intermission museum of art + stand4 gallery archive: volume i
10 september — 23 october 2021 stand4 gallery 414 78th street, brooklyn, new york 11209 us | map hours | saturday, 12-3p and by appointment
opening reception | 10 september, 7-9pm eastern/us directors discussion [zoom] | 02 october, 11am-12pm eastern/us | register closing reception | 23 october, 12-3pm eastern/us
masks and proof of vaccination are required to visit the gallery, which will be operating at a limited capacity.
featuring collaborations by jodi hays + ayanah moor lindiwe matshikiza + flora parrott lynn silverman + jason sloan mira dayal + marina kassianidou lauren k. alleyne + matthew fischer mike cloud + nyeema morgan aurora de armendi + jessica del vecchio kate casanova + sarah faye mcpherson jaimini patel + carli toliver ana čavić + sally morfill rose van mierlo + john ros
after an ambitious and successful first year of initiating and archiving digital collaborations, ima is pleased to partner with stand4 gallery and community art center in bay ridge, brooklyn, ny, to mount a physical manifestation of the archive. ima’s archived volume i exhibitions from june 2020 through june 2021 will be included. an exhibition catalogue has been produced to celebrate the close of volume i and is available to print-on-demand and as a free downloadable .pdf.
this exhibition represents a new collaboration between stand4 gallery and ima whereby hosting the digital archive, stand4 gallery becomes ima and vice versa. this symbiotic relationship enhances each counterpart while implementing an additional layer of collaboration. as a fictional museum and performative project, ima challenges the status quo on the social role of museums by engaging with its fictional structures of operation. it explores the tangible effects fictionality has in the social and economic world and suggests alternative models of exhibiting while sparking meaningful conversations. its online form enables ima to exist in several places at once and reach multiple audiences. it is neither real nor unreal, but can be read as a critical text. its second form is performative: ima is both artwork and museum. it can only exist through the hospitality of others.
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