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SAINT-PAUL-DE-VENCE WE ARE PLEASED TO PRESENT CYRIELLE GULACSY Open Studio Artist-in-residence FRIDAY DECEMBER 17, FROM 4 – 6 PM
Cyrielle Gulacsy, Fondation CAB, Saint-Paul-de-Vence, 2021 Fondation CAB is pleased to introduce Cyrielle Gulacsy (b. 1994, Paris, France) as our 1st artist-in-residence in [removed]; Self-taught artist, Cyrielle has been drawing and painting since the end of her studies in 2016. Initially driven by a quest for realism, her work evolves under the influence of modern physics, towards the representation of an imperceptible reality, of the order of abstraction, concealing the invisible laws of nature. Space-time, electromagnetism, or the diffraction of light are all fields of research and experimentation that allow the artist to explore new representations of reality. In her work the artist explores our perception of light through space and time and reveals to us the matter that composes it. Her “atomistic” approach to pointillism is the result of a desire to get closer to the quintessence of things and to give an account of infinite quantities difficult to conceive. Each point, whether it is the measure of a particle or a celestial object, gives substance to an inaccessible reality and offers an intimate and dizzying view of the world around us. Space becomes almost tangible, and the invisible, by taking shape, brings us closer to the essence of nature. CURRENT EXHIBITION IN SAINT-PAUL-DE-VENCE LIGHTNESS OF BEING Perspective on the Collection Open by appointment till end of February Lightness of Being, Perspective on the collection, Fondation CAB Saint-Paul-de-Vence, 2021, Photography Antoine Lippens In Saint-Paul-de-Vence, some twenty artworks from the collection Fondation CAB will be presented, with a display co-curated by Hubert Bonnet and Joost Declercq. For this first interpretation of the collection, a conscious choice was made to select artworks that open up a reflection on the positioning of the artist. The artist as a person, the artist in his relationship to time and space, as well as his position within the prevailing economic, social and cultural context. It is the attitude and thought of the artist that are put for-ward. The artist unveils his vulnerability through his reflections on the very meaning of art. The exhibited artworks only acquire meaning when placed in relation with the architecture, the space and the viewer. The materiality briefly disappears and the artist’s engagement is translated by phil-osophical formulations about the very essence of things.
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