intermission museum of art newsletter | ima + stand4 gallery

intermission museum of art + stand4 gallery
archive: volume i

10 september — 23 october 2021
stand4 gallery
414 78th street, brooklyn, new york 11209 us | map
hours | saturday, 12-3p and by appointment

opening reception | 10 september, 7-9pm eastern/us
directors discussion [zoom] | 02 october, 11am-12pm eastern/us | register
closing reception | 23 october, 12-3pm eastern/us

masks and proof of vaccination are required to visit the gallery, which will be operating at a limited capacity.
 

featuring collaborations by
jodi hays + ayanah moor
lindiwe matshikiza + flora parrott
lynn silverman + jason sloan
mira dayal + marina kassianidou
lauren k. alleyne + matthew fischer
mike cloud + nyeema morgan
aurora de armendi + jessica del vecchio
kate casanova + sarah faye mcpherson
jaimini patel + carli toliver
ana čavić + sally morfill
rose van mierlo + john ros

after an ambitious and successful first year of initiating and archiving digital collaborations, ima is pleased to partner with stand4 gallery and community art center in bay ridge, brooklyn, ny, to mount a physical manifestation of the archive. ima’s archived volume i exhibitions from june 2020 through june 2021 will be included. an exhibition catalogue has been produced to celebrate the close of volume i and is available to print-on-demand and as a free downloadable .pdf.

this exhibition represents a new collaboration between stand4 gallery and ima whereby hosting the digital archive, stand4 gallery becomes ima and vice versa. this symbiotic relationship enhances each counterpart while implementing an additional layer of collaboration. as a fictional museum and performative project, ima challenges the status quo on the social role of museums by engaging with its fictional structures of operation. it explores the tangible effects fictionality has in the social and economic world and suggests alternative models of exhibiting while sparking meaningful conversations. its online form enables ima to exist in several places at once and reach multiple audiences. it is neither real nor unreal, but can be read as a critical text. its second form is performative: ima is both artwork and museum. it can only exist through the hospitality of others.

 

press release | card | poster
download catalogue | purchase catalogue

gallery event

directors discussion
02 october, 11a-12p

 

stand4 gallery founder and artistic director, jeannine bardo, will host ima founding directors and curators, rose van mierlo and john ros, via zoom for a discussion about ima, collaborations and institutional critique on saturday, 02 october 2021, from 11a-12p. zoom registration required.
 

register

volume ii
artists
+
themes

 

volume ii  | 2022

 

10 january – 27 february 2022
ghostly matters |
alice wilson + neja tomšič
curator | rosanna van mierlo

07 march – 24 april 2022
matter-of-fact |
deanna lee + kirsten nash
curator | john ros

02 may – 19 june 2022
i am the river, the river is me |
christina battle + samanta batra mehtra
curator | rosanna van mierlo

27 june – 14 august 2022
specious reasoning |
jeffrey martín + david mccormick
curator | john ros

 

in case you missed it… volume i archive

volume i archive

about ima

intermission museum of art (ima) was founded in 2020 by rose van mierlo and john ros, in response to the cultural, social, environmental, economic and political fissures that make themselves evermore present during times of crisis and put stress on accepted systems of operation. ima provides a space for critical thinkers to respond to these moments of friction by investigating them as meaningful sites of production, instigating dialogues which will culminate in a public archive.

ima’s name references the question of open space: the flipping movement of a hand searching through archives, gaps in the pavement, performance interludes, tv-commercials, coffee breaks and silent pauses; all moments of unpoliced disruption that are typically un-institutional. at its core, ima therefore proposes the museum as a site of uncertainty; a building without walls; a non-hierarchical collection of interdisciplinary narratives and voices; both a guest and a host; and an exercise in cross-pollination. it resists the architectural premise of power that underwrites the white cube, democratizing the exhibition in terms of access. instead, its architectural premise is that of lateral networks; its vision decentralized and participatory.
 

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274 morgan ave

brooklyn, ny 11211-2753

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