source” (γένεσις ) and its “becoming” (γίγνομαι). OV’s proposal takes as its art historical “figure 1,” La main négative, reflecting the echoes of bursts of ground rock pigments over hands whose contact with the first gallery walls produced traces of their own absence.

 

The inclusion of Constantin Brâncuși’s photograph, L’oiseau dans l’espace (1925-26), is emblematic. The reference provided by the exhibition’s title, “Genesis” describes its production–the performative gesture executed initially in plaster with both hands clasped together, moving upward to produce the work’s iconic shape, pointing towards the infinite.

 

The question of the initial gesture is a question of origins; it emanates from some concealed reservoir, as it is made visible, tangible, in an instant. Representative of artists’ cultivation of these preconditions is Takahashi Kaishu’s bronze vessel–connecting the syntax of Modernism with that of ikebana. It is accompanied by a 1950’s photograph by Ken Domon, depicting an arrangement of the period. The vessels’ interior connotes the wellspring where creativity makes birth, is distilled and refined. Where Kaishu anticipates the gesture, Domon suspends it, not unlike a bird in flight.

 

Complexity of concept is hidden by gestures' transparency, as if when confronted by the beholder, the energetic burst is reproduced with each viewing. This artwork-beholder relationship is most evident in Badrinath Pandit’s Tantric work on paper, produced in the wake of deep meditation, uniting Siva and Saktí into a singular image. The image, a distillation itself, then returns to become the subject of meditation by its viewership. In the contemporary context, Franz West brings these concerns to the fore in his sculptural practice. His works on display are intended to be handled in a manner reminiscent of their initial production. Goro Kakei’s sculptures are produced from the rawest of materials–wood and paint–anthropomorphic forms between figuration and abstraction, raised up on its metal stand. Richard Nonas’ saw cuts, shaving the corners from a steel block, are equally transparent in their execution, highlighting their absence, their negative.

 

The thematics of suspension are perhaps most present in Teresa Solar’s work, Pequeña manía mecánica. A pair of glazed ceramic hoops are delicately held aloft by their wiry pedestal, giving a distinct impression of objects hovering in space. The forms are a result of temporal, yet actual, suspension. In their process of becoming, they are spun through the air in her studio, allowing centrifugal force to do its work on the material, effectively dispelling gravity, if only for a moment. Echos of suspension are felt throughout the exhibition in the works of Luca Vanello, Stief DeSmet, and Virginia Overton.

 

From a suspended position, “Genesis” addresses its subjects, of creativity, complexity, refinement and motion, as an open field. The approach is not narratological, but instead constellatory. The bursts of energy, of idea, of gesture, are spread far and wide across space and time, across history and culture. Suspended all at once they fill a night sky, perhaps traversed by Brâncuși’s Bird.

– Cayce H. L.

Images:
Left: Constantin Brâncuși, “L'oiseau dans l'espace”, 1925-1926, gelatin silver print, 23,8 x 18 cm, titled by the artist on the verso
Right: Teresa Solar, “Pequena Mania Mecanica”, 2020 glazed ceramic, 164 × 23 × 18 cm, unique, Copyright Teresa Solar, Madrid
 

OV Project:
Rue Van Eyck, 57
B- 1050 Brussels
@: OV contemporary – office:
Rue Jean-Baptise Colyns, 72
B -1050 Brussels

Opening hours :
Thu. to Sat. from 2 — 6 pm
or by appointment

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[NGHE NEWSLETTER] Médiathèque RZAB les ondes très looooongues – Samedi 7.12 14H-20H

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RZAB ??
1.jpg
222.jpeg
2.jpg
111.jpeg
Samedi 7 décembre 14H – 20H 
Atelier K7 bidouille collage expérimentations carte postale 
RADIO MAIL ART

Streaming ultraGNEU sur p-node.org all après-midi-long

Cérémonial Monakal2K7 inconnues à 15h et à 19h.

//bonus préparatoire:

et échauffement auditif et politique (dictature chili) sur P-node via Qo2 vendredi 6 à 20h30

https://p-node.org/

– Nouveautés –

WhatsApp Image 2024-12-02 at 22.10.22.jpeg

Merdézuth un 10 pouces accordéon folk punk antifa

Musica extrema parce que ce jour-là on a croisé le type qui l'a mixée au Chili

Mon coeur chante rue du Brabant, la compile Nghe x Fassiphone x l'Oreille percée 

avec le soutien de Darna – Maison des cultures maroco flamande  16aecf86.jpeg

IMG-20241202-WA0017 (2).jpg

aucune forme de discrimination n'est tolérée à Nghe
nous voulons prendre soin du quartier autant que de vous

—

NGHE – Médiathèque bricolée
rue des mariniers, 6
1080 Molenbeek St Jean


[NGHE NEWSLETTER] Médiathèque RZAB les ondes très loooongues – Samedi 7.12 14H-20H

Posted on
RZAB ??
1.jpg
222.jpeg
2.jpg
111.jpeg
Samedi 7 décembre 14H – 20H 
Atelier K7 bidouille collage expérimentations carte postale 
RADIO MAIL ART

Streaming ultraGNEU sur p-node.org all après-midi-long

Cérémonial Monakal2K7 inconnues à 15h et à 19h.

//bonus préparatoire:

et échauffement auditif et politique (dictature chili) sur P-node via Qo2 vendredi 6 à 20h30

https://p-node.org/

– Nouveautés –

WhatsApp Image 2024-12-02 at 22.10.22.jpeg

Merdézuth un 10 pouces accordéon folk punk antifa

Musica extrema parce que ce jour-là on a croisé le type qui l'a mixée au Chili

Mon coeur chante rue du Brabant, la compile Nghe x Fassiphone x l'Oreille percée 

avec le soutien de Darna – Maison des cultures maroco flamande  16aecf86.jpeg

IMG-20241202-WA0017 (2).jpg

aucune forme de discrimination n'est tolérée à Nghe
nous voulons prendre soin du quartier autant que de vous

—

NGHE – Médiathèque bricolée
rue des mariniers, 6
1080 Molenbeek St Jean

Winter Overtoons

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Hello Everyone,

Since our last communique so much has happened I’m not sure where to begin.

Perhaps the biggest news first: we have a new home!
Since the middle of September, we’ve been housed at an address many of you will know: Quai des Charbonnages 30/34, in Molenbeek. We’re one floor below our friends at Q-O2, just above our friends at iMAL and the Fablab, and sharing the new space with fieldworks.

Just a few weeks ago, “Overtoon” was added to this illustrious wall:

Residents since we moved into the new space include:

We also had the privilege of co-producing Aurélie Nyirabikali Lierman’s new work, that which is heard, that which is remembered pt. 1, as a part of OORtreders Festival.

Though we’re close to the end of the year, there are still a few Overtoon occasions to note:

  • First, next Sunday, the 8th of November, at 20:00, Overtoon presents ⎤⎤⎤, live at Kiosk Radio.

    ⎤⎤⎤ is an experimental noise project formed by Grace Villamil & Chantal Michelle, working across performance and installation. For Kiosk, ⎤⎤⎤ will perform a fully live improvised set of voice and electronics.

  • Then, just one day later, in the Overtoon workspace on the 9th of November, also at 20:00, our final resident of the year Grace Villamil will introduce mumulak to Belgium.

One week from today then, come meet mumulak, have a peek at the new space, and let’s say adieu together to this endless year!

More in 2025,

Bill

In December it’s party time

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Saint-Martin Bookshop
In December it’s party time

Friday December 6
From 6 to 9pm

MER. Books
Art publisher

Join us on Saint Nicholas Day in Brussels for a unique collaboration with MER. Books. We are thrilled to present an evening that celebrates MER. Books journey as an art publisher – from rare, collectible gems to the latest titles and more. Discover the stories behind MER. books and their vast collection of artist collaborations over the years.

Friday December 13
From 6 to 9pm

CHIDY WAYNE
IN THE MIRROR 
1st Anniversary book celebration

Featuring a welcome gift, book signing 7pm talk and limited edition prints.
In collaboration of Creative Voyage & Grège Gallery

Saturday December 14
From 6 to 9pm

JACOPO PAGIN
THE SNIPER IN THE BRAIN 
Book launch & Performance

The first monograph dedicated to Jacopo Pagin, edited and designed by Ismaël Bennani and Orfée Grandhomme and featuring a critical contribution by Alessandra Franetovich, brings together over 200 drawings and paintings to explore the visionary, obsessive, and hypnotic qualities of the artist’s work and its profound connections with exotic, mediumistic, and new-age practices.

 

IN DECEMBER, WE ARE OPEN ON SUNDAY !!!

Ready to put under the tree 🎄

Bruno Munari - Il venditore di animali - Emme Edizioni 1979
Bruno Munari – Il venditore di animali – Emme Edizioni 1979
View

Bruno Munari - L'uomo del camion - Emme Edizioni 1979
Bruno Munari – L’uomo del camion – Emme Edizioni 1979
View

Bruce Gilden - Faces - Dewi Lewis Publishing 2015
Bruce Gilden – Faces – Dewi Lewis Publishing 2015
View

Studio Berlin Berghain - Distanz 2020
Studio Berlin Berghain – Distanz 2020
View

Laure Prouvost - Legsicon - M HKA 2019
Laure Prouvost – Legsicon – M HKA 2019
View

Keith Haring at Paul Maenz - 1984
Keith Haring at Paul Maenz – 1984
View

Bruno Munari - Nella notte Buia - Muggiani Editore - 4th edition
Bruno Munari – Nella notte Buia – Muggiani Editore – 4th edition
View

Bruno Munari - xerografia - Rank Xerok 1970 (mint)
Bruno Munari – xerografia – Rank Xerok 1970 (mint)
View

The BANK Fax-Bak Service - Lenz Press 2021
The BANK Fax-Bak Service – Lenz Press 2021
View

Saint-Martin Bookshop Black Cap - 2024
Saint-Martin Bookshop Black Cap – 2024
View

Saint-Martin Bookshop Notebook - Medium size
Saint-Martin Bookshop Notebook – Medium size
View

Boekensteunen pair by Evelyn Vanoverbeke - Saint-Martin Bookshop 2024
Boekensteunen pair by Evelyn Vanoverbeke – Saint-Martin Bookshop 2024
View

Gift Cards to friends and family
Gift Cards to friends and family
€25.00 – €500.00
View

Maison Martin Margiela - Champagne Bucket 2011
Maison Martin Margiela – Champagne Bucket 2011
View

Maison Martin Margiela Paris: Videos 1989-2008/09 (DVD)
Maison Martin Margiela Paris: Videos 1989-2008/09 (DVD)
View

Maison Martin Margiela - 20 The Exhibition - MoMu 2008
Maison Martin Margiela – 20 The Exhibition – MoMu 2008
View

Hamish Fulton - A walking artist - Arnaud Bizalion Éditeur 2023
Hamish Fulton – A walking artist – Arnaud Bizalion Éditeur 2023
View

Orshi Drozdik - Adventure in Technos Dystopium 1970-1995 - MER. Books 2024
Orshi Drozdik – Adventure in Technos Dystopium 1970-1995 – MER. Books 2024
View

Le Chauffage - Issue 3 - 2024
Le Chauffage – Issue 3 – 2024
View

Gabriele Edlbauer & Julia S. Goodman - If You Can't Say It with Words, Say It with Chicken - Kettler 2024
Gabriele Edlbauer & Julia S. Goodman – If You Can’t Say It with Words, Say It with Chicken – Kettler 2024

Gabriel Kuri - Offering to Saint-Martin - Saint-Martin Bookshop 2021
Gabriel Kuri – Offering to Saint-Martin – Saint-Martin Bookshop 2021
View

Marcel Broodthaers - Un voyage à Waterloo - Merz 2001
Marcel Broodthaers – Un voyage à Waterloo – Merz 2001
View

Leigh Ledare, et al. - WIELS 2012
Leigh Ledare, et al. – WIELS 2012
View

Our website is open 24/7. Our book collection is updated daily and everything is available online. We ship worldwide.

Follow us on Instagram, we post daily our last books, some cool images from our bookshop and stories from our  visitors.


Rue de flandre 114 Vlaamsesteenweg
1000 Brussels, Belgium
http://www.saint-martin-bookshop.com
+32 487 13 65 72

Monday – Saturday, 11am – 7pm
Website  –  Facebook  –  Instagram

 

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In December it’s party time

Posted on

Saint-Martin Bookshop
In December it’s party time

Friday December 7
From 6 to 9pm

MER. Books
Art publisher

Join us on Saint Nicholas Day in Brussels for a unique collaboration with MER. Books. We are thrilled to present an evening that celebrates MER. Books journey as an art publisher – from rare, collectible gems to the latest titles and more. Discover the stories behind MER. books and their vast collection of artist collaborations over the years.

Friday December 13
From 6 to 9pm

CHIDY WAYNE
IN THE MIRROR 
1st Anniversary book celebration

Featuring a welcome gift, book signing 7pm talk and limited edition prints.
In collaboration of Creative Voyage & Grège Gallery

Saturday December 14
From 6 to 9pm

JACOPO PAGIN
THE SNIPER IN THE BRAIN 
Book launch & Performance

The first monograph dedicated to Jacopo Pagin, edited and designed by Ismaël Bennani and Orfée Grandhomme and featuring a critical contribution by Alessandra Franetovich, brings together over 200 drawings and paintings to explore the visionary, obsessive, and hypnotic qualities of the artist’s work and its profound connections with exotic, mediumistic, and new-age practices.

 

IN DECEMBER, WE ARE OPEN ON SUNDAY !!!

Ready to put under the tree 🎄

Bruno Munari - Il venditore di animali - Emme Edizioni 1979
Bruno Munari – Il venditore di animali – Emme Edizioni 1979
View

Bruno Munari - L'uomo del camion - Emme Edizioni 1979
Bruno Munari – L’uomo del camion – Emme Edizioni 1979
View

Bruce Gilden - Faces - Dewi Lewis Publishing 2015
Bruce Gilden – Faces – Dewi Lewis Publishing 2015
View

Studio Berlin Berghain - Distanz 2020
Studio Berlin Berghain – Distanz 2020
View

Laure Prouvost - Legsicon - M HKA 2019
Laure Prouvost – Legsicon – M HKA 2019
View

Keith Haring at Paul Maenz - 1984
Keith Haring at Paul Maenz – 1984
View

Bruno Munari - Nella notte Buia - Muggiani Editore - 4th edition
Bruno Munari – Nella notte Buia – Muggiani Editore – 4th edition
View

Bruno Munari - xerografia - Rank Xerok 1970 (mint)
Bruno Munari – xerografia – Rank Xerok 1970 (mint)
View

The BANK Fax-Bak Service - Lenz Press 2021
The BANK Fax-Bak Service – Lenz Press 2021
View

Saint-Martin Bookshop Black Cap - 2024
Saint-Martin Bookshop Black Cap – 2024
View

Saint-Martin Bookshop Notebook - Medium size
Saint-Martin Bookshop Notebook – Medium size
View

Boekensteunen pair by Evelyn Vanoverbeke - Saint-Martin Bookshop 2024
Boekensteunen pair by Evelyn Vanoverbeke – Saint-Martin Bookshop 2024
View

Gift Cards to friends and family
Gift Cards to friends and family
€25.00 – €500.00
View

Maison Martin Margiela - Champagne Bucket 2011
Maison Martin Margiela – Champagne Bucket 2011
View

Maison Martin Margiela Paris: Videos 1989-2008/09 (DVD)
Maison Martin Margiela Paris: Videos 1989-2008/09 (DVD)
View

Maison Martin Margiela - 20 The Exhibition - MoMu 2008
Maison Martin Margiela – 20 The Exhibition – MoMu 2008
View

Hamish Fulton - A walking artist - Arnaud Bizalion Éditeur 2023
Hamish Fulton – A walking artist – Arnaud Bizalion Éditeur 2023
View

Orshi Drozdik - Adventure in Technos Dystopium 1970-1995 - MER. Books 2024
Orshi Drozdik – Adventure in Technos Dystopium 1970-1995 – MER. Books 2024
View

Le Chauffage - Issue 3 - 2024
Le Chauffage – Issue 3 – 2024
View

Gabriele Edlbauer & Julia S. Goodman - If You Can't Say It with Words, Say It with Chicken - Kettler 2024
Gabriele Edlbauer & Julia S. Goodman – If You Can’t Say It with Words, Say It with Chicken – Kettler 2024

Gabriel Kuri - Offering to Saint-Martin - Saint-Martin Bookshop 2021
Gabriel Kuri – Offering to Saint-Martin – Saint-Martin Bookshop 2021
View

Marcel Broodthaers - Un voyage à Waterloo - Merz 2001
Marcel Broodthaers – Un voyage à Waterloo – Merz 2001
View

Leigh Ledare, et al. - WIELS 2012
Leigh Ledare, et al. – WIELS 2012
View

Our website is open 24/7. Our book collection is updated daily and everything is available online. We ship worldwide.

Follow us on Instagram, we post daily our last books, some cool images from our bookshop and stories from our  visitors.


Rue de flandre 114 Vlaamsesteenweg
1000 Brussels, Belgium
http://www.saint-martin-bookshop.com
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Das Team des Ludwig Forum Aachen trauert um Gründungsdirektor Dr. Wolfgang Becker / The team of Ludwig Forum Aachen mourns the loss of founding director Dr. Wolfgang Becker

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Ludwig Forum

29.11.2024

 

Artikelbild

Foto/ Photo: Julia Rief

 

Das Team des Ludwig Forum Aachen trauert um den Gründungsdirektor Dr. Wolfgang Becker. Er ist am 28. November im Alter von 88 Jahren verstorben. 

Dr. Wolfgang Becker (1936 – 2024) gehörte als Mitinitiator sowie als legendärer Gründungsdirektor der Neuen Galerie – Sammlung Ludwig im Jahr 1970 und später des Ludwig Forum für Internationale Kunst 1991 in Aachen fraglos zu den wichtigsten Protagonist*innen der städtischen Kulturszene. Gemeinsam mit dem Sammlerehepaar Peter und Irene Ludwig machte er die Domstadt weit über die Euregio Maas-Rhein hinaus zu einem Mittelpunkt der zeitgenössischen Kunst. Durch sein außergewöhnliches Engagement und seine hohe Sensibilität für die Avantgarde förderte er internationale wie lokale Künstler*innen gleichermaßen und setzte neue Maßstäbe für die Aachener Museumsarbeit. Nicht nur kuratierte und organisierte er eine schier unermessliche Anzahl von Ausstellungen, dank ihm erhielt Aachen ein Fenster zur internationalen Kunstwelt.

„Ohne sein einzigartiges avanciertes wie interdisziplinäres Programm in der ehemaligen Schirmfabrik Emil Brauer wäre das Ludwig Forum zweifellos nicht zu dem geworden, was es heute ist. Schon als Gründungsdirektor setze Wolfgang Becker zahlreiche wichtige Impulse, die bis in die Gegenwart wirken. Die Gedanken unseres gesamten Museumteams, auch aller ehemaligen Kolleg*innen, sind bei seiner Familie“, so Eva Birkenstock, Direktorin des Ludwig Forum Aachen.

Von 1967 bis 1969 arbeitete Wolfgang Becker zunächst als künstlerischer Werbeleiter für die Stadt Köln, wo er Peter und Irene Ludwig kennenlernte, deren enger Wegbegleiter er wurde. Als Direktor der Neuen Galerie – Sammlung Ludwig im Alten Kurhaus in Aachen setze er bereits ein interdisziplinäres Ausstellungs-, Veranstaltungs- und Vermittlungsprogramm um, in dessen Zentrum die Sammlung Ludwig und deren Neuerwerbungen standen. So war er u.a. maßgeblich für die ersten Ankäufe von Film- und Videoarbeiten verantwortlich, die den Grundstein des heutigen Bestands an Videokunst der Sammlung Ludwig legten. Ebenso arbeitete er daran mit, die Sammlung um Positionen aus den ehemaligen Sowjetrepubliken sowie um Konvolute chinesischer und kubanischer Kunst zu ergänzen.

Als Gründungsdirektor des Ludwig Forum für Internationale Kunst aktivierte Becker ab 1991 das Museum an der Jülicher Straße als internationales Forum der Künste, dessen spartenübergreifendes Programm weit über die Grenzen der Stadt hinaus geschätzt wurde. Bis zu seinem Ruhestand im Jahr 2001 arbeitete mit internationalen ebenso wie mit Künstler*innen aus der Umgebung zusammen und realisierte erste Einzelpräsentationen mit u.a. Roy Lichtenstein, Duane Hanson, Barbara und Michael Leisgen, A.R. Penck, Georg Baselitz, On Kawara, Nancy Graves, Nan Goldin oder Keith Haring. Ebenso kuratierte er Gruppenausstellungen wie „Les Nouveaux Fauves – Die Neuen Wilden“ – deren Titel später zu einem prägnanten Begriff im kunstgeschichtlichen Diskurs werden sollte – und brachte gemeinsam mit Peter und Irene Ludwig die 5. Havanna Biennale 1994 nach Aachen.

English Version

 

The team of Ludwig Forum Aachen mourns the loss of founding director Dr. Wolfgang Becker. He passed away on November 28 at the age of 88. 

As co-initiator and founding director of the Neue Galerie – Sammlung Ludwig in 1970 and later of the Ludwig Forum for International Art in Aachen in 1991, Dr. Wolfgang Becker (1936 – 2024) was undoubtedly one of the most important protagonists of the city’s cultural scene. Together with the collector couple Peter and Irene Ludwig, he turned the city into a center of contemporary art far beyond the Euregio Meuse-Rhine area. With his extraordinary commitment and his high sensitivity for the avant-garde, he supported international and local artists alike and set new standards for Aachen’s cultural life and museums. Not only did he curate and organize an almost immeasurable number of exhibitions – with him, Aachen gained a window to the international art world.

“Without his unique, advanced and interdisciplinary program in the former Emil Brauer umbrella factory, the Ludwig Forum would undoubtedly not have become what it is today. As its founding director Wolfgang Becker provided numerous impulses that continue to have a crucial impact. The thoughts of our entire museum team, including all former colleagues, are with his family,” says Eva Birkenstock, Director of the Ludwig Forum Aachen.

From 1967 to 1969, Wolfgang Becker initially worked as artistic advertising manager for the city of Cologne, where he first met Peter and Irene Ludwig, with whom he would continue to work very closely. As director of the Neue Galerie – Sammlung Ludwig in the Altes Kurhaus in Aachen, he was already implementing an interdisciplinary exhibition, event and mediation program, which focused on the Ludwig Collection and its new acquisitions. Among other things, he was largely responsible for the first acquisitions of film and video works, which laid the foundation for the Ludwig Collection’s current holdings of video art, and was deeply involved in expanding the collection towards artworks from countries of the former Soviet Union, China, and Cuba.

As founding director of the Ludwig Forum for International Art, Becker activated the museum on Jülicher Strasse from 1991 onwards as an international forum for the arts, whose interdisciplinary program was appreciated far beyond the city’s borders. Until his retirement in 2001, he worked with both international and local artists and realized his first solo presentations with artists such as Roy Lichtenstein, Duane Hanson, Barbara and Michael Leisgen, A.R. Penck, Georg Baselitz, On Kawara, Nancy Graves, Nan Goldin and Keith Haring. He also curated group exhibitions such as “Les Nouveaux Fauves – Die Neuen Wilden” (The New Wild Ones) – the title of which would later become a concise term in art historical discourse – and brought, together with Peter and Irene Ludwig, the 5th Havana Biennial to the Ludwig Forum in 1994.

 

Impressum

Ludwig Forum für Internationale Kunst
Jülicher Straße 97–109
52070 Aachen
Di bis So 10–17 Uhr, Do 10–20 Uhr
Tel. +49 (0) 241 1807 104/ Fax +49 (0) 241 1807 101
E-Mail: Redaktion:
Ludwig Forum Aachen
www.ludwigforum.de

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Ein Museum der Stadt Aachen

Opening tomorrow: Stéphanie Baechler & Joke Hansen

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Vernissage Saturday November 30, 4-7 PM
 
 

Stéphanie Baechler

Zeros + Ones

 
November 30 – January 16
 
December 21, 4 PM: Book presentation & reading Forget me not  Stéphanie Baechler and Rudy Guedj 
 

Joke Hansen

WIDE SHOTS

 
November 30 – January 16
_____________________________________________________________________________
 
Stéphanie Baechler (°1983, Meyriez, CH) lives and works in Amsterdam. She has exhibited at MAHF, Fribourg, Chamber Gallery New York, Kunsthalle Fri Art Fribourg, Kunsthaus Centre d’art Pasquart Biel, Sankt Gallen in Switzerland, Arti et Amicitiae in Amsterdam and Mode Museum Antwerpen, among others. Her works are in public and private collections such as HEAD Geneva, Museum für Gestaltung Zürich and MAHF Fribourg.
This is the first exhibition of her work in the gallery in Brussels. Baechler is interested in the interplay between craft and technology; the complex and often ambiguous relationship between handmade and machine-made results. Textile and clay are the main materials she uses in her sculptures and installations. Her work is characterised by a sensitive, intuitive and process-oriented approach to materials. During the past summer months, she showed an impressive installation at the Tröckneturm (drying tower) in Sankt Gallen, Switzerland. She also created a book – historically documented – for this event, together with publisher Rudy Guedj of Building Fictions. The works in this exhibition are inspired by and build on this installation.
 
Joke Hansen (b 1979, Bilzen, BE) lives in Bilzen and works in Hasselt. Her work has been exhibited at Kunsthalle Recklinghausen in Germany, Z33 in Hasselt and SMAK in Ghent, among others.
This is the first show of her work in the gallery in Brussels. Hansen plays with strange shapes and cut-outs in her wooden panels and ‘shaped canvases’. Sometimes she also paints these shapes on a photograph of a landscape. They imply an extra dimension, a portal to another world or the next level. Each new work clashes with a delicate balance between resolving unpleasant compositional tensions and finding just enough interesting friction. She herself often describes the dancing holes, tubes and tunnels in her works as escape routes. For a year now, she has also been making sculptures that hang on the wall. The elements spaced out in her larger works are assembled and balled into sculptural volumes, which play equally with layers and perspective; less from an essential reduction and more from a mass; not in paint, but in a third dimension. Neither finding nor stacking these elements is done strategically. Everything is intuitive and spontaneous.
_____________________________________________________________________________
         

Ch. de Charleroi, 54 1060 Brussels – www.whitehousegallery.be

[nadine] December 2024

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[Live Conversation #2] On Care & Kin
with Adva Zakai & Olga Bientz (School of Love), Caroline Daish, Rebecca Lenaerts
04/12/2024 — live conversation

[EN] Live Conversations are part of nadine’s curated activities in dialogue and in collaboration with artists and or partners. The conversations focus on a specific topic or artistic practices affiliated with nadine.
This second conversation talks about the Etat des Lieux at the elderly home Saphir. 

[NL] Live Conversations focussen op een specifiek onderwerp of artistieke praktijken verbonden aan nadine. Deze publieke dialoog wordt op uitnodiging van nadine gecureerd in samenwerking met kunstenaars en/of partners.
Dit tweede gesprek gaat over de Etat des Lieux in het woonzorgcentrum Saphir.

[FR] Live Conversations font partie des activités organisées par nadine en dialogue et en collaboration avec des artistes et des partenaires. Les conversations se concentrent sur un sujet spécifique ou sur des pratiques artistiques affiliées à nadine.
Cette deuxième conversation porte sur le État des Lieux à la maison de repos Saphir.

> The conversation takes place on Wednesday 4 December from 20:00 to 22:00 at new polyphonies (in English). This Live Conversation will be streamed online, the link will be shared on nadine’s website before the conversation starts. 

new polyphonies, rue Manchesterstraat 17, 1080 Molenbeek
more info: nadine.be
many thanks to WZG Saphir, new polyponies
image by nadine

[Live Conversation #3] On Eavatea — ‘Archipelago of Artistic Practices’
with Jubilee, Natural Contract Lab & Maria Lucia Cruz Correia, Vincent Meessen & Olivier Pestiaux
10/12/2024 — live conversation 

[EN] This third conversation is organised in collaboration with Jubilee, in the context of the upcoming work sessions on Eavatea, a platform and Archipelago of Artistic Practices.

[NL] Dit derde gesprek wordt georganiseerd is in samenwerking met Jubilee en speelt in op de komende werksessies rond Eavatea, een platform en ‘archipel van artistieke praktijken’ .

[FR] Cette troisième conversation est organisée en collaboration avec Jubilee dans le contexte des prochaines sessions de travail sur Eavatea, la plateforme et ‘archipel de pratiques artistiques’ . 

> The conversation takes place on Tuesday 10 December from 19:00 to 21:00 at Kunsthal (in English). This Live Conversation will be streamed online, the link will be shared on nadine’s website before the conversation starts. 

Kunsthal, Lan­ge Steen­straat 14, 9000 Gent
more info: nadine.be
image by Eavatea

[n0dine] Nine Records by Christian Hansen & Various Artists
13/12/2024 – 10/01/2025 — expo

[EN] Christian Hansen and Various Artists invite you to immerse yourself in their sound installation, Nine Records. Your active participation plays a crucial role in shaping the outcome, generating endless possible soundscapes.

[NL] Christian Hansen en Various Artists nodigen je uit om je onder te dompelen in hun geluidsinstallatie Nine Records. Jouw actieve deelname speelt een cruciale rol in het vormgeven van het resultaat, waarbij eindeloos veel mogelijke geluidslandschappen zullen ontstaan.

[FR] Christian Hansen et Various Artists vous invitent à vous immerger dans leur installation sonore Nine Records. Votre participation active joue un rôle crucial dans l’élaboration du résultat, générant une infinité de paysages sonores possibles.

> Opening on Thursday 12 December from 18:00 to 21:00. Expo until 10 January 2025, visit from Monday to Friday 10:00 – 18:00 or by appointment.

n0dine, Rue de Laekensestraat 105, 1000 Brussels
more info: nadine.be
image by nadine

[dinA] X-mas shop by nadine & artists
16/12 – 23/12/2024 — library/gift shop

[EN] In December our office space dinA will once again transform into a Christmas shop. We will present recent zines, publications and small editions by artists we collaborated with in 2024. All the works are for sale – just in time to send your wishes and wrap gifts for your loved ones or yourself.

[NL] In december wordt onze bureauruimte dinA opnieuw omgetoverd tot kerstshop. We verkopen zines, recente publicaties en kleine edities van de kunstenaars met wie we in 2024 samenwerkten. Precies op tijd om je wensen te versturen en cadeautjes in te pakken voor je vrienden, geliefden… of jezelf!

[FR] Les dernières semaines de décembre notre espace de bureau dinA se transforme encore une fois en boutique de Noël. Nous y proposons à la vente des zines, des publications récentes et des petites éditions réalisées par les artistes avec qui nous avons collaboré en 2024. Pile à l’heure pour envoyer tes souhaites et emballer les cadeaux pour tes ami·es, amoureux·es, proches…ou toi même! 

> Festive opening on Monday 16 December from 16:00 onwards.
nadine’s end of the year drink and festive closing of the Shop on Monday 23 December at 18:00, followed by RusClub.

dinA, Nieuwbrug 3 Rue du Pont Neuf, 1000 Brussels
more info : nadine.be
image by nadine

[wandering] callisto’s walk by Lucia Palladino
18/12/2024 — walk

[EN] callisto’s walk is a soundwalk where the audience is gathered and a storyteller introduces them to callisto’s postindustrial myth and her power of hybridising inner spaces into outside spaces and viceversa. The audience is then invited for a walk while listening to an audio file.

[NL] callisto’s walk is een geluidswandeling waarbij het publiek bijeenkomt en een verteller hen laat kennismaken met de postindustriële mythe van callisto en haar vermogen om binnenruimtes te hybridiseren met buitenruimtes en vice versa. Het publiek wordt vervolgens uitgenodigd voor een wandeling met audio.

[FR] callisto’s walk est une promenade sonore au cours de laquelle une narratrice présente au public le mythe postindustriel de callisto, ainsi que son pouvoir d’hybridation des espaces intérieurs en espaces extérieurs, et vice-versa. Le public est ensuite invité à se promener tout en écoutant une piste sonore. 

> The walk takes place on Wednesday 18 December from 20.30.
Thanks for reserving your place by sending an email to , detailed info will be communicated to the participants. 

more info : nadine.be
image by Lucia Palladino

[dinA] RusClub #75 (Kidnapping, Caucasian Style, 1967, 1h22min)
23/12/2024 — film

[EN] RusClub is a platform for Russian cinema. Alexandra Dementieva selects Russian movies and guides you through the history of Russian cinema.

[NL] RusClub is een platform voor Russische cinema. Alexandra Dementieva gidst het publiek doorheen de geschiedenis van de Russische cinema aan de hand van geselecteerde films.

[FR] RusClub est une plateforme pour le cinéma russe. Alexandra Dementieva nous fait part de sa sélection de films russes et nous guide à travers l’histoire du cinéma russe.

> The movie will be screened on Monday 23 December. Welcome to nadine’s end of the year drink and festive closing of the X-mas Shop (see above) at 18:00. The projection of the movie starts at 20:00.

dinA, Nieuwbrug 3 Rue du Pont Neuf, 1000 Brussels
more info: nadine.be

[extra muros] VITRIEN #9: Antje Van Wichelen & Troubled Archives 
at BNA-BBOT
07/12/2024 — public event

7 December 2024 – 15:00-19:00
BNA-BBOT, Rue de Laekensestraat 119, 1000 Brussels
more info: bna-bbot.be

REMOVED FOOTER

Volgende week: de Appel Kiosk op de Dappermarkt door Espacio Estamos Bien

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Volgende week: de Appel Kiosk op de Dappermarkt door Espacio Estamos Bien
Volgende week vindt de tweede iteratie van de Appel’s experimentele Kiosk plaats op de Dappermarkt in Amsterdam-Oost. Deze keer zal Espacio Estamos Bien, in samenwerking met Lorenzo García-Andrade, een ruimte creëren voor alternatieve uitwisseling, gericht op niet-monetaire economieën, gastvrijheid, de schenk-traditie van de potlatch en coöperatieve waarden. De kraam, DOOS ¡No hacemos moneda falsa!, zal worden gevuld met objecten in dozen die zijn gestuurd door vrienden en samenwerkingspartners van over de hele wereld. Voorwerpen en kunst-miscellanea zullen worden uitgewisseld met behulp van creatieve ruilmethoden zoals gunsten, brieven, wensen of andere voorwerpen. Doe mee aan deze correspondentie door de dozen te vullen met voorwerpen en gedachten, waarna we de dozen terugsturen naar de afzenders.

Houd onze Instagram-pagina in de gaten, want ‘s ochtends vroeg posten we waar en wanneer de Kiosk op de markt zal staan, en geven we meer informatie over de afsluitende bijeenkomst.

Op zaterdag 7 december vindt er een slotmoment plaats in het buurthuis en vrijwinkel Afvalpaleis aan de Dapperstraat.

De kunstenaars en de Appel bedanken NieuwLand voor de logistieke ondersteuning.
 
 
Doos
Grafisch ontwerp door Juan Sebastian Rosillo
 
 
Meer over de Appel Kiosk
Geïnspireerd door onze vrienden in de lumbung, die nog steeds een lumbung kiosk runnen, en andere initiatieven van kunstenaars om hun collectieven in stand te houden en deel te nemen aan kleine economieën, heeft de Appel een experimentele kiosk gelanceerd in samenwerking met kunstenaars Metti/Waèl el Allouche (die de kiosk afgelopen oktober hebben gehost) en Espacio Estamos Bien voor 2024. De kunstenaars hebben hun eigen kramen, en daarmee hun eigen economieën ontwikkeld.

Espacio Estamos Bien (EEB) is een kunstcoöperatie* gevestigd in Amsterdam die bijeenkomsten, publicaties en tentoonstellingen organiseert. EEB begon met het idee van een nieuwe ruimte in Amsterdam – niet per se een fysieke – die een affectieve en ondersteunende context zou kunnen bieden. Een ruimte voor hen die niet thuishoren in het institutionele circuit. Een ruimte die altijd verandert, altijd in beweging is, maar altijd bereikbaar is. EEB initieert gesprekken en faciliteert ontmoetingen. EEB is opgericht door Mariana Jurado Rico en Francisca Khamis Giacoman.

*Een coöperatie is een autonome vereniging van personen, vrijwillig verenigd om een democratische organisatie te vormen waarvan de administratie en het beheer moeten worden uitgevoerd op een manier die door de leden is overeengekomen.
 
 

Verzorgd door MailingLijst

This weekend at Greylight Projects-> Open studios and more /en meer /und mehr /et plus

Posted on

Greylight Projects - platform for art & culture

 

Hey, hai, hoi,
We nodigen u graag uit voor het volgende:
Wir möchten Sie zu den folgenden Veranstaltungen einladen:
We would like to invite you to the following:
Nous vous invitons à participer aux événements suivants:


Greylight Projects is supported by the gemeente Heerlen
 
 

Greylight Projectsis a member of Very Contemporary,
the network of contemporary art venues in the Meuse-Rhine Euregion.

 
Greylight Projects is part of the cross border residencie

 
Greylight Projects is part of #TOKTOK,
platform for cultural initatives in Heerlen.
 
ateliers/ studio’s: Limaweg 3, 6415XD, Heerlen

Your Christmas gifts at Fondation CAB

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Your Christmas gifts at Fondation CAB ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌

This week’s openings in Brussels

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This week’s openings in Brussels
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Opening this week
Wednesday 27 Nov → Tuesday 03 Dec

Thu 28.11 — 17:00
BEIGE
Maria Appleton & Ann Veronica Janssens – 'A soft green glow in the evening red'

Fri 29.11 — 18:00
La Verrière
Esperluette : Hélène Bertin with Anne Blanès, Aline Cado, Marion Cousin, Caroline Nussbaumer, Lola Verstrepen

Sat 30.11 — 16:00
Whitehouse Gallery
Stéphanie Baechler – 'Zeros & Ones '

Sat 30.11 — 16:00
Whitehouse Gallery
Joke Hansen – 'Wide Shots '



Opening next week
Wednesday 04 Dec → Tuesday 10 Dec

Wed 04.12 — 18:00
EDJI Gallery
Kayoon Anderson – 'Echoes of Home'

Thu 05.12 — 17:00
Contretype
Pop up

Sat 07.12 — 13:00
Contretype
Pop up / Photobook Fair

Sat 07.12 — 14:00
OV Project
Genesis: Constantin Brancusi, Stief Desmet, Anneke Eussen, Takahashi Kaishu, Goro Kakei, Ric

Sun 08.12 — 16:00
Eté 78
TBN – '1 heure – 1 œuvre'

NECA and this newsletter are brought to you by la Fondation pour les Arts / Stichting voor de Kunsten. with the active support of visit.brussels.
Fondation pour les arts
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VERNISSAGE: NAK Benefiz Auktion 2024

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NAK ONLINE BENEFIZ AUKTION 2024

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

3 WOCHEN, 3 BLOCKS, ONLINE ONLY:

www.neueraachenerkunstverein.auction

 

 

 

Der NAK Neuer Aachener Kunstverein lädt Sie herzlich zur diesjährigen NAK Benefiz Auktion ein. Die Auktion findet komplett online statt, alle Werke können aber zeitgleich im NAK in einer Ausstellung besichtigt werden. Der Kunstverein führt seine Auktion unter der Schirmherrschaft von Prof. Henrik Hanstein (Kunsthaus Lempertz, Köln) und im Namen der teilnehmenden Künstler_innen durch.

AUKTION //

www.neueraachenerkunstverein.auction

INFORMATION //

Woche 1: 02. bis 08. Dezember 2024
Woche 2: 09. bis 15. Dezember 2024
Woche 3: 16. bis 22. Dezember 2024

Eröffnung: 30. November 2024, 19 Uhr
Ausstellung: 02. bis 22. Dezember 2024

Die Onlineauktion beginnt am Montag, den 02. Dezember und endet am Sonntag, den 22. Dezember 2024. Die Auktion wird in drei wöchentlichen Blocks veranstaltet, auf sich die zu versteigernden Positionen verteilen.

Um an der Auktion teilzunehmen und Gebote abzugeben, registrieren Sie sich bitte vorab auf der Auktionswebseite und bestätigen Sie bitte anschließend Ihre Registrierung per Klick auf den Link in Ihrer Bestätigungsemail.

Sollten Sie Fragen zur Auktion, den Werken oder Künstler_innen haben melden Sie sich gerne im NAK. Wenn Sie Probleme haben sich auf der Auktionswebseite zu registrieren oder sonstige Fragen zum Prozedere haben, wenden Sie sich ebenfalls gerne vorab an den NAK per Telefon oder E-Mail. Wir helfen Ihnen gerne weiter. Alle Einzelheiten finden Sie unter www.neueraachenerkunstverein.de nochmals online. Von dort aus gelangen Sie ebenfalls auf die Auktionsseite www.neueraachenerkunstverein.auction.

VORSCHAU //

Über die Instagram und Facebook Seiten des NAK werden vorab alle Arbeiten der teilnehmenden Künstler_innen vorgestellt.

AUSSTELLUNG + GET-TOGETHER //

Weiterhin werden alle zu ersteigernden Arbeiten in einer Ausstellung vor Ort im Kunstverein präsentiert. Die Ausstellung eröffnet am 30. November 2024 ab 19 Uhr im NAK. Die Arbeiten können bis zum 22. Dezember täglich (außer montags) von 14 bis 18 Uhr im Kunstverein besichtigt werden. Am Dienstag, den 03., 10. und 17. Dezember hat der NAK darüber hinaus bis 22 Uhr geöffnet; hier bietet das Team beratend Führungen durch die Ausstellung an und stellt sich Ihren Fragen zu Werken und Künstler_innen.

TEILNEHMENDE KÜNSTLER_INNEN //

Albrecht/Wilke, Neven Allgeier, Michelle Alperin, Nicl Barbro, Julie Batteux, Arno Beck, Boris Becker, David Belise, Rebekka Benzenberg, Alisa Berger, BERGERNISSEN, Tim Berresheim, Eugene Bongs-Beer, Lars Breuer, Clara Brörmann, Max Brück, Lisa Busche, Cihan Cakmak, Keren Cytter, Zuzanna Czebatul, Sibylle Czichon, Plamen Dejanoff, Ferdinand Dölberg, Thomas Dozol, Hannah Dunkelberg, Hedwig Eberle, Carolin Eidner, Philip Emde, Jonas Fahrenberger, Anett Frontzek, Albrecht Fuchs, Jonah Gebka, Alexander Gehring, Dominik Geis, Jan Gerngross, Jakob Gilg, Tanhee Godt, Monika Grabuschnigg, Selma Gültroprak, Constantin Hartenstein, Hedda Roman, Ilka Helmig, Cornelia Herfurtner, Simon Herkner, Isabelle Heske, Marcel Hiller, Benedikt Hipp, Jan Hoeft, Caroline Hofman, Christian Holze, Olga Holzschuh, Yoni Hong, Zoe Hopf, Jonas Höschl, Tobias Huschka, Andrea Ihl, Justyna Janetzek, Christof John, Eleni Kamma, Andy Kassier, Ben Kaufmann, Christian Keinstar, Bianca Kennedy, Daniel Kiss, Klaus Kleine, Alfons Knogl, Tina Kohlmann, Christian Kölbl, Konstitutiv der Möglichkeiten, Jody Korbach, Hanna Körner, Hans W. Krämer, Tom Król, Caroline Kryzecki, Wolfgang Kupczyk, Alwin Lay, Mischa Leinkauf, Anna Ley, Christine Liebich, Lukas Liese, Janis Löhrer, Tamara Lorenz, Arthur Löwen, Timur Lukas, Tammo Lünemann, Martin Maeller, Dylan Maquet, Stefan Marx, Oliver Meier, Gerold Miller, Jonathan Monk, Roy Mordechay, Conrad Müller, Philipp Naujoks, Joe Neave, Anna Nero, Moritz Neuhoff, Nick Oberthaler, Bea Otto, Nicolas Pelzer, Gudrun Petersen, Zara Pfeifer, Lena Anouk Philipp, Sabrina Podemski, Soff, Johanna Reich, Anys Reimann, Bernd Ribbeck, Simon Risi, Johanna Roderburg, Antonia Rodrian, Natalia Rolón, Markus Saile, Dean Sameshima, Laurentius Sauer, Daniel Schaal, Morgaine Schäfer, Laura Schawelka, David Schiesser, Marius Schillak, Robert Schittko, Pablo Schlumberger, Natascha Schmitten, Berit Schneidereit, Ani Schulze, Ulrike Schulze, Mona Schulzek, Moreno Schweikle, Paul Schwer, Pola Sieverding, Vera Sous, Casey Spooner, Katharina Stadler, Michael Stipe, Sophia Süßmilch, Sarah Szczesny, Lukas Thaler, Christian Theiss, Sophie Ullrich, Thomas Virnich, Kurt von Bley, Lola von der Gracht, Karl von Monschau, Marta Vovk, Finn Wagner, Johannes Tassilo Walter, Nicholas Warburg, Thomas Weidenhaupt, Mathias Weinfurter, Christoph Westermeier, Achim Franz Willems, David Benedikt Wirth, Johannes Wohnseifer, Ester Zahel, Mio Zając

 

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Derniers jours & finissage de l’expo 𝘚𝑖𝘭𝑒𝘯𝑐𝘪𝑜, conférence & appels à candidatures

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Derniers événements de 2024
 

Derniers jours et finissage de l’expo Silencio

Pour clore Silencio, Olivia Hernaïz vous invite le samedi 30.11 dès 15h à une ultime visite guidée de son exposition en compagnie du curateur Laurent Courtens et d’Ilse Roosens, curatrice au Mu.ZEE d’Ostende.

Cette visite sera suivie d’une lecture chorale à 16h. Les cousines d’Olivia Hernaïz sont invitées à lire, dans différents espaces de l’exposition, des témoignages d’enfants espagnol·es adopté·es ou logé·es dans des familles belges suite à leur fuite du pays, ravagé par la guerre civile et menacé par la victoire franquiste. Les témoignages collectés en néerlandais, en français et en espagnol seront lus dans ces trois langues.

Réserver sa place pour le finissage →

L’exposition est accessible les mardi 26, mercredi 27, jeudi 28, vendredi 29 et samedi 30.11 entre 11h et 18h. Au plaisir de vous accueillir ! 

Hors Réserve : Sans titre par Walter Swennen – Conférence par Delphine Florence

27.11 18:30 → 20:00

Lors de cette nouvelle édition de “Hors Réserve”, l’historienne de l’art et conférencière Delphine Florence présente et commente l’oeuvre Sans Titre de Walter Swennen, peintre belge incontournable de la scène contemporaine né en 1946. Pour l’occasion, le tableau fera la navette depuis le Musée d’Ixelles.
Infos et inscriptions →

Appel de dossiers – Colloque sur l’art & le vivant

Deadline : 13.12.24

Chercheur·euses actif·ves en Belgique ou à l’étranger, vous souhaitez contribuer à une réflexion sur les liens pluridisciplinaires qui unissent la culture artistique contemporaine et le vivant depuis 1960 ? Proposez une communication synthétisant une investigation récente sur le sujet en vue d’un colloque qui aura lieu les 8 et 9 mai 2025 !

L’appel complet (PDF) →

Appel à candidatures – À vos marques !

Deadline : 31.12.24

Le programme d’accompagnement des élèves du secondaire artistique  « À vos marques ! » a pour but de préparer des élèves de 6ème secondaire à intégrer une école supérieure des arts, via des ateliers gratuits deux mercredis par mois. La prochaine session démarre en janvier 2025 !

L’appel complet (PDF) →

Poursuite du cycle de cours L’art de tourner le dos par Rosanna Gangemi

03.12 – 10.12 | 14:00→16:00

Rosanna Gangemi, philosophe et critique d’art, poursuit son cycle de cours. Au menu des deux dernières séances: 

03.12 : Des avant-gardes du début du 20ᵉ siècle jusqu’à nos jours

10.12 : Les dos tournés dans l’art vidéo, le cinéma, le théâtre, la mode…
En savoir plus →

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Upcoming

 

IN VAIN – An Anthology as a Form of Resistance
Onur H. Karaoğlu

Friedrichstraße 23a | 27 November, 19:30
+ FRIZZ Gallery | 29 November–5 December

Photo credit: Zeynep Fırat

Onur H. Karaoğlu’s In Vain is a video installation that takes its name from the ashik (poet) Mahzuni Şerif’s song, Boşu Boşuna (In Vain).

One of the qualities of an ashik poet is that they travel from town to town singing and spreading reflections to live by. During this work, the audience is invited to write and experience the role of a poet. Our journey is guided by the narration of four characters: a storyteller, an ancient sea, an oceanographer from the middle ages, and a poet from the last century. All of the stories intersect on marine mucilage that has covered the Marmara Sea as a result of the climate crisis in 2021. The ramifications of this abundance of mucilage are catastrophic. 

By bringing together four characters/stories from Istanbul: a long-disappeared sea, an oceanographer from the middle ages, a poet from the last century and a young writer from contemporary times, In Vain creates a space to investigate the passing of time, and how to make meaning in the face of crisis. 
 

 

Wednesday, 27 November at 19:30
Friedrichstraße 23A, 10969, Berlin

Presentation of the participatory performance version of In Vain with the addition of a fifth character, a young writer from contemporary times.

Due to limited space, reservations are required for this free event.
To reserve your spot, please email  The performance will be held in English.

29 November–5 December
Frizz Gallery, Friedrichstraße 23A, 10969, Berlin

 

uqbar

Ruins of Belarus
Uladzimir Hramovich

 

9–28 November

The exhibition Ruins of Belarus will be on view until 28 November, 12:00–18:00 and we invite you take part in the exhibition public program.

PUBLIC PROGRAM

Wednesday, 27 November at 18:00
Lecture From War to War: Illustration and Militarization of Visual Space in Belarus

Antiwarcoalition.art in cooperation with ABA invite you to the public lecture by artist Uladzimir Hramovich. A history of Belarusian book illustration and visuality from the postwar period through the 2000s. From the Soviet soldier to the tank from War Gaming, how Soviet education mutated and became the forerunner of the new wartime in the region.

Uladzimir Hramovich graduated from the Gymnasium-College of Arts named I. O. Akhremchik in Minsk, Belarus (2009) and the graphics arts department of the Belarusian State Academy of Arts in Minsk, Belarus (2015). He is a member of the Problem Collective since 2016 and works with installation, graphics and video.

The lecture will be held in English as a part of the Bridges of Solidarity public program.

 

 

Thursday, 28 November at 17:00
Exhibition tour in German with Uladzimir Hramovich & Katharina von Hagenow
 

To find out more about the project, visit our website.

 

Currently in Residence

Eloise Sweetman
 

Eloise is Rotterdam-based curator originally from Western Australia. Her curatorial practice is guided by a philosophy of “lingering”—a deliberate, slow engagement with art that unfolds over time and space. This method is influenced by philosopher Byung-Chul Han’s concept of “de-distancing,” which refers to the process of getting closer to one’s surroundings and creating a sense of intimacy. In her exhibitions, Eloise seeks to create space for artists and audiences alike to engage deeply with the works on display, allowing meaning to remain open and fluid.

 

Sweetman’s curatorial projects have included collaborations with internationally renowned artists such as Apichatpong Weerasethakul, Etel Adnan, Felix Gonzalez-Torres, and many others. In 2021, she co-edited Curatorial Feelings with Jo-ey Tang, a collection of texts on curating and collaboration. She is also the co-founder and co-director of Shimmer, a curatorial studio in Rotterdam that operates with a “studio-like mentality,” emphasizing participation and experimentation in contemporary art. In addition to her independent projects, Eloise teaches and lectures at institutions such as the Gerrit Rietveld Academie, Van Eyck Academie, and University of Amsterdam. Her podcast, I Hope This Message Finds You Well, co-hosted with Kris Dittel, offers candid discussions on curating, featuring insights from colleagues across the world

 

Residency period: Sep–Dec 2024
Supported by Mondriaan Funds.

 

Lysann König
 

Lysann König (*1986 Zwickau) lives and works in Basel as an artist, musician and curator. She is part of the KASKO-Team since 2021, a project space for contemporary art, performance and mediation in Basel, and co-founder of ∑ SUMME, a networking platform and biennale event for artist-run-spaces and projectspaces in Basel. Since her bachelor‘s degree in 2012 at the Institut Kunst in Basel, she has been part of various collectives, including Dr. Kuckucks Labrador and who writes his_tory?

Her main media are video and performance. König‘s work is based on post-capitalist critique and the search for new ways of artistic and social collaboration. Her works are mostly created through teamwork with people from different disciplines. The idea of remix culture is deeply rooted in her practice. The roles that König takes on in her works are as changeable as the media she uses – be it video, performance, installation or music.

 

Residency period: Sep 2024–Feb 2025
Supported by Pro Helvetia.

 

Onur H. Karaoğlu

Onur H. Karaoğlu produces works in performance, video and theatre. Since 2010, his original and adapted writing and directing pieces have been commissioned and presented by festivals and institutions such as Wiener Festwochen, Dancing On The Edge, Media Art Xplarotion and Volksbühne. His performance and video works were showcased at Bahar (Sharjah Biennial 2017), SPOT, Operation Room and Protocinema. He is one of the founding members of Studio 4 Istanbul, producing theatre, film works and performance space KÖŞE in Yeldeğirmeni, which later became an international performance festival. Between 2014 and 2019, he was the director of Orhan Pamuk’s Museum of Innocence in Istanbul. Karaoğlu teaches classes on performance at Boğaziçi and Koç University. He holds a BA in Sociology from Boğaziçi University and an MFA in Theater Directing from Columbia University in The City Of New York.

 

Residency period: Oct – Nov 2024
Supported by STRÜKTÜR

 

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Fondation CAB Brussels I Workshop for kids

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Fondation CAB Brussels I Workshop for kids ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌

Newsletter Ludwig Forum Aachen

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Ludwig Forum

Ausgabe 26.11.2024

 

Eleonore de Montesquiou, Eksperiment Katya (Filmstill), 2020. Courtesy the artist.

Eleonore de Montesquiou, Eksperiment Katya (Filmstill), 2020. Courtesy the artist.

Please scroll down for English Version

Einladung: Vortrag von Dr. Klara Kemp-Welch (Kunsthistorikerin, London)

Anlässlich unserer aktuellen Ausstellung Fragmente einer Wirklichkeit, die einmal war. Begegnungen mit der Ukraine in der Sammlung Ludwig, laden wir Sie herzlich zu einem Vortrag der Kunsthistorikerin Dr. Klara Kemp-Welch am Donnerstag, den 28.11.2024 um 19 Uhr in das Ludwig Forum Aachen ein. Mit Free Movement? Migration und Mobilität in Osteuropa durch die Linse der zeitgenössischen Kunst stellt Kemp-Welch ihre jüngsten Forschungen zu zeitgenössischen Künstler*innen vor, die sich mit Fragen der Migration und Mobilität im osteuropäischen Kontext beschäftigen. 

Wir freuen uns auf Ihr Kommen!

Ihr
Ludwig Forum Aachen

Donnerstag, 28. November 2024, 19 Uhr
Free Movement? Migration und Mobilität in Osteuropa durch die Linse der zeitgenössischen Kunst
Vortrag von Dr. Klara Kemp-Welch, Kunsthistorikerin, Courtauld Institute of Art, London
Ort: Space, Ludwig Forum Aachen

Begrüßung: Holger Otten, Kurator, Ludwig Forum Aachen
Moderation: Galina Dekova, Forschungsvolontärin, Ludwig Forum Aachen und Kuratorin der Ausstellung Fragmente einer Wirklichkeit, die einmal war
Die Veranstaltung findet in englischer Sprache statt.

In ihrem Vortrag Free Movement? Migration und Mobilität in Osteuropa durch die Linse der zeitgenössischen Kunst stellt Dr. Klara Kemp-Welch ihre neuen Forschungen zu zeitgenössischen Künstler*innen vor, die sich mit Fragen der Migration und Mobilität — vor allem mit den Themen Arbeitsmobilität, Minderheitenerfahrung und Grenzpolitik — im osteuropäischen Kontext beschäftigen. Kemp-Welch argumentiert, dass Künstler*innen in einer einzigartigen Position sind, um die Komplexität der freien Mobilität zu untersuchen und kritische Einblicke in Osteuropa als soziale, wirtschaftliche und politische Frontlinie zu geben.

Dr. Klara Kemp-Welch ist Kunsthistorikerin und beschäftigt sich am Courtauld Institute of Art in London mit moderner und zeitgenössischer Kunst aus Osteuropa. Sie ist die Autorin von Antipolitics in Central European Art. Reticence as Dissidence under Post-Totalitarian Rule 1956-1989 (IB Tauris, 2014), Networking the Bloc. Experimental Art in Eastern Europe 1965-1981 (MIT Press, 2019) und zusammen mit Beata Hock und Jonathan Owen Mitherausgeberin von A Reader in East-Central European Modernism 1918-1956 (Courtauld Books Online, 2019). Derzeit arbeitet sie an einer Monografie über Migration und Mobilität in Osteuropa, betrachtet durch die Linse der zeitgenössischen Kunst.

Weitere Veranstaltungen im Ludwig Forum Aachen

Dienstag, 10. Dezember 2024, 18 Uhr
Zeigekunst: KuratorInnen als Zauberlehrlinge. Wie man hinsieht durch Wegsehen, wie man beginnt aufs Ende hin, wie man auf das zeigt, was nicht gezeigt wird
Vortrag von Bazon Brock
In Kooperation mit der RWTH Aachen

Sonntag, 15. Dezember 2024, 17 Uhr
Threnody for the KhoiSan
Konzert mit Garth Erasmus (Stimme, Alto Sax), Carina Khorkhordina (Trompete), Ruth May (Violine), Peter Thiessen (Cello), Stefan Schneider (Elektronik)

Führungen im Ludwig Forum Aachen

Donnerstag, 28. November 2024, 18 Uhr
Rune Mields / Gegenverkehr – mit Miriam Schmidt (kuratorische Assistentin)

Donnerstag, 5. Dezember 2024, 18 Uhr
Terrestrische Perspektiven – mit Lisa Oord (Kuratorin der Ausstellung)

English Version

Invitation: Lecture by Dr. Klara Kemp-Welch (art historian, London)

On the occasion of our current exhibition Fragments of a Reality That Once Was. Encounters with Ukraine in the Ludwig Collection, we cordially invite you to a lecture by art historian Dr. Klara Kemp-Welch on Thursday, November 28, 2024 at 7pm at Ludwig Forum Aachen. With Free Movement? Migration and Mobility in Eastern Europe through the Lens of Contemporary Art, Kemp-Welch will present her latest research on contemporary artists who work on questions relating to migration and mobility in the Eastern European context.

We are looking forward to seeing you at the Ludwig Forum!

Yours
Ludwig Forum Aachen

Thursday, November 28, 2024, 7pm
Free Movement? Migration and Mobility in Eastern Europe through the Lens of Contemporary Art
Lecture by Dr. Klara Kemp-Welch, art historian, Courtauld Institute of Art, London
Venue: Space, Ludwig Forum Aachen

Welcome: Holger Otten, curator, Ludwig Forum Aachen
Moderation: Galina Dekova, research trainee, Ludwig Forum Aachen and curator of the exhibition Fragments of a Reality That Once Was
The event will be held in English

In her lecture Free Movement? Migration and Mobility in Eastern Europe through the lens of contemporary art, Dr. Klara Kemp-Welch introduces her new research on contemporary artists who work on questions relating to migration and mobility in the East European context. It will be structured around the themes of labour mobility, minority experience, and border politics. Kemp-Welch will argue that artists are uniquely placed to examine the lived complexities of free movement and to offer critical insights into Eastern Europe as a social, economic and political frontline.

Dr. Klara Kemp-Welch is an art historian who works on modern and contemporary art from Eastern Europe at the Courtauld Institute of Art in London. She is the author of Antipolitics in Central European Art. Reticence as Dissidence under Post-Totalitarian Rule 1956-1989 (IB Tauris, 2014), Networking the Bloc. Experimental Art in Eastern Europe 1965-1981 (MIT Press, 2019) and co-editor of A Reader in East-Central European Modernism 1918-1956 together with Beata Hock and Jonathan Owen (Courtauld Books Online, 2019). She is currently completing a monograph on migration and mobility in Eastern Europe, as seen through the lens of contemporary art.

Further events at Ludwig Forum Aachen

Tuesday, December 10, 2024, 6pm
Zeigekunst: KuratorInnen als Zauberlehrlinge. Wie man hinsieht durch Wegsehen, wie man beginnt aufs Ende hin, wie man auf das zeigt, was nicht gezeigt wird
Lecture by Bazon Brock
In coopertion with RWTH Aachen

Sunday, December 15, 2024, 5pm
Threnody for the KhoiSan
Concert with Garth Erasmus (vioce, alto sax), Carina Khorkhordina (trumpet), Ruth May (violin), Peter Thiessen (cello), Stefan Schneider (electronics)

Guided tours at Ludwig Forum Aachen

Thursday, November 28, 2024, 6pm
Rune Mields / Gegenverkehr – with Miriam Schmidt (curatorial assistant)

Thursday, December 5, 2024, 6pm
Terrestrial Perspectives – with Lisa Oord (curator of the exhibition)

Auf dem Vulkan

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Di bis So 10–17 Uhr, Do 10–20 Uhr
Tel. +49 (0) 241 1807 104/ Fax +49 (0) 241 1807 101
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[NGHE NEWSLETTER] Mediathèque SMS en retard : MERDEZUTH

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On ouvre les derniers mercredi du mois vous saviez?
(du coup on ouvre pas le dernier samedi du mois tya compris :))
IMG20241125220445.jpg
14h-20h
ce mercredi 27 novembre
pour célébrer la sortie du disque de Merdézuth
vers 18h avec Attila Tralala et la Distropie
tchuss les twitos!
*$$$$*

ah ouais et tu sais quoi, j ai chopé une cassette a 15balles. jsuis passé à Argos, -tu vois toi? non bah y'a un bookshop avec des livres trop stylé bien cher et y' avais une cassette, a 15 balles, jl ai achètée, j'étais curieuse, pas encore écoutée mais elle a l'air trop stylée! ça s'appelle “Le vaisseau de la vézère”. ah ouais mais toi tu m'a offert une cassette POISSON, bien stylé, ils me disent que blablabla en amour – ils font pas plus précis? parce que quand même… non mais la pochette est élégante, le poisson s'enroule… “romantique en diable, un don de fuite étonnant, pas très stable”. j'ai pas écouté la face B, on va se l'écouter.

t'as vu ce qu'il y a écrit sur la pochette? “Santé : prenez vos pieds en main”
mais jsuis un poisson, j'en ai pas!

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NGHE – Médiathèque bricolée

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🔔🔔 Laatste kans om de Japanse zentuin van Anna Godzina te bezoeken🔔🔔

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Z33 agenda

Laatste week Earthscapes
nog tot 01.12

“Voor haar eerste solo-expo maakt Anna Godzina een riviervallei in Moldavië en een Japanse zentuin hoorbaar door de sculpturen te laten rinkelen, tikken en zwaaien.”

De Standaard, 19/10/2024

Koop een ticket

Detail van de maand: Swirls of Tenderness van Amber Andrews

De Vaas

Pandora was zo slecht nog niet. Je kent ongetwijfeld haar doos, waaruit ze alle rampen die ons teisteren liet ontsnappen. Andrews brengt hier een mildere versie van dat verhaal. Want wat als die doos geen doos was, maar een vaas die per ongeluk omviel? Dan was Pandora misschien degene die ze nog net op tijd weer rechtzette, voordat de laatste vloek eruit stroomde.

Lees meer of doorblader de brochure online

Meer op de agenda

do 12.12, 18 – 22 u 
Avondopening

do 13.02, 20 u
Filmconcert met Miaux: Carnival of Souls

zo 23.02, 14.30 – 16.30 u 
Zondaggasten #5: De kunst van het etaleren

naar de agenda

Cadeau voor jezelf of anderen

Word vriend van Z33

Fan van ons huis en liefhebber van kunst, design en architectuur? Vrienden van Z33 genieten van exclusieve previews en kortingen in onze shop, maar sinds dit jaar ook van kortingen bij andere musea! Als kers op de taart ontvang je een limited edition kaars geïnspireerd op het werk van Amber Andrews.

Meer info

Z33 is een grensverleggende kunstinstelling in Hasselt op het kruispunt van hedendaagse kunst, design en architectuur. 

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Currently on view: Koen van den Broek and Peter Joseph

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We are delighted to present two remarkable exhibitions that celebrate the depth and versatility of painting.
 
The first showcases the work of Belgian artist Koen van den Broek, whose poetic interpretation of urban landscapes offers a fresh perspective on the interplay between architecture and abstraction.
The second pays tribute to the British artist Peter Joseph (1929–2020), renowned for his masterful use of light, colour, and space, which inspires a sense of timeless contemplation.

Koen van den Broek 
Ribbons
Online preview available here

Koen van den Broek’s exhibition marks a pivotal evolution in his practice, introducing new series that delve into innovative approaches to his themes. His canvases transform into landscapes in their own right, reimagining segments of (road) codes as aesthetic forms, blurring the boundaries between abstraction and representation.

Peter Joseph
Border Paintings
eafezfezrgrgertgeOnline preview available here

Peter Joseph’s exhibition centres on his iconic Border Paintings, works that explore the delicate balance between formal simplicity and emotional resonance. In these canvases, he meticulously examines the subtle interplay between a central rectangle and its surrounding frame, creating compositions of striking clarity and depth.  

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Q-O2 news :: A Metonymy?

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 workspace for experimental music and sound art

A Metonymy?

Is a metonymy the right word to describe this newsletter? One word opening a set of entities, possibilities and concepts? We wouldn’t know. But, we do know that in this newsletter, an amalgam of releases, a workshop, performances, a radio piece and a listening session is waiting for you.
Celeste Betancur and Joana Chicau have been our online tekhnē residents for the last two months, and their residency culminates in both a workshop and a performance, in which they will present Algorithmic Artscape, a work-in-progress web platform for creative programming.
In turn, the Chilean resident who is currently physically present in our sound attic, SRTN aka Sebastián Ramón Tapia Núñez will host an online radio broadcast, a Second Sundays listening session and will also present a new radio piece which he has composed during his residency.
And lastly: our annual festival is now more than half a year behind us, so it’s high time to warm ourselves with the memories once more. Below, you’ll find 8 live recordings from Oscillation ::: Materia Forma.

Oscillation ::: Materia Forma releases

Q-O2 / umland editions is pleased to present 4 split releases of live recordings from our festival Oscillation ::: Materia Forma that took place in April and May this year. Relive the moment or hear what you missed – warm and profound memories, they are:

Issue 1: Lee Patterson & Pak Yan Lau / Evicshen
Issue 2: Nika Son / Ailbhe Nic Oireachtaigh
Issue 3: Ana María Romano G. / Hannan Jones & Shamica Ruddock
Issue 4: Okkyung Lee / Giulia Rae

Workshop
30 November – 16h-18h30 –  @ Q-O2 – €10/12 registration required
Algorithmic Artscape: using a work-in-progress web platform for creative programming – Workshop with Celeste Betancur

This workshop will introduce Algorithmic Artscape, a work-in-progress web-platform which contains two components: a set of programming languages and tools for live coding audio and visuals, including a machine learning model; and a set of scores to inspire artistic creation either by making use of the tools above or external tools such as video and audio recording, writing, dance, photography.
The workshop aspires to introduce participants to the platform while creating an environment for exchanging tricks, techniques, and knowledge. Participants will create code sketches and scores, which can be translated into sound, images, or videos and can be exhibited in the online gallery space. Furthermore, they will be invited to join the presentation later that day.
[more info]

Performance
30 November – 20h – @ Q-O2 – free
Celeste Betancur, Joana Chicau

Celeste Betancur and Joana Chicau will present Algorithmic Artscape, a work-in-progress web-platform for creative coding and expression. Algorithmic Artscape platform has been developed as part of a residency program tekhnē in collaboration with TRAFO in Poland.
Algorithmic Artscape is built around a set of programming languages and tools for live coding audio and visuals, including a machine learning model. In addition, the platform hosts a set of scores to inspire artistic creation either by making use of the tools available in the platform or external ones.
The presentation will include a demo by the artists and workshop participants, and a showcase of contributions by various artists to the Algorithmic Artscape online gallery.
[more info]

Radio transmission
6 December 20h &  7 December 22h – online radio broadcast
Jornada Ruido / Manifestation Bruit – SRTN

Organized by Rata Sorda Rec + A.R.E. (Asociación de Radios Experimentales), Jornada Ruido is an activity that was born in 2019 in Valparaiso with the main objective of bringing together and disseminating diverse sound practices related to experimental music. Through this instance, the aim is to support and contribute to the dissemination of artists who reflect through sonority, exceeding the commercial logic of musical distribution.
A bridge will be created between Brussels (BE) and Limache (CL) with live concerts from both venues, transmitted on the radio on two consecutive days. The concerts in Brussels will be broadcast from Q-O2, with live-sets by current artist-in residence and a number of invited Brussels based musicians. The event is happening on air, tune in from anywhere via https://chercanradio.org.
[more info]

Second Sundays #55
8 December – 17h (doors 16h30) –  @ Q-O2 – free
SRTN

For the 55th pre-Christmas edition of Second Sundays our current artist-in-residence SRTN aka Sebastián Ramón Tapia Núñez will present a selection from the Rata Sorda Rec archive, featuring tracks from different artists from Valparaíso in Chile. The session will explore their sound works through live recordings spanning 2014 to 2024, promising an hour of experimental sounds, time travelling, and more.
Rata Sorda Rec’s archive is dedicated to storing and disseminating live recordings of concerts linked to sound experimentation, mainly performed in Valparaíso. More info at      ratasordarec.cl. Cocktail of the month: Pisco Sour.
[more info]

Post-residency presentation
12 December – 18h –  @ Q-O2 – free
Sebastián Ramón Tapia Núñez aka SRTN

SRTN aka Sebastián Ramón Tapia Núñez will present Sabotaje 0, a new radio piece which he has composed during his residency. The piece will be presented as a live sound performance. Sabotaje 0 is a radiophonic composition that delves into the 1981 sabotage of the Viña del Mar Festival—a political act carried out by the Frente Cero collective against the Chilean military dictatorship. A relevant milestone in the resistance against the military regime, but widely unknown.
[more info]

Still available + new
podcasts, books, releases, videos

Q-O2 is funded by the Flemish Community, VGC Brussels, and the European Union.

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NOVEMBER at Fondation CAB Brussels I Open Studio – Workshop kids

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NOVEMBER at Fondation CAB Brussels I Open Studio – Workshop kids ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌