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‘The role of Artists is no longer just about propagating scientific and technological knowledge and skills among the general public but much more as a kind of catalyst that can inspire and trigger innovative [removed]#8217;
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| FINAL DAYS: STARTS PRIZE ’20. |
| Speculating on the Future through Art and Science |
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Every year the STARTS Prize rewards projects that find innovative responses to the social, ecological and economic challenges that Europe will be facing in the near future through the meeting of science, technology and the arts (STARTS). Our exhibition showcases the winners.
The exhibition is divided in different chapters that express some recurring topics the many artists and designers are dealing with in their works: ‘Human-machine interaction’, ‘Programmability of life’, ‘Circular Economy’, ‘Digital Activism & Communities’ & ‘Future Health & Well Being’.
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| CLOSING EVENT – The future crashes into the present |
| INNOVATION THROUGH INTERSECTORAL AND ARTISTIC COLLABORATIONS |
| [removed] – from [removed] to 5:30pm |
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For the finissage of the STARTS Prize 2020 exhibition, BOZAR LAB organizes a conference introduced by Christophe De Jaeger, Artistic Programmer BOZAR LAB, on Bauhaus Europe. The artist and “storyteller of the future” Karen Palmer (UK) – known for her interactive artwork ‘Perception iO’, part of the STARTS PRIZE ’20 exhibition at BOZAR – will launch the event with a keynote entitled “The Future crashes into the present”. The key note will be followed by a talk with 5 innovative company representatives.
Booking in advance required. When you buy your conference ticket, you will receive a 50% discount on the exhibition ticket STARTS PRIZE ’20. Art and science. Speculations about the future ([removed])
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| Go beyond the exhibition and have a look at our digital visitor guide |
| In order to give you the best experience, our visitor guide is now available online. Find out more about the displayed artworks at Bozar and iMAL, watch some interviews with the artists and discover web exclusive artworks. |
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| EDEN – Olga Kisseleva |
| at BOZAR |
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| It was the rebirth of the Biscarosse Elm in the frame of Olga Kisseleva’s Biopresence project (2012) that served as a catalyst for the creation of a series of the tree-based bio-art works created by the artist during the last decade. The arboreal theme was taken up and developed in several parallel studies. One such extensive project is EDEN Ethics – Durability – Ecology – Nature, which began in 2012 and has continued to the present day. |
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| The Substitute – Alexandra Daisy Ginsberg |
| at iMAL |
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| The Substitute explores a paradox: our preoccupation with creating new life forms, while neglecting existing ones. A northern white rhino is digitally brought back to life, informed by developments in the human creation of artificial intelligence (AI). |
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| Be Water – by Hong Kongers |
| Web Exclusive |
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Since the summer of 2019, a tremendous political movement has been happening in Hong Kong. Digital technology plays a key role in the whole movement, and the use of technology is creative, innovative, and pervasive. The protest movement in Hong Kong shows how the Be Water strategy allied to digital technology can be a powerful means for citizens to resist attacks on their democratic rights and freedoms.
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CENTRE FOR FINE ARTS
Rue Ravensteinstraat, 23
1000 Brussels
INFO & TICKETS:
+32 2 507 82 00 | [removed]
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