Julius Eastman (1940–1990) was an African American minimalist composer, pianist, vocalist, and performer whose ‘organic music’ offered social and political [removed];
Joy Boy was originally developed as the visual concept for a live performance by the [removed] Ensemble, commissioned by De Singel. In NW, it has evolved into a self-contained, multidimensional installation spread across three [removed];combines visual, sonic, and choreographic interpretations, inspired by conversations between the artists and their personal connections to [removed];Finally, Benjamin Mengistu Navet investigates how a musical score by Julius Eastman could be translated into a jacquard weave. The exhibition highlights the impact of Eastman’s minimalist music as a powerful tool for political change and rehabilitation.