Onomatopee news

AGENDA JANUARY – FEBRUARY 

NEW EXHIBITS:

Opening Friday January 20th, 20:00 

21-1-2012 to 26-2-2012
Open Thursday-Sunday 13:00- 17:00



Onomatopee 73: Research Project
The revelation of the concealed
Politics (in)form: Freedom of Information Act results 
By Renée Ridgway 




Onomatopee 74: Cabinet Project
(random but in order) flow and drift and perform and sit 
Spatial narratives with a purifying effect
By Jeroen Doorenweerd




NEW FAIRS:

Onomatopee @ JustMad art fair Madrid
Showing: Esther Tielemans and Yasser Ballemans
and…books
February 16 – 19 


Representative: Freek Lomme and Ellen Zoete



Onomatopee @ Wildeboekenmarkt during Art Rotterdam
February 10 – 12
With: books!

OUT NOW



Download the book for free HERE

Onomatopee 63: Cabinet project 
Closed Architecture
Editors: Vincent [removed] van Gerven Oei, Urok Shirhan
Texts: Jonas Staal
Graphic design: Eric de Haas
Supported by Mondriaan Foundation, BKKC/Province of North Brabant, Eindhoven City Council, The Netherlands Foundation for Visual Arts, Design and Architecture, Kunsthal Extra City Antwerpen and Centrum Beeldende Kunst Rotterdam.



Onomatopee 71: Research project
The voice of…
Curator/editor: Freek Lomme 
Graphic design: Drawswords (Rob van den Nieuwenhuizen)
Text: various writers



Onomatopee 70: Research project
Copy Nature
Editors: Ellen Zoete, Freek Lomme
Graphic design: Raw Color
Text: Frederik Baas, Simone de Waard, Ellen Zoete & Freek Lomme 
Partner organisation: Beeldenstorm
Supported by: Eindhoven City Council and SNS REAAL fund



Onomatopee 62: Research project 
KRAK
Curators/editors: Freek Lomme and Ranti Tjan
Text: Freek Lomme, Ilse van Rijn, Ranti Tjan, Michael Kroeger and Johanna Drucker
Graphic design: Remco van Bladel
Supported by Mondriaan Foundation and municipality of Eindhoven



PROGRAMME

Onomatopee 73: Research Project
The revelation of the concealed
Politics (in)form: Freedom of Information 
Act results
By Renée Ridgway 




Freedom has its limitations. While a visual culture of revealing liberties is in the forefront, concealed images barely draw any public interest: simply because their subject is hidden and their existence is non-existent in the public eye. But who is concerned with the ‘redaction’ of concealed documents and why is this so important? Since 1980 anyone in the Netherlands can request disclosure of information and documents controlled by the government institutions with the WOB (The Freedom of Information Act, (FOIA). The WOB makes public access possible to government records, archives and documents, in the form of paper records; not all files are digitalized [removed];

Artist Renée Ridgway searched the archives of Buro Jansen & Janssen, an investigation agency that critically follows the police, judiciary and intelligence services and uses the WOB as one of its research tools. Taking a critical stance on governmental policies and actions, Ridgway selected various files to be turned into readymades of political aesthetics. These A4s are palimpsest, remnant texts merging into newly created and visually poetic [removed];

This project pragmatically explores the actual conduct of these redacted documents. In diverse reflections, Freek Lomme, Renée Ridgway and Simon Ferdinando trace the capacity and relevance of this artistic turnover whilst Rick van Amersfoort of Buro Jansen & Janssen positions the practical implications of the [removed];

To uncover the politics involved in communication requires a game of hide and seek. The revelation of concealed data might very well both acknowledge and extend our understanding of rights and wrongs, leading us to an image of the political. As a counterpart to this power, this display allows a possibility to not only reveal the concealed but to reaccess its implications.

Links:
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Curator: Freek Lomme
Editors: Freek Lomme and Renée Ridgway
Graphic design publication: Eric de Haas
Made possible thanks to: Mondriaan Fonds, Municipality of Eindhoven, Buro Jansen & Janssen 




Onomatopee 74: Cabinet Project
(random but in order) flow and drift and perform and sit 
Spatial narratives with a purifying effect
By Jeroen Doorenweerd



motionless, the giraffe in the open country overseeing the panorama … or is it a meerkat, cheeky and sneaky, spying on something that is emerging from the grass… this exhibition brings together recent works by spatial narrator Jeroen Doorenweerd and offers you the opportunity to enter into a travelogue of field arrangements – observing the contemporary adventures that we endure in nature and culture, and fulfilled by those potential experiences. As the coordinates on our compass point us in set directions, we can pick up the binoculars and undergo the purifying effects that the scene can have on our vision.

Curator: Freek Lomme
Editors: Freek Lomme and Jeroen Doorenweerd
Graphic design publication: Ingo Oszkinat
Made possible thanks to: Municipality of Tilburg

 

 

 

 

 

 


Contact:
Onomatopee office & projectspace
Bleekstraat 23
5611 VB Eindhoven
The Netherlands
[removed]

Opening hours:
Onomatopee is open from Thursdays to Sundays
13:00-17:00 and by appointment

Onomatopee is supported by:

Mondriaan Foundation 
and the city of Eindhoven

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